THEY THOUGHT THEY WERE ALONE. Gather around the campfire, and hearthe tale of Madman Marz an ill-tempered farmer who, one dark night, chopped up his wife and two children into pieces. When the locals learned of his heinous crimes, they exacted revenge sinking an axe into his head and hanging him from a nearby tree. But the next day, Marz s body was gone... Thus the camp counsellor finishes his tale, closing with the warning never to say Marz s name above a whisper, lest the hideously-deformed farmer comes looking for them. Naturally, the first thing that one of the young campers does is calls out Marz s name precipitating a terrifying night of murder, mayhem and sexy Jacuzzi vignettes! Inspired by the same Cropsey urban legend which informed 1981 s The Burning and starring Dawn of the Dead s Gaylen Ross (appearing under the pseudonym Alexis Dubin ), Madman stands as one of the finest offerings from the golden age of hack n slash.
Andrew Bergmans tongue-in-cheek comedy The Freshman keeps the spoofing low key, underplaying the outrageous situations even as he piles them higher. Young Clark Kellog (Matthew Broderick) had no idea film school would drop him into the hands of a real-life Godfather, but after a street punk robs him during his first day in New York City, thats just where the road leads. Marlon Brando lets everyone know hes in on the joke with his hammy, good-humoured performance as the bulldog-jowled Mafioso Carmine Sabatini, the man Clarks prissy, self-important professor swears was the real-life inspiration for Don Corleone. Carmine has a modest proposal for the naive kid from Vermont involving Carmines gorgeous daughter Tina (Penelope Ann Miller) and the illegal importing of an endangered lizard. And if the sight of a six-foot-long lizard scattering shoppers as it runs wild through a New York City mall doesnt do it for you, theres always Bert Parks rousing rendition of Bob Dylans "Maggies Farm".--Sean Axmaker, Amazon.com
A one-act production performed at The Royal Opera House Covent Garden with Maria Ewing in the lead role ably supported by Michael Devlin and Kenneth Riegel. The Orchestra of The Royal Opera House is conducted by Edward Downes. Directed by Derek Bailey. English subtitles.
A 1980 Royal Opera House production of Donizetti's opera. Conducted by Richard Bonynge and directed by John Copley.
Doctor Atomic
Napoleon Dynamite: From Preston Idaho comes Napoleon Dynamite (Jon Heder) a new kind of hero complete with a tight red 'fro some sweet moon boots and skills that can't be topped. Napoleon lives with his Grandma (Sandy Martin) and his 30 year old unemployed brother Kip (Aaron Russell) who spends his days looking for love in internet chat rooms. When Grandma hits the road on her quad runner Napoleon and Kip's meddling Uncle Rico (Jon Gries) comes to town to stay with them a
This action-drama series was both the forerunner to and inspiration of 'The Sweeney' aimed squarely at the same audience. Episodes comprise: 1. A Copper Called Craven 2. Round the Clock 3. Inquisition 4. Assault 5. Polonaise 6. Red Herring 7. Death By Drowning 8. All the King's Men 9. Threat 10. The Other Man 11. You Won't Remember Me 12. Hostage 13. Blueprint for Murder
Recorded live in Japan 2001 Eric Clapton Vocals & Guitar Andy Fairweather Low Vocals & Guitar Steve Gadd Drums Nathan East Vocals & Bass Greg Phillinganes Keyboards Paulinho Da Costa Percussion Tracks Include: Key To The Highway Layla Bell Bottom Blues River of Tears Badge Hoochie Coochie Man Cocaine Wonderful Tonight Sunshine Of Your Love
Featuring: 1. God Save The Queen 2. Alison Moyet - Invisible 3. Bryan Adams - Hearts On Fire 4. Dave Edmunds - The Wanderer 5. Curiosity Killed The Cat - Misfit 6. Labi Siffre - So Strong 7. Mark King And The All Stars - Running In The Family 8. Midge Ure And The All Stars - If I Was 9. Go West - Don't Look Down 10. Eric Clapton And The All Stars - Behind The Mask 11. Ben E. King And The All Stars - Stand By Me 12. Tony Hadley And The All Stars- Through The Barricades 13. Elton John And The...
