Made at the end of the 1970s, Toru Murakawa's Game Trilogy launched actor Yusaku Matsuda as the Toei tough guy for a new generation. Matsuda was the definitive screen icon of 1980s until his career was tragically cut short by cancer at the age of 40, following his Hollywood debut in Ridley Scott's Black Rain. In this career-defining triptych, Matsuda is Shohei Narumi, an ice cool hitman of few words, a steely trigger finger, and a heart of stone, hired in The Most Dangerous Game by a company bidding for a lucrative government air defence contract to take out the competition. In The Killing Game, Narumi finds himself caught in the midst of violent yakuza gang warfare, while his own brutal past catches up with him in the form of two beautiful women still bearing the emotional scars of his past assignments. In The Execution Game, Narumi falls for a mysterious saloon bar chanteuse who may or may not be part of the same, shadowy underworld organisation as the rival hitmen he is employed to rub out. With cool blue cinematography by Nagisa Oshima collaborator Seizo Sengen and a sultry score by jazz legend Yuji Ohno, Murakawa's masterful set of films raised the bar for the Japanese action movie to new heights. SPECIAL EDITION CONTENTS - High Definition Blu-ray (1080p) presentations of all films - Original lossless mono Japanese soundtracks - Optional newly translated English subtitles - Reversible sleeve featuring original and newly commissioned artwork by Tony Stella DISC 1: THE MOST DANGEROUS GAME - Audio commentary by Chris Poggiali and Marc Walkow - The Action Man, a 30-minute interview with director Toru Murakawa - Original Japanese theatrical trailer - Image gallery DISC 2: THE KILLING GAME & THE EXECUTION GAME - Audio commentary on The Killing Game by Earl Jackson and Jasper Sharp - Audio commentary on The Execution Game by Tom Mes - Remembering Yusaku Matsuda, an interview with Yutaka Oki, film critic and personal friend of Yusaku Matsuda - Game Changer, an interview with The Execution Game screenwriter Shoichi Maruyama - Original Japanese theatrical trailers for both films - Image galleries for both films
Aspiring, but cash-strapped, actress Sumika (Eriko Sato) returns home to the village of Ishikawa to attend her parents' funeral and renews her feud with younger sister Kiyomi (Aimi Satsukawa), who previously damaged Sumika's reputation by portraying her as an underhand character in her popular manga comic. Hoping to inherit a sizeable sum, Sumika is forced to stick around when brother Shinji (Masatoshi Nagase) tells her of lengthy legal delays. As Sumika settles back into her old room, a series of flashbacks brings to life the family's previously eccentric life, contrasting it against the calm and peaceful setting of rural Japan.
From Teruo Ishii 'The King of Cult' Blind Woman's Curse (also known as Black Cat's Revenge) is a thrilling Yakuza film featuring eye-popping visuals sensational fight sequences and the gorgeous Meiko Kaji (Lady Snowblood Stray Cat Rock) in her first major role. Akemi (Kaji) is a dragon tattooed leader of the Tachibana Yakuza clan. In a duel with a rival gang Akemi slashes the eyes of an opponent and a black cat appears to lap the blood from the gushing wound. The cat along with the eye-victim go on to pursue Akemi's gang in revenge leaving a trail of dead Yakuza girls their dragon tattoos skinned from their bodies. A bizarre blend of the female Yakuza film and traditional Japanese ghost story with a strong dash of grotesque-erotica (the same movement was a sensibility of Edogawa Rampo whose works were adapted by Ishii in Horrors of Malformed Men) Blind Woman's Curse is a delirious mash-up of classic genre tropes of which Ishii was no stranger having directed everything from Super Giant films to Biker movies! Special Features: New High Definition digital transfer Newly commissioned artwork Collector's booklet More to be announced!
A collection of classic and unusual Marlon Brando movies including The Wild One One The Waterfront The Ugly American and The Appaloosa. The Wild One (1954) An angry young Marlon Brando scorches the screen as The Wild One in this powerful 50s cult classic. Brando plays Johnny the leader of a vicious biker gang that involves a small sleepy California town. The leather-jacketed young biker seems hell-bent on destruction until he falls for Kathie (Mary Murphy) a 'good-girl' w
The Black Angel: Ddirector Takashi Ishii continues to explore his distinct vision of Tokyo as a dark forbidding Technopolis a city of faceless chrome and marble structures cold lights and deep shadows. The Black Angel stars Riona Hazuki as Ikko the most powerful female action heroine ever to hit celluloid. At age 6 Ikko was safely put on a plane to Los Angeles by hitman Mayo but not before seeing her Yakuza boss father and mistress mother killed before her eyes. Flash forward 14 years. Ikko returns to Tokyo seeking revenge for the killings. She too calls herself the Black Angel styling herself after Mayo whom she remembers as a towering almost superhuman figure. When her target realises that she is after him and his gang he enlists the original Black Angel to wipe out Ikko and the stage is set for a violent reunion... (Dir. Takashi Ishii 1997) Gonin: Japanese Director Takashi Ishii's brutal hyperstylish hallucinogenic "" roller coaster"" of a movie takes a group of five desperate men through the robbery of a Yakuza gangster and the bloody revenge that follows. Ishii has assembled a cast of Japan's coolest actors including Naoto Takenaka (""Shall We Dance"") and the legendary 'Beat' Takeshi Kitano and his fluid sensual camera work creates sequences of unrivalled ballistic bloodshed. But what really raises this movie to a different level is the off-beat characters: 'Beat' Takeshi's sadistic portrayal of the one-eyed hitman gay hustlers and downtrodden ex-cops give 'Gonin' an eccentric film noir atmosphere that will blow you away. (Dir. Takashi Ishii 1995) Score: A gang of thieves come together for a jewellery heist one which they naturally carry out in their finest Reservoir Dogs outfits. All goes pretty much according to plan until a pair of psychotic highway robbers follow them to their hideout and attempt to part the gang from their loot... (Dir. Atsushi Muroga 1995)
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