Since its release in 1998, Steven Spielberg's D-Day drama Saving Private Ryan has become hugely influential: everything, from the opening sequence of Gladiator ("Saving Marcus Aurelius") to the marvellous 10-hour TV series Band of Brothers, has been made in its shadow. There have been many previous attempts to recreate the D-Day landings on screen (notably, the epic The Longest Day), but thanks to Spielberg's freewheeling hand-held camerawork, Ryan was the first time an audience really felt like they were there, storming up Omaha Beach in the face of withering enemy fire. After the indelible opening sequence, however, the film is not without problems. The story, though based on an American Civil War incident, feels like it was concocted simply to fuel Spielberg's sentimental streak. In standard Hollywood fashion the Germans remain a faceless foe (with the exception of one charmless character who turns out to be both a coward and a turncoat); and the Tom Hanks-led platoon consists of far too many stereotypes: the doughty Sergeant; the thick-necked Private; the Southern man religious sniper; the cowardly Corporal. Matt Damon seems improbably clean-cut as the titular Private in need of rescue (though that may well be the point); and why do they all run straight up that hill towards an enemy machine gun post anyway? Some non-US critics have complained that Ryan portrays only the American D-Day experience, but it is an American film made and financed by Americans after all. Accepting both its relatively narrow remit and its lachrymose inclinations, Saving Private Ryan deserves its place in the pantheon of great war pictures. On the DVD: Saving Private Ryan on disc comes in a good-quality anamorphic 1.85:1 transfer with a suitably dynamic Dolby Digital 5.1 sound mix in which bullets fly all around your living room. Extra features are pretty minimal, with a standard 30-minute "making of" piece called "Into the Breach" and two trailers. There are text notes on the cast and crew as well as the production, and a brief message from Mr Spielberg himself about why he decided to make the movie. --Mark Walker
After serving as a bridesmaid 27 times, a young woman (Heigl) wrestles with the idea of standing by her sister's side as her sibling marries the man she's secretly in love with.
IN THE LAST GREAT INVASION, OF THE LAST GREAT WAR, THE GREATEST DANGER FOR EIGHT MEN WAS SAVING ONE. Internationally acclaimed by critics and audiences alike, Saving Private Ryan, directed by Steven Spielberg, is an unforgettable film achievement that has had a profound and lasting impact throughout the world. Winner of five Academy Awards including Best Director (Spielberg) Saving Private Ryan also garnered two Golden Globe⢠Awards for Best Motion Picture (Drama) and Best Director. Seen through the eyes of a squad of American soldiers, the story begins with World War II's historic D-Day invasion, then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan (Matt Damon), whose three brothers have been killed in combat. Faced with impossible odds, the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realities of war, each man searches for his own answer and the strength to triumph over an uncertain future with honour, decency, and respect. SPECIAL FEATURES: An Introduction Looking into the Past Miller and his Platoon Boot Camp Making Saving Private Ryan Re-Creating Omaha Beach Music and Sound Parting Thoughts Into the Breach: Saving Private Ryan Theatrical Trailer Re-Release Trailer Shooting War
Since its release in 1998, Steven Spielberg's D-Day drama Saving Private Ryan has become hugely influential: everything, from the opening sequence of Gladiator ("Saving Marcus Aurelius") to the marvellous 10-hour TV series Band of Brothers, has been made in its shadow. There have been many previous attempts to recreate the D-Day landings on screen (notably, the epic The Longest Day), but thanks to Spielberg's freewheeling hand-held camerawork, Ryan was the first time an audience really felt like they were there, storming up Omaha Beach in the face of withering enemy fire. After the indelible opening sequence, however, the film is not without problems. The story, though based on an American Civil War incident, feels like it was concocted simply to fuel Spielberg's sentimental streak. In standard Hollywood fashion the Germans remain a faceless foe (with the exception of one charmless character who turns out to be both a coward and a turncoat); and the Tom Hanks-led platoon consists of far too many stereotypes: the doughty Sergeant; the thick-necked Private; the Southern man religious sniper; the cowardly Corporal. Matt Damon seems improbably clean-cut as the titular Private in need of rescue (though that may well be the point); and why do they all run straight up that hill towards an enemy machine gun post anyway? Some non-US critics have complained that Ryan portrays only the American D-Day experience, but it is an American film made and financed by Americans after all. Accepting both its relatively narrow remit and its lachrymose inclinations, Saving Private Ryan deserves its place in the pantheon of great war pictures.--Mark Walker
Seen through the eyes of a squad of American soldiers the story begins with World War II's historic D-Day invasion then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan whose three brothers have been killed in combat. Faced with impossible odds the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realities of war each man searches for his own answer - and the strength to triumph over an uncertain future with honour decency and courage.
