All 11 feature length Cracker adventures in one box set! Robbie Coltrane leads an all-star cast in Jimmy McGovern's groundbreaking gritty drama as the uncompromising idiosyncratic Fitz a man whose psychological insight extends to everyone but himself. Episodes Comprise: 1. The Mad Woman In The Attic 2. To Say I Love You 3. One Day A Lemming Will Fly 4. To Be A Somebody 5. The Big Crunch 6. Men Should Weep 7. Brotherly Love 8. Best Boys 9. True Romance 10. White Ghost 11. Cracker
Rupert Everett and Colin Firth star in this adaptation of the classic Oscar Wilde play as two men in 1890s London who happily bend the truth in order to escape the dullness of their lives.
I Walked with a Zombie / The Seventh VictimTerror lives in the shadows in a pair of mesmerizingly moody horror milestones conjured from the imagination of Val Lewton, the visionary producer-auteur who turned our fears of the unseen and the unknown into haunting excursions into existential dread. As head of RKO's B-horror-movie unit during the 1940s, Lewton, working with directors such as Jacques Tourneur and Mark Robson, brought a new sophistication to the genre by wringing chills not from conventional movie monsters but from brooding atmosphere, suggestion, and psychosexual unease. Suffused with ritual, mysticism, and the occult, the poetically hypnotic I Walked with a Zombie and the shockingly subversive The Seventh Victim are still-tantalizing dreams of death that dare to embrace the darkness.I Walked with a Zombie 1943Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and witch doctors have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of voodoo drums, the relentless pull toward deaththe otherworldly atmosphere of this bold reimagining of Jane Eyre is as close as studio-era Hollywood ever came to pure dream-state surrealism.The Seventh Victim 1943Death is good is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New York's bohemian Greenwich Village, where she uncovers a sinister shadow world of devil worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangman's noose? With its daring treatment of depression and queerness, The Seventh Victim has haunted the margins of cinema for decades, its radical bleakness undiminished by time.SPECIAL FEATURESNew 4K digital restorations of both films, with uncompressed monaural soundtracks on the 4K UHD and Blu-ray editionsAudio commentary on I Walked with a Zombie featuring authors Kim Newman and Stephen JonesAudio commentary on The Seventh Victim featuring film historian Steve HabermanInterview with film critic and historian Imogen Sara SmithAudio essays from Adam Roche's podcast The Secret History of HollywoodShadows in the Dark: The Val Lewton Legacy (2005), a documentary featuring Newman; Val E. Lewton, son of producer Val Lewton; filmmakers William Friedkin, Guillermo del Toro, George A. Romero, John Landis, and Robert Wise; author Neil Gaiman; actor Sara Karloff; and othersTrailersEnglish subtitles for the deaf and hard of hearingPLUS: Essays by critics Chris Fujiwara and Lucy SanteNew illustration by Katherine Lam
This box set features the entire second series of the classic British Television drama Inspector Morse. Episodes comprise: 1. The Wolvercote Tongue: Morse is called to investigate the suspicious death of a wealthy American tourist Laura Poindexter. She was on a cultural tour of Britain with her husband and their visit to Oxford had a special significance for them. Laura had inherited a precious jewel known as 'The Wolvercote Tongue' and had announced her intention t
Don Henderson stars as the eccentric police Detective DCI George Bulman in this gritty and violent series from the 1970's.
The complete 1975 BBC adaptation of Gustave Flaubert's novel of social climbing betrayal and illicit affairs. The young daughter of a farmer marries a dull doctor ten years her senior soon becoming bored and sexually frustrated. As a result she embarks on a series of affairs in her quest for real sexual fulfilment but in the process bankrupting her husband and sowing the seeds of her own self-destruction...
Directed by Brian De Palm Raising Cain is about Carter Nix a man who obsesses over the upbringing of his daughter. But is this all his wife needs to worry about? A spate of local kidnappings forces her to accept the possibility that he may be trying to recreate the twisted mind-control experiments of his discredited psychologist father.
