Minority Report: In this kinetic futuristic thriller from Steven Spielberg Tom Cruise plays John Anderton the head of Washington's Pre-Crime bureau an experimental government agency that uses precognitive humans to predict murders. Finding himself accused of a future homicide Anderton goes on the run and tries to stay one step ahead of his jet pack-assisted colleagues and an ambitious Federal agent (Colin Farrell). Adapted from a short story by Philip K. Dick Minority Report is one of Spielberg's most sheerly entertaining and deliriously imaginative movies. I Robot: What will you do with yours? In the year 2035 technology and robots are a trusted part of everyday life. But that trust is broken when a scientist is found dead and a sceptical detective (Smith) believes that it may have been perpetrated by a robot. However his investigation uncovers a larger threat to humanity!
Boon is a reiver (that's a cheat a liar a brawler and womaniser) and he has just four days to teach young Lucius the facts of life (like cheating lying brawling and womanizing)! Based on the novel by William Faulkner THE REIVERS tells the story of a young boy who leaves home and sets out on a journey with his best friend and Boon Hogganbeck (McQueen) his family's handyman. During the trip from Jefferson to Memphis the trio learns some valuable life lessons.
Deep Space Nine's fifth series was a turning point from which there was no going back. Character and information overload took over, and the complicated twists and turns in the build up to war either hooked viewers securely, or sent them away with a headache. The Klingon faction instigated by Worf's arrival was occasionally played for laughs, but mostly their hard-headed personalities made all efforts at diplomacy moot. In the opening episode a chilling possibility is proposed as to why might be: have the Changelings infiltrated already and replaced key personnel? Some fans saw this as a flawed X-Files-style development. Nevertheless it sowed a seed of insidious suspicion from here on, affecting all the principal casts' relationship with one another, even allowing Odo and Quark an opportunity to confess a degree of friendship. Expanding on the new theme of duplication, the crew also made numerous trips to their Mirror Universe counterparts. As well as new uniforms and the milestone 100th episode, Nana Visitor and Alexander Siddig comically got to disguise the arrival of their child during filming. More laughs came from the fan favourite "Trials and Tribble-ations" with CG allowing Sisko and crew to interact with Kirk and a cameo from Leonard Nimoy. Avery Brooks began taking a backseat as of this year, partly a result of the now-overcrowded cast. Although Sisko's destiny would be foreshadowed by his first vision and the introduction of the Pah-wraiths, the Captain was in an increasingly sulky mood. Brooks only directed one episode, allowing room for regulars LeVar Burton and Rene Auberjonois to do more behind the camera. Joining them were Alexander Siddig, Michael Dorn and even Andrew Robinson. Available space started to seem hardly deep enough. --Paul Tonks
East of Elephant Rock is a 1977 British independent drama film directed by Don Boyd and starring John Hurt, Jeremy Kemp and Judi Bowker. It was Boyd's second feature film following his little-noticed 1975 Intimate Reflections. Like William Somerset Maugham's 1927 play The Letter and two subsequent film adaptations, its narrative content depended on the 1911 Ethel Proudlock murder in Kuala Lumpur, Malaysia, which became a cause clbre scandalising British colonial society and which had been featured in a Sunday Observer article as recently as the year before. Boyd, drawing in part on his own experience of growing up in an increasingly dysfunctional family in Kenya during the Mau Mau rebellion, wanted to tell a story about the decline of the Empire and the surrender of responsibility.
Actors: Terry Farrell, Adrian Pasdar, Sumela Kay, Sherry Miller, Barry FlatmanManufacturer: Infinity
Just released from the base stockade recruit Roland Bozz (Colin Farrell) joins a platoon of young soldiers preparing to ship out to Vietnam. Bozz's independence and outright defiance draws fire from his own men as well as commanding officers. But when the platoon is sent to Tigerland a hellish training ground that is the last stop before Vietnam Bozz's leadership and loyalty bring his men together triggering extraordinary consequences.
An imprisoned drug kingpin offers a huge cash reward to anyone that can break him out of police custody and only the LAPD's Special Weapons and Tactics team can prevent it.
