The whiplash, double-pronged Chungking Express is one of the defining works of 1990s cinema and the film that made Wong Kar Wai an instant icon.
The whiplash, double-pronged Chungking Express is one of the defining works of 1990s cinema and the film that made Wong Kar Wai an instant icon.
Director Wong Kar-Wai goes focuses on the imagination of a sci-fi writer in this avant garde offering.
Chungking Express tells two stories loosely connected by a Hong Kong snack bar. In one, a cop who's been recently dumped by his girlfriend becomes obsessed with the expiry dates on cans of pineapple; he's constantly distracted as he tries to track down a drug dealer in a blonde wig (played by Brigitte Lin, best known from Swordsman II and The Bride with White Hair). Meanwhile, another cop who's recently been dumped by his girlfriend (Tony Leung Chiu-Wai, from John Woo's Hard-Boiled and A Bullet in the Head) mopes around his apartment, talking to his sponge and other domestic objects. He catches the eye of a shop girl (Hong Kong pop star Faye Wang) who secretly breaks in and cleans his apartment. If you're beginning to suspect that neither of these stories has a conventional plot, you're correct. What Chungking Express does have is loads of energy and a gorgeous visual style that never gets in the way of engaging with the charming characters. The film was shot on the fly by hip director Wong Kar-Wai (Happy Together, Ashes of Time), using only available lighting and found locations. The movie's loose, improvisational feel is closer to Jean-Luc Godard's Breathless than any recent film--and that's high praise. Quirky, funny, and extremely engaging, Chungking Express manages to be experimental and completely accessible at the same time. --Bret Fetzer, Amazon.com
Cult filmmaker Wong Kar Wai's hugely influential breakthrough film is a supremely stylish combination of love story and thriller set in and around Hong Kong's infamous Chungking Mansions a vast complex of shabby hostels bars and clubs. The film tells the stories of two lovelorn cops (Takeshi Kaneshiro and Tony Leung) and the women with whom they become involved: a mysterious blonde-wigged drug dealer (Brigitte Lin) and an impulsive young dreamer (Faye Wong). Featuring a charismatic cast a cool pop soundtrack and stunning photography by Christopher Doyle Chungking Express is both unconventional and dazzlingly original.
2046 continues the story of Chow Mo Wan (Tony Leung - Hero) from Wong Kar-Wai's previous film In The Mood for Love a few years after his ephemeral affair with Maggie Cheung's Su Li-zhen. Set in late-1960's Hong Kong Chow is now an out of work journalist and pulp fiction writer living in a cheap hotel. Bruised and battered by love he pursues a playboy lifestyle of zero commitment and one-night stands. He develops a passion for a beautiful call girl (Zi Yi Zhang - House Of The Flying Daggers) enjoys a breezy summer with the hotel manager's eldest daughter (Faye Wong) and happens across the path of a professional gambler (Gong Li) who he met in Singapore some years before. In the meantime Chow works on a science fiction novel about a mysterious hi-tech train that transports people to the year 2046 to reclaim their lost memories.
The young Emperor (Chang Chen) and his sister the princess (Faye Wong) find life behind palace walls too mundane always plotting their escape. Most of the time their mother the Empress Dowager and the palace guards foil their plans. Eventually only the princess manages to escape disguised as a man. Enter another set of siblings. Lung (Tony Leung) the village bully is an uncouth and rough man whose ambition in life is to just be a drifter. He has a younger sister Phoenix (Zhao
In The Mood For Love (2 Disc Edition Within The Set): Hong Kong 1962. Chow (Tony Leung) is a junior newspaper editor with an elusive wife. His new neighbour Li-zhen (Maggie Cheung) is a secretary whose husband seems to spend all his time on business trips. They become friends making the lonely evenings more bearable. As their relationship develops they make a discovery that changes their lives forever... In this sumptuous exploration of desire internationally acclaimed director Wong Kar-Wai creates a world of sensuality and longing that will leave you breathless. 'In the Mood for Love' has seduced audiences and critics alike winning awards at Cannes 2000 for best actor cinematography and editing. As Tears Go By: Low-level triad ""big brother"" Wah (Andy Lau) has a hot-tempered ""little brother"" Fly (Jacky Cheung) who can't keep out of trouble and consequently is in constant need of being bailed out by his protector. Wah is super cool but lacks the ambition to rise in the ranks of the triad societies and once he meets his cousin (Maggie Cheung) and falls in love with her he decides he wants to leave ""the life"". But it turns out that he has to bail out Fly one more time. And this time Fly may have gone too far.... Days Of Being Wild: Hong Kong 1960. In a sweltering hot summer York (Leslie Cheung) an amoral disillusioned and cruel young man is kept in luxury by his foster mother a retired courtesan who gives him everything but the one thing he needs to know; the identity of his natural mother. A self-obsessed man desperately seeking his true identity York plays carelessly with his lovers a lonely submissive bargirl (Maggie Cheung) and a beautiful club hostess/dancer (Carina Lau) and his friends before leaving them all for Taiwan in search of the truth that has been denied and may ultimately destroy him...
