Based on the well known thriller written by the horror author Dean R. Koontz. A group of religious fanatics claim that a six year old boy called Joey is an agent of the devil and set out to destroy him.....
When Tucker Harding (Terumi Matthews) a writer of hard-boiled fiction steps out to buy coffee one day in 1953 she finds herself mysteriously transposed to 1997. Wandering through New York's East Village she bumps into Drew (Nicole Zaray) a jaded woman with blossoming self-destructive urges. They form an instant relationship based on a volatile mix of distrust and desire. That is until they discover that they are both 'time freaks' atomically-mutated characters who experience the segments of their lives in any order they choose. When Tucker is suddenly murdered Drew must unravel the web of love time and betrayal that connects her to an unhappy past and a menacing future. Her search brings her to Ofelia (Belinda Becker) a futuristic femme-fatale who holds the thread of Tucker's fate and possibly Drew's as well.
As the impresario behind gravity-defying Russian blockbuster Night Watch, it's inevitable that Hollywood would come calling for Timur Bekmambetov. With a studio budget and an international cast, including two Oscar winners, Timur cooks up a Hong Kong-styled actioner bursting with fast cars and big guns. Our unlikely hero is mild-mannered Chicago accountant Wesley Gibson (Atonement's James McAvoy), whose father died when he was a tot. Wesley never learned to stand up for himself, and his girlfriend, boss, and best buddy all take advantage until the seductive Fox (Angelina Jolie) rescues him from a sharpshooter named Cross (The PianistÂ’s Thomas Kretschmann). After which, she whisks him away to a mansion on the edge of town to meet the other members of the Fraternity, where leader Sloan (Morgan Freeman) informs Wesley that Cross, a rogue agent, executed his father. Sloan believes Wesley has the goods to take him out, so he undergoes the Fraternity's brutal training regimen (Marc Warren and Common dish up some of the abuse). When he's ready, Sloan sends him out to fulfill his duty, but matters become complicated when Wesley finds out someone isn't telling the truth, leading our former milquetoast to exact an elaborate revenge. For those who've been following McAvoy's career to date, Wanted will surely come as a surprise. In adapting Mark Millar's comic series, Timur offers buckets of blood and a smidgen of depth, but fans of The Matrix and Mr. and Mrs. Smith will want to give this one a look. --Kathleen C. Fennessy
Bridget Jones' Diary: In the screen adaptation of 'Bridget Jones Diary' Helen Fielding's international best-selling phenomenon documentary filmmaker Sharon Maguire has managed a rare feat: a film as captivating as the novel! Bridget Jones (Renee Zellweger) is a pretty and neurotic thirtysomething ""singleton"" (in her vernacular) who vows to take control of her life after being humiliated by handsome standoffish barrister Mark Darcy (Colin Firth) at her parents' New Year's party. Determined to lose weight and cut back on vices like wine cigarettes and workaholic-alcoholic-misogynistic men Bridget begins a diary to chart her progress. Unfortunately the P.R. executive hits a snag when her boss gorgeous cad Daniel (Hugh Grant) instigates a sexy e-mail flirtation. Despite her tendency to bungle book launch parties and any situation involving the ever-disapproving Mark Darcy Bridget's winning combination of charm vulnerability and wit intrigues not only the seductively dangerous Daniel but also the arrogant barrister. Featuring a note-perfect performance by Zellweger a devilish one by Grant and the inspired casting of Firth (the object of Bridget's lusty fantasies in the book) 'Bridget Jones Diary' is a clever delightful romantic comedy guaranteed to please old fans and win new ones. (Dir. Sharon Maguire 2001) Bridget Jones's Diary 2 - The Edge Of Reason: She's back! The perfect boyfriend the perfect life what could possibly go wrong? Four weeks into her relationship with Mark Darcy (Colin Firth) Bridget Jones (Renee Zellweger) is already becoming uncomfortable. With the reappearance of old flame daniel Cleaver (Hugh Grant) things are about to get very complicated... (Dir. Beeban Kidron 2004) About A Boy: Growing up has nothing to do with age... Will (Grant) is a 38-year old Londoner living a bachelor lifestyle on the back of royalties earned from a Christmas song penned by his father some years previously. A serial womaniser Will comes up with the idea of attending a single parents group as a new way to pick up women. Inventing a two-year old son for himself he meets lonely bullied schoolboy Marcus (Nicholas Hoult) and his depressed music therapist mother (Toni Collette). The intelligent Marcus soon learns Will's secret and so blackmails him into letting him hang out at his place and watch afternoon telly. However what starts out as an uneasy quiz show watching alliance turns into an unlikely friendship... (Dir. Chris Weitz Paul Weitz 2002)
Anna Pavlova is a beautiful film about the most famous dancer of the world. A little girl from St. Petersburg dreams to become a ballet dancer. And when she is barely 16 years old, she manages to dance Giselle at the Marinsky Teatre and becomes an international star, and soon her fame spread all over the world. She travels to France, England, America, Australia and all over Latin America. Everywhere she goes, the theatres are full and critics consider her a phenomenon. Tragically she develops pleurisy. She refuses treatment as she knows she will never dance again. She dies in Holland, aged 50 years old.
