It appeared, at the end of the epochal 1931 horror movie Frankenstein, that the monster had perished in a burning windmill. But that was before the runaway success of the movie dictated a sequel. In Bride of Frankenstein, we see that the monster (once again played by Boris Karloff) survived the conflagration, as did his half-mad creator (Colin Clive). This remarkable sequel, universally considered superior to the original, reunites other key players from the first film: director James Whale (whose life would later be chronicled in Gods and Monsters) and, of course, the inimitable Dwight Frye, as Frankenstein's bent-over assistant. Whale brought campy humour to the project, yet Bride is also somehow haunting, due in part to Karloff's nuanced performance. The monster, on the loose in the European countryside, learns to talk and his encounter with a blind hermit is both comic and touching. (The episode was later spoofed in Mel Brooks's Young Frankenstein.) A prologue depicts the author of Frankenstein, Mary Shelley, being urged to produce a sequel by her husband Percy and Lord Byron. She's played by Elsa Lanchester, who reappears in the climactic scene as the man-made bride of the monster. Her lightning-bolt hair and reptilian movements put her into the horror-movie pantheon, despite being onscreen for only a few moments. But in many ways the film is stolen by Ernest Thesiger, as the fey Dr. Pretorious, who toasts the darker possibilities of science: "To a new world of gods and monsters!" --Robert Horton
You wouldn't think that a movie, which mostly consists of two old guys talking could be a thriller, but that's exactly what L'Homme du Train is. French singer Johnny Hallyday plays a professional criminal who comes to a small town to take part in a robbery. By chance, he meets talkative Jean Rochefort, who invites the laconic Hallyday to stay at his house because the hotel is closed. The two form an unlikely friendship, each curious about (and envious of) the other's life. But all the while plans for the robbery continue, while Rochefort is preparing for a dangerous event of his own. The pitch-perfect performances make L'Homme du Train completely involving. Rochefort and Hallyday play off of each other beautifully; it's impossible to put your finger on what makes these subtle, supple scenes so magnetic. The whole is directed with spare authority by Patrice Leconte (La Veuve de Saint-Pierre). --Bret Fetzer
One of the greatest films by one of the finest directors of the second half of the 20th century Maurice Pialat's Van Gogh represents an ambitious and crowning achievement in its portrayal of the master painter's final weeks of life almost exactly one-hundred years earlier. Van Gogh depicted by the remarkable actor/songwriter-singer Jacques Dutronc (Godard's Sauve qui peut (la vie)) has arrived at Auvers-sur-Oise to come under the care of Dr. Gachet (Gérard Séty) for his nervous agitation. Soon after the arrival of Vincent's brother Théo (Bernard Le Coq) and his wife plein air portraiture and conviviality give way to the more crepuscular moods of brothels and cabarets and the painter's anguished existence tossing between money worries and an impassioned relationship with the doctor's teenage daughter finally meets its terminal scene. With its loosely factual and wholly inspired treatment of the last period of Van Gogh's life Pialat's film applies an impressionist touch to the biographical picture — indeed the filmmaker was himself an accomplished painter and the personal resonance of the subject matter results in an epic major late work. The Masters of Cinema Series is proud to present Maurice Pialat's Van Gogh on Blu-ray for the first time in the UK and also in a special two-disc DVD edition. Special Features: Gorgeous new restoration of the film appearing in 1080p New and improved optional English subtitles Van Gogh (1965) — a short early documentary about the painter by Maurice Pialat A 10-minute video interview with Pialat from 1991 A 50-minute video interview with Pialat from 1992 Video interviews with actors Jacques Dutronc and Bernard Le Coq; director of photography Emmanuel Machuel; and editor Yann Dedet Deleted scenes Original theatrical trailer 56-Page Booklet containing a new and exclusive essay by critic Sabrina Marques; Jean-Luc Godard's letter to Pialat after seeing the film followed by Godard's tribute to Pialat upon the director's passing in 2003; copious newly translated interviews with Maurice Pialat; images of Pialat's canvasses; rare imagery; and more!
