Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "Alias Mr. Hackenbacker", "Lord Parker's 'Oliday", "Ricochet" and "Give or Take a Million". Amazon.com
A hilarious and heartfelt ensemble comedy, Dog Days follows the lives of multiple dog owners and their beloved fluffy pals around sunny Los Angeles. As human and canine's paths intertwine, lives begin to change in the most unexpected of ways. With an all-star cast, including Vanessa Hudgens (High School Musical), Nina Dobrev (The Vampire Diaries), Eva Longoria (Desperate Housewives) and Finn Wolfhard (Stranger Things), Dog Days is a heart-warming, lovable tale, exploring the magic that dogs can bring into our lives.
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "The Duchess Assignment", "Brink of Disaster", "Attack of the Alligators!" and "Martian Invasion". Amazon.com
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "The Cham Cham", "Security Hazard", "Atlantic Inferno" and "Path of Destruction".
Two men steal a doll from a paranormal museum in order to put their footage online but end up in a crazy game as the doll becomes a gateway to hell .
When Jimmy sees Dek's failed marriage proposal on national TV he rides into town with only one thing on his mind: to win back the woman and child he left behind...
When projectionist Stuart Lloyd (Englund) is made redundant by the multiplex cinema he has given his life to he looks to exact vengeance on a generation that no longer requires his skills. Trapping an innocent young couple inside the cinema after a midnight screening of a horror movie he decides to create his own film using the CCTV cameras. As the pair struggle to escape his deadly plot Stuart’s movie has one final killer twist: he wants to become the hero.
We have met the enemy, and it is us: when a Martian spacecraft with a terrifying link to the origins of humanity is unearthed beneath a London tube station, only the esteemed Professor Bernard Quatermass (a very British--and possibly mad--precursor to Mulder and Scully) can save London's suddenly murderous population from itself. One of the most intelligently paranoid science fiction films ever produced, this pessimistic masterpiece functions as a dark flip side to the relatively optimistic alien-induced evolution theory presented in the later 2001: A Space Odyssey. Nigel Kneale's brilliant script (which posits a surprisingly plausible, otherworldly rationale for the existence of the supernatural) was later appropriated by acknowledged fan John Carpenter for his underrated Prince of Darkness. A must-see for horror and science-fiction aficionados. --Andrew Wright, Amazon.com
American bases in Israel are being bombed by rebel forces. The explosions just a diversion for a secret plot that may shake the free world.
The former front man of the highly popular antipodean pop act Crowded House captured live in concert on his solo tour. Tracklist: 1.Fall At Your Feet 2.Anytime 3.Hole In The Ice 4.Paper Doll 5.The Climber 6.Take A Walk 7.Last To Know 8.Down On The Corner 9.There Is A Light 10.Private Universe 11.Driving Me Mad 12.Turn And Run 13.Four Seasons In One Day 14.Suffer Never 15.Paradise 16.Cry Wolf 17.History Never Repeats 18.I See Red 19.Weather With You
Seven' meets 'The Silence of the Lambs' in a hip psycho-chiller combining macabre humour and disturbing horror. Simon Cartwright is a self confessed murderer whose switchable victims don't conform to any set pattern. Celebrity lawyer Dr Karen Shoemaker wants to get inside his head to either certify him insane or prove he's cured. And so starts a grisly journey into Simon's past with terrifying repercussions for Karen's present as fantasy and reality mix in the dark corridors of twisted madness. It's not a pretty picture!
When his mother dies of a heroin overdose, 17-year-old Joshua J Cody moves in with his estranged relatives in a Southern California beach town. Heading up their petty crime dynasty is J's manipulative grandmother, Janine Smurf Cody, whose iron-fisted, velvet-gloved tough love controls her four sons: adopted right-hand man Barry Baz; intense, mentally disturbed Pope; tough, hyperactive Craig; and troubled baby, Deran. As J copes with losing his mom, aggressive rivalry between his uncles, and a helpful high school teacher, his new family incites more danger, excitement and trouble than he's ever known. Emmy® Award winner* Ellen Barkin rules over a fiercely talented ensemble cast in all 10 episodes of this edgy, crime-fueled series based on the award-winning Australian film of the same name.