Having cornered the market on his signature brand of inspirational comedy, Tyler Perry makes a bid for action-movie supremacy with this grisly adaptation of author James Patterson's most popular character. Loosely based on the 12th novel in the series (2007's Cross), the plot follows the early days of the title character, a genius police detective/psychologist trying to clean up the mean streets of Detroit while keeping his family out of the line of fire. As he mulls over accepting a job with the FBI, he and his team are forced to match wits with a psychotic contract killer (Matthew Fox), who displays a disturbing commitment towards seeing his job through. Director Rob Cohen (The Fast and the Furious, XXX) knows this turf well, delivering an effective mix of creeping thriller sequences and go-for-broke action scenes. Faced with the unenviable task of following in the footsteps of Morgan Freeman (who played the character in Kiss the Girls and Along Came a Spider), Perry does a credible job in portraying both the tender and vengeful aspects of his character, even if the script often falls into the trap of having other characters exclaiming how brilliant Cross is, rather than letting the viewers see the deductive process for themselves. Based on his first attempt, any future entries in the franchise appear to be in good hands. Ultimately, however, the other elements of Alex Cross pale in comparison to Fox, who goes all out--and then some--in giving the audience someone to hiss at. He's shorn down to what appears to be a negative body-fat ratio, and occasionally literally froths at the mouth--and his dedication to creating a villain for the ages quickly overpowers the material. Once this freaky beanpole starts chewing the scenery, you'll be glad that the filmmakers decided against shooting in 3-D. --Andrew Wright
Having cornered the market on his signature brand of inspirational comedy, Tyler Perry makes a bid for action-movie supremacy with this grisly adaptation of author James Patterson's most popular character. Loosely based on the 12th novel in the series (2007's Cross), the plot follows the early days of the title character, a genius police detective/psychologist trying to clean up the mean streets of Detroit while keeping his family out of the line of fire. As he mulls over accepting a job with the FBI, he and his team are forced to match wits with a psychotic contract killer (Matthew Fox), who displays a disturbing commitment towards seeing his job through. Director Rob Cohen (The Fast and the Furious, XXX) knows this turf well, delivering an effective mix of creeping thriller sequences and go-for-broke action scenes. Faced with the unenviable task of following in the footsteps of Morgan Freeman (who played the character in Kiss the Girls and Along Came a Spider), Perry does a credible job in portraying both the tender and vengeful aspects of his character, even if the script often falls into the trap of having other characters exclaiming how brilliant Cross is, rather than letting the viewers see the deductive process for themselves. Based on his first attempt, any future entries in the franchise appear to be in good hands. Ultimately, however, the other elements of Alex Cross pale in comparison to Fox, who goes all out--and then some--in giving the audience someone to hiss at. He's shorn down to what appears to be a negative body-fat ratio, and occasionally literally froths at the mouth--and his dedication to creating a villain for the ages quickly overpowers the material. Once this freaky beanpole starts chewing the scenery, you'll be glad that the filmmakers decided against shooting in 3-D. --Andrew Wright
She's the One is actor-writer-director Edward Burns' second film, following the widely acclaimed The Brothers McMullen. Given a slightly larger budget to play with ($3m as against his debut project's $25,000), Burns revisits much the same territory--love and sibling rivalry within a New York Irish-American family--but rather more expansively. This time, too, he can run to a few stars-in-the-making (Cameron Diaz, Jennifer Aniston, and John Mahoney from Frasier) to jazz up his cast of relative unknowns. Burns himself plays Mickey, a cab-driver in the Big Apple, with Mike McGlone as his yuppie stockbroker brother, and Maxine Bahns as Hope, the girl Mickey falls for and impulsively marries, much to the romantic delight of Francis' neglected wife Renee (Aniston). Francis, meanwhile, is having a clandestine affair with Heather (Diaz), Mike's former girlfriend--something Mike has yet to learn. Dispensing flawed wisdom and generally muddying the waters yet further is the lads' blunt-spoken father (Mahoney). Plotwise that's about it. Burns relies on his appealing cast and some amiably barbed repartee to hold our interest in what's essentially a dialogue-driven movie. He makes shrewd and sometimes unexpected use of his New York locations, too--it's a fair bet most people's mental image of Brooklyn wouldn't include a waterfront fishing community. This is a good-natured, slightly old-fashioned movie whose benevolent view of the battle of the sexes (where the women are invariably smarter than the men) never digs too deep or hits too hard. On the DVD: She's the One is presented on disc in its original widescreen ratio (1.85:1) and Dolby 4.0 sound that does the movie fair justice. Along with the original trailer, we get a seven-minute "making-of" featurette and a music video of the title song "Walls" from Tom Petty, who composed the film's score. Burns provides an unpretentious voice-over commentary, dealing mainly with matters of casting and the problems of shooting on location. --Philip Kemp
