A young Fiona Fullerton heads an all-star British cast in this double BAFTA-winning musical comedy; widely regarded as the most lavish and faithful adaptations of Lewis Carroll's classic fantasy novel. Filmed to mark the centenary of the completion of the Alice novels this extravagant British spectacle which brings to life Sir Tenniel's famous illustrations with a bewitching score from James Bond composer John Barry and BAFTA-winning cinematography by Geoffrey unsworth (2001: A Sp
Regimental Sergeant-Major Lauderdale is a spit-and-polish, by-the-book disciplinarian, who seems like a 19th Century anachronism in a sleepy peacetime African outpost of the modern British Commonwealth. He is ridiculed behind his back by his subordinate NCO's and must play host to a liberal female MP making a tour of the base. However, when an ambitious African officer, who happens to be a protege of the MP's, initiates a coup d'etat against Captain Abraham, the lawful African commandant, the resourceful RSM uses all his military training to arm his men despite being under house arrest and rescue the wounded commandant from a certain firing squad. When Lt. Boniface, the leader of the mutiny surrounds the sergeants mess with two Bofors guns, it looks like Lauderdale will have to surrender unless he again disobeys orders and takes the initiative. High Definition Transfer Commentary by Actor John Leyton Interview with Mia Farrow TBC Promotional Materials Gallery Still Gallery Original Theatrical Trailer
Adapting a play by award-winning novelist and screenwriter Richard Llewellyn best known for his classic work How Green Was My Valley this powerful, highly acclaimed drama explores the darker side of a seemingly idyllic English hamlet. Featuring an outstanding cast, including British screen legends Flora Robson and Robert Newton, Poison Pen is featured in a High Definition transfer from the original film elements in its as-exhibited aspect ratio. The placid, harmonious life of a quiet village becomes a hotbed of paranoia and hatred as anonymous letters accusing the villagers of moral and sexual misdemeanours begin to circulate. As speculation and malicious gossip spread, suspicions begin to centre on Connie Fateley, a shy, solitary seamstress; it is only a matter of time before events take a tragic turn... SPECIAL FEATURES: Image gallery Original script PDF
Queen Elizabeth I (Flora Robson) is dealing with her country's deteriorating relationship with Spain. Michael Ingolby (Laurence Olivier), a naval officer whose father was killed fighting the Spanish, volunteers to go undercover in the Spanish court and learns plans are afoot to send an armada to ambush the British navy. Meanwhile, the aging Elizabeth, who has fallen for the dashing Ingolby, struggles with the fact that he is fixated on one of her beautiful ladies-in-waiting (Vivien Leigh).
Michael Redgrave Valerie Hobson Flora Robson and Felix Aylmer star in this moving and sophisticated story of love and loss set against the backdrop of the Second World War and based on the play by Daphne Du Maurier. After hearing news that her officer husband has been killed in battle Diana Wentworth forges a new life for herself becoming an MP and learning to love again. Then out of the blue comes the shattering news that her husband is not dead after all...
The back reads: Flora Robson, Laurence Olivier and Vivien Leigh star in this swashbuckling story set in an Elizabethan England under threat from Spain and the Inquisition. 1587. The court of Queen Elizabeth (Flora Robson) is alive with intrigue, espionage and danger. With Spain poised to launch its mighty Armada against England, traitors plot to kill or kidnap the Queen and destroy all opposition to the invasion force. Michael (Laurence Olivier) has just made a daring escape from Spain. Now, the Queen bids him to return once more as her spy to discover the names of those who plot against her. His love, the Lady Cynthia (Vivien Leigh) is desperate for him not to go, as his mission will take him into the Escurial itself King Philips palace. But duty calls and time is running out before the Armada is ready to sail . . . This fast paced, stirring and lavish British film production from 1936 was produced partly to celebrate the royal coronation year and also to act as a rallying cry against the forces of evil gathering in Nazi Germany.
A dramatic British film of a family torn apart by their eldest son being hanged for the murder of a young girl. George and Mary Rackham (Andr'' Morell and Flora Robson) try to erase the memory of their eldest son Ronnie and the ghoulish attention of neighbours by moving away from their family home and changing the family name. But their children Philip (Michael Dennison) and Frankie (Jane Hylton) struggle to adapt to normal family life without their executed brother. When Philip falls in love with the blonde temptress Doris (Mai Zetterling) he begins to imagine that his dead brother has returned and fears for his own sanity. Rejected by his sister for falling in love with a girl who is identical to the cheap hussy who led Ronnie astray Philip begins to fear that the murderous instinct that possessed Ronnie is also within his veins''
Starring Flora Robson and Leslie Banks and featuring an early performance from Robert Newton Farewell Again joins a regiment of the 23rd Royal Lancers on the happy occasion of a long-awaited reunion with loved ones back in Southampton and charts the consequences of an unexpected order which sees them forced to return to duty in the Near East just hours later.By turns humorous, poignant and dramatic, this exceptionally popular film was made with the assistance of the War Office and proved a box-office hit on its original 1937 release. Re-released twice more during wartime, it is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio.SPECIAL FEATURES:Image galleryPromotional materials PDFs
Diplomats soldiers and other representatives of a dozen nations fend off the siege of the International Compound in Peking during the 1900 Boxer Rebellion in China. The disparate interests unite for survival despite competing factions overwhelming odds delayed relief and the support of the Boxers by the Chinese Empress and her generals.
