Set on a Pacific island in 1942, Too Late the Hero is a hard-as-nails "men on a mission" war movie: a group of British soldiers have to traverse the New Hebrides to destroy a Japanese radio transmitter, then get back to safety while being hunted all the way. Inevitably everything goes wrong, but director Robert (The Dirty Dozen) Aldrich turns the book of WWII movie clichés on its head and springs some unnerving surprises. Even the token American star, Cliff Robertson--echoing William Holden's grafted-on role in The Bridge on the River Kwai--proves less than obviously heroic, while an outstanding Michael Caine brings considerable depth to his usual cynical cockney. Henry Fonda gets heavily billed for a brief guest appearance, but there are star performances such fine British character actors as Denholm Elliot, Ian Bannen, Ronald Fraser and Lance Percival. This portrait of battle-worn men offers greater complexity than Spielberg's Saving Private Ryan, while the jungle trek was more recently paralleled in Terrence Malick's The Thin Red Line. Only the attitudes--more 1970 than 1942--detract from Aldrich's tellingly realistic vision, which with a thoughtfully ironic script and a succession of tense set pieces and brutal firefights, builds to a harrowing climax. On the DVD: The picture is presented at approximately 1.7:1, reformatted from the original 2.2:1 70mm theatrical presentation. Despite approximately 25 per cent of the original image being missing, this loss is only really noticeable in a few scenes. Apart from the occasional fleck, the print is in superb condition, and despite the lack of anamorphic enhancement the picture is sharp, detailed and has excellent colour. The surround sound (not mono as listed on the packaging) is highly effective, with the tension being increased by a considerable amount of the music coming from the rear speakers. The special features are simply a few static pages of biographical and production notes. --Gary S. Dalkin
A delightful family adventure based on a remarkable true story featuring amazing effects courtesy of Jim Henson's Creature Shop. Rene Russo stars as eccentric socialite Gertrude ""Trudy"" Lintz who adopts a baby gorilla into her already-bustling animal menagerie. Along with chimpanzees Maggie and Joe Buddy gets into all kinds of hilarious monkey business and proceeds to drive everyone bananas. .
This is the definitive documentary telling the story of the unique puppetry and animation technique developed by Gerry and Sylvia and their team and deployed in all their programmes throughout the 1960s including Stingray Captain Scarlet and most famously Thunderbirds. Directed and co-produced by Stephen La Rivière and hosted by Lady Penelope and Parker themselves Filmed in Supermarionation is a screen adaptation of his book of the same name and features a wealth of previously unseen archive footage brand new interviews with the surviving casts and crews and clips from the shows themselves. A highlight of the film are ingenious and accurate recreations of the pioneering techniques used in the productions. Bonus Features: Deleted scenes: a selection of material that did not appear in the final documentary. Filming in Supermarionation: filming the effects and puppets for the documentary Special effects reel: an unedited reel of special effects shots created for the documentary Gerry and Sylvia in America: colour footage shot by Barry Gray of Gerry and Sylvia at the 1965 World's Fair in New York Tomorrow's World: full Video Assist report Something for the Children: Sylvia Anderson archive interview Parade: colour behind-the-scenes Thunderbirds footage Lord Mayor & Thunderbird 3 (silent reel)
Based on the enormously popular books written by Katharine Holabird and illustrated by Helen Craig Angelina Ballerina tells the timeless tales of a remarkable little mouse who dreams of becoming a prima ballerina. Headstrong passionate and determined Angelina is a character children of all ages will relate to. Filled with humour and tenderness Angelina Ballerina will capture their hearts and prove itself a classic for generations to come. The stories featured here are: The Rose
Much like Richard Adams' wonderful novel this animated tale of wandering rabbits is not meant for small children. It is, however, rich storytelling, populated with very real individuals inhabiting a very real world. The animation is problematic, sometimes appearing out of proportion or just below par; but it seems to stem from an attempt at realism, something distinguishing the film's characters from previous, cutesy, animated animals. A band of rabbits illegally leave their warren after a prophecy of doom from a runt named Fiver (voiced by Richard Briers). In search of a place safe from humans and predators, they face all kinds of dangers, including a warren that has made a sick bargain with humankind, and a warren that is basically a fascist state. Allegories aside, Down is engaging and satisfying, and pulls off the same amazing trick that the novel did--you'll forget that this is a story about rabbits. --Keith Simanton, Amazon.com
His terrifying obsession took them to the brink of death and beyond Amid the decaying elegance of cold-war Vienna psychoanalyst Dr. Alex Linden (Art Garfunkel) becomes mired in an erotically charged affair with the elusive Milena Flaherty (Theresa Russell). When their all consuming passion takes a life-threatening turn Inspector Netusil (Harvey Keitel) is assigned to piece together the sordid details. Acclaimed for its innovative editing raw performances and stirring musical score - featuring Tom Waits The Who and Billie Holiday Nicolas Roegs Bad Timing is a masterful deeply disturbing foray into the dark world of sexual obsession.