She's the One is actor-writer-director Edward Burns' second film, following the widely acclaimed The Brothers McMullen. Given a slightly larger budget to play with ($3m as against his debut project's $25,000), Burns revisits much the same territory--love and sibling rivalry within a New York Irish-American family--but rather more expansively. This time, too, he can run to a few stars-in-the-making (Cameron Diaz, Jennifer Aniston, and John Mahoney from Frasier) to jazz up his cast of relative unknowns. Burns himself plays Mickey, a cab-driver in the Big Apple, with Mike McGlone as his yuppie stockbroker brother, and Maxine Bahns as Hope, the girl Mickey falls for and impulsively marries, much to the romantic delight of Francis' neglected wife Renee (Aniston). Francis, meanwhile, is having a clandestine affair with Heather (Diaz), Mike's former girlfriend--something Mike has yet to learn. Dispensing flawed wisdom and generally muddying the waters yet further is the lads' blunt-spoken father (Mahoney). Plotwise that's about it. Burns relies on his appealing cast and some amiably barbed repartee to hold our interest in what's essentially a dialogue-driven movie. He makes shrewd and sometimes unexpected use of his New York locations, too--it's a fair bet most people's mental image of Brooklyn wouldn't include a waterfront fishing community. This is a good-natured, slightly old-fashioned movie whose benevolent view of the battle of the sexes (where the women are invariably smarter than the men) never digs too deep or hits too hard. On the DVD: She's the One is presented on disc in its original widescreen ratio (1.85:1) and Dolby 4.0 sound that does the movie fair justice. Along with the original trailer, we get a seven-minute "making-of" featurette and a music video of the title song "Walls" from Tom Petty, who composed the film's score. Burns provides an unpretentious voice-over commentary, dealing mainly with matters of casting and the problems of shooting on location. --Philip Kemp
In this remake of the Japanese horror film "Chakushin Ari" (2003), several people start receiving voice-mails from their future selves - messages which include the date, time, and the details of their deaths.
Those already into Blu-ray will have a specific title and a particular scene up their sleeves to show off the benefits of Hi-Def home entertainment to the uninitiated. Here's a true great to add to the armoury (so to speak)--the first 20 minutes of action in Saving Private Ryan [Blu-ray] are as good a demonstration as you'll ever need to make someone say "wow". The true terror of the D-Day landings in World War II is brought to startling life in this high definition release--with the explosions jumping out of the screen and bullets zipping around your ears, you're brought as close to the front line as you can get without leaving the safety of your sofa--you will need reminding to breathe once that brutal, gut-wrenching opener is over. And it doesn't stop there. The rest of the film benefits from the Blu-ray clean up, it's looking brighter and sounding more crisp than ever before (as you would expect). One of the greatest war films ever made has been expertly enhanced and it's now an even more wonderful movie experience--the transfer to 1080p is exemplary.The extras are bountiful too, with over three hours of special features. The only criticism of the entire package is that only a couple of the extras are in Hi-Def, the rest are in standard definition. However, fans of the film won't be disappointed as extras from previous DVD releases are collated, including a great insight into Steven Spielberg's mind as he talks about his interest in World War II and how it led to him making this film. The notable addition to this version's extras being an extensive and fascinating documentary Shooting War, hosted by Tom Hanks, which follows the brave soldiers tasked with chronicling the war and all the horrors that came with it. It's a great account it's own right, so owners of this copy are given plenty to pore over. Make no mistake, the scene-stealer is the opener--it grabs you by the throat and doesn't let go for 20 agonising minutes--and if you're looking to enhance your collection, then look no further than this landmark release.--Tom Lawrance Special Features 2-disc Blu-ray edition. Disc 1: Feature Film.Disc 2: Special Features: An Introduction - 2:33 Looking into the Past - 4:38 Miller and his Platoon - 8:22 Boot Camp - 7:35 Making Saving Private Ryan - 22:01 Re-Creating Omaha Beach - 17:55 Music and Sound - 15:56 Parting Thoughts - 3:41 Into the Breach: Saving Private Ryan - 25:03 Theatrical Trailer HD - 2:18 Re-Release Trailer HD - 2:08 Shooting War - 88:04
A reporter, Lanie Kerrigan, interviews a psychic homeless man for a fluff piece about a football game's score. Instead, he tells her that her life going to end in just a few days, which sparks her to change the pattern of her life.
