When you've grown up feeling ashamed of yourself, it's sometimes hard to believe you deserve love,An extraordinary queer performance artist and his partner Andy begin their journey into adoption,They want a family more than anything, but it brings up challenges from their own past.
When Harry Met Sally: Will sex ruin a perfect relationship between a man and a woman? That's what Harry (Crystal) and Sally (Ryan) debate during their trip from Chicago to New York. And eleven years later they're sill no closer to finding the answer. Will these two best friends ever accept that they're meant for each other... or will they continue to deny the attraction that's existed since the first moment when Harry met Sally? French Kiss: Straight-laced Kate (Ryan)has her future all planned out: marry her fiance Charlie (Timothy Hutton) and live happily ever after. What she didn't count on was Juliette the beautiful French woman Charlie falls for on a business trip to Paris! Determined to win him back Kate jumps on a plane where she meets Luc (Kline) a petty thief whom she immediately dislikes. But when Luc sneaks a stolen necklace into Kate's purse she finds herself travelling through France with him on a trip full of surprises: the biggest one being that this con man is stealing her heart! A sexy savvy and very funny romantic romp 'French Kiss' is a passionate heartfelt reminder that life can always surprise you. Jack And Sarah: Jack (Richard E. Grant) has it all - a perfect marriage a successful career and a dream home. But his world crumbles when his wife dies giving birth to their daughter Sarah. Even though he is struggling to cope with his broken heart and a newborn baby Jack rejects the offers of help from his family (Judy Dench and David Swift) in a bid to prove his independence. Instead he builds a quirky family of his own when he takes on a down-and-out (Ian McKellen) to be his housekeeper and American waitress Amy (Samantha Mathis) to be his nanny. Once Amy moves in life becomes a series of mishaps and conflicts with touchingly funny moments as the mis-matched characters learn to live with each other. But when Jack's female boss begins to show more than a professional interest in him the tension mounts as Amy and Jack begin to realise their true feeling for each other....
In the era when one could still but only dream of a comprehensive restoration of Fritz Lang's silent sci-fi epic Metropolis, esteemed pop artist/producer and pioneering electronic composer Giorgio Moroder followed his work on Brian De Palma's cult-classic Al Pacino vehicle Scarface by assembling his own version of Lang's 1920s classic. The result was a zeitgeist-infused, high-kitsch/high-art amalgam of some of the quintessential cinema images and then-contemporary 1980s pop-chart melodrama. For millions around the world, it is this version of Metropolis – featuring music by Moroder himself and artistes such as Adam Ant, Pat Benatar, Freddie Mercury, Bonnie Tyler, and Jon Anderson – which first comes to mind whenever mention is made of the Lang original or, indeed, the iconic imagery and power of silent cinema.
House Of Wax (2005): What begins as a weekend getaway for six friends becomes a terrifying fight for their lives in House Of Wax an exciting re-imagining of the 1953 horror classic from Dark Castle Entertainment and producers Joel Silver and Robert Zemeckis. A road trip to one of the biggest college football games of the year takes a turn for the worse for Carly Paige and their friends when they decide to camp out for the night before heading to the game. A confronta
The BFI’s acclaimed Jacques Tati remaster series continues with the world premiere High Definition release of Tati’s multi-award-winning third feature, Mon Oncle, in two different versions. This 1958 box-office hit confirmed his reputation as the foremost comic artist of his day and picked up a string of awards, including the 1959 Oscar for Best Foreign Film.Tati’s second outing as the accident-prone Monsieur Hulot takes him to Paris where the high-tech lifestyle of his relatives, the Arpels, is contrasted with his old-fashioned ways in a scruffy part of town. With an eye on the international market, and wishing to avoid subtitles (which he always disliked), Tati shot two versions of the film – Mon Oncle and My Uncle, the latter replacing French signs such as ‘Ecole’ and ‘Sortie’ with their English equivalents and dubbing much of the main dialogue into English. This specially remastered edition contains both versions.
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