Gandhi is a great subject, but is Gandhi a great film? Undoubtedly it is, not least because it is one of the last old-school epics ever made, a glorious visual treat featuring tens of thousands of extras (real people, not digital effects) and sumptuous Panavision cinematography. But a true epic is about more than just widescreen photography, it concerns itself with noble subjects too, and the life story of Mahatma Gandhi is one of the noblest of all. Both the man and the film have profound things to say about the meaning of freedom and racial harmony, as well as how to achieve them. Ben Kingsley, in his first major screen role, bears the heavy responsibility of the central performance and carries it off magnificently; without his magnetic and utterly convincing portrayal the film would founder in the very first scene. Sir Richard Attenborough surrounds his main character with a cast of distinguished thespians (Trevor Howard, John Mills, John Gielgud and Martin Sheen, to name but four), none of whom do anything but provide the most sympathetic support. John Briley's literate screenplay achieves the almost impossible task of distilling the bewildering complexities of Anglo-Indian politics. Attenborough's treatment is openly reverential, but, given the saint-like character of his subject, it's hard to see how it could have been anything else. He doesn't flinch from the implication that the Mahatma was naïve to expect a unified India, for example, but instead lets Gandhi's actions speak for themselves. The outstanding achievement of this labour of love is that it tells the story of an avowed pacifist who never raised a hand in anger, of a man who never held high office, of a man who shied away from publicity, and turns it into three hours of utterly mesmerising cinema.On the DVD: The anamorphic (16:9) picture of the original 2.35:1 image has a certain softness to it that may reflect the age of the print, but somehow seems entirely in keeping with the subject . Sound is Dolby 5.1. The extras are fairly brief, but worthwhile: original newsreel footage of Gandhi includes an astonishingly patronising British news account of his visit to England; in a recent interview, Ben Kinglsey chats enthusiastically about the film and the difficulties he experienced bringing the character to life. The dull "making-of" feature is simply a montage of stills. --Mark Walker
Rupert Everett and Colin Firth star in this adaptation of the classic Oscar Wilde play as two men in 1890s London who happily bend the truth in order to escape the dullness of their lives.
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
Following the huge success of the BBC's production of Bleak House BBC Drama Production is set to breathe new life into Oliver Twist Charles Dickens' much-loved novel
A Bridge Too Far: In September 1944 flush with success after the Normandy Invasion the Allies confidently launched Operation Market Garden a wild scheme intended to put an early end to the fighting by invading Germany and smashing the Reich's war plants. But a combination of battlefield politics faulty intelligence bad luck and even worse weather led to the disaster beyond the Allies' darkest fear. The Great Escape: One of the most ingenious and suspenseful adventure films of all time The Great Escape is a masterful collaboration between director John Sturges (The Magnificent Seven) screenwriters James Clavell ('Shogun') and W.R. Burnett and composer Elmer Bernstein. Based on a true story. The Battle Of Britain: This is a spectacular retelling of a true story that shows courage at its inspiring best. Few defining moments can change the outcome of war . But when the outnumbered Royal Air Force defied unsurmountable odds in engaging the German Luftwaffe they may well have altered the course of history!
Richard Attenborough's award-winning epic recounts the life and times of Mahatma Gandhi. In South Africa a young Indian lawyer is booted off a train for refusing to ride second-class. Upon his return to his native India and fed up with the unjust political system he joins the Indian Congress Party which encourages social change through passive resistance. When his ""subversive"" activities land him in jail masses of low-skilled workers strike to support his non-violent yet revolutionary position. Back in India Gandhi renounces the Western way of life and struggles to organize Indian labor against British colonialism. A strike costs many British soldiers their lives so the crown responds by slaughtering 1 500 Indians. Enraged the ascetic spiritual leader continues to preach pacifism until he has lead India out from under the tyranny of British imperialism.