Mary Poppins: Stuffy parents in Victorian London are looking for a nanny, but the children write their own ad which is torn up and thrown into the fire. Miraculously, the paper reassembles and floats up the chimney flue, and along comes Mary Poppins (Julie Andrews) on her umbrella/parachute. She brings fun and magic to the children's lives, as well as a guiding hand. The film won Oscars for Best Actress, Best Film Editing, Best Original Score, Best Song and Best Visual Effects. Mary Poppins Returns: In Depression-era London, a now-grown Jane and Michael Banks, along with Michael's three children, are visited by the enigmatic Mary Poppins following a personal loss. Through her unique magical skills, and with the aid of her friend Jack, she helps the family rediscover the joy and wonder missing in their lives Bonus Features: Mary Poppins: Mary-Oke Sing-Along with the movie Mary Poppins from page to stage Re-Trailer DVD Bonus: Disney's Song Selection Re-trailer DVD Bonus: Audio Commentary Step In Time A Magical Musical Reunion Featuring Julie Andrews, Dick Van Dyke And Richard Sherman Deleted Song: Chimpanzoo Supercalifragilisticexpialidocious: The Making Of Mary Poppins The Gala World Premiere The Cat That Looked At A King From Mary Poppins Opens The Door By P.L. Travers Movie Magic Deconstruction Of A Scene: Jolly Holliday Deconstruction Of A Scene: Step In Time Dick Van Dyke Make-Up Test Publicity (8 Trailers*) A Musical Journey With Richard Sherman The Gala World Premiere Party Becoming Mr. Sherman Mary Poppins Returns:Play Movie with Sing-Along Mode The Practically Perfect Making of Mary Poppins Returns Seeing Things from a Different Point of View : The Musical Numbers of Mary Poppins Returns Back to Cherry Tree Lane: Dick Van Dyke Returns Practically Perfect Bloopers Deleted Scene: Leaving Topsy's Deleted Scene: Trip A Little Light Fantastic Deleted Song - The Anthropomorphic Zoo
A pioneering film within Animation, Musicals and Fantasy, Walt Disney's Mary Poppins is possibly one of the warmest and dearest films ever made. Based on a story by PL Travers we find Julie Andrews on fine form in her debut lead role (for which she would win the "Best Actress" Oscar). She is practically perfectly teamed with Dick Van Dyke as the lovable chimney sweep Burt, whose cockney accent is endearingly inaccurate. Along with a fine supporting cast, where even the child actors hold their own without appearing like stage school wannabes, Poppins and her crew take you on a magical ride through chalk pictures, the roof tops of London and show you that laughter is not always the best medicine (even with a spoon full of sugar) when you can't get down. In total Mary Poppins clocked up five Academy Awards including Best Song and Best Visual Effects and has made it into the staple diet of family viewing across the world. On the DVD: Mary Poppins has certainly cleaned up a treat, restoring her to 1.85:1 widescreen glory and 5.1 Dolby digital sound--which is guaranteed to be music to your ears. The special features are "supercalifragilisticexpialidocious" with the "Sing Along with the Movie" subtitles for all your favourite songs when they appear in the movie and the "I Love to Laugh" game offering Uncle Albert flying high in his parlour once more. "The Movie Magic of Mary Poppins" lets you look behind the scenes at how the magic was done and is fun, informative and easily understandable--pity the same cannot be said about the narrator. "Hollywood goes to a World Premiere" is a warm and amusing reminder about how premieres and stars used to be in 1964. The only disappointment is the lack of commentary--Dick Van Dyke would surely have offered a gem of a cockney voice-over! --Nikki Disney
Available for the first time on DVD! Robert Mitchum Peter Falk and Arthur Kennedy star in the rivetting war drama Anzio a vivid portrait of one of the bloodiest WWII battles ever fought. After landing with Allied troops at Anzio Italy in 1944 war correspondent Dick Ennis (Mitchum) and buddy Corporal Rabinoff (Falk) tell Anzio commander General Lesley (Kennedy) that the road to Rome is wide open. But instead of heading to Rome Lesley attempts to build a coastal stronghold only
Mike works on a boat in Acapulco: when the bratty daughter of the boat owner gets him fired Mike must find new work and becomes embroiled in a love triangle with two women and a champion Mexican diver!
Young Candy is a college girl who seeks truth and meaning in life encountering a variety of kookie characters and humorous sexual situations in the process... Based on Terry Southern's satirical novel a sendup of Voltaire's 'Candide'.
After her fiance is murdered by thuggish villagers the beautiful Justine is saved from death by loner Waldemar a man with a mysterious 'illness'...