Filled with endless laughs and unbelievable sight gags this delightfully outlandish romantic comedy is a hysterical smash hit. Still suffering from a High School crush on Mary (Cameron Diaz) the nerdy angst-driven Ted (Ben Stiller) tracks her down thirteen years later with the help of a sleazy private investigator (Matt Dillon) who also falls for her. Unfortunately both men discover that virtually every man who sets his eyes on the dazzling Mary finds himself head over heels in love and determined to win her hand. The wacky Farrelly Brothers have pushed the envelope again creating another outrageous movie experience guaranteed to make you laugh and keep you coming back for more.
Both warmly funny and surprisingly touching, the one-off 90-minute BBC comedy Cruise of the Gods (2002) unites the twin comic talents of Rob Brydon and Steve Coogan for the first time. Brydon, whose Marion & Geoff brought him instant cult status and critical acclaim, plays Andy Van Allen, a washed-up actor who once enjoyed celebrity as the star of a TV science-fiction series but who is now down on his luck as a hotel porter. Desperate to rescue his self-esteem, but equally desperate to conceal his failure, he reluctantly embarks on a Mediterranean cruise for die-hard fans of the old show organised by uber-nerd Jeff Monks (David Walliams). To compound his humiliation, Van Allan's one-time costar, Nick Lee (Coogan), now a Hollywood big shot thanks to his starring role in Sherlock Holmes in Miami, gatecrashes the trip. Elements of both Marion & Geoff's agonising pathos and the squirm-inducing embarrassment of I'm Alan Partridge feature prominently here as the merciless portrayal of geeky fandom slowly gives way to a more gentle, affectionate portrait of people whose lives were inexplicably touched by the fantastically awful Children of Castor (imagine a camp cross between Blake's 7 and The Tomorrow People). Unlike the sympathetically pathetic ex-husband of Marion, here Brydon plays a cruelly cynical and embittered character, whose self-loathing contrasts painfully with the annoying ebullience of Coogan's superstar. The supporting cast are all a delight, too: witness lugubrious Philip Jackson, as alcoholic writer Hugh Bispham, clashing hilariously with Walliams' deadly earnest super-fan over the interpretation of names in the show, which turn out to be nothing more cryptic than anagrams of Bispham's favourite curries. James Corden and Helen Coker are emotionally fragile followers whose lives intertwine unexpectedly with their heroes, while Brian Conley and Jack Jones gamely provide cameos. --Mark Walker
Not to be confused with the 2002 Matt Damon big-screen version, this adaptation of The Bourne Identity is a 1988 two-part TV miniseries based on the Robert Ludlum paperback bestseller. "How can I find out who I am if I've been turned into another person?", cries amnesiac Richard Chamberlain, fished out of the sea by drunken doc Denholm Elliott, who patches him up and discovers a Swiss bank account number sewn into his thigh. Coming to believe that he is Jason Bourne, international assassin, our hero is sought after by the CIA, several European police forces and the gang of an evil terrorist. He hooks up with unlikely economist Jaclyn Smith to get to the bottom of the mystery, stay alive and face the big baddie. Stretched over three hours, this has room for a lot of the complex plot dropped from the big-screen movie, but it also means that the thrills are often interrupted by soap opera scenes. Chamberlain is perhaps too aptly cast as a man without an identity, but Smith matches him for lack of expression without any excuse given in the script. Aside from Donald Moffatt and Shane Rimmer in the CIA, the supporting cast mostly consists of distinguished Brits delivering value-for-money ham, mostly with cod-French accents, especially Anthony Quayle as a DeGaulle-style General, Jacqueline Pearce as a dress-designing spy and Peter Vaughan as a heavy Swiss banker. On the DVD: The Bourne Identity, though made for TV, is presented in widescreen, which sometimes chops off the tops of actors' heads like breakfast eggs but mostly looks fine. There are optional English subtitles. --Kim Newman
This hilarious collection of the brilliant Farrelly brothers directorial and producing work contains: *'Stuck On You' *'Say It Isn't So' (Produced by the Farrelly brothers directed by James B. Rogers assisting director on Farrelly brothers other feature films.) *'There's Something About Mary: Special Edition' (1 Disc version) *'Me Myself and Irene' *'Shallow Hal' *Please See Individual Titles for Synopsis and further information.
Strange things are being seen and heard by a signalman (Denholm Elliott) based on a lonely stretch of country rail track. The traveller who befriends him is positive there must be a rational explanation but the increasingly terrified signalman cannot be convinced...
Series 8 of one of Britain's most successful TV series.