Director Renny Harlin (Cutthroat Island) took the reins of this 1990 sequel, which places Bruce Willis's New York City cop character in harm's way again with a gaggle of terrorists. This time, Willis awaits his wife's arrival at Dulles Airport in Washington, DC, when he gets wind of a plot to blow up the facility. Noisy, overbearing and forgettable, the film has none of the purity of its predecessor's simple story; and it makes a huge miscalculation in allowing a terrible tragedy to occur rather than stretch out the tension. Where Die Hard set new precedents in action movies, Die Hard 2 is just an anything-goes spectacle. -- Tom Keogh, Amazon.com
Taxi (2004): A loose remake of the Luc Besson production of the same name. Cab driver Belle Williams (Queen Latifah) regularly flies through the streets of New York in her souped-up Taxi earning her a reputation as the Big Apple's fastest cabbie. However Belle wants to be a real race-car driver and her day-job is only a means to paving the way for that dream. Well on the way to her ambition she is put in between a rock and a hard place by cop Andy Washburn: a great underco
Exceptionally well directed by John McTiernan, Die Hard made Bruce Willis a star back in 1988 and established a new template for action stories. Here the bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis' visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis' wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet and William Atherton is slimy as a busybody reporter. Director Renny Harlin took the reins for the 1990 sequel, Die Harder, which places Bruce Willis in harm's way again with a gaggle of terrorists. This time, Willis awaits his wife's arrival at Dulles Airport in Washington DC when he gets wind of a plot to blow up the facility. Noisy, overbearing and forgettable, the film has none of the purity of its predecessor's simple story; and it makes a huge miscalculation in allowing a terrible tragedy to occur rather than stretch out the tension. Where Die Hard sets new precedents in action movies, Die Hard 2 is just an anything-goes spectacle. --Tom Keogh, Amazon.com
This seminal 1988 thriller made Bruce Willis a star and established a new template for action stories: "Terrorists take over a (blank) and a lone hero, unknown to the villains, is trapped with them." In Die Hard, those bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet and William Atherton is slimy as a busybody reporter. Exceptionally well-directed by John McTiernan. --Tom Keogh
In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped a maximum security stockade to the Los Angeles underground. Today still wanted by the government they survive as soldiers of fortune. If you have a problem if no one else can help and if you can find them maybe you can hire the A-Team! Episodes comprise: 1. Mexican Slayride (Part 1) 2. Mexican Slayride (Part 2) 3. Children Of Jamestown 4. Pros And Cons 5. A Small And Deadly War 6. Black Day At Bad Rock 7. The Rabbit Who Ate Las Vegas 8. The Out-Of-Towners 9. Holiday In The Hills
Cool Runnings (Dir. Jon Turteltaub 1993): You'll love Cool Runnings - the outrageously funny comedy hits inspired by the true story of Jamaica's first Olympic bobsled team. They were four unlikely athletes with one impossible dream. Now with the help of ex-champion as their coach (John Candy - Uncle Buck) four Jamaicans leave their sunny island home and enter the chilly winter Olympics to compete for the gold in a sport they know nothing about - bobsled racing! My Favourite Martian (Dir. Donald Petrie 1999): In the Disney tradition of fun family comedies comes the hilarious live-action film My Favourite Martian - an out-of-this-world comedy about friendship loyalty and aliens. When a harmless Martian (Christopher Lloyd Back to the Future) crashes onto earth and into the life of struggling TV reporter Tim (Jeff Daniels) he must use all his magical powers to keep his identity a secret and quickly find a way back to Mars. Tim initially wants to expose the friendly Martian whom he names Uncle Martin and his crazy animated spacesuit Zoot. Ultimately Tim helps Uncle Martin but can he send him safely home before the world discovers their secret? Snow Dogs (Dir. Brian Levant 2002): Make no bones about it Disney's Snow Dogs is a hilarious action-packed comedy your whole family will love. Eight adorable but mischievous dogs get the best of dog hater Ted Brooks (Cuba Gooding Jr.) when he leaves his successful Miami Beach dental practice for the wilds of Alaska to claim his inheritance- seven Siberian huskies and a border collie- and discover his roots. As Ted's life goes to the dogs he rises to the occasion and vows to learn to mush with his inheritance. Totally out of his element he faces challenges he's never dreamed of. There's a blizzard thin ice an intimidating crusty old mountain man named Thunder Jack (James Coburn) the Artic Challenge Sled Dog Race that's only two weeks away and a life-and-death rescue. This fish-out-of-water tail-wagging comedy is nothing but doggone good fun and a celebration of family - both human and canine!