James Farrow (Andrew Bowen) a young student pressures his girlfriend into having an illegal abortion. They soon head to see an abortionist whose negligence results in the death of the young girl. James begins to be haunted by visions of his girlfriend and is drawn to the house in which they met. He seeks advice from the mysterious Professor Ambrose (Michael York) whose life has been torn apart by a number of gruesome tragedies in his own family and who is tormented by the ghost of
With good production values and a load of suspense, the direct-to-video thriller Atomic Train delivers the goods--ahead of schedule. A rich bureaucrat with a Porsche, a goatee and a defective sense of morality places a defective Russian nuclear warhead aboard a defective American train for cheap disposal but the engine loses its brakes and hurls out of control toward Denver. Will it explode? Will it wipe out half the city? Will the thoughts and prayers of the President--played by Edward Herrmann, in his best Chrysler-salesman mode--do any good? Will Rob Lowe, the major hero of this epic, ever be able to save his career? Atomic Train hauls along every disaster-flick formula you can think of: an estranged couple bonding again during a time of crisis; urban rioting and mayhem; government officials wearing headsets and breathlessly watching video monitors; trigger-happy military men; high-speed stunts; escapes by helicopter; clean-up crews in white spacesuits; many scenes of families being reunited after sub-plot cliffhangers, to major-key crescendos on the soundtrack. The only stereotypical element missing is a dog saved from a fire at the last minute. But, you have to admit, what Atomic Train does it does with pizzazz, a post-Armageddon tone of overly heroic but ultimately disposable machismo and explosions... lots of explosions. --Robert Burns Neveldine, Amazon.com
In this Glasgow-set comedy, four twentysomethings - Sean, Vincent, Jody and Lenny - tackle those nagging issues, like growing up and being responsible.
This new film of Leonard Bernstein's music-theatre piece Trouble in Tahiti, produced by BBC Wales and Opus Arte and directed by Tom Cairns, makes a strong case for a neglected work. Bernstein wrote his satire on American materialism in 1952, drawing on elements of opera, revue and musical comedy to tell a story of a marriage that's turned sour amid the trappings of suburban prosperity. The brevity of the piece, which flashes by in 39 minutes, perhaps accounts for its rare appearances, making this version specially welcome. Tom Cairns directs with style and panache, moving the camera effortlessly to and fro between the seven scenes. Amir Hosseinpour's choreography recalls with affection the heyday of the MGM musical then at its zenith. The film opens with a Greek-style chorus singing in scat jazz fashion to a montage of 1950s imagery: flickering television adverts, manicured lawns and white picket fences. Characters within the narrative appear in flash-back in home video footage. This is all highly diverting and possibly a ruse to mask some dramatic weakness in the story written by Bernstein himself. The wife never offers an explanation for her visit to the cinema to see Trouble in Tahiti instead of attending her son's school play, nor do we see the boy again after witnessing his parents having a tiff. The two principals, Karl Daymond as Sam and Stephanie Novacek as Dinah, are well cast and sing in a natural and pleasing manner with clear diction. The scat vocal trio is well matched and the City of London Sinfonia under Paul Daniel catch the spirit of the jazz inflected score as if it were second nature. On the DVD: Trouble in Tahiti is shot in wide-screen, appropriate for the era that gave us CinemaScope. There are subtitles in German, Spanish and French. A full translation in English is printed in the booklet. The extras include an introduction that partly overlaps with "A Very Testing Piece", in which Paul Daniel touches on the parallel with Bernstein's own unhappy childhood. Humphrey Burton in "Not Particularly Romantic" elaborates on this theme and goes on to offer a further fascinating commentary on Bernstein, whom he knew well. --Adrian Edwards
Just as Val McKee and Earl Basset decide to leave Perfection Nevada strange rumblings prevent their departure. With the help of a shapely seismology student they discover their desolate town is infested with gigantic man-eating creatures that live below the ground. The race is on to overcome these slimy subterraneans and find a way to higher ground.
The last instalment in Herschell Gordon Lewis' ground-breaking 'Blood Trilogy' (begun with Blood Feast and Two Thousand Maniacs!) Color Me Blood Red saw the director focusing his grisly attention on the world of art. But this is graphic art! When temperamental artist Adam Sorg's latest paintings fail to impress his critics he finds himself unable to change his style using the materials at his disposal. Searching in vein for the perfect pigment he discovers that it is the deep re
A young man is arrested for the rape and murder of a woman in a deserted building. All evidence against him seems undisputable but his father is not convinced and in his rage he takes the jury hostage.
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