Even now Richard Wagner (1813-83) remains an enigma. His was a rags-to-riches saga with a fairy tale ending. He was loved yet hated admired yet despised a villain yet a hero who was worshipped a man whose fame and exploits were the gossip of Europe. Above all he was an incurable romantic whose love affair with Liszt's illegitimate daughter rivals that of Romeo and Juliet in excitement and drama. But he was also a dangerous political revolutionary whose influence penetrated the
This classic 1950s teen cult film neo-realist in style is a perceptive social portrayal of a city in which political and economic division have affected the entire population. Although the film became a box-office hit it was greeted with suspicion by GDR cultural officials. Director Gerhard Klein and screenwriter Wolfgang Kohlhaase were reproached for emphasizing 'negative problematic images of our [East German] life.' Despite the negative reception from GDR officials this film was loved by the public precisely for its truthful portrayal of everyday life. Ranked by film critics among Germany's 100 most important films this and other 'Berlin films' by director Klein and screenwriter Kohlhaase made an important contribution to the international youth film genre.
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