In Loving Memory: Series 2
The Heath Ledger Collection, 3 Classic films starring the outstanding Heath Ledger including: The Imaginarium of Dr Parnassus: directed by the visionary Terry Gilliam, tells the story of Tony (Heath Ledger, Johnny Depp, Jude Law, Colin Farrell) a man with memory loss who is taken under the wing of Parnassus (Christopher Plummer), an extraordinarily old magician whose longevity has been bought from the Devil in return for his daughter Valentina (Lily Cole). In a desperate final deal with the Devil to save Valentina, Parnassus promises to get Old Nick (Tom Waits) some new souls for his collection. And his magical Imaginarium - where all your wildest dreams can be visualised - is the tempting lure for unsuspecting souls. Tony is particularly talented at bringing in the punters - but at what additional price? The Brothers Grimm: Director Terry Gilliam, who brought his magical storytelling talents to such films as Time Bandits and The Adventures of Baron Munchausen, sets his sights on the Brothers Grimm, turning their life into a playfully grim fairy tale all its own. Set in early 18th Century French-occupied Germany, The Brothers Grimm stars Matt Damon as Will Grimm and Heath Ledger as Jake Grimm, siblings who travel the countryside as snake-oil salesmen, convincing unsuspecting towns that they are haunted and agreeing to get rid of the demons for a price. In the meantime, they set their tales down in writing, creating a wealth of oddball, offbeat, and frightening characters. But after they are caught by General Delatombe (Jonathan Pryce) and his sidekick, Cavaldi (Peter Stormare), they are sent to the tiny village of Marbaden to solve the mysterious disappearance of a number of young girls, placing them in the middle of a fantasy world unlike any they'd ever invented. They enlist the help of a peasant woman, Angelika (Lena Headey), and they set off for the evil forest to save the lives of the girls and themselves. Gilliam has once again built a unique, entertaining land where anything can happen, and he throws in references to such Grimm tales as Little Red Riding Hood, Hansel and Gretel, Cinderella, Rapunzel, and the Frog Prince for good measure. The movie also features Mackenzie Crook and Richard Ridings as the Grimms' cohorts, Monica Bellucci as the Mirror Queen, and Julian Bleach and Bruce McEwan as two of Cavaldi's henchmen. The Four Feathers: Based on the novel by A.E.W. Mason, this movie adaptation is the third of its kind, following 1939 and 1977 versions. It is the story of a British commander, Harry (Heath Ledger), who follows in his father's footsteps by joining the army. He is engaged to marry the woman of his dreams, Ethne (Kate Hudson), whose father was also a soldier. But when his regiment is to be sent to war in the Sudan, Harry gets nervous. On a whim, he resigns his post, and is instantly rebuffed by three of his closest friends. They each give him a feather symbolic of his fear. When he tells Ethne what he has done, she gives him the fourth, explaining that she cannot love a coward. Lost and alone, Harry cannot come to grips with what has happened. So he travels alone to the Sudan, hoping to in some way help his fellow countrymen and redeem his honour. What he finds instead is a land rife with slavery, brutal violence, and a deadly desert climate. He is befriended by Abou (Djimon Hounsou), a Sudanese wanderer, who saves Harry's life time after time. Director Shekhar Kapur (ELIZABETH) makes this moving adventure story utterly believable with striking photography by Robert Richardson and an unmatchable performance from Heath Ledger.
As the Japanese Mafia the Yakuza threatens to rip apart Los Angeles one cop crosses the Pacific to track down its most lethal killer.
Vietnam veteran Cameron (Steve Railsback) is on the run from the police when he stumbles onto the set of a war movie directed by megalomaniac Eli Cross (Peter O'Toole). But when the young fugitive is forced to replace a dead stunt man he falls in love with the movies leading lady (Barbara Hershey) while trying to avoid getting arrested or killed. Is Eli trying to capture Cameron's death on film? And what happens to a paranoid stunt man when illusion and reality change places?
A saga centred on a multi-generational family of New York City Police officers. When an officer discovers his brother-in-law is involved in a corruption scandal, there is more than the family's good name at stake.
Director Joel Schumacher's acclaimed story of a group of young US infantry men in 1971, in training for Viet Nam, at a time when not even many of the soldiers themselves believed in what they were doing.
Detective Jake Swan does things by the book - his book. But when a drug bust he plans results in his partner's death Jake goes on a rampage that ends in his suspension from the force and a quick slide into booze and guilty depression.
Elektra: From the forces that brought you X-Men and Daredevil... Superstar Jennifer Garner proves that looks can kill as the sexiest action hero ever to burst from the pages of Marvel Comics. Restored to life after sustaining mortal wounds in Daredevil an icy solitary Elektra (Garner) now lives only for death as the world's most lethal assassin. Using her bone-crunching martial arts skills and Kimagure - the ability to see into the future - Elektra is on a collision course wi
Phone Booth A single phone call can change a man's life...or possibly end it. Stu Shepard is a self-centered New York City publicist who suddenly finds himself on the deadly end of a high-powered rifle scope. Now it's a real-time race against the clock as Stu must outwit a psychotic sniper in a frantic scramble from phone booth to freedom. The Siege When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make its bloody mark on the streets of New York it's up to FBI special agent Anthony Hub Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Speed Hold on tight for a rush of pulse-pounding thrills breathtaking stunts and unexpected romance in a film you'll want to see again and again. Keanu Reeves stars as Jack Traven an LAPD Swat team specialist who is sent to defuse a bomb that a revenge-driven extortionist (Dennis Hopper) has planted on a bus. But until he does Jack and passenger Sandra Bullock must keep the bus speeding through the streets of Los Angeles at more than 50 miles an hour - or the bomb will explode!