2046: Opening in the year 2046 in which a man named Tak (Takuya Kimura) attempts to persuade wjw1967 (Faye Wong) to travel back in time with him the film soon shifts to the year 1966 in which Chow Mo-Wan (Tony Leung Chiu-wai) a struggling author asks the woman he loves Su Li-Zhen (Gong Li) to sail with him from Singapore to Hong Kong on Christmas Eve. She declines and over the next three years we return to Chow Mo-Wan on December 24 as he finds himself with another woman
Chungking Express tells two stories loosely connected by a Hong Kong snack bar. In one, a cop who's been recently dumped by his girlfriend becomes obsessed with the expiry dates on cans of pineapple; he's constantly distracted as he tries to track down a drug dealer in a blonde wig (played by Brigitte Lin, best known from Swordsman II and The Bride with White Hair). Meanwhile, another cop who's recently been dumped by his girlfriend (Tony Leung Chiu-Wai, from John Woo's Hard-Boiled and A Bullet in the Head) mopes around his apartment, talking to his sponge and other domestic objects. He catches the eye of a shop girl (Hong Kong pop star Faye Wang) who secretly breaks in and cleans his apartment. If you're beginning to suspect that neither of these stories has a conventional plot, you're correct. What Chungking Express does have is loads of energy and a gorgeous visual style that never gets in the way of engaging with the charming characters. The film was shot on the fly by hip director Wong Kar-Wai (Happy Together, Ashes of Time), using only available lighting and found locations. The movie's loose, improvisational feel is closer to Jean-Luc Godard's Breathless than any recent film--and that's high praise. Quirky, funny, and extremely engaging, Chungking Express manages to be experimental and completely accessible at the same time. --Bret Fetzer, Amazon.com
Chungking Express is the ultra-stylish film by internationally acclaimed Hong Kong director Wong Kar-Wai. Using gorgeous Hong Kong stars and perfect pop music 'Chungking Express' tells two stories of lovelorn cops dangerous drug smugglers and California dreamers. The first story takes place in the infamous Chungking Mansions as melancholic Cop No 223 meets a mysterious woman in a wig and dark glasses in a late night bar little dreaming she's a big-time heroin smuggler up to her neck in trouble. The second story is set around the Midnight Express fast-food joint where Cop No 663 played by Hong Kong heart-throb Tony Leung orders his dinner each night. So broken-up over an air hostess who's flown away 663 fails to notice that the girl who serves his food (Hong Kong rock star Faye Wong) has a massive crush on him. Until to the soundtrack of California Dreaming she takes drastic action to mend his broken heart...
Titles Comprise: Ashes of Time Redux: In ancient China on the edge of a vast desert swordsman Ouyang Feng (Leslie Cheung) lives the life of a vagabond controlling a network of deadly assassins. Pitiless and cynical his heart has long been wounded by a love he neglected then lost. But as seasons friends and enemies come and go he begins to reflect back upon the origin of his solitude. Action-packed and visually dazzling with an all-star cast of Hong Kong cinema greats and extraordinary cinematography by Christopher Doyle Ashes of Time Redux is the ultimate edition of Wong Kar Wai's long-lost martial arts classic brilliantly re-cut and remixed for the 21st Century. Chungking Express: 'Chungking Express' is the ultra-stylish film by internationally acclaimed Hong Kong director Wong Kar-Wai. Using gorgeous Hong Kong stars and perfect pop music 'Chungking Express' tells two stories of lovelorn cops dangerous drug smugglers and California dreamers. The first story takes place in the infamous Chungking Mansions as melancholic Cop No 223 meets a mysterious woman in a wig and dark glasses in a late night bar little dreaming she's a big-time heroin smuggler up to her neck in trouble. The second story is set around the Midnight Express fast-food joint where Cop No 663 played by Hong Kong heart-throb Tony Leung orders his dinner each night. So broken-up over an air hostess who's flown away 663 fails to notice that the girl who serves his food (Hong Kong rock star Faye Wong) has a massive crush on him. Until to the soundtrack of California Dreaming she takes drastic action to mend his broken heart... Happy Together Cult director Wong Kar Wai's first film shot outside of Hong Kong is a spellbinding tribute to blind passion that features two of Asian cinema's biggest stars. Lai (Tony Leung) and Ho (Leslie Cheung) arrive in Argentina as lovers but while driving south in search of adventures something goes wrong and Ho leaves for Buenos Aries. Devastated Lai finds work in a tango bar but is consumed by thoughts of being happy together once more with Ho. A heady cocktail of sound and vision Wong and cinematographer Christopher Doyle marry the rythms of Buenos Aries and Frank Zappa's jazz to an astonishing array of images.
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