Heavenly bells are ringing jubilant choirs are singing and Christmas joy is blanketing the world like freshly fallen snow. But the Yuletide spirit has yet to warm Bishop Henry Brougham's Victorian home. Struggling to raise funds for a new cathedral the preoccupied young clergyman has neglected his loving wife Julia and now only divine intervention can save their marriage! But the powerful and handsome angel sent from above has a mind of his own... and teaching mortal Henry an immor
Pier Paolo Pasolini's Salò or the 120 Days of Sodom (known in Italian as Salò o le 120 giornate di Sodoma) provoked howls of outrage and execration on its original release in 1975, and the controversy rages to this day. Until the British Board of Film Classification finally ventured a certificate in 2000, the movie could only be shown at private cinema clubs, and even then in severely mutilated form. The relaxation of the censors' shears allows you to see for yourself what the fuss was about, but be warned--Salò will test the very limits of your endurance. Updating the Marquis de Sade's phantasmagorical novel of the same title from 18th-century France to fascist Italy at the end of World War II, writer-director Pasolini relates a bloodthirsty fable about how absolute power corrupts absolutely. Four upper-class libertines gather in an elegant palazzo to inflict the extremes of sexual perversion and cruelty upon a hand-picked collection of young men and women. Meanwhile, three ageing courtesans enflame the proceedings further by spinning tales of monstrous depravity. The most upsetting aspect of the film is the way Pasolini's coldly voyeuristic camera dehumanises the victims into lumps of random flesh. Though you may feel revulsion at the grisly details, you aren't expected to care much about what happens to either master or slave. In one notorious episode, the subjugated youths are forced to eat their own excrement--a scene almost impossible to watch, even if you know the meal was actually composed of chocolate and orange marmalade. (Pasolini mischievously claimed to be satirising our modern culture of junk food.) Salò is the ultimate vision of apocalypse--and as if in confirmation, the director was himself brutally murdered just before its premiere. You can reject the movie as the work of an evil-minded pornographer, but you won't easily forget it. --Peter Matthews
Between 1961 and 1963, Ingmar Bergman embarked on three films thematically concerned with man's relationship to God and the futility of spiritual belief. Together, The Faith Trilogy proved a turning point for the director, securing his collaboration with cinematographer Sven Nykvist and exhibiting his mastery for direction. Through a Glass Darkly (1961): A schizophrenic girl has visions, believing that God's presence is ever closer. However as her descent into madness deepens, ...
One of the greatest films by one of the finest directors of the second half of the 20th century Maurice Pialat's Van Gogh represents an ambitious and crowning achievement in its portrayal of the master painter's final weeks of life almost exactly one-hundred years earlier. Van Gogh depicted by the remarkable actor/songwriter-singer Jacques Dutronc (Godard's Sauve qui peut (la vie)) has arrived at Auvers-sur-Oise to come under the care of Dr. Gachet (Gérard Séty) for his nervous agitation. Soon after the arrival of Vincent's brother Théo (Bernard Le Coq) and his wife plein air portraiture and conviviality give way to the more crepuscular moods of brothels and cabarets and the painter's anguished existence tossing between money worries and an impassioned relationship with the doctor's teenage daughter finally meets its terminal scene. With its loosely factual and wholly inspired treatment of the last period of Van Gogh's life Pialat's film applies an impressionist touch to the biographical picture — indeed the filmmaker was himself an accomplished painter and the personal resonance of the subject matter results in an epic major late work. The Masters of Cinema Series is proud to present Maurice Pialat's Van Gogh on Blu-ray for the first time in the UK and also in a special two-disc DVD edition. Special Features: New and improved optional English subtitles Van Gogh (1965) — a short early documentary about the painter by Maurice Pialat A 10-minute video interview with Pialat from 1991 A 50-minute video interview with Pialat from 1992 Video interviews with actors Jacques Dutronc and Bernard Le Coq; director of photography Emmanuel Machuel; and editor Yann Dedet Deleted scenes Original theatrical trailer 56-Page Booklet containing a new and exclusive essay by critic Sabrina Marques; Jean-Luc Godard's letter to Pialat after seeing the film followed by Godard's tribute to Pialat upon the director's passing in 2003; copious newly translated interviews with Maurice Pialat; images of Pialat's canvasses; rare imagery; and more!
Arrested for vagrancy in a strange town Georgi is then mistaken by the corrupt town officials as a passing Inspector General. Worried that he will reveal they have been pocketing tax money they make a series of attempts on his life....