It could have been a stroke of genius reuniting Peter Cooke and Dudley Moore in a send-up of The Hound of the Baskervilles. In the event, director Paul Morrissey goes for Carry On-style humour: plenty of coarse word-play and camp innuendo, but little wit or subtlety. Cooke is a rather androgynous Sherlock Holmes, while Moore inexplicably attempts a Welsh accent to portray Dr Watson (his cameo as Holmes' mother is far less contrived). The support cast is a compendium of British comedy acting of the period--all now departed, and clearly relishing the one-liners and musical-hall farce. There are excellent contributions from Max Wall, Joan Greenwood (priceless in the seduction scene), and--in one of his last major screen appearances--Terry Thomas, as well as a winning "madame" from Penelope Keith. Don't expect even a free adaptation of Conan Doyle's novel, just let the humour take its enjoyably silly course. On the DVD: The Hound of the Baskervilles film reproduces very decently in the 4:3 aspect ratio, with stereo sound that's not too artificial in effect. Special features consist of nine biographical overviews, the re-release trailer, and a six-minute interview with director Morrissey. Die-hard fans of "Pete and Dud" will most welcome the inclusion of the original theatrical feature, playing for almost 80 minutes and featuring extra footage of Moore's wonderfully inept piano playing. --Richard Whitehouse
Indiana Jones And The Raiders Of The Lost Ark: Indiana Jones confronts snakes Nazis and one astonishing cliffhanger after another - all topped off by awesome sequences involving the discovery and the opening of the mystical Ark of the Covenant in one of the great adventures of all time! Indiana Jones And The Temple Of Doom: The daring archaelogist ventures deep into India in search of the legendary Sankara Stone and in the process has to rescue hundreds of children who have been enslaved by a mysterious cult... Indiana Jones And The Last Crusade: Harrison Ford dons his rumpled fedora for the third time as Indiana Jones and Sean Connery joins the thrill-a-minute fun as Indy's feisty dad as the Joneses set out to find the mythical Holy Grail before the Nazis get their hands on it...
When Kate (Helena Bonham-Carter) falls in love with a penniless journalist named Merton (Linus Roache) she faces an impossible choice: marry him and live in poverty or give him up to receive her inheritance. Of course there is one unthinkable option. Kate could have Merton seduce the beautiful American heiress Millie Theale (Alison Elliott) who's dying and has no one to leave her fortune to! But in doing so Kate risks losing what she values most Merton's own heart. See for yourself how far these lovers will go to have it all - money love and passion and the ultimate price they must pay in the film that has everyone talking!
The year is 2525 and the world has been turned upside down. Monstrous airborne machines known as Baileys have taken over the surface of the earth and driven the people underground. While most of humanity has abandoned hope of ever reclaiming the surface of the earth there are those who remain fiercely committed to the cause. Among these brave souls are the female warriors Hel and Sarge. They are joined by Cleopatra a 21st Century girl who wakes up 500 years after being cryogenically frozen. They are united in the most courageous of quests: to restore humanity to its rightful place on the planet! Episode titles: Quest For Firepower Creegan Flying Lessons Mind Games Home/Rescue Run Cleo Run Choices.
Settle back with your favourite sidekick and enjoy Hollywood's original buddy picture. Paul Newman and Robert Redford have never shined brighter in the roles that will forever identify them as the daring debonair outlaws on the run - and head-over-heels in love with the same beautiful woman (Katharine Ross).
Titian-haired screen icon Moira Shearer takes centre-stage to play multiple roles in this ravishing romantic comedy adapted by Terence Rattigan from his stage play Who Is Sylvia? and co-starring Roland Culver Denholm Elliott and Harry Andrews. Featuring exquisitely choreographed dance sequences and stunning cinematography by Oscar winner Georges Périnal The Man Who Loved Redheads looks more radiant than ever in a brand-new transfer from the original film elements. Mark St. Neots a young peer and a junior member of the Foreign Office is a man destined for a long and distinguished career in the Diplomatic Corps. Mark however is obsessed by a face: that of Sylvia a 16-year-old redheaded girl whom in his boyhood he vowed he would love to eternity. Although many years have passed since he made the promise and he is now a respectably married man Mark has never forgotten the face that symbolises his ideal woman… SPECIAL FEATURES: [] Original Theatrical Trailer [] Image Gallery [] Promotional Material PDFs
A reindeer doesn't have to fly to be magical to someone, and Prancer proves the point in an unassuming and plainspoken way. This 1989 family film stars Rebecca Harrell as nine-year-old Jessica, a motherless schoolgirl raised (and largely ignored) by her bereaved and embittered father (Sam Elliot), an apple farmer. While Jessica's dad struggles to keep food on the family table, the little heroine worries over the fate of a wounded reindeer she meets and wistfully identifies as a member of Santa's sled crew. The story may sound overly precious, but the film is grittier and more realistic than that. Far more concerned with wobbly family relationships than gilded escapism, Prancer is a rare family film that can entertain without invoking fluffy enchantment. It was followed 12 years later by a sequel, Prancer Returns. --Tom Keogh
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