Fifteen Minutes partners Robert De Niro and Saving Private Ryan's Edward Burns in a thriller satire on America's "reality TV" industry. De Niro plays celebrity detective Eddie Fleming, who must reluctantly work with arson investigator Jordy Warsaw (Burns) when a grisly fire is discovered to conceal a murder. This is the work of Emil (Karel Roden) and Oleg (Oleg Taktarov), East European psychos bent on a maniacal spree of killings. All of these are videotaped by Emil, who renames himself after his hero Frank Capra, in a perverse tribute to the US of A, where "no one is responsible for what they do!". Soon the duo decide to sell their footage to Kelsey Grammer's creepily shameless frontline TV journalist. As a pair of loons whose scariness is just the right side of cardboard villainy, Roden and Taktarov steal the movie as well as their camcorder. However, the central theme of voyeurism and video murder was dealt with far more effectively in the 1992 Belgian movie Man Bites Dog and, while the action tears along in explosive fashion, it does so at the expense of both plausibility and the anti-media satire, which seems hitched crudely onto the bumper of what is essentially a satisfying but conventional blockbuster thriller. --David Stubbs
Seen through the eyes of a squad of American soldiers the story begins with World War II's historic D-Day invasion then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan whose three brothers have been killed in combat. Faced with impossible odds the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realitie
Titles Comprise:Marley & Me: Marley And Me is an adaptation of John Grogan's bestselling memoir about an incorrigible Labrador retriever, and stars Jennifer Aniston, Owen Wilson and Alan Arkin!Marley is the yellow lab adopted by Grogan (Owen Wilson), a columnist for the Philadelphia Inquirer, and his wife. Their idea was to give them a taste of parenthood, but the dog proved to be a hyperactive handful. He wreaks havoc everywhere he goes, gets kicked out of obedience school and gets even worse when the children begin to arrive, yet becomes an indispensable part of the family.The Good Girl: Thirty-year-old Justine Last longs for a life more fulfilling than the one she leads with her boring husband and dead-end job at the Retail Rodeo. But when a passionate young co-worker catches her eye and steals her heart, Justine's good-girl existence takes a turn for the worse...The Object Of My Affection: A romantic comedy-drama that pushes the very tender line between love, sex and friendship!Nina, a social worker, shares a cozy flat with her dear friend George, who happens to be gay. When Nina becomes pregnant by her overbearing boyfriend, she begs George to step into the breach - but is he ready to be a surrogate dad?She's The One: Mickey (Burns), a free-spirited New York cabbie, and Francis (Mike McGlone), a materialistic Wall Street stockbroker, are extremely competitive and confused about women as a result of their father's (John Mahoney) influence.Though they disagree about nearly everything, they have one thing in common: Mickey's ex-fianc Heather (Cameron Diaz) is Francis' secret lover. Though the brothers have beautiful wives (Maxine Bahns and Jennifer Aniston), Heather triggers their longtime sibling rivalry with uproarious and unexpected results.Picture Perfect: As adorable as she is ambitious, Kate is determined to turn her mid-level advertising job into an executive position - and equally determined to snare Sam, the agency's ultra-suave Romeo who prefers illicit affairs with attached women. She achieves both goals by pretending she's getting married to Nick, a man she met at a wedding and barely knows. But her carefully constructed fictional life comes face to face with reality when her boss wants to meet Nick, sending Kate's personal and professional worlds spinning out of control...
