Recorded live at the Aix-en-Provence Festival July 2005
Patrick Swayze Randy Travis and Meat Loaf team up to deliver explosive non-stop high-speed action in this adrenaline-pummping highway road war. A 40-ton truck is a lethal weapon and veteran driver Jack Crews (Swayze) knows how to use it. Desperate for cash he's got one last delivery to make. The trip's barely begun when he and partner Earl (Travis) discover they've been set up and are being chased by Red (Mat Loaf) a relentless fanatic who's as deadly as he is greedy. Now with his family his life and his freedom on the line Jack's going to buckle up put the pedal down and show Red and the Feds a thing or two about road rage. After being double-crossed and rudely underestimated Jack and Earl shift gears becoming a two-man wrecking crew trucking down the highway blazing a trail of diesel-powered destruction.
With a reputation synonymous with law and order, Commissioner James Gordon is one of the crime world's greatest foes. Everyone knows the name. But what is known of Gordon's rise from rookie detective to Police Commissioner? And what did it take to navigate the layers of corruption that secretly ruled Gotham City, the spawning ground of the world's most iconic villains -- the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker? GOTHAM is the origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (The Mentalist, Rome), this one-hour drama follows one cop's rise through a dangerously corrupt city teetering on the edge of evil and chronicles the genesis of one of the most popular super heroes of our time. Brave, earnest and eager to prove himself, the newly minted detective Gordon (Ben McKenzie) is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue), as the two stumble upon the city's highest- profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes hauntingly intense 12-year-old son, Bruce (David Mazouz), toward whom the young detective feels an inexplicable kinship. Moved by the boy's profound loss, Gordon vows to catch the killer. As he navigates the often-underhanded politics of Gotham's criminal justice system, Gordon encounters imposing gang boss Fish Mooney (Jada Pinkett Smith), and many of the characters who will become some of DC Comics' most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor). Although the crime drama follows Gordon's turbulent and singular rise through the Gotham City police department, it also focuses on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee) -- a friendship that will last them all of their lives and will play a crucial role in helping the young boy eventually become the crusader he's destined to be.
THE DROP is a crime drama from Michaël R. Roskam the Academy Award® nominated director of Bullhead. Based on a short story from Dennis Lehane (Mystic River Gone Baby Gone) THE DROP follows lonely bartender Bob Saginowski through a covert scheme of funnelling cash to local gangsters – money drops – in the underworld of Brooklyn bars. Under the heavy hand of his employer and cousin Marv Bob finds himself at the centre of a robbery gone awry and entwined in an investigation that digs deep into the neighbourhood’s past where friends families and foes all work together to make a living – no matter the cost. Special Features Deleted Scenes with Commentary Promotional Featurettes Audio Commentary by Michaël R. Roskam and Dennis Lehane Gallery Theatrical Trailer
Paranormal Entity Twenty-three year old, Thomas Finley was arrested for the murder of his sister, Samantha, and Edgar Lauren, a Professor and paranormal investigator. Thomas claimed that the victims were attacked by a demonic entity of unknown origin. Days later, he committed suicide . This video found at the scene shows what actually happened inside the Finley home in those final days. Paranormal Entity 2 John Wayne Gacy murdered 33 young men and boys between 1972 and 1978 in ...
Angels, the popular BBC prime-time drama series about student nurses in a London hospital, ran from 1975 to 1983. The series began as a 50-minute drama series but changed to two half-hour episodes a week in 1979. Created by Paula Milne, the series chronicled the personal and professional lives of six student nurses, and controversially, tackled issues such as contraception, alcoholism and promiscuity as part of the nurses' lives. Grittily authentic each actress taking a part was required t...
Ever feel like you've made the wrong decision? Wished you could turn back time and change the past? Well you probably know just how Erica feels. Poor old Erica Strange (Erin Karpluk) was always top of the class but now she feels like she's bottom of the pile. She's far too overqualified for her crummy call centre job and hasn't ever held down a successful relationship. With cute looks and a super brainy masters degree where did she go wrong? Desperate for some answers Erica turns to therapy with a mysterious shrink called Dr Tom a virtual anomaly complete with disappearing office and no last name. His radical method for helping Erica move on from her past is to make her change it - by sending her back in time.
