A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive
Otto Preminger's 1960 adaptation of Leon Uris's novel Exodus is a sprawling tale of the founding of modern Israel, starring Paul Newman as a resistance leader. The film works best as an example of Preminger's estimable skill with all levels of drama and action, but as a reflection upon history it is compromised by stereotypes, unpersuasive relationships and a certain moral ambivalence about issues related to the subject. There are good and exciting sequences, however, particularly one involving an effort to break through a British blockade and get to the homeland. --Tom Keogh
Celebrate 65 years of Alfred Hitchcock's legendary North by Northwest with a brand new 4K restoration featuring a Steelbook with new key art. Cary Grant is the screen's supreme man-on-the-run in his fourth and final teaming with Master of Suspense Alfred Hitchcock. He plays a Manhattan adman plunged into a realm of spy (James Mason) and counterspy (Eva Marie Saint) and variously abducted, framed for murder, chased, and in a signature set-piece, crop-dusted. He also hangs for dear life from the facial features of Mount Rushmore's Presidents. On-Disc Special Features4K: Commentary by Ernest LehmanNorth by Northwest: Cinematography, Score, and the Art of the EditDestination Hitchcock: The Making of North by NorthwestThe Master's Touch: Hitchcock's Signature StyleNorth by Northwest: One for the AgesA Guided Tour with Alfred HitchcockBD: ¢ Commentary by Screenwriter Ernest Lehman¢ New 2009 Documentary Reveals The Master's Touch: Hitchcock's Signature Style¢ Explore in Depth the Movie's Innovations and Influences in the New North by Northwest: One for the Ages¢ Vintage 2000 Documentary Destination Hitchcock: The Making of North by Northwest¢ Stills Gallery¢ Theatrical Trailers & TV Spot
Based on the memoirs of party-girl-turned-conservationist Kuki Gallman, I Dreamed of Africa never comes close to living up to its title; the mood is more prosaic travelogue than oneiric wonderment. After a car accident warns Kuki of her mortality, she resolves to grow up, a process that mysteriously involves marrying a man she barely knows and moving with him and her young son to the wilds of South Africa. There she learns new beau Paolo is less reliable than she thought, but also that the sun-baked plains and roaming beasts of Africa speak to her in a way the nightlife of Italy did not. (We learn of her blossoming humanity because she introduces herself to the servants; a probing study of interpersonal relationships this isn't.) Kim Basinger obviously feels connected to the role--she can stride across a room with a majestic self-righteousness that the film should have drawn upon more--but she's defeated by a script composed of repetitive vignettes that have no cumulative effect and a director (Hugh Hudson) who keeps the film's emotional impact curiously flat and diffuse except for the crass, manipulative moments every 20 minutes or so. Sure the photography's lovely, but really, how hard is it to get a nice shot of flamingoes at dawn? --Bruce Reid, Amazon.com
A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive
After the break up of her marriage photographer Samantha Taylor retreats to the sanctuary of friend Caroline Lord's California ranch. An excellent rider Samantha is initially given a frosty welcome by the ranch hands but she begins to gain their respect as they see that she is more than able on a horse and in their environment. Samantha falls in love with ranch hand Tate Jordan and they share a deep and passionate love until Tate finds out that Samantha's ex-husband is popular and
Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough New York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint is the girl with whom Brando falls in love. Winner of 8 Oscars including Best Picture Best Actor Best Support Actress Best Director and Best Screenplay this devastating film has since its first screening become one of the movie greats.
All the glamour and greatness of the world's most exciting drama of speed and spectacle! Nine races. One champion. James Garner Yves Montand Brian Bedford and Antonio Sabato portray Formula 1 drivers competing to be the best in this slam-you-into-the-driver's seat tale of speed spectacle and intertwined personal lives. Eva Marie Saint and Toshiro Mifune also star. John Frankenheimer (who 32 years later would again stomp the pedal to the metal for the car chases of Ronin) directs this winner of 3 Academy Awards crafting split-screen images to capture the overlapping drama and orchestrating you-are-there POV camerawork to intensify the hard-driving thrills. Nearly 30 top drivers take part in the excitement so buckle up movie fans. Race with the best to the head of the pack.
It's a plot! To make the world die laughing! Russian Lt. Rozanov (Arkin) and his crew hit the beaches of Massachusetts unaware of the panic they're about to start. Despite the Russians' harmless intentions the folks in town think a full-scale Soviet invasion has been launched! What's worse their police chief (Keith) has left his hysterical assistant (Winters) in charge and the one man who knows the truth (Reiner) is only stirring up more chaos!
The incomparable Alfred Hitchcock presents a collection of his finest suspenseful thrillers! Includes: 1. Strangers On A Train (1951) 2. Stage Fright (1950) 3. I Confess (1953) 4. Dial M For Murder (1954) 5. The Wrong Man (1956) 6. North By Northwest (1959)
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure.
The Titanic
""You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody instead of a bum which is what I am let's face it."" - Terry Malloy (Marlon Brando) Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough New York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint
Tom Hanks wanted to prove his dramatic talent in the mid-1980s, and Nothing in Common gave him a ripe opportunity. Playing an emotionally immature Chicago advertising executive, Hanks offers a prototype of his later, better role in Big--the joking man-child with seemingly limitless reserves of energetic humour, perfectly suited to director Garry Marshall's trademark blend of featherweight comedy and sentiment. The movie wanders aimlessly before settling into its dramatic groove, involving Hanks caring for his ageing, diabetic father (Jackie Gleason, well cast in his final screen role) after his mother (Eva Marie Saint) files for divorce and strikes out on her own. Like Marshall's Pretty Woman, the film hits several grace notes and finds unexpected depth in its characters and their need for loving connections. Meanwhile, there's cheesy nostalgia in the 80s trappings, including songs by Carly Simon and Christopher Cross. --Jeff Shannon, Amazon.com
A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive
A one time big Western movie star sets out to find the child he never knew he had.
9 films in one box set: Kaleidoscope Star Family Album Palomino Heartbeat Full Circle Changes Once In A Lifetime Mixed Blessings.
After the break up of her marriage photographer Samantha Taylor retreats to the sanctuary of friend Caroline Lord's California ranch. An excellent rider Samantha is initially given a frosty welcome by the ranch hands but she begins to gain their respect as they see that she is more than able on a horse and in their environment. Samantha falls in love with ranch hand Tate Jordan and they share a deep and passionate love until Tate finds out that Samantha's ex-husband is popular and wealthy news anchor Warren Taylor. Ashamed by his profession and his 'status' he leaves the ranch. Samantha is heartbroken once again and tries to assuage her pain by embarking on a project photographing the 'real' cowboys of the west. Whilst visiting a ranch in California Samantha breaks her back in an accident and is paralysed and must learn how to walk - and ride - again. Caroline Lord tragically dies but leaves her ranch to Samantha who turns it into a riding school for paralysed children. Through this enterprise she begins to heal from the pain of Tate's desertion the loss of her friend and her own paralysis. Tate returns to the ranch after hearing of Caroline's death and finds Samantha there. Can they both overcome their own demons and learn to love each other again?
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