Roger Kimsky's ruthless Black Ninja empire an international arms dealing organisation comes under attack from mysterious do-gooder known only as the Silver Dragon...
When James Cagney starred in the movie adaptation of The Time of Your Life in 1948, it was hotly been debated whether William Saroyans stage play was really filmable at all. Because of its small cast, because all the action takes place on a single claustrophobic set, because the "plot" consists entirely of sub-plots, and because Saroyans "dirty sentimentality" isnt to everyones taste, such doubts are still understandable today. However, accept the movie for what it is--a play in a box--and youll be captivated. The story revolves around a slightly down-at-heel bar-restaurant, where a group of disparate characters come and go as their stories gradually unfold. They include an ex-prostitute desperately seeking a new life, a dancer looking for a break into showbusiness, a down-and-out who discovers a vocation as a pianist, a beer-sodden cowboy and a villainous "stoolie" who, needless to say, gets his comeuppance. This gaggle of misfits is presided over by an enigmatic, champagne-drinking philanthropist (brilliantly played by Cagney) who gently nudges them towards their goals while indulging his own fascination with the minutiae of daily life. Throughout this quietly delightful picture the audience are not told why hes this way, but it is possible to make an educated guess. On the DVD: The Time of Your Life might be a classic, but it apparently warrants no extra features. The black and white picture is 4:3. --Roger Thomas
When Jan Scruggs returns from the Vietnam War he feels alienated from the world he left only two short years ago. Jan only feels comfortable when he is in the company of someone with whom he shares a common bond - another Vietnam veteran. Jan forms an idea to heal the wounds of a nation split apart by war and at a veterans' meeting he suggests a memorial to those who fought in vietnam. Jan's idea is met with angry disapproval and so he takes on the memorial as his personal goal determined to honour those who served.
Murder, and its tale-telling aftermath, is the compelling subject of CSI: Crime Scene Investigation. Since its inauguration in late 2000 CSI has been a ratings triumph, spawned two spinoffs (CSI: Miami and CSI: New York and positioning itself for long-term success. Creator Anthony Zuiker's foolproof formula was established early on, bolstered by a fine ensemble cast and requiring minimal tweaking as the seasons progressed; its Las Vegas-based "criminalists" eventually became "CSIs" steeped in the scientific minutiae of forensic investigation, but the series arrived essentially intact, with an irresistible (and seemingly inexhaustible) supply of corpses and the mysteries that surround them. Influenced by the graphic precedent of movies like Seven and Kiss the Girls, CSI matches morbidity with dispassionate methodology; viewers are so fascinated by the investigative process that they're unfazed by intimate autopsies and internal (i.e., digitally animated) views of traumatized flesh, bone, and sinew. While keeping abreast of cutting-edge technologies, CSI combines the ingenuity (and fallibility) of villains with the appealing humanity of its heroes. CSI director and entomologist Gil Grissom (played by series co-producer William Petersen) is introverted but ethically intense; he's both mentor and moral compass for his night-shift team, including a former stripper-turned-CSI (Marg Helgenberger); a recovering gambler (Gary Dourdan); an eager ace (George Eads) with room for improvement; a workaholic (Jorja Fox) who can't always remain emotionally detached from her cases; and a chief detective (Paul Guilfoyle) who's a necessary link to police procedure. Like The X-Files, CSI supports its characters with feature-film production values, employing a Rashomon structure that turns murder into a progressively accurate study of cause and effect. Script quality is consistently high ("Blood Drops" and "Unfriendly Skies" are exceptional), direction is slick and sophisticated, and the mysteries are complex enough to invite multiple viewings. Despite a regrettable shortage of DVD features, CSI remains addictively worthy of its lofty reputation. --Jeff Shannon
