Featuring a star-studded cast boasting three Oscars and a Golden Globe between them, Melvin and Howard tells the delightful, laugh-out-loud and, most importantly, true story of one lucky man's brush with a billionaire. The meeting changed his life forever. Truckdriver, milkman and aspiring musician Melvin Dummar (Golden Globe-winner Paul Le Mat, American History X) has been down on his luck for what feels like his entire life. He can't keep a job. His wife is threatening to divorce him. And, try as he may, he can't write a hit song. Driving along the highway late one night, he spots an injured stranger on the side of the road. He offers the man a ride anywhere he'd like and the stranger asks to go to Las Vegas. Melvin obliges the man, and they wind up becoming fast friends. Just before he gets out of the car, the man reveals his identity: Howard Hughes (Oscar-winner Jason Robards, All the President's Men). While Melvin has reasons to doubt the man, big news comes on the day of Hughes' deathnews that, if true, will give Melvin the life he's always dreamed of Directed by Oscar-winner Jonathan Demme (Silence of the Lambs) and written by two-time Oscar and Golden Globe-winner Bo Goldman (One Flew Over the Cuckoo's Nest), Melvin and Howard is one of the sharpest, funniest films you'll ever see.
The Flintstones: After an aptitude test mix-up Fred Flintstone (John Goodman) trades his job as Slate & Company Bronto-crane operator for a vice presidency. But there's trouble brewing in Bedrock: An evil executive (Kyle MacLachlan) and his sinister secretary (Halle Berry) are now plotting to use Fred as the fall guy in an embezzlement scheme! (Dir. Brian Levant 1994) The Flintstones Viva Rock Vegas: Best pals Fred (Mark Addy) and Barney (Stephen Baldwin) down tools at Bedrock Mining Company to woo Wilma (Kristen Johnston) and Betty (Jane Krakowski) during a long vacation in Rock Vegas. All goes well until Fred's gambling addiction gets the better of him and he is framed for stealing Wilma's prized pearl necklace by love rival Chip Rockerfeller (Thomas Gibson) who oozes malice out of every prehistoric pore. Meanwhile Wilma's high fallutin mother Pearl (Joan Collins taking over from Elizabeth Taylor) thinks that Fred is too downmarket for her daughter and does everything within her power to push Wilma and Chip together... (Dir. Brian Levant 2000)
Like all the best celebrity tributes, Dame Elizabeth Taylor: A Musical Celebration (2001) combines the essence of its subject--in this case, charity work for HIV and AIDS research and a legendary career in movies, both meriting every ounce of recognition--with the fascination of a spectacular car smash. The highlights are the screenings of trailers for some of her best films, including Giant and Butterfield 8 (she won an Oscar but derided the picture) and an archive interview in which she memorably describes a tiresome gossip columnist as "a frustrated old biddy". The live entertainment is far shakier than the event's inspiration, though. Presented by David Frost and Stephen Fry--an uneasy, fawning partnership-- there is some real quality: Andrea Bocelli (sending the guest of honour into transports of delight), John Barry conducting a couple of his most symphonic Bond themes and Reba McEntire, the powerhouse country and western diva-turned-Broadway actress. On the down side, Marti Pellow's self-congratulatory posing would make Robbie Williams seem a model of modesty, Jay Kay's attempts to jazz up a standard are woeful and Ute Lemper is at her most pretentious for a cacophonic "Mack the Knife". Michael Jackson's mute presence at Taylor's side emphasises the hypnotic strangeness of the whole affair, though the Dame herself takes the entire marvellously lurid spectacle in her stride. On the DVD: Dame Elizabeth Taylor: A Musical Celebration comes to DVD with no extra features. A Taylor filmography would have been useful. Otherwise, the 4:3 video aspect ratio reproduces the television gala feel and for sound quality, you can choose between LPCM stereo, Dolby Digital 5.2 and DTS surround sound (best for that authentic, muddy Royal Albert Hall acoustic).--Piers Ford
Joseph Losey's lurid and often misunderstood drama stars the great Elizabeth Taylor (Suddenly, Last Summer) as an ageing London prostitute who befriends a young woman (Mia Farrow, See No Evil) that reminds her of her long-dead daughter. As the bizarre relationship between the two evolves, the appearance of Robert Mitchum (Cape Fear), as Farrow's abusive stepfather, ignites deep emotions and dark passions. With its exquisite production design, stylish cinematography and elegant score, Joseph Losey's lost masterpiece finally makes its long-overdue premiere on Blu-ray. Product Features High Definition remaster Original mono audio Audio commentary with authors and critics Dean Brandum and Alexandra Heller-Nicholas (2019) Archival Interview with Joseph Losey (1969, 15 mins): extract from the French television programme Cinéma critique, featuring the celebrated director promoting the release of Secret Ceremony and an appreciation by critic Michel Mourlet The Beholder's Share (2019, 25 mins): interview with Gavrik Losey, son of Joseph Losey TV version: additional scenes (1971, 18 mins): unique epilogue and prologue produced for US television screenings, with Robert Douglas and Michael Strong Original theatrical trailer Larry Karaszewski trailer commentary (2015, 3 mins): short critical appreciation Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