Peter Yates (Summer Holiday, Murphy's War) directs Albert Finney (Charlie Bubbles), Tom Courtenay (Otley), and Edward Fox (Force 10 from Navarone) in The Dresser, a heart-rending yet darkly humorous tale of life in the theatre. During the Second World War, a group of actors take Shakespeare across the industrial north, led by an ageing and imperious actor known only as Sir' (Finney), against a background of air-raid sirens and exploding bombs. With his mental and physical condition deteriorating, selfless dresser Norman (Courtenay) struggles to ensure that the show Sir's 227th performance as King Lear goes on. Based on the experiences of screenwriter Ronald Harwood (The Pianist), assistant to legendary Shakespearean actor Sir Donald Wolfit (90° in the Shade), The Dresser is a moving exploration of loyalty and unrequited love. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remaster Original mono audio Interview with actor Claire Harrison (2025) Interview with director of photography Kelvin Pike (2025) Interview with camera operator Dewi Humphreys (2025) Interview with sound mixer John Hayward (2025) Interviews with property master John Chisholm and property buyer Jill Quertier (2025) Original theatrical trailer Image gallery: publicity and promotional material New English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with new essay by Thirza Wakefield, a selection of interviews with director Peter Yates and actors Albert Finney and Tom Courtenay charting the film's production, an overview of critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All features subject to change
He abandoned crown and country for the woman he loved. Everything that is known about Edward VIII is almost totally eclipsed by the world-shattering act which brought his short reign to a close in 1936. To many it seemed a selfish and irresponsible abandonment of duty. To others it was the supreme sacrifice of a man who put love above all things. Based on the definitive biography by Frances Donaldson Edward and Mrs Simpson focuses on the riveting truth behind the sensational headline
After years of enduring Roger Moore in the role of James Bond, it was good to have Sean Connery back in 1983 for Never Say Never Again, a one-time-only trip down 007's memory lane. Connery's Bond, a bit of a dinosaur in the British secret service at (then) 52, is still in demand during times of crisis. Sadly, the film is not very good. In this rehash of Thunderball, Bond is pitted against a worthy underwater villain (Klaus Maria Brandauer); and while the requisite Bond Girls include beauties Kim Basinger and Barbara Carrera, they can't save the movie. The script has several truly dumb passages, among them a (gasp) video-game duel between 007 and his nemesis that now looks utterly anachronistic. For Connery fans, however, this widescreen print of the Irvin Kershner (The Empire Strikes Back) film is a chance to say a final goodbye to a perfect marriage of actor and character. --Tom Keogh
Robert Shaw (Young Winston), Harrison Ford (Raiders of the Lost Ark), Barbara Bach (Short Night of the Glass Dolls) and Edward Fox (The Day of the Jackal) star alongside Carl Weathers (Rocky), Richard Kiel (Moonraker) and Franco Nero (Django) in this star-studded high adventure. Directed with an assured hand by Bond veteran Guy Hamilton (Battle of Britain), this rip-roaring adaptation of Alistair MacLean's follow-up to the classic The Guns of Navarone sees the elite cadre of commandos embark on a secret mission deep in the Yugoslavian wilderness, during the darkest days of World War II. Product Features High Definition remaster of the extended re-release cut Original mono audio Alternative stereo and 5.1 surround options Audio commentary with film historians Steve Mitchell and Steven Jay Rubin (2020) This Is a Giant Movie (1978, 21 mins): archival location report by Channel Television featuring interviews with producer Oliver A Unger, and actors Edward Fox and Carl Weathers Tour de Force (2020, 24 mins): actor Angus MacInnes recalls his early film role From Žabljak with Love (2020, 28 mins): the making of the film as told by construction manager Terry Apsey, stuntman Jim Dowdall, grip Dennis Fraser, chief hairdresser Colin Jamison, and chief make-up artist Peter Robb-King A Life Behind the Lens (2020, 33 mins): a tribute to the acclaimed cinematographer Christopher Challis, featuring interviews with fellow directors of photography and camera crew Dennis Fraser, Oswald Morris, John Palmer and Sydney Samuelson, as well as archival footage of Challis The BEHP Interview with Ron Goodwin (1999, 89 mins): archival video, made as part of the British Entertainment History Project, featuring the celebrated composer in conversation with Linda Wood A Show of Force (2020, 26 mins): a look at the different versions of Force 10 from Navarone Super 8 version: cut-down home cinema presentation Original trailers, TV and radio spots Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard of hearing
Angela Lansbury stars as supersleuth Miss Marple who sets about solving a mysterious death in the archetypal English village of St. Mary Mead. It features an all star cast including Tony Curtis, Rock Hudson and Elizabeth Taylor. EXTRAS: Interview with writer Barry Sandler Interview with Dame Angela Lansbury Interview with producer Richard Goodwin Behind the scenes stills gallery Storyboard gallery
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
Richard Attenborough's award-winning epic recounts the life and times of Mahatma Gandhi. In South Africa a young Indian lawyer is booted off a train for refusing to ride second-class. Upon his return to his native India and fed up with the unjust political system he joins the Indian Congress Party which encourages social change through passive resistance. When his subversive activities land him in jail masses of low-skilled workers strike to support his non-violent yet revolutionary position. Back in India Gandhi renounces the Western way of life and struggles to organize Indian labor against British colonialism. A strike costs many British soldiers their lives so the crown responds by slaughtering 1 500 Indians. Enraged the ascetic spiritual leader continues to preach pacifism until he has lead India out from under the tyranny of British imperialism.