Titles Comprise: 27 Dresses centres around Jane (Ketherine Heigl) an idealistic romantic and completely selfless woman. Jane has always been good at taking care of others but not so much in looking after herself. Her entire life has been about making people happy - and she has a closet full of 27 bridesmaid dresses to prove it. One memorable evening Jane manages to shuttle between wedding receptions in Manhattan and Brooklyn a feat witnessed by Kevin (James Marsden) a newspaper reporter who realizes that a story about this wedding junkie is his ticket off the newspaper's bridal beat. Jane finds Kevin's cynicism counter to everything she holds dear - namely weddings and the two lock horns. Further complicating Jane's once perfectly-ordered life is the arrival of younger sister Tess (Malin Akerman). Tess immediately captures the heart of Jane's boss George (Edward Burns). Tess enlists her always-accommodating sister to plan yet another wedding - Tess and George's - but Jane's feelings for George lead to shocking revelations... and maybe the beginning of a new life. What Happens In Vegas stars Cameron Diaz and Ashton Kutcher as Joy and Jack two strangers who wake up together to find that they've gotten married following a night of debauchery in Sin City. To make matters worse one of them has won a huge jackpot after playing the other's quarter! The newlyweds devise ever-escalating schemes to undermine each other and get their hands on the money - only to find themselves falling in love amid the mutual backstabbing. In Her Shoes: Flirty flaky party girl Maggie (Diaz) and plain dependable lawyer Rose (Collette) are sisters best friends and bitter rivals who seem to have only two things in common: DNA and size 8 feet. Only when their love-hate relationship veers towards the hate end of the spectrum do they accidentally discover they also share a long-lost grandmother (MacLaine) who enriches their lives and helps them make peace with each other - and themselves! Adapted for the screen by Oscar-winning writer Susannah Grant (Erin Brockovich) from Jennifer Weiner's bestselling novel.
An excellent collection of 5 films featuring Jennifer Aniston. The Object of My Affection (Dir. Nicholas Hytner 1998): A romantic comedy-drama that pushes the very tender line between love sex and friendship! Nina a social worker shares a cozy flat with her dear friend George who happens to be gay. When Nina becomes pregnant by her overbearing boyfriend she begs George to step into the breach - but is he ready to be a surrogate dad? Picture Perfect (Dir. Glenn Gordon Caron 1997): As adorable as she is ambitious Kate is determined to turn her mid-level advertising job into an executive position - and equally determined to snare Sam the agency's ultra-suave Romeo who prefers illicit affairs with attached women. She achieves both goals by pretending she's getting married to Nick a man she met at a wedding and barely knows. But her carefully constructed fictional life comes face to face with reality when her boss wants to meet Nick sending Kate's personal and professional worlds spinning out of control... She's The One (Dir. Edward Burns 1996): Filmmaker and star Edward Burns follows his acclaimed debut The Brothers McMullen with this equally fresh funny and wry romantic comedy about two brothers wrestling their preposterous approaches to life and love. Mickey (Burns) a free-spirited New York cabbie and Francis (Mike McGlone) a materialistic Wall Street stockbroker are extremely competitive and confused about women as a result of their father's (John Mahoney) influence. Though they disagree about nearly everything they have one thing in common: Mickey's ex-fianc Heather (Cameron Diaz) is Francis' secret lover. Though the brothers have beautiful wives (Maxine Bahns and Jennifer Aniston) Heather triggers their longtime sibling rivalry with uproarious and unexpected results. Office Space (Dir. Mike Judge 1999): Fasten your ergonomic seat belt you're in for a hilarious ride through the inner workings of Office Space the outrageous hit comedy that will strike fear into the little hearts of bosses everywhere! Unable to endure another mind-numbing day at Initech Corporation cubicle slave Peter Gibbons (Ron Livingston) gets fired up and decides to get fired. Armed with a leisurely new attitude and a sexy new girlfriend (Jennifer Aniston) he soon masters the art of neglecting his job which quickly propels him into the ranks of upper management! The Good Girl (Dir. Miguel Arteta 2002): Thirty-year-old Justine Last longs for a life more fulfilling than the one she leads with her boring husband and dead-end job at the Retail Rodeo. But when a passionate young co-worker catches her eye and steals her heart Justine's good-girl existence takes a turn for the worse...
A consumate con-man, Jake Vig (Edward Burns) has just pulled his biggest trick yet. But then he finds out he's conned an eccentric crime boss Winston King (Dustin Hoffman) and there'll be more than hell to pay.