It's easy to forget that, though fronting the British war effort through most of World War Two, Winston Churchill had spent the previous decade isolated in Parliament and in an internal opposition to the Conservative party. Winston Churchill: The Wilderness Years dramatises this period, in which the growing menace of Nazism in Germany was met with indifference, even fear by governments of the day who were more concerned with their survival than in serving those who had elected them. Churchill is perceptively played by Robert Hardy who confirms the image without falling into caricature. Visionary and obstinate by turns, he galvanises his supporters and enrages his enemies with a passion borne of conviction. A seasoned British cast includes Peter Barkworth as the amiable but ineffectual Stanley Baldwin, Eric Porter as the truly "out of time" Neville Chamberlain, Edward Woodward as the scheming Samuel Hoare, and Nigel Havers as the tragically flawed Randolph Churchill. Martin Gilbert has done a persuasive job transforming his novel into a TV script, the scenes in the House of Commons having a gritty reality that makes compulsive viewing. On the DVD: It's a pity that the Southern Pictures production first screened in 1981 has emerged so dimly in this incarnation. Has the master tape eroded so badly, or was it simply not available? However, it's worth putting up with the technical defects to enjoy this historically informed and grippingly dramatic serial. --Richard Whitehouse
A coven of witches mask their true identity by operating the ""Sin and Skin"" strip club in The Witch's Sabbath. To keep the coven as one they must behead 666 victims before the arrival of their Dark Lord on Halloween. Unsuspecting victims are carefully chosen at the strip club and find themselves invited to feast at a sinister mansion where the ladies of ""Sin and Skin"" offer their victims one final meal. With their deadline fast approaching the head witch Auriana (Syn
It's clear why Melanie Griffith saw Mark Childress's bestselling book Crazy in Alabama, as the perfect vehicle for herself. The role of Lucille, a beautiful, battered wife in rural Alabama who dreams of glamorous movie stardom, is tailor-made for her. Griffith's husband, Antonio Banderas, has done quite a respectable job guiding her in this, his directorial debut; her performance--compelling, funny, and warm--is her best since Something Wild. (She also looks simply smashing.) Otherwise, the film is a curious amalgam of genres: an antic, surreal Southern Gothic comedy combined with a deadly serious civil-rights parable. As the movie opens, in the summer of 1965, Lucille (Griffith) has just murdered her abusive husband and is blowing town for Hollywood with his head in a Tupperware container. Scenes of her wacky cross-country road trip are interspersed with incidents back in Alabama involving clashes between protesting blacks and murderously intolerant whites. One can't imagine how these two seemingly disparate narrative lines will come together, but they do, in a surprisingly effective manner. The moral of both stories turns out to be: "You can bury freedom, but you can't kill it". Stand-out performances by Robert Wagner, as Lucille's Hollywood agent; Rod Steiger, as a quirky Southern judge; Lucas Black (Sling Blade) as Lucille's highly principled young nephew; and, believe it or not, Meat Loaf, as a brutal, bigoted Southern sheriff give the film an additional boost. --Laura Mirsky
When Jan Scruggs return home from the Vietnam War he feels alienated from the world he left only two short years ago Jan only feels comfortable when he is in the company of someone with whom he shares a common bond - another Vietnam veteran.Jan forms an ideal to heal the wounds of a nation split apart by war; and at a veterans' meeting suggests a memorial to those who fought in Vietnam. Jan's idea is met with angry disapproval and so he takes on the memorial as his personal goal determined to honour those who served.
A double bill of fast and furious martial arts movies starring the unstoppable Jet Li! Hitman (aka: Contract Killer): Jet Li stars as Tai Feng a hitman with a 'sense of justice' and a talent for deliberately missing his intended victims. When his streetwise agent Sam (Eric Tsang) uses Tai's awesome fighting skills to acquire billions of dollars at the expense of heavy-hitting Japanese mobsters the scene is set for a martial-arts showdown of ground-breaking proportions. An
A gripping story unfolds after a cop accidentally shoots a hostage and sees his partner killed. Tortured by guilt he leaves the area and vows to avoid firearms... a decision he will soon regret! Haunted by the past his further weakness and indecision lead to three convicts escaping transfer to a top security prison. By a cruel twist of fate the trio led by a psychopathic killer take his family hostage. Tormented by his past and his pledge to never use a gun he prepares to take on
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