Raymond Chandler's hard boiled novel is brought to the screen with sleuth Phillip Marlowe finding himself involved with murder blackmail and violence when hired to protect a General's young daughter.
Never Say Never Again (Dir. Irvin Kershner 1983): Sean Connery is back for his final performance as super agent James Bond in this high-velocity action thriller from the director of 'The Empire Strikes Back'. In this remake of the 1965 spy classic Thunderball two atomic warheads are hijacked by the evil SPECTRE organization forcing agent 007 out of retirement and hurling him into an explosive pulse-pounding race to save the world from nuclear terrorists. Casino Royale (Dir. Val Guest 1967): Things are looking decidedly bleak for British Intelligence in both senses of the term. SMERSH has begun to sabotage global stability no less than 11 agents have been lost and to make matters worse our greatest secret agent 007 is languishing in stately retirement. M - together with the heads of the CIA and KGB - have only one hope: to bring Sir James Bond (David Niven) out of retirement and into the field. Finding himself pitched against an opposition of fiendish intensity - an array of female secret agents armed with explosive grouse; a baccarat-playing illusionist (Orson Welles) and a neurotic megalomaniac (Woody Allen) - Bond launches his brilliant plan... ""from now on all agents will be known as James Bond including the girls"".
Hard Times
Fear can visit us in many forms - perhaps most disturbingly when it stalks us in familiar or cherished surroundings; a suburban house, an idyllic country retreat, or a sunlit Mediterranean holiday villa. Equally, it can haunt us in the shape of a menacing stranger, or gather in the shadows of our own imagination. This volume collects eleven plays in which every character has one thing in common: each has someone, or something, to fear. Shadows of Fear is a suspense anthology with a chilling Hitchcockian touch, featuring some of Britain's most renowned stage and TV performers, including Sheila Hancock, Ronald Hines, Victor Maddern, Edward Fox, Annette Crosbie, Gemma Jones and George Cole. The unsettlingly creepy scripts are provided by Public Eye creator Roger Marshall and award-winning writers Richard Harris, Jeremy Paul and Hugh Leonard, among others.
A Bridge Too Far, Official UK region B release, includes trailers, 5.1 DTS HD Master Audio, widescreen 2:35:1
One of the great directorial debuts, Ridley Scott's The Duellists is an extraordinary achievement which weaves an epic-in-miniature set around the edges of the Napoleonic Wars. Based on a story by Joseph Conrad, in turn inspired by real events and filmed in part where those events took place, this is the tale of a 15-year conflict between two French army officers: the level-headed Armand D'Hubert (Keith Carradine) and the obsessive Gabriel Feraud (Harvey Keitel). Each time they meet they duel, until the original purpose of the conflict is all but lost. Beyond the two American stars, who fill their roles with rare commitment--accents not withstanding--Scott assembled a stellar cast: Albert Finney, Edward Fox, Pete Postlethwaite, Diana Quick, Cristina Raines, Robert Stephens, Tom Conti, John McEnery, Maurice Colbourne and Jenny Runacre. The production values are astonishing and the film revels in the exquisite painterly visuals which have become a Scott trademark. Howard Blake's elegiac theme adds immeasurably to the impact of a film influenced by Stanley Kubrick's Barry Lyndon (1974), and anticipating Scott's own Best Picture Oscar-winning Gladiator (2000). A haunting work of spectral beauty, it is also a worthy companion to Scott's shamefully neglected 1492: Conquest of Paradise (1992). On the DVD: The Duellists is transferred at 1.77:1 with full sound atmospherically remixed in Dolby Digital 5.1. A new 29-minute documentary finds Scott discussing The Duellists with Kevin (Robin Hood: Prince of Thieves) Reynolds, which is particularly enlightening given the relative merits of the two swashbucklers. Scott's absorbing commentary track provides an in-depth look into the film-making process. Equally, film music aficionados will be delighted to find not just an isolated music track, but an informative commentary by composer Howard Blake, though he does sometimes talk over the beginning or end of cues. Most unusual but very welcome is the inclusion of Scott's first short film, Boy and Bicycle (1965), a 25-minute b/w mood piece starring Tony Scott, with music by John Barry. Other extras are a storyboard-to-screen comparison, the American trailer and four galleries of posters, stills and production photos. --Gary S Dalkin
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