After a car wreck, an amnesiac woman sets out to learn what happened to her with the help of a wannabee actress.
After a car wreck, an amnesiac woman sets out to learn what happened to her with the help of a wannabee actress.
Before she was Wonder Woman, she was Diana, princess of the Amazons, raised on a sheltered island paradise and trained to be an unconquerable warrior. When an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny. Click Images to Enlarge
Before she was Wonder Woman, she was Diana, princess of the Amazons, raised on a sheltered island paradise and trained to be an unconquerable warrior. When an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny. Click Images to Enlarge
Before she was Wonder Woman, she was Diana, princess of the Amazons, raised on a sheltered island paradise and trained to be an unconquerable warrior. When an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny. Click Images to Enlarge
The latest movie from acclaimed film maker David Lynch tells of a woman with amnesia, abandoned on Mulholland Drive. She meets an aspiring actress and together they start putting the pieces of her life back together...
From the creators of "Super Troopers" comes the comic tale of a booze-soaked island resort owned by a rock star has-been. But the non-stop party takes a turn for the weird when dead bodies start turning up...
David Lynch's acclaimed tale of murder and amnesia in Los Angeles. Having narrowly survived a murder attempt and a car crash, a shocked and wounded woman (Laura Elena Harring) takes refuge in a nearby apartment. When she is discovered the next morning by the apartment's official resident, aspiring actress Betty Elms (Naomi Watts), she confesses that she neither knows who she is nor what happened to her. The two women then begin to investigate, and it gradually becomes clear that they have kno...
Before she was Wonder Woman, she was Diana, princess of the Amazons, raised on a sheltered island paradise and trained to be an unconquerable warrior. When an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny. Click Images to Enlarge
Stunning new 4K restoration of David Lynch's iconic surrealist mystery-drama. Celebrating its 20th anniversary, MULHOLLAND DRIVE is considered by many as one of the greatest films of the 21st century. Los Angeles, city of angels. Amnesiac and wounded, a mysterious femme fatale wanders on the sinuous road of Mulholland Drive. She finds shelter at Betty's house (Naomi Watts), an aspiring actress just arrived from her hometown and in search of stardom in Hollywood. Initially intrigued by the stranger who calls herself Rita (Laura Elena Harring), Betty discovers that her handbag is full of dollar bundles. The two women get to know each other better and decide to investigate in order to discover Rita's true identity... This slick, sinister, psycho-sexual thriller comes from the darkest recesses of Hollywood, a Los Angeles of strange dreams, unrequited love and a jealous burning rage. Extras: This 20th Anniversary Collector's Edition includes 4K restoration (approved by David Lynch) on UHD and Blu-ray in inner digipack, 2 posters and set of 5 artcards, booklet including essays from Anna Smith and David Jenkins packaged in an outer clamshell box featuring all new artwork. Special Features Back to Mulholland Drive On the Road to Mulholland Drive Interview with Laura Harring Interview with Mary Sweeney Interview with Angelo Badalamenti Introduction by Thierry Jousse In the Blue Box
It's hard to think of a couple better suited to play the romantic leads in Donizetti's comedy L'Elisir d'amore than husband-and-wife team Roberto Alagna and Angela Gheorghiu. Both are charming on stage, and both have voices to die for: Gheorghiu's dark liquid tones are particularly spine-tingling, and her coloratura abilities awe-inspiring, and though Alagna has mainly concentrated on the more spinto (powerful) roles of the tenor repertoire, in 1996 when this live production was recorded his voice was just a little fresher and lighter and thus perfect for the bel canto gracefulness of Donizetti's writing. His performance of "Una furtiva lagrima", for example, is meltingly sung and free from all temptation to overplay the high notes. Frank Dunlop's 1920s-set production doesn't quite produce the belly laughs some stagings manage (in Dulcamara's patter song, for example), but has a certain small-town wistful charm nonetheless. The orchestral accompaniment under Donizetti expert Evelino Pidò is spot on, and never falls into the banal "oom-pah" trap that such simple writing can often lead to. Overall, it's a production of great charm. On the DVD: L'Elisir d'amore comes to disc with a 52-minute film on the history of the opera and its recording, with contributions from Alagna and Gheorghiu, and subtitles in English, French, German, Spanish and Chinese. The Lyon opera house is particularly well set up for video recording, and Brian Large does a sophisticated job of capturing a live performance: it's hard to believe at some points that the cameras aren't actually on stage in the middle of the action. Just occasionally this leads to the singers not knowing where to look and seeming a trifle lost, but generally the performances work superbly well on the small screen. --Warwick Thomson
The devil made me do it. After being honourably discharged from the Navy Elvis Valderez returns to him hometown of Corpus Christi in Texas in the hope of finding his father whom he has never met. He soon discovers that he is the pastor of a local Baptist church and married with children. Serving as a reminder of his wayward past Elvis' father rejects him. However Elvis' half-sister and he begin a relationship that leads to tragic consequences.