The Sitter may be the last movie featuring the "heavy" version of Jonah Hill. With the many pounds he's since lost, many movie-industry minds are wondering if the Jonah Hill-ness of his screen persona, flaunted so prodigiously in the likes of Knocked Up, Get Him to the Greek, and Superbad, has disappeared from the scales too. But until Jonah 2.0 gets his chance, The Sitter couldn't capture his trash-talking, man-child, king-of-comeback essence more boldly, more lovingly, or with such blatant vulgarity. Hill plays Noah, a jobless twentysomething layabout still living with his divorced mum along with the delusion that he has a hot girlfriend (she only keeps him around for oral talents that are unrelated to speech). As a favour that might help Mum with her own sad love life, he agrees to a one-night babysitting stand for the neighbours and their three wildly dissimilar but equally messed-up children. The night progresses through slapstick, farce, adventure, romance, danger, pathos, and eventual catharsis for everyone. (Unfortunately there's a touch of maudlin, sentimental corn in the mix too.) The children are as important to the escapades as Noah and are the primary source of his stupid/smooth shtick that mixes clever put-downs, terrified jabbering, and hilariously relentless patter of urban slang vernacular. Noah's spoiled charges are two boys--an anxiety-wracked 13-year-old and a 10-year-old Nicaraguan adoptee with severe anger and pyromania issues--and a precocious 8-year-old-girl who's heavily into make-up, hip-hop, and a score of other age-inappropriate behaviours. As the four of them hurtle deeper into the night, the situations become more antically treacherous with drug dealers, gangster thugs, police officers, and upper-crust snobs as part of the mix, along with their knives, cocaine, diamonds, alcohol, and guns. Director David Gordon Green, whose unusual career has gone from art house (George Washington, All the Real Girls) to raunchy bromance (Pineapple Express, Your Highness), supplants formal technique with the off-kilter and oft-unseemly style of Jonah Hill vs. the world. Green sometimes evokes the flow of surreality that Martin Scorsese took to unnatural ends in After Hours, only with more dirty bits and a lot more full-on crude laughs. Nearly everyone in the large supporting cast makes an excellent foil for the star's constant streetwise riffing, especially Sam Rockwell, who digs in to his role as a psychotic but emotionally conflicted drug dealer always on the lookout for new best friends. But it is Jonah Hill who sits firmly, even heavily in the driver's seat. It's a great place to flash his better-honed actorly chops along with his beloved version 1.0 comedic gift. --Ted Fry
The Sitter may be the last movie featuring the "heavy" version of Jonah Hill. With the many pounds he's since lost, many movie-industry minds are wondering if the Jonah Hill-ness of his screen persona, flaunted so prodigiously in the likes of Knocked Up, Get Him to the Greek, and Superbad, has disappeared from the scales too. But until Jonah 2.0 gets his chance, The Sitter couldn't capture his trash-talking, man-child, king-of-comeback essence more boldly, more lovingly, or with such blatant vulgarity. Hill plays Noah, a jobless twentysomething layabout still living with his divorced mum along with the delusion that he has a hot girlfriend (she only keeps him around for oral talents that are unrelated to speech). As a favour that might help Mum with her own sad love life, he agrees to a one-night babysitting stand for the neighbours and their three wildly dissimilar but equally messed-up children. The night progresses through slapstick, farce, adventure, romance, danger, pathos, and eventual catharsis for everyone. (Unfortunately there's a touch of maudlin, sentimental corn in the mix too.) The children are as important to the escapades as Noah and are the primary source of his stupid/smooth shtick that mixes clever put-downs, terrified jabbering, and hilariously relentless patter of urban slang vernacular. Noah's spoiled charges are two boys--an anxiety-wracked 13-year-old and a 10-year-old Nicaraguan adoptee with severe anger and pyromania issues--and a precocious 8-year-old-girl who's heavily into make-up, hip-hop, and a score of other age-inappropriate behaviours. As the four of them hurtle deeper into the night, the situations become more antically treacherous with drug dealers, gangster thugs, police officers, and upper-crust snobs as part of the mix, along with their knives, cocaine, diamonds, alcohol, and guns. Director David Gordon Green, whose unusual career has gone from art house (George Washington, All the Real Girls) to raunchy bromance (Pineapple Express, Your Highness), supplants formal technique with the off-kilter and oft-unseemly style of Jonah Hill vs. the world. Green sometimes evokes the flow of surreality that Martin Scorsese took to unnatural ends in After Hours, only with more dirty bits and a lot more full-on crude laughs. Nearly everyone in the large supporting cast makes an excellent foil for the star's constant streetwise riffing, especially Sam Rockwell, who digs in to his role as a psychotic but emotionally conflicted drug dealer always on the lookout for new best friends. But it is Jonah Hill who sits firmly, even heavily in the driver's seat. It's a great place to flash his better-honed actorly chops along with his beloved version 1.0 comedic gift. --Ted Fry
It all started with Laguna Beach. Like other teens in California, the lives of Lauren Conrad, Kristin Cavallari and their classmates were filled with sandy beaches, beautiful friends and love triangles. But unlike other teens, they had cameras following them around in this groundbreaking TV show that looks nothing like the lives most us know. In Laguna, not only is truth sometimes stranger than fiction, it’s also a lot more exciting. After high school, Lauren leaves home to explore a life of fun and fashion in Hollywood. In The Hills, Lauren, Heidi Montag, Audrina Patridge and Whitney Port learn dreams can come true, especially if you’re young, rich and beautiful and yearning for a glamorous life. But life in Los Angeles only gets more complicated as friendships, relationships and loyalties are tested like never before. It’s a whole new world for Whitney as she picks up and moves from the comforts of her hometown in Los Angeles to the bright lights of Manhattan. In The City, she learns quickly that climbing your way to the top means doing it alongside both friends and enemies.