The stage is set for terror when a new management team takes over a famous western theme park and film studio and transform their annual Halloween Fright Fest into a spectacular horror event for the tourists billed as a truly horrifying descent into hell The climax of opening night is a thrilling excursion into the town's Lost Dutchman's Cave which goes deep into the bowels of the earth but a couple of park hands enter the cave and stumble upon an ancient burial urn which they accidentally break causing a horrific chain of events to take place and hell opens it's gates! Cowboys & Vampires is a dark humoured Vampire/Horror film that also pays homage to the Old West and a generation that believed in John Wayne instead of Freddy Krueger
Huckleberry Finn's age has been scaled down in this 1993 Disney film in order to accommodate star Elijah Wood's young years at the time. But that is not the only concession Mark Twain's great American novel must make to Disney revisionism. Wood's Huck, as adapted for the screen by writer-director Stephen Sommers, is all rascal and only nominally a philosopher, which takes a lot of the soul out of Twain's extraordinary story about Huck's enlightenment while travelling with the slave Jim (Courtney B. Vance) along the Mississippi river. Big chunks of the journey are also minimised in significance, and not just for the sake of storytelling economy. Jason Robards Jr and Robbie Coltrane brighten things up, but overall this is an unnecessarily simplified version of a literary classic. --Tom Keogh
Scum: Alan Clarke's Scum shows a vicious system and doesn't pull any of the punches - or kicks - so relentlessly deployed in the battles between rivals in the power stakes that incarceration promotes. It's the brutal story of life in a modern-day Borstal. Run by the violence and cruelty of both inmates and officers the system is a jungle which brutalizes all within its walls. Carlin who has been transferred from another Borstal for retaliation against violent officers is thrown into this human quagmire - and what follows is a harsh and bitter battle for survival. He realises that the only way is by beating the system at its own game and eventually erupts as leader of a bloody climatic riot. Romper Stomper: Violent but never gratuitous emotionally powerful and never afraid to portray the ugly destructive face of prejudice Romper Stomper excites disturbs and boldly challenges the viewer. Its angry raw story about a brutal lawless group of skinheads is a savage kick in the guts. This is no simplistic street-gang film but a rivetting portrayal of the hopelessness and blind hatred of youth that is both controversial and profound. Chopper: An extraordinary movie about an extraordinary man the highly acclaimed and award winning Chopper is the boldest and grittiest Australian film in decades. Brimming with dangerous excitement and stunning innovation the sensational debut of rock director Andrew Dominik is an exhilarating sharp shock to the system revealing the no-holds-barred story of the notorious Oz criminal Mark 'Chopper' Read. Told in flashback as Read serves one of his many prisons sentences this extreme biography charts the brutal carnage and wicked sense of humour of a man who supposedly committed nineteen vicious murders and got away with it. Mixing startling facts from his nine best-selling books including 'How To Shoot Friends and Influence People ' with stylish pulp fiction to paint an astonishing portrait of a larger-than-life legend Chopper is funny fascinating and frightening and features a show-stopping central performance from Eric Bana Australia's top stand-up comedian.