After the loss of her long-time boyfriend Lucia she seeks refuge on a quiet, secluded Mediterranean island. There, bathed in an atmosphere of fresh air and dazzling sun, Lucía begins to discover the dark corners of her past relationship...
The latest movie from acclaimed film maker David Lynch tells of a woman with amnesia, abandoned on Mulholland Drive. She meets an aspiring actress and together they start putting the pieces of her life back together...
It's hard to think of a couple better suited to play the romantic leads in Donizetti's comedy L'Elisir d'amore than husband-and-wife team Roberto Alagna and Angela Gheorghiu. Both are charming on stage, and both have voices to die for: Gheorghiu's dark liquid tones are particularly spine-tingling, and her coloratura abilities awe-inspiring, and though Alagna has mainly concentrated on the more spinto (powerful) roles of the tenor repertoire, in 1996 when this live production was recorded his voice was just a little fresher and lighter and thus perfect for the bel canto gracefulness of Donizetti's writing. His performance of "Una furtiva lagrima", for example, is meltingly sung and free from all temptation to overplay the high notes. Frank Dunlop's 1920s-set production doesn't quite produce the belly laughs some stagings manage (in Dulcamara's patter song, for example), but has a certain small-town wistful charm nonetheless. The orchestral accompaniment under Donizetti expert Evelino Pidò is spot on, and never falls into the banal "oom-pah" trap that such simple writing can often lead to. Overall, it's a production of great charm. On the DVD: L'Elisir d'amore comes to disc with a 52-minute film on the history of the opera and its recording, with contributions from Alagna and Gheorghiu, and subtitles in English, French, German, Spanish and Chinese. The Lyon opera house is particularly well set up for video recording, and Brian Large does a sophisticated job of capturing a live performance: it's hard to believe at some points that the cameras aren't actually on stage in the middle of the action. Just occasionally this leads to the singers not knowing where to look and seeming a trifle lost, but generally the performances work superbly well on the small screen. --Warwick Thomson
Lake Placid (Dir. Steve Miner 1999): Bill Pullman Bridget Fonda and Oliver Platt share an appetite for sheer adventure when a tranquil New England lakefront erupts into an action-packed den of destruction in this ""Monster of a hit!"" (Wireless Magazine). An investigative team of malcontents (armed with state-of-the-art equipment high-powered weaponry and a biting sense of sarcasm) must work together to defeat Black Lake's most ferocious resident: a 30-foot prehistoric crocod
David Lynch strikes again with this literal nightmare of a motion picture - a brilliant scathing hysterical and haunting ode to Hollywood. A mysterious dark-haired woman (Laura Elena Harring) emerges from an accident with a purse full of cash and a head full of amnesia. Meanwhile Betty Elms (Naomi Watts) a wide-eyed gal from Deep River Ontario has just landed in Los Angeles with dreams of movie super stardom. When Betty finds the nameless beauty in her aunt's apartment she is deeply intrigued by the situation and offers to help her. This sends the two women on a bizarre search for the truth through the macabre sun-soaked streets of the City of Angels where the mob a young film director (Justin Theroux) a studio executive with a tiny head and an enigmatic figure named the Cowboy all float into the picture then out again until there is no longer any distinction between what is dream and what is reality. Originally filmed as a pilot for the American Channel ABC Lynch's daring open-ended vision was coldly rejected by the network. As he was about to abandon the project French producer Pierre Edelman convinced Lynch to rethink it as a feature. The result is this stunning expression of the subconscious a testament to the power of personal artistic vision.
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