A collection of vignettes, loosely based on the book by Dr. David Rueben, written and directed by Woody Allen, Everything contains some very funny moments. It's easy to forget that the cerebral Allen excelled at the type of broad, Catskill, dirty jokes and visual gags that run amok here. It's also remarkable how dirty this 1972 movie really was--bestiality, exposure, perversion and S&M get their moments to shine. The Woody Allen here, who appears in many of the sketches, is a portent of the seedy old Allen of Deconstructing Harry. Although the final bit, which takes place inside a man's body during a very hot date, is hilarious, most of Everything feels like the screen adaptation of a 70's bathroom joke book. Still, a must for Allen fans. --Keith Simanton
With a reputation synonymous with law and order, Commissioner James Gordon is one of the crime world's greatest foes. Everyone knows the name. But what is known of Gordon's rise from rookie detective to Police Commissioner? And what did it take to navigate the layers of corruption that secretly ruled Gotham City, the spawning ground of the world's most iconic villains -- the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker? GOTHAM is the origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (The Mentalist, Rome), this one-hour drama follows one cop's rise through a dangerously corrupt city teetering on the edge of evil and chronicles the genesis of one of the most popular super heroes of our time. Brave, earnest and eager to prove himself, the newly minted detective Gordon (Ben McKenzie) is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue), as the two stumble upon the city's highest- profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes' hauntingly intense 12-year-old son, Bruce (David Mazouz), toward whom the young detective feels an inexplicable kinship. Moved by the boy's profound loss, Gordon vows to catch the killer. As he navigates the often-underhanded politics of Gotham's criminal justice system, Gordon encounters imposing gang boss Fish Mooney (Jada Pinkett Smith), and many of the characters who will become some of DC Comics' most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor). Although the crime drama follows Gordon's turbulent and singular rise through the Gotham City police department, it also focuses on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee) -- a friendship that will last them all of their lives and will play a crucial role in helping the young boy eventually become the crusader he's destined to be.
Yo Gabba Gabba: Vol. 1
Everybody's favourite talking Chihuahuas are back in Disney's Beverly Hills Chihuahua 2 the comedy that's a pack of outrageous fun for the whole family. Puppy mayhem turns the lives of newlywed Chihuahua parents Papi and Chloe upside down when their rambunctious mischievous puppies present one challenge after another. But when their human owners end up in trouble the tiny pups will stop at nothing to save them - because in good times and hard times the family always sticks together. So Papi Chloe and the puppies embark on a heroic adventure proving once again that big heroes come in small packages. Featuring an all-star cast including George Lopez (voice of Papi) and complete with a litter of bonus features this heartwarming tale of the meaning of family friendship and loyalty is a special breed of fun - times five.
Papi is back, and he’s ready to party! From the studio that brought you Beverly Hills Chihuahua – you’re invited to the ultimate celebration of friendship and family: Beverly Hills Chihuahua 3: Viva La Fiesta! Join Papi (voiced by George Lopez) and his two – and four-legged family as they move into a posh Beverly Hills hotel, complete with a luxurious doggy spa. But there’s trouble in puppy paradise when Rosa, the littlest member of the pack, feels smaller and less special than ever. Now it’s up to Papi to help Rosa find – and celebrate – her inner strength, which turns out to be bigger than she ever dreamed. Overflowing with laughter, love and excitement, this is tail-wagging fun for the whole family!
Episodes Comprise: 1. Fonzie Moves In 2. Motorcycle 3. Fearless Fonzarelli: Part 1 4. Fearless Fonzarelli: Part 2 5. The Other Richie Cunningham 6. Richie Fights Back 7. Jailhouse Rock 8. Howard's 45th Fiasco 9. Fonzie the Flatfoot 10. A Date with Fonzie 11. Fonzie the Salesman 12. Three on a Porch 13. Fonzie's New Friend 14. They Call It Potsie Love 15. Tell It to the Marines 16. Dance Contest 17. The Second Anniversary Show 18. Football Frolics 19. Fonzie the Superstar 20. Two Angry Men 21. Beauty Contest 22. Bringing Up Spike 23. A Sight for Sore Eyes 24. Arnold's Wedding
Boogeyman 3
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