The come-from-behind winner of the 1981 Oscar for Best Picture, Chariots of Fire either strikes you as either a cold exercise in mechanical manipulation or as a tale of true determination and inspiration. The heroes are an unlikely pair of young athletes who ran for Great Britain in the 1924 Paris Olympics: devout Protestant Eric Liddell (Ian Charleson), a divinity student whose running makes him feel closer to God, and Jewish Harold Abrahams (Ben Cross), a highly competitive Cambridge student who has to surmount the institutional hurdles of class prejudice and anti-Semitism. There's delicious support from Ian Holm (as Abrahams's coach) and John Gielgud and Lindsay Anderson as a couple of Cambridge fogies. Vangelis's soaring synthesised score, which seemed to be everywhere in the early 1980s, also won an Oscar. Chariots of Fire was the debut film of British television commercial director Hugh Hudson (Greystoke) and was produced by David Puttnam. --Jim Emerson
Two high school girls wake up one morning to find that a comet has wiped out most of the human race leaving them to do battle with hordes of mutant zombies.
A plane carrying the great Polish concert pianist Jan Ignace Paderewski is forced to make an emergency landing in Sweden and the stranded passengers shelter at the estate of the beautiful Baroness Lindenborg. Though one of the passengers the smooth-talking Mario de la Costa sweeps her off her feet the art of Paderewski touches all who are present - and allows the young Baroness to reflect upon where her true feelings really lie... Paderewski is both seen and heard as himself in this entrancing musical drama from 1937 produced and directed by Lothar Mendes (The Four Feathers). While the film opens with a concert recital of Chopin's 'Polonaise' and features Paderewski's own 'Minuet in G Major' a spellbinding performance of Beethoven's famous sonata brings the drama to its conclusion.
Of all the spin-off TV incarnations of Star Trek, Deep Space Nine had the hardest job persuading an audience to watch. By all accounts, Gene Roddenberry had concerns about the idea before his death in 1991. It took two more years to develop, and when it finally aired in 1993 reasons for that concern were evident right away. The show was dark (literally), characters argued a lot, no one went anywhere and the neighbouring natives were hardly ever friendly. Yet for all that the show went against the grain of The Great Bird's original vision of the future, it undeniably caught the mood of the time, incorporating a complex political backdrop that mirrored our own. In the casting, there was a clear intent to differentiate the show from its predecessors. Genre stalwarts Tony Todd and James Earl Jones were considered for Commander Sisko before Avery Brooks. The one let down at the time was that Michelle Forbes did not carry Ensign Ro across from TNG, but when the explosive Nana Visitor defiantly slapped her hand on a console in the pilot episode, viewers knew they were in for a different crew dynamic. In fact, the two-part pilot show ("The Emissary") is largely responsible for DS9's early success. Mysterious, spiritual, claustrophobic, funny and feisty, it remains the most attention-grabbing series opener (apart from the Classic original) the franchise has had. The first year may have relied on a few too many familiar faces--like Picard, Q and Lwaxana Troi--but these were more than outweighed by refreshingly detailed explorations of cultures old and new (Trill, Bajoran, Cardassian, Ferengi). As it turned out, Deep Space Nine was the boldest venture into Roddenberry's galaxy that had been (or ever would be) seen. On the DVD: Star Trek Deep Space Nine, Series 1's hour of special features is split between seven featurettes that really would have worked better edited together. Covering the show's origins and most aspects of Year One's production design, they all crib from interviews with actors and crew from the 1992 shoot (exclusively so in the 10 "Hidden Files"). Other interviews conducted in 1999 and 2002 tend to be more revealing, although the solo section on Major Kira is curiously lacking in recent input. While the designers describe their work with passion, creators Michael Piller and Rick Berman come off as stiff and lacking in knowledge. Hopefully this is something that will improve through the next six box sets. The interactive CD-ROM to build a DS9 database on your PC is something that will become more involving, too. Obviously the most important thing is the episodes themselves, and despite the lack of a commentary to enhance the best of them, sound in 5.1 and the crisp full-frame picture do them ample justice. --Paul Tonks END
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