A Place In The Sun (Dir. George Stevens 1951): George Stevens' stunning adaptation of Theodore Dreiser's 'An American Tragedy' garnered six Academy Awards (including Best Director and Best Screenplay) and guaranteed immortality for screen lovers Montgomery Clift and Elizabeth Taylor. Clift stars as George Eastman a poor young man determined to win a place in respectable society and the heart of a beautiful socialite (Elizabeth Taylor). Shelley Winters plays the factory gir
After a 97-year exile in space, the human race returned to a wildly transformed Earth...only to discover that the human race had never truly left. Reunited with the surviving residents of the space-station Ark that fell to Earth, Clarke Griffin and her band of juvenile delinquents have faced death at every turn: from a world transformed by radiation to the fierce Grounders who somehow managed to survive it, and the double-dealing Mountain Men from the fortified Mount Weather, whose civilized environment masked a horrible secret. Though Clarke was alternately challenged, supported and betrayed by her own people and alliances with the Grounders, they could always find common ground in survival. United with the Grounder tribes, Clarke and her friends -- Bellamy Blake, Raven Reyes, the Grounder Lincoln and Octavia Blake who's adopted the Grounder ways -- faced off against the lethal forces of Mount Weather to rescue the remaining Sky People from the Ark who were being held captive in Mount Weather, including their friends Jasper and Monty. Warned by her mother, the Chancellor Abby Griffin, and the commanding Marcus Kane, Clarke risked everything to save her people, ultimately learning that victory comes with a terrible price. Meanwhile, the former Chancellor Jaha and outcast John Murphy will discover what awaits them at the City of Light. Their sacrifices and heartbreaking choices have changed everyone forever, but now, as they set out to stake their place in this dangerous and beautiful new world, they will continue to face physical peril and moral dilemmas as they reforge society. The challenges continue to mount in season three as they not only determine what kind of lives they will build, but what it will ultimately cost them.
Detective Inspector Mike Shepherd arrives in Brokenwood on assignment to investigate a murder. In a town where animosities run deep and memories are long, he soon learns that gossip is the local currency. An experienced officer with a 1971 classic car, a collection of country music cassettes and an indeterminate number of ex-wives, the new woman in Shepherd's life is his assistant, Detective Kristin Sims, a by-the-book investigator, who quickly has to get used to his unique and quirky ways. These seven series are filmed amid the beautiful landscape of New Zealand's North Island, a place where beauty is everywhere to be seen, but there lurks beneath a dark undercurrent and an alarming death rate.
Elizabeth Taylor and Katharine Hepburn each received Oscar nominations for best actress in this gripping adaptation of the Tennessee Williams play filmed at Shepperton Studios by director Joseph L. Mankiewicz. Beautiful Catherine Holly (Taylor) is committed to a mental institution after witnessing the strange and horrible death of her cousin. Catherine's aunt Violet Venable (Hepburn) tries to influence Dr Cukrowicz (Montgomery Clift) a young neurosurgeon to surgically end Cather
Woman Of The Year: A female politician and a sports journalist marry for the wrong reasons in this battle of the sexes comedy classic. Oscar winner for Best Original Screenplay. Giant - Special Edition: The James Dean legend lives on in 'Giant' George Stevens sweeping Oscar-winning epic about the cataclysmic effect the discovery of oil in Texas has on the lifestyle of the former cattle barons. Dean is Jett Rink a sullen-farm hand who becomes a millionaire overnight. To
This pleasant, lightweight live-action version of the popular cartoon is about as good as you might expect. The kids should love the broad humour and the Henson Studios creatures but like The Addams Family movies, the look and the cast are the best things going for it. Considering that the nature of the material is so sparse, the thinly plotted story works better than other TV-to-movie fare. Our fabulous Stone Age man is promoted per a calculated move by a scheming exec (Kyle MacLachlan, whose casting ensured at least one cute guy). As a comedy, the humour is one-note and flat for anyone older than 12. The special-effects creatures look wondrous, though not as seamless as in other movies, such as in Roger Rabbit. The most joyous moments come during the full-scale re-creations of the famous credits. The Flintstones provided a major launching pad for Halle Berry as a vamping secretary. --Doug Thomas
Possibly the most alluring mysterious and powerful woman of all time Cleopatra (Elizabeth Taylor) changed the course of history when two of the most powerful men in Rome fell in love with her. Rex Harrison is Julius Caesar who wins the Egyptian throne for Cleopatra marries her and provides her with a child Caesarion. Upon returning to his native country Caesar is crowned Dictator of Rome but his desperate desire for even greater power causes a worried Roman Senate to fatally conspire against him on the Ides of March.
