"Actor: Edward Brooks"

• The Pemini Organisation (1972-1974) (UK Limited Edition) | Blu Ray | (30/05/2022) from £29.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  In the early 1970s, three ambitious friends Peter Crane, Michael Sloan and Nigel Hodgson combined the first letters of each of their names and set up the Pemini Organisation, a young and vital independent British film production company. Active between 1972 and 1974, Pemini produced one mid-length film, Hunted, a high-suspense thriller starring Edward Woodward and June Ritchie, and two feature films: Assassin, a grimly realistic spy film starring Ian Hendry, Edward Judd, Frank Windsor, Ray Brooks and Mike Pratt; and Moments, an enigmatic romantic mystery starring Keith Michell and Angharad Rees. When Pemini disbanded, the films disappeared into the ether... Now, these three lost works, made by one of the most vibrant independent production companies of the era, have been rescued from the archives to be given their first ever home entertainment release in this deluxe, individually numbered Limited Edition Blu-ray set, accompanied by a wealth of newly produced extras, including feature-length director commentaries, cast and crew interviews, and an 80-page book. Product Features New 2K restorations of Hunted, Assassin, and Moments from the only surviving film elements Original mono audio Audio commentaries on Hunted, Assassin, and Moments with director Peter Crane and film historian Sam Dunn (2022) Interview with Peter Crane, director of Hunted, Assassin, and Moments (2022) Interview with Michael Sloan, writer of Hunted, Assassin, and Moments (2022) Interview with Bruce Atkins, production designer Hunted, Assassin, and Moments (2022) Interview with Pemini Organisation co-founder Nigel Hodgson (2022) Interview with June Ritchie, star of Hunted (2022) Interview with Hunted composer Graham Dee (2022) Interview with Martyn Chillmaid, assistant director of Assassin (2022) Interview with Moments actor Valerie Minifie (2022) Interview with Moments composer John Cameron (2022) Interview with Bill Summers, electrician on Moments (2022) ˜Moments' in Cannes (2022): Peter Crane recounts a memorable story from an exhibitor screening Film historian Vic Pratt charts the history of the Pemini Organisation (2022) Ian Hendry biographer Gabriel Hershman looks at the actor's role in Assassin (2022) Moments: deleted sex scene (1974): sequence removed from release prints at the behest of the distributor In Search of Lebanon (1970): student film directed by Peter Crane and Nigel Hodgson exploring present day Lebanon as the living source of the Adonis myth Original theatrical trailers Image galleries: extensive promotional and publicity materials from the Pemini Organisation's archives New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive 80-page book featuring extensive extracts from Peter Crane's ˜Memories of Pemini', detailing the rise and fall of the Pemini Organisation and the production of their three films, extracts from the films' original press materials, archival news articles on Pemini's activities, new writing on In Search of Lebanon, and full film credits World premiere on Blu-ray Limited edition of 6,000 copies for the UK and US All extras subject to change

• American History X | DVD | (25/10/1999) from £4.24   |  Saving you £15.75 (371.46%)   |  RRP £19.99

  Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation. The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon, Amazon.com

• American History X | Blu Ray | (05/11/2012) from £9.75   |  Saving you £8.24 (84.51%)   |  RRP £17.99

  Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation. The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon, Amazon.com

• Reservoir Dogs | DVD | (20/11/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br

• Fred Astaire - Screen Legends | DVD | (05/06/2006) from £19.41   |  Saving you £5.58 (28.75%)   |  RRP £24.99

  One of the greatest music and dance stars in the history of motion pictures Fred rose from a fairly inauspicious start where a studio exec remarked: ""Can't sing. Can't act. Slightly balding. Can dance a little."" Well his career and achievements speak for themselves. A remarkable talent this box set features 4 of his most-loved films. You'll Never Get Rich (Dir. Sidney Lanfield 1941): After his wife discovers a telltale diamond bracelet impresario Martin Cortland tries to

• Reservoir Dogs - Special Edition | DVD | (07/06/2004) from £5.73   |  Saving you £14.26 (248.87%)   |  RRP £19.99

  They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br

• Fifteen Minutes | DVD | (10/09/2001) from £5.55   |  Saving you £14.44 (260.18%)   |  RRP £19.99

  Fifteen Minutes partners Robert De Niro and Saving Private Ryan's Edward Burns in a thriller satire on America's "reality TV" industry. De Niro plays celebrity detective Eddie Fleming, who must reluctantly work with arson investigator Jordy Warsaw (Burns) when a grisly fire is discovered to conceal a murder. This is the work of Emil (Karel Roden) and Oleg (Oleg Taktarov), East European psychos bent on a maniacal spree of killings. All of these are videotaped by Emil, who renames himself after his hero Frank Capra, in a perverse tribute to the US of A, where "no one is responsible for what they do!". Soon the duo decide to sell their footage to Kelsey Grammer's creepily shameless frontline TV journalist. As a pair of loons whose scariness is just the right side of cardboard villainy, Roden and Taktarov steal the movie as well as their camcorder. However, the central theme of voyeurism and video murder was dealt with far more effectively in the 1992 Belgian movie Man Bites Dog and, while the action tears along in explosive fashion, it does so at the expense of both plausibility and the anti-media satire, which seems hitched crudely onto the bumper of what is essentially a satisfying but conventional blockbuster thriller. --David Stubbs