Bring home this essential collection of 8 Paramount Pictures classics starring the one and only King Of Rock & Roll, Elvis Presley. Including Blue Hawaii; King Creole; Roustabout; G.i. Blues; Girls! Girls! Girls!; Paradise, Hawaiian Style; Fun In Acapulco; Easy Come, Easy Go. Blue Hawaii The year was 1961. Fallout shelters dot suburban backyards. Ken joins Barbie. Roger Maris slugs 61 home runs. And Elvis Presley is in paradise, playing an ex-G.I. who comes home to Blue Hawaii. His mother (Angela Lansbury) expects him to climb the corporate ladder. But Elvis would rather wear an aloha shirt than a white collar, so he goes to work as a tour guide. Lucky Elvis: his first customers are a careful of cuties. Elvis, lovely scenery, lovelier girls and rock-a-hula songs - now that's paradise! Fun in Acapulco The year was 1963. The hot line links the White House and the Kremlin. The first major pop art exhibition stirs up a major buzz. The Whisky-A-Go-Go opens. And in Fun In Acapulco, Elvis heads south of the border, where he's fired as a boat hand, hired as a lifeguard and singer, admired by local beauties (including Ursula Andress) and inspired to jump off a 136-foot cliff. Put another way: he overcomes a fear of heights in spectacular fashion. Spectacular, too, are the scenic vistas and Latin-beat tunes. Dive in! King Creole The year was 1958. Everybody's datin' at the drive-in. America launches its first satellite. The novel Lolita stirs up controversy. And Elvis Presley gives Bourbon Street a new beat in King Creole. He plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering, it looks like Elvis will shake off his past and head for the top. But will a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) snare him in a life of crime? Roustabout The year was 1964. The miniskirt is in. If you can't Watusi, you can't dance. Cassius Clay (soon to be Muhammad Ali) claims the heavyweight crown. And Elvis is a karatechopping biker who's hired as a carnival Roustabout. At first he just provides muscle and a diversion for the beautiful carny girls. Then he picks up a guitar and gets the midway rockin'. Looks like this talented tough guy may be what the good-hearted owner (Barbara Stanwyck) needs to save her travelling show from bankruptcy. Easy Come, Easy Go The year was 1967. It's Packers vs. Chiefs in the first Super Bowl. Twiggy is a supermodel sensation. America's 100,000,000th telephone is installed. And Elvis dives for dollars in Easy Come, Easy Go. On his last day in the Navy, frogman Elvis discovers a sunken treasure ship. On his first day as a civilian, Elvis starts his new job-self-employed treasure hunter! Fans will dig these treasures, too: Rockin' tunes, romance with a go-go dancer, underwater action, and The King twisted like a human pretzel at a groovy 60's yogafest Costarring Elsa Lanchester (Bride of Frankenstein). GI Blues The year was 1960. A payola scandal shocks the music world. Movie fans are introduced to glorious Smell-O-Vision. The 50-star flag is adopted. And in G.I. Blues, Elvis adopts an on-screen persona he knows well in real life-a singin' G.I. in West Germany. Eager to open a stateside nightclub after his hitch in khakis, he takes part in a wager to raise the dough he needs. The bet: he can melt the iceberg heart of a willowy dancer (Juliet Prowse). But all bets may be off when real love intervenes Girls! Girls! Girls! The year was 1962. Teens twist at the Peppermint Lounge. John Glenn orbits Earth. Wilt Chamberlain scores 100 points in a single game. And Elvis digs the possibilities of Girls! Girls! Girls! This time he's a charter-boat skipper who helps tourists land the big ones. Of course, plenty of beautiful girls (including Stella Stevens) want to land Elvis. But there's something Elvis likes almost as much as romance-a boat! He yearns for a sleek sailboat with a $10,000 price tag. Let's see, that makes him about $9,999 short. Paradise, Hawaiian Style The year was 1966. A little-known series called Star Trek⢠beams up. Valley of the Dolls is the hot book. Half of all TVs sold are color sets. And in Paradise, Hawaiian Style, Elvis takes to the skies over the island paradise of Kauai. He's a partner in a helicopter charter service. Romance, naturally, is in the air for the King but his business may be grounded. A threatened suspension of his pilot's license means he may have to kiss his assets goodbye.