The four films in this Agatha Christie Murder Mystery Collection demonstrate exactly why Christie's reassuringly formulaic whodunits have been extraordinarily resilient source material. In each we find a corpse (or several), an assorted group of suspects gathered in a self-contained location, all with a motive to commit murder, and the coincidental presence of the totem detective (Poirot or Miss Marple). Between 1974 and 1981, producers John Brabourne and Richard Goodwin mined the Christie seam for some of its ripest riches. Murder on the Orient Express (1974), directed by Sidney Lumet, features a cavalcade of stars including Ingrid Bergman, Lauren Bacall, John Gielgud and Sean Connery; while Christie herself gave Albert Finney's Poirot her blessing. The Art Deco setting exudes glamour; the plot is preposterously diverting; the lighting, silvery and washed-out, giving the suspects an appropriately grim and ghoulish air. With a superior Anthony Shaffer screenplay Death on the Nile (1978) saw Peter Ustinov taking over as Poirot. The backdrop of ancient Egyptian monuments helps bring this adaptation a touch of class, complemented by composer Nino Rota's epic theme tune. The Mirror Crack'd (1980) features Elizabeth Taylor and Kim Novak as rival Hollywood legends descending on a quaint English village to make a film, with Rock Hudson as Taylor's husband and Angela Lansbury as a rather unconvincingly robust Miss Marple. Shaffer returned to the fray, adapting Evil Under the Sun (1981) and moving Poirot from the Cornish Riviera to an island off the coast of Albania. Ustinov reprises his role and Maggie Smith returns, camper than ever, as the hotel owner inconvenienced by murder. On the DVD: It's a pity that the sound quality hasn't been sharpened up, though: Murder on the Orient Express sometimes evokes memories of the muffled incoherence of an old fleapit. Apart from trailers, extras are few and far between. There are no cast lists or filmographies. But Death on the Nile and Evil Under the Sun both feature interesting short promotional "'making of"' documentaries in 4:3 format. --Piers Ford
All 29 episodes from the first two seasons of the post-apocalyptic teen drama. 97 years after a nuclear war almost destroys the Earth, 100 expendable youths are sent to their ancestor's former home to determine if its surface is habitable, with the hope of repopulating the planet. As the 100 begin their quest they are forced to confront dangers in a world they have only seen from space and soon discover they may not be alone on Earth. Season 1 episodes are: 'Pilot', 'Earth Skills', 'Earth Kills', 'Murphy's Law', 'Twilight's Last Gleaming', 'His Sister's Keeper', 'Contents Under Pressure', 'Day Trip', 'Unity Day', 'I Am Become Death', 'The Calm', 'We Are Grounders: Part 1' and 'We Are Grounders: Part 2'. Season 2 episodes are: 'The 48', 'Inclement Weather', 'Reapercussions', 'Many Happy Returns', 'Human Trials', 'Fog of War', 'Long Into an Abyss', 'Spacewalker', 'Remember Me', 'Survival of the Fittest', 'Coup de Grace', 'Rubicon', 'Resurrection', 'Bodyguard of Lies', 'Blood Must Have Blood: Part 1' and 'Blood Must Have Blood: Part 2'.
A novice vintner from California tries to create the perfect California Chardonnay, while a struggling wine seller from Paris thinks of a way to help his business. Little did they realize they were about to change the history of wine forever.