Michelle Pfeiffer and Rupert Friend engage in a passionate love affair in this lush period piece directed by Stephen Frears
What's wrong with love? Piccadilly Jim was adapted from P.G. Wodehouse's novel by Julian Fellowes (Gosford Park) and directed by John McKay (Crush). London the 1930's: Following a string of scandalous incidents bad-boy American Jimmy Crocker - now labelled ""Piccadilly Jim"" by the gossip pages - proves to be a liability to his stepmother Eugenia's social climbing and his put-on father's dreams of returning to New York. Nesta Eugenia's sister and archriv
Andrew Davies' 1999 adaptation of Mrs Gaskell's Wives and Daughters was hailed as the rediscovery of a "forgotten" classic novel and found the BBC on the crest of a wave with costume dramas--led by Pride and Prejudice. Handsome and beautifully filmed, if anything, it surpassed the quality of even that highly praised landmark production. "We should all look pretty strange under a microscope," botanist Robert Hamley tells our heroine Molly Gibson and of course Mrs Gaskell places all her characters under intense scrutiny, with affection but without judgement. Davies' screenplay peals back the layers, giving full vent to the comedy, tragedy and satire that drive this tale of provincial life to its highly satisfactory conclusion. Justine Waddell imbues Molly with an increasingly exasperated but remarkably forbearing intelligence, while Francesca Annis, as the outrageously self-absorbed step-mother Hyacinth, paints a wonderful portrait of affectation without ever totally alienating our sympathy. Michael Gambon's immensely touching Squire Hamley won him a Best Actor BAFTA, but all the performances are uniformly excellent, contributing immeasurably to five hours of television drama of the highest calibre. On the DVD: Presented in 16:9 format with a Dolby Digital stereo soundtrack, this two-disc presentation retains all the hallmarks of the original BBC viewing experience. The picture quality is lush--the production lighting is excellent--and the sound quality sharp. The only gripe is with the extras: the Omnibus documentary "Who the Dickens is Mrs Gaskell?" is brutally truncated, cutting off talking heads like novelists Fay Weldon and Margaret Drabble in their prime and giving limited insight into how the production was made. As an audio bonus, there is also 30 minutes of John Keane's music.--Piers Ford
Based on Peter Turner's memoir, FILM STARS DON'T DIE IN LIVERPOOL follows the playful but passionate relationship between Turner (Bell) and the eccentric Academy Award®-winning actress Gloria Grahame (Bening). Liverpool, 1978: What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.
I Walked with a Zombie / The Seventh VictimTerror lives in the shadows in a pair of mesmerizingly moody horror milestones conjured from the imagination of Val Lewton, the visionary producer-auteur who turned our fears of the unseen and the unknown into haunting excursions into existential dread. As head of RKO's B-horror-movie unit during the 1940s, Lewton, working with directors such as Jacques Tourneur and Mark Robson, brought a new sophistication to the genre by wringing chills not from conventional movie monsters but from brooding atmosphere, suggestion, and psychosexual unease. Suffused with ritual, mysticism, and the occult, the poetically hypnotic I Walked with a Zombie and the shockingly subversive The Seventh Victim are still-tantalizing dreams of death that dare to embrace the darkness.I Walked with a Zombie 1943Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and witch doctors have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of voodoo drums, the relentless pull toward deaththe otherworldly atmosphere of this bold reimagining of Jane Eyre is as close as studio-era Hollywood ever came to pure dream-state surrealism.The Seventh Victim 1943Death is good is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New York's bohemian Greenwich Village, where she uncovers a sinister shadow world of devil worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangman's noose? With its daring treatment of depression and queerness, The Seventh Victim has haunted the margins of cinema for decades, its radical bleakness undiminished by time.SPECIAL FEATURES¢ New 4K digital restorations of both films, with uncompressed monaural soundtracks on the 4K UHD and Blu-ray editions¢ In the 4K UHD edition: One 4K UHD disc of the films and one Blu-ray with the films and special features¢ Audio commentary on I Walked with a Zombie featuring authors Kim Newman and Stephen Jones¢ Audio commentary on The Seventh Victim featuring film historian Steve Haberman¢ Interview with film critic and historian Imogen Sara Smith¢ Audio essays from Adam Roche's podcast The Secret History of Hollywood¢ Shadows in the Dark: The Val Lewton Legacy (2005), a documentary featuring Newman; Val E. Lewton, son of producer Val Lewton; filmmakers William Friedkin, Guillermo del Toro, George A. Romero, John Landis, and Robert Wise; author Neil Gaiman; actor Sara Karloff; and others¢ Trailers¢ English subtitles for the deaf and hard of hearing¢ PLUS: Essays by critics Chris Fujiwara and Lucy Sante¢ New illustration by Katherine Lam
History will place an asterisk next to A.I. as the film Stanley Kubrick might have directed. But let the record also show that Kubrick--after developing this project for some 15 years--wanted Steven Spielberg to helm this astonishing sci-fi rendition of Pinocchio, claiming (with good reason) that it veered closer to Spielberg's kinder, gentler sensibilities. Spielberg inherited the project (based on the Brain Aldiss short story "Supertoys Last All Summer Long") after Kubrick's death in 1999, and the result is an astounding directorial hybrid. A flawed masterpiece of sorts, in which Spielberg's gift for wondrous enchantment often clashes (and sometimes melds) with Kubrick's harsher vision of humanity, the film spans near and distant futures with the fairy-tale adventures of an artificial boy named David (Haley Joel Osment), a marvel of cybernetic progress who wants only to be a real boy, loved by his mother in that happy place called home. Echoes of Spielberg's Empire of the Sun are evident as young David, shunned by his trial parents and tossed into an unfriendly world, is joined by fellow "mecha" Gigolo Joe (played with a dancer's agility by Jude Law) in his quest for a mother-and-child reunion. Parallels to Pinocchio intensify as David reaches "the end of the world" (a Manhattan flooded by melted polar ice caps), and a far-future epilogue propels A.I. into even deeper realms of wonder, just as it pulls Spielberg back to his comfort zone of sweetness and soothing sentiment. Some may lament the diffusion of Kubrick's original vision, but this is Spielberg's A.I., a film of astonishing technical wizardry that spans the spectrum of human emotions and offers just enough Kubrick to suggest that humanity's future is anything but guaranteed. --Jeff Shannon, Amazon.com On the DVD: A perfect movie for the digital age, A.I. finds a natural home on DVD. The purity of the picture, its carefully composed colour schemes and the multifarious sound effects are accorded the pin-point sharpness they deserve with the anamorphic 1.85:1 picture and Dolby 5.1 sound, as is John Williams's thoughtful music score. On the first disc there's a short yet revealing documentary, "Creating A.I.", but the meat of the extras appears on disc two. Here there are good, well-made featurettes on acting, set design, costumes, lighting, sound design, music and various aspects of the special effects: Stan Winston's remarkable robots (including Teddy, of course) and ILM's flawless CGI work. In addition there are storyboards, photographs and trailers. Finally, Steven Spielberg provides some rather sententious closing remarks ("I think that we have to be very careful about how we as a species use our genius"), but no director's commentary. --Mark Walker
Thackeray's classic novel returns to the screen more vibrant, venal and viciously funny than ever before.In an England on the brink of bankruptcy and war, only the wily may prosper. Becky Sharp is a governess, temptress and social climber supreme, a woman who more than compenstes in brains and beauty for what she conspicuously lacks in breeding. To what lengths will she go in order to secure herself and rich and high-born husband? And how many male hearts will be left broken along the way?We follow Becky's journey from the elegant salons of Georgian London to the battlefields of Waterloo, from her ill-fated attempts to woo the buffonish Joe Sedley, to her equally doomed marriage to the aristocratic cad Rawdon Crawley. The unsinkable Becky's progress is mirrored by that of her best friend Amelia, who is besotted with the raffish George Osborne, but secretly admired by Osborne's staunch ally William Dobbin. Can both women survive the foibles of love and the catastrophic events unfolding in England and abroad?