Guns At Batas
France 1796: in the new Republic poverty is rife and crimes harshly punished. Jean Valjean is sentenced to five years at the gallery for stealing a loaf of bread. There the Inspector of Guards Javert takes an intense loathing to him - and every rebellion on Jean's part is met with strict punishment and a longer sentence. Jean eventually escapes. Five years later he is living a respectable life as a Mayor when fate intervenes and brings him face to face with his old enemy Javert. Victor Hugo's enduring classic is lavishly recreated and performed by an outstanding cast.
France 1796: in the Republic poverty is rife and crimes harshly punished. Jean Valjean (Richard Jordan) is sentenced to five years at the gallery for stealing a loaf of bread. There the Inspector of Guards Javert (Anthony Perkins) takes and intense loathing to him - and every rebellion on Jean's part is met with strict punishment and a longer sentence. Jean eventually escapes. Five years later he is living a respectable life as a Mayor when fate intervenes and brings him face to face with his old enemy Javert. Victor Hugo's enduring classic is lavishly recreated and performed by an outstanding cast.
A chilling collection of classic horror movies comprising: Witchfinder General (1968): England is torn in civil struggle as the Royalists battle the Parliamentary Party for control. This conflict distracts people from rational thought and allows unscrupulous men to gain local power by exploiting village superstitions. One of these men is Matthew Hopkins who tours the land offering his services as a persecutor of witches. Aided by his sadistic accomplice John Stearne he trav
When Bernardo Bertolucci went to the Himalayas to film Little Buddha, so the anecdote runs, he was disappointed by the scenery. Somehow, the real thing didn't quite live up to what he'd been led to expect by Powell and Pressburger's Black Narcissus. It's not hard to see why he felt let down. Their film is almost ridiculously gorgeous--a procession of saturated Technicolor, Expressionist angles, theatrical lighting and overwrought design. It has a good claim to being the high watermark of lushness in the British cinema (and, incidentally, every original foot of it was actually shot in Britain). No wonder it took the Oscar for colour cinematography (shot by Jack Cardiff) as well as for art direction and set decoration (created by Alfred Junge).Audiences loved it on its first release, but the critics were cooler: hadn't the story been upstaged by the baroque images? Well, probably, but that's not altogether a bad thing, since the plot--quite faithful to Rumer Godden's popular novel --isn't wholly free of corn. A group of five Anglican nuns, led by Sister Clodagh (Deborah Kerr) establish a school and hospital in a former harem among the Himalayan peaks. The wind blows, the drums pound, the Old Gods stir, and one by one the celibate sisters succumb to unchaste thoughts, above all Sister Ruth (Kathleen Byron, terrific in the role), so consumed by erotic yearning for the one Englishman in sight (David Farraar) she puts on crimson lipstick, wears her wimple-free tresses like an early Goth and takes a downward turn. (Black Narcissus features the greatest scene involving a nun and a high place this side of Hitchcock's Vertigo and Jacques Rivette's La Religieuse.) Silly, to be sure, but also sublime at times and as curiously entertaining as it is picturesque. --Kevin Jackson
Powel and Pressburger added to their run of daring stimulating and stylistic pictures with this melodrama about a group of Anglican nuns establishing a remote mission high in the Himalayas. Their physical environment - extreme temperatures illness and a young Indian Prince's perfume (Black Narcissus) - leads to psychological disturbance coupled with emotional weakness. Jealousy sexual repression and hysteria all play their part in a fantastic climax which ripped through the British stiff upper lip attitude of the time. The casting is inspired with brilliant performances from the principals and the film deservedly won Oscars for Colour Cinematography and Art Direction.
Ready to receive a bequest from his recently deceased father Orestes returns to his Greek birthplace after a 15 year absence. Here he finds that little has changed. The ancient traditions superstitions and religious practises that drove him away all remain in place - as does the seductive beauty of his one time lover Elena (Raquel Welch One Million Years BC) who has since married one of his childhood friends. But their attraction has not dimmed and their overwhelming desire drives them to embark on a flagrant affair that angers the villagers and leads to their ostracism from the community. Soon their burning love spawns a bitter hate and they become the inevitable victims of their own folly.
Yanni returns to his homeland, on a Greek island, after several years in London. Soon he is searching for his teenager passion, Elena. She is a married woman now, and adultery leads to violence and crime.
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