A bumper box set of classic films featuring 'The First Lady of Cinema' Katharine Hepburn! State Of The Union (Dir. Frank Capra 1948): The Flamboyant businessman Grant Matthews (Spencer Tracy) is persuaded by his mistress the powerful publishing heiress Kay Thorndyke (Angela Lansbury) to seek the Republican nomination in the forthcoming elections. Mary Matthews (Katharine Hepburn) joins her estranged husband to present a public portrait of a happy family for the voters
It's been nearly 100 years since Earth was devastated by a nuclear apocalypse, with the only survivors being the inhabitants of 12 international space stations that were in orbit at the time. Three generations later, the survivors number 4,000 -- and resources are running out on their dying Ark (the 12 stations now linked together and repurposed to keep the survivors alive). Capital punishment and population control are the order of the day, as the leaders of the Ark take ruthless steps to ensure their future -- including secretly exiling a group of 100 juvenile prisoners to the Earth's surface to test whether it's habitable. No one has set foot on the planet in nearly a century -- until now. Among the exiles are Clarke, the teenage daughter of the Ark's chief medical officer; Wells, son of the Ark's Chancellor; the resourceful Finn; and brother/sister duo Bellamy and Octavia, whose illegal sibling status has them flaunting the rules. Technologically blind to what's happening on the planet below them, the Ark's leaders -- Clarke's widowed mother, Abby; the Chancellor, Jaha; and Jaha's shadowy second in command, Kane -- are faced with difficult decisions about life, death and the continued existence of the human race. For the 100 on Earth, however, the alien planet they've never known is a mysterious realm that can be magical one moment and lethal the next. With the survival of the human race entirely in their hands, the 100 must find a way to forge a new path on a wildly changed Earth that's primitive, intense and teeming with the unknown.
The films included in the Signature collection are National Velvet (1944) the movie that made her a star Father of the Bride (1950) the classic that garnered 3 Academy Award* Nominations including Best Picture and Best Actor for Spencer Tracy Cat On A Hot Tin Roof (1958) Tennessee Williams' classic play about a southern family torn apart by greed with Paul Newman co-starring as the iconic Brick and Butterfield 8 an all-out Liz Taylor Tour De Force which won her the Academy Award* for Best Actress in 1960.
Directed by Joseph L Mankiewicz (Dragonwyck, All About Eve, Cleopatra) from the play by Tennessee Williams (A Streetcar Named Desire, Cat on a Hot Tin Roof) and brilliantly adapted for the screen by Gore Vidal (Ben-Hur, Myra Breckinridge), Suddenly, Last Summer casts three of Hollywood's most iconic talents (Elizabeth Taylor, Katharine Hepburn, Montgomery Clift) in a daring and often delirious mix of lurid drama and Gothic horror. Sensational and wildly controversial at the time of its release, Suddenly, Last Summer now stands as a classic and stills packs a provocative punch. INDICATOR LIMITED EDITION SPECIAL FEATURES: 4K restoration from the original negative Original mono audio Joseph L Mankiewicz Interview (1990, 10 mins): the renowned filmmaker discusses his career in a segment from the French TV series Cinéma cinémas Elizabeth Taylor on Montgomery Clift (1966, 2 mins): the celebrated actress pays tribute to her friend and co-star shortly after his tragic death in July 1966 Gary Raymond on 'Suddenly, Last Summer' (2018): a new interview with the versatile British actor About Last Summer (2018, 16 mins): second assistant editor John Crome shares his experience of making Suddenly, Last Summer Remembering Last Summer (2018, 3 mins): continuity supervisor Elaine Schreyeck recalls working with Mankiewicz, Hepburn and Clift The Predator and the Prey (2017, 26 mins): critic and film historian Michel Ciment examines the film's production and explores its complex themes and concerns Isolated music and effects track Original theatrical trailer Trailer commentary with Dan Ireland (2013, 3 mins): a short critical appreciation Image gallery: on-set photography, publicity stills and promotional materials New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 40-page booklet with a new essay by Samm Deighan, a set report from Films and Filming magazine, a profile of production designer Oliver Messel, Tennessee Williams on Suddenly, Last Summer, a statement by producer Sam Spiegel, contemporary reviews, and film credits UK premiere on Blu-ray Limited Edition of 3,000 copies
In Jacob's Ladder, Vietnam veteran Jacob Singer (Tim Robbins) thinks he is going insane. Or worse. When his nightmares begin spilling into his waking hours, Jacob believes he is experiencing the after-effects of a powerful drug tested on him during Vietnam. Or perhaps his post-traumatic stress disorder is worse than most. Whatever is happening to him, it's not good. Director Adrian Lyne sparks our interest and maintains high production values, but this confusing film chokes on its "surprise" ending. It owes much to Ambrose Bierce's haunting and more straightforward short story, An Occurrence at Owl Creek. Written by Bruce Joel Rubin, who also explored the "other side" in Ghost and My Life, Jacob's Ladder ultimately feels like an exercise in self-indulgence. A spirited performance by Elizabeth Peña outshines Robbins, who is surprisingly lethargic. --Rochelle O'Gorman
Available for the first time on DVD! Leading man Cary Grant plays Matt Howard a common man who gains employment as a surveyor through the help of Thomas Jefferson. Howard quickly falls head over heels for his wealthy employer's daughter Jane Peyton (Martha Scott). The couple appear to be set for happiness until Matt becomes involved in politics and the War of Independence arrives...
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