Blending state of the art animation with live action, Hop is a comedy about E.B. (voiced by Russell Brand), the teenage son of the Easter Bunny. On the eve of taking over the family business, E.B. leaves for Hollywood in pursuit of his dream of becoming a drummer. He encounters Fred (James Marsden), an out-of-work slacker with his own lofty goals, who accidentally hits E.B. with his car. Feigning injury, E.B. manipulates Fred into providing him shelter, and Fred finds himself with the world's worst houseguest.
Based upon Mark Millar's explosive graphic novel series and helmed by stunning visualist director Timur Bekmambetov - creator of the most successful Russian film franchise in history, the Night Watch series - Wanted tells the tale of one apathetic nobody's transformation into an unparalleled enforcer of justice.25-year-old Wes (James McAvoy) was the most disaffected, cube-dwelling drone the planet had ever known. His boss chewed him out hourly, his girlfriend ignored him routinely and his life plodded on interminably. Everyone was certain this disengaged slacker would amount to nothing. There was little else for Wes to do but wile away the days and die in his slow, clock punching rut. Until he met a woman named Fox (Angelina Jolie).After his estranged father is murdered, the deadly sexy Fox recruits Wes into the Fraternity, a secret society that trains Wes to avenge his dad's death by unlocking his dormant powers. As she teaches him how to develop lightning-quick reflexes and phenomenal agility, Wes discovers this team lives by an ancient, unbreakable code: carry out the death orders given by fate itself.With wickedly brilliant tutors - including the Fraternity's enigmatic leader, Sloan (Morgan Freeman) - Wes grows to enjoy all the strength he ever wanted. But, slowly, he begins to realize there is more to his dangerous associates than meets the eye. And as he wavers between newfound heroism and vengeance, Wes will come to learn what no one could ever teach him: he alone controls his destiny.
A coven of witches mask their true identity by operating the ""Sin and Skin"" strip club in The Witch's Sabbath. To keep the coven as one they must behead 666 victims before the arrival of their Dark Lord on Halloween. Unsuspecting victims are carefully chosen at the strip club and find themselves invited to feast at a sinister mansion where the ladies of ""Sin and Skin"" offer their victims one final meal. With their deadline fast approaching the head witch Auriana (Syn
Broomfield brings a humorous and revealing look into the political and private worlds of former British Prime Minister Lady Margaret Thatcher to the screen. Both Lady Thatcher and those responsible for her day-to-day affairs refuse to cooperate and grant Bloomfield an interview. Bloomfield is drawn into a complex web of intrigue surrounding not only Lady Thatcher but also members of her family. However by consistently refusing to grant Bloomfield an interview Lady Thatcher inadvert
On November 13 1974 Suffolk County Police received a frantic phone call that led them to 112 Ocean Avenue in Amityville Long Island. Inside the large Dutch Colonial house they discovered a horrific crime scene that shattered the landscape of the typically peaceful community: an entire family had been slaughtered in their beds. In the days that followed Ronald DeFeo Jr. confessed to methodically shooting his parents and four siblings with a rifle while they slept claiming 'voices' in the house drove him to commit the grisly murders. One year later George (Ryan Reynolds) and Kathy Lutz (Melissa George) and their children moved into the house thinking they'd found their dream home. But shortly after settling in bizarre and unexplainable events began to occur -- nightmarish visions and haunting voices from an evil presence still lurking within the house. Confused and frightened by her daughter Chelsea's cryptic interaction with an imaginary friend named Jodie Kathy struggles to hold her family together as George's increasingly strange behavior finds him spending days and nights in the basement of the house where he soon discovers a passageway to a mysterious and gruesome 'Red Room.' With lucid visions and evil voices swirling through George's head the house comes alive in a terrifying climax that finds him carrying out the spine-chilling events that would become forever known as The Amityville Horror. Based on the true story of George and Kathy Lutz The Amityville Horror remains one of the most terrifying stories ever because of one small fact -- it actually happened. 28 days after moving in the Lutz family abandoned the residence lucky to escape with their lives. Now 30 years after the shocking events that inspired a best selling novel and one of the most popular horror films of all time come revisit the house that started it all: The Amityville Horror.
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