• Children Of Dune | DVD | (22/09/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £39.99

  Children of Dune is the sequel to the Sci-Fi Channel's Frank Herbert's Dune (2000), and surpasses that earlier mini-series in every way. The screenplay is again by John Harrison, who has combined Herbert's novels Dune Messiah and Children of Dune into three 84-minute TV movies, and continues the labyrinthine space opera with little concession to the uninitiated. Indeed, this a very rare attempt to put the complexity of printed SF on screen, and if the result is sometimes rather hermetic it is perhaps inevitable when realising Herbert's Byzantine, pseudo-Shakespearean tragedy. The same tableaux-like qualities infuse the new Star Wars films and the similarities between Herbert's and Lucas' worlds have never been more obvious than here. Performances range from excellent--Julie Cox, Alice Krige, Alex Newman (much better here than in the first series) and James McAvoy--to a surprisingly wooden Susan Sarandon. The set-pieces are exceptional, with many individual images sufficiently memorable to stand comparison with the work of Ridley Scott. Production-wise this is surely the most beautiful mini-series ever made, with gorgeous lighting by cinematographer Arthur Reinhart, breathtaking set design from Ondrej Nekvasil and a ravishing score from Brian Tyler. By TV standards the CGI is first-rate and, though rarely looking real, establishes a credible science fictional universe. Even when rather baffling, the production achieves moments of dramatic grandeur and a sense of wonder not experienced in TV SF since Babylon 5. On the DVD: Children of Dune on DVD has one feature-length episode on each disc. The picture is presented at 1.77:1 anamorphically enhanced for widescreen TVs. Shot in high definition, its clarity and detail is superb with virtually no blemishes to the image at all. Colour has a painterly beauty that is remarkable. However, some shots look inaccurately framed, with what was presumably a 4:3 image being a little too closely cropped for widescreen presentation. It's a minor flaw and really only noticeable in some close-ups. Sound is a richly luxuriant Dolby Digital 5.1, which gives no ground to any modern blockbuster movie. Perfunctory extras are confined to the first disc and consist of an interesting but short look at the special effects (13 minutes), a storyboard comparison for one key scene and a photo gallery. --Gary S Dalkin

• Poldark - Series 2 - Part 2 | DVD | (06/10/2003) from £5.63   |  Saving you £15.35 (581.44%)   |  RRP £17.99

  The second half of the acclaimed second series of the classic BBC drama. Welcome to Cornwall near the turn of the nineteenth century where an air of celebration pervades. However even as Admiral Lord Nelson defeats the french fleet in the battle of the Nile the situation between the recently returned Ross Poldark and George Warleggan is no nearer a conclusion. And things at home aren't much better for Ross for Demelza is playing a very dangerous game with Lord Falmouth's nephew

• Invitation To The Wedding | DVD | (27/08/2002) from £6.99   |  Saving you £-1.00 (N/A%)   |  RRP £5.99

  Lord and Lady Braunceston are the impoverished landed gentry. 'Uncle Willy' is the eccentric Bishop whose church is threatened by greedy developers. Lady Anne is the daughter of the family and it's her impending marriage to the son of a wealthy neighbour which promises to be the salvation of the whole family... ... until the Bishop excels himself by managing to marry her to a penniless American at the wedding rehearsal. Things are looking black for everyone - then Ormiston the l

• Reservoir Dogs - Special Edition -Mr Blonde | DVD | (07/06/2004) from £24.93   |  Saving you £-4.94 (N/A%)   |  RRP £19.99

  Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson

• American History X | UMD | (30/01/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Reservoir Dogs - Special Edition -Mr White | DVD | (07/06/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson

• Reservoir Dogs Limited Edition DVD Box Set | DVD | (20/11/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson

• Reservoir Dogs - Special Edition -Mr Brown | DVD | (07/06/2004) from £10.98   |  Saving you £12.00 (150.19%)   |  RRP £19.99

  Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson

• Ed Wood - Vol. 2 - Glen Or Glenda | DVD | (17/04/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  The infamous cult director and frequent cross-dresser returns from the grave with this delicious double-bill of kitsch classics. Glen or Glenda (1953): After a hard day at the movie studio film maker and director Ed Wood would relax by dressing up in female clothing. If only he could combine his favourite pastime with his job as a movie director! That's exactly what Ed Wood does in this off the wall and hilarious tribute to cross-dressing! The suicide of a local transvesti