Mr. & Mrs. Smith: After five (or six) years of vanilla-wedded bliss ordinary suburbanites John and Jane Smith (Pitt and Jolie) are stuck in a rut the size of the Grand Canyon - until the truth comes out! Unbeknownst to each other they are both lethal highly paid assassins working for rival organizations. When they discover they're each other's next target their secret lives collide in a spicy explosive mix of wicked comedy pent-up passion nonstop action and high-tech weaponry that gives an all-new meaning to ""Till death do us part!"" Beyond Borders: While attending a fundraising gala Sarah Jordan (Jolie) a naive married American socialite living in England witnesses a fiery plea delivered by an intruder renegade humanitarian Dr. Nick Callahan (Clive Owen). His plea made on behalf of impoverished African children under his care turns Sarah's life upside down. Attracted to Nick and his cause she impulsively abandons her sheltered life in England to work along side him in his effort to aid the helpless and anguished victims. As Sarah's work takes her to these volatile areas where few people have travelled and even fewer have survived she discovers the harsh realities she encounters and her growing attraction to the charismatic doctor ignites in her a passion for saving lives while risking her own in the process... Hackers: They can break any code and get inside any system. They are often still in their teens and already under surveillance by the authorities. They are the hackers. Zero Cool real name Dade Murphy is a legend among his peers. In 1988 he single-handedly crashed 1 507 computers on Wall Street and was forbidden by law to touch another keyboard until his 18th birthday. It's been seven years without a byte and he's hungry. Kate Libby handle Acid Burns has a souped up laptop that can do 0 to 60 on the infobahn in a nanosecond. When the two collide the battle of the sexes goes into hard drive. But all bets are off when master hacker The Plague frames Dade Kate and their friends in a diabolical industrial conspiracy. Now they are the only ones who can prevent a catastrophe unlike any the world has ever seen. Life Or Something Like It: Lanie Kerrigan (Jolie) is a beautiful blonde reporter for a Seattle news station. With a baseball-superstar boyfriend a wonderful apartment and a job opportunity with a national network in New York Lanie's life is all going according to plan. The only thorn in her side is the cameraman and ex-lover she's been teamed with called Pete (Burns). Pete is funny charming and utterly disinterested in a career much to Lanie's disbelief but the pair have an undeniable chemistry that Pete exploits at every turn. Everything changes for Lanie in an instant when she meets homeless Prophet Jack (Shalhoub) for an interview. After he gives her routine predications about the weather and football scores he breaks the ominous news that she will be dead in seven days...
Titles Comprise: 27 Dresses: Jane (Ketherine Heigl) an idealistic romantic and completely selfless woman has always been good at taking care of others but not so much in looking after herself. Her entire life has been about making people happy - and she has a closet full of 27 bridesmaid dresses to prove it. One memorable evening Jane manages to shuttle between wedding receptions in Manhattan and Brooklyn a feat witnessed by Kevin (James Marsden) a newspaper reporter who realizes that a story about this wedding junkie is his ticket off the newspaper's bridal beat. Jane finds Kevin's cynicism counter to everything she holds dear - namely weddings and the two lock horns. Further complicating Jane's once perfectly-ordered life is the arrival of younger sister Tess (Malin Akerman). Tess immediately captures the heart of Jane's boss George (Edward Burns). Tess enlists her always-accommodating sister to plan yet another wedding - Tess and George's - but Jane's feelings for George lead to shocking revelations... and maybe the beginning of a new life. The Devil Wears Prada: In the dizzying world of New York fashion where size zero is the new 2 six is the new 8 and a bad hair day can end a career Runaway magazine is the Holy Grail. Overseen with a finely manicured fist by Miranda Priestly (Meryl Streep) - the most powerful woman in fashion - Runway is a fearsome gauntlet for anyone who wants to make it in the industry. To make Runway the fashion bible of New York and therefore the world Miranda has let nothing stand in her way - including a long line of assistants that didn't make the cut. It's a job no self-respecting person can survive yet it's an opportunity a million young women in New York would kill for. A stint as Miranda's assistant could blast-open the doors for recent college graduate Andy Sachs (Anne Hathaway). More college drab than haute couture she stands alone among the small army of 'Clackers' on staff at Runway - superslim fashion divas clacking their stilettos down the halls of the magazine's Manhattan headquarters. But when Andy comes in for the job it dawns on her that making it in this industry will take more than drive and determination. And her ultimate test stands before her in head-to-toe Prada. Miranda can spin the fashion world like a basketball but has a devil of a time finding and keeping a good assistant. Andy is completely wrong for the job. But she has something the rest of them don't: she refuses to fail. In Her Shoes: Flirty flaky party girl Maggie (Diaz) and plain dependable lawyer Rose (Collette) are sisters best friends and bitter rivals who seem to have only two things in common: DNA and size 8 feet. Only when their love-hate relationship veers towards the hate end of the spectrum do they accidentally discover they also share a long-lost grandmother (MacLaine) who enriches their lives and helps them make peace with each other - and themselves! Adapted for the screen by Oscar-winning writer Susannah Grant (Erin Brockovich) from Jennifer Weiner's bestselling novel.
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