7 FILMS FROM THE LEGACY OF THE ORIGINAL FRANKENSTEIN Includes: FRANKENSTEIN (1931)- THE BRIDE OF FRANKENSTEIN (1935)- SON OF FRANKENSTEIN (1943)- THE GHOST OF FRANKENSTEIN (1942)- FRANKENSTEIN MEETS THE WOLF MAN (1943)- HOUSE OF FRANKENSTEIN (1944)- HOUSE OF DRACULA (1945) The original Frankenstein is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defned the Hollywood horror genre. Frankenstein: Complete Legacy Collection includes 7 flms from the original legacy including the tragic classic starring Boris Karloff and the timeless flms that followed. These landmark motion pictures defned the iconic look of Henry Frankenstein's Monster and his Bride, and continue to inspire countless remakes and adaptations that strengthen the legend of Frankenstein to this day.
Not much is going right for meek misfit Willard Stiles. He's constantly screamed at by his overbearing mother, ruthlessly bullied by the boss who stole his father's business and mercilessly laughed at by his co-workers. Willard eventually turns to a colony of rats for friendship and with training they will soon do anything for their new friend. It's time for Willard to get even. Ben Danny Garrison, a lonely young boy with a heart condition finds a friend in Ben, a rat once trained by misfit Willard Stiles. Danny's new best friend protects him from bullying and keeps his spirits up through hard times. But all is not well in Ben's colony and the other rodents terrify the town with a series of violent attacks. The police are determined to wipe them out. Can Ben survive? Willard Features: New 4K scan of the original camera negative Audio commentary with Actor Bruce Davison Interview with Actor Bruce Davison Theatrical trailer, TV spot, Radio Spot Stills gallery Ben Features: New HD transfer and restoration using the best surviving archive print Interview with Actor Lee Montgomery Audio interview with Actor Lee Montgomery Theatrical trailers TV Spots Willard / Ben double feature trailer and TV spot Radio spot Stills Gallery Additional Extras: LIMITED EDITION BOX SET 2,000 UNITS NEW ARTWORK BY GRAHAM HUMPHREYS EXCLUSIVE TO BOX SET POSTER OF NEW ARTWORK EXCLUSIVE TO BOX SET
ALL 8 FILMS FROM THE LEGACY OF THE ORIGINAL FRANKENSTEIN Includes: FRANKENSTEIN (1931)- THE BRIDE OF FRANKENSTEIN (1935)- SON OF FRANKENSTEIN (1943)- THE GHOST OF FRANKENSTEIN (1942)- FRANKENSTEIN MEETS THE WOLF MAN (1943)- HOUSE OF FRANKENSTEIN (1944)- HOUSE OF DRACULA (1945)- ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) The original Frankenstein is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. Frankenstein: Complete Legacy Collection includes all 8 films from the original legacy including the tragic classic starring Boris Karloff and the timeless films that followed. These landmark motion pictures defined the iconic look of Henry Frankenstein's Monster and his Bride, and continue to inspire countless remakes and adaptations that strengthen the legend of Frankenstein to this day.
Though it was pre-produced by Martin Scorsese, who left the project after arguments with the producers, The Honeymoon Killers wound up being written and directed by Leonard Kastle, one of cinema's great one-hit wonders. The Henry: Portrait of a Serial Killer of 1969, The Honeymoon Killers follows hefty nurse Martha Beck (Shirley Stoler, who looks like a humourlessly malevolent Roseanne) and her low-rent gigolo lover Raymond Fernandez (Tony Lo Bianco) as they take up serial murder for profit and passion, luring middle-aged women into marriage through lonely-hearts ads, then killing them and raiding their savings. Based on a genuine crime case history, it is filmed in the candid-camera style of a Frederick Wiseman documentary. The intense scenes (such as the couple's frightening love-play: escalating arguments that end in awkward killings) unfold with a fly-on-the-wall dryness, showcasing the extraordinary acting of the leads and their cameo victims. A rare film in which genuine romantic love does not excuse the central couple's amoral behaviour, this still manages to generate some sympathy for the truly monstrous Martha. The washed-out black and white photography and sometimes scratchy soundtrack (the score is sampled from Mahler) have a deliberately amateurish feel which adds to the film's chilling power, lodging it into the memory. On the DVD: Along with a lurid trailer and gallery of images are filmographies for Stoler, Lo Bianco and (redundantly) Kastle. The widescreen transfer is excellent, representing perfectly the film's rough-hewn look but also bringing out a lot of detail--like Stoler's freckles, which have looked like grain on video releases. --Kim Newman
In this delightful period farce set in Russia in the 1800's Danny Kaye plays and illiterate buffoon who is mistaken by the villagers for their feared Inspector General. Hilarious situations ensue as Danny is caught up in court intrigue without having a clue of what is going on.
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