Irish director Jim Sheridan made The Field after scoring an art house hit and Oscar nominations for his previous film, My Left Foot. Set in Ireland during the 1930s, this ambitious and hard-hitting drama is about one man's obsession with a plot of land that his family has tended for generations. The results are decidedly mixed, and it's obvious that this kind of tragic allegory is better suited for the stage (where it originated as a play by John B Keane). What makes the film worthwhile is the Oscar-nominated performance by Richard Harris as "Bull" McCabe, the fiercely stubborn man who's nurtured a prime field of rented land for decades, only to lose it when the owner auctions the land to an unwelcome American (Tom Berenger). Rather than sacrifice his life's work to this brazen invader, McCabe wages a personal war with powerfully tragic results. It's unfortunate that this potent drama never really connects on an emotional level, but Harris is never less than fascinating in a role that virtually seems to consume him as an actor. His performance approaches greatness, even when the film falls somewhat short of its dramatic ambitions. --Jeff Shannon, Amazon.com
A tale of secrets, lies and high fashion from writer Oliver Goldstick (Pretty Little Liars, Ugly Betty). A gripping relationship drama where scandal and secrets plague a fashion family's pursuit of success. Set in an illustrious Parisian couture house in 1947, the series explores the grit behind the glamour, and treachery beneath the glittering trappings of a business run by two clashing brothers. Paul is the acceptable face and business brain while reckless Claude is the creative genius in secret. They're nothing without each other, but rivalry, deception and hateful bargains made to survive the Nazi occupation threaten to topple this first family of fashion at every turn. Reinvention and transformation are fashion's ultimate metaphors. But can the Sabines escape their past? Starring: Richard Coyle (Life of Crime) , Frances de la Tour (The Lady in the Van) , Tom Riley (Da Vinci's Demons) , Mamie Gummer (The Good Wife) , Jenna Thiam (The Returned) , Max Deacon (Into the Storm) Writer: Oliver Goldstick (Ugly Betty, Pretty Little Liars) Director: Dearbhla Walsh (Penny Dreadful, The Tudors) Producer: Selwyn Roberts (Parade's End) Special Features: Designing the Times From Rags to Riches
Thackeray's classic novel returns to the screen more vibrant venal and viciously funny than ever before. In an England on the brink of bankruptcy and war only the wily may prosper. Becky Sharp is a governess temptress and social climber supreme a woman who more than compenstes in brains and beauty for what she conspicuously lacks in breeding. To what lengths will she go in order to secure herself and rich and high-born husband? And how many male hearts will be left broken along t
Before there was Bond there was BULLSHOT! The dashing Captain Hugh Bullshot Crummond - WWI ace fighter pilot Olympic athlete racing driver part-time sleuth and all round spiffing chap - must save the world from the dastardly Count Otto van Bruno his wartime adversary. And of course win the heart of a jolly nice young lady. ...a terribly British comedy
Includes the following five great movies starring two-time Oscar winner Robert De Niro: Heat: Val Kilmer Jon Voight Tom Sizemore and Ashley Judd are among the memorable supporting players in this tale of a brilliant LA cop (Pacino) following the trail from a deadly armed robbery to a crew headed by an equally brilliant master thief (De Niro). 'Heat' goes way beyond the expectations of the cops-and-criminals genre - and into the realm of movie masterpieces. The Mission: Set in the quasi-mystical rain forests of South America 'The Mission' presents each man with his greatest challenge. The priest (Irons) has come to spread the word of God amongst the Guarani Indians; the mercenary (De Niro) has come to enslave them. With the passing of time their destinies become entwined... This Boy's Life: In 1957 Toby (DiCaprio) and his divorced mother Caroline (Barkin) travel across America looking for a place where life will be better. Desperate to make a decent home life for her son Caroline agrees to marry her ardent suitor Dwight (De Niro). Dwight might look walk and talk like the perfect father but to Caroline's horror he soon turns out to be an evil bullying tyrant who is determined to make Toby's life as painful and miserable as possible... Goodfellas: Robert De Niro received wide recognition for his performance as veteran criminal Jimmy The Gent Conway. And as the volatile Tommy DeVito Joe Pesci walked off with the Best Supporting Actor Oscar Academy Award nominee Lorraine Bracco Ray Liotta and Paul Sorvino also turned in electrifying performances. You have to see it to believe it. City By The Sea: New York City homicide detective Vincent La Marca has forged a long and distinguished career in law enforcement making a name for himself as a man intensely committed to his work. But on his latest case the stakes are higher for Vincent: the suspect he's investigating is his own son...
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