Internationally renowned director Franco Zeffirelli brings Verdi's masterpiece to the screen. Based on Shakespeare's enduring classic 'Otello' is an epic tragedy of jealousy and betrayal. When the scheming Iago (Diaz) believes Otello (Domingo) has overlooked him for promotion he wreaks a subtle and terrible revenge on his master convincing him that his young wife Desdemona (Katia Ricciarelli) is unfaithful. Otello realises the deception too late spiralling into madness and murd
Vivien Leigh is the young Cleopatra and Claude Rains is Julius Caesar in the spectacular 1945 version of George Bernard Shaw's Caesar and Cleopatra. As Rome invades Egypt Julius Caesar (Rains) stumbles across the young and unrefined princess Cleopatra (Leigh) sheltering in the Sphinx. Impressed by her spirit and intelligence seduced by her charm he determines to make her Queen. Cleopatra learns about power and politics at the feet of a master but her downfall begins when she is se
Conveying the scope of his prodigious and varied creative output and the breadth of his extraordinary personal and political life, director/producer Alex Winter and producer Glen Zipper were granted exclusive access by Gail Zappa to a vast collection of his unreleased music, movies, incomplete projects, unseen interviews and unheard concert recordings, much of which was deteriorating and in danger of being lost forever.
In the year 2257 a distant colony has three inhabitants. Professor Morbius his bewitching daughter and Robby the Robot. When a space cruiser from Earth lands on the planet a deadly secret is revealed that could spell doom for all on the planet... Shakespeare's ""The Tempest"" is transformed into this landmark science-fiction film which features groundbreaking special effects.
A collection of six classic Doris Day movies in one bumper value box set! Young At Heart (1955) Barney Sloan (Frank Sinatra) is a cynical down-on-his-luck musician who reluctantly agrees to help his composer friend Alex Burke (Gig Young) with a new comedy he is working on. However Barney gains a new perspective on life and love when he meets Alex's irrepressibly perky fiancee Laurie (Doris Day) - and promptly falls in love with her! Lover Come Back (1961) Account ex
A Collection of Rare Spine-Chilling Tales Do you wake at night, hearing sounds under the floorboards? Are ghosts real? Or figments of your imagination? Are you brave enough to walk through a graveyard at night? Two chilling tales of terror to keep you awake at night: The Fearmakers : The Shadow of Death Shot on location at Warwick Castle, this spooky tale stars Jack Woolgar (Swallows and Amazons) as Booth and Barry Stokes (Z-Cars) as Weaver. Supernatural: Mrs. Amworth A mysterious epidemic is attacking an English village and the inhabitants are gradually being drained of their blood. Francis Urcombe becomes convinced that the disease is the work of a vampire. Starring Oscar-nominee Glynis Johns (Mary Poppins), John Phillips (Bleak House), Rex Holdsworth (Softly, Softly) and Derek Francis (Scrooge). Directed by BAFTA-nominee Alvin Rakoff.
One of the last decent Carry On movies, Carry On Abroad is a 1972 venture into the world of package holidays. After this, the series descended into unfunny coarseness as opposed to camply laboured double entendre, culminating in the dreadful Carry On Emanuelle. Here, publican Sid James and dutiful mother's son turned sex maniac Charles Hawtrey are among a brace of Brits heading for the "paradise island" of Elsbels. Kenneth Williams is the out-of-his-depth tour operator, reverting to the sort of effete types he played in the 1950s, Peter Butterworth a pre-Manuel-style manager of a half-built hotel. A series of disasters ensue, with the entire gang landing up in jail following a fracas in a brothel at one point, but everyone finds romantic and sexual fulfilment in a quaint disco finale. This includes a gay character who is "dissuaded" from his homosexuality in a typical example of the thoroughly reactionary subtext that constitutes the really naughty bit of most Carry On films. Nonetheless, this throwback to an imaginary time when the lewdest innuendo of a dirty old man was greeted by young females with a flirty "Ooh, saucy!" is enjoyable on condition that you enter into its seaside-postcard spirit. June Whitfield is fine as a sexually uptight wife, Kenneth Connor a model of red-faced frustration as her wimpish husband. On the DVD: Sadly, no extra features except scene selection. The picture is a 4:3 ratio full-screen presentation. --David Stubbs
In the late seventies celebrated director Francis Ford Coppola and his cast and crew ventured into the dense jungles of the Philippines to begin work on what would eventually become his masterpiece, ApocalypseNow. But the journey from page to screen soon spiralled into a hellish, life-threatening nightmare that echoed the film’s narrative. Plagued with adversity, one of the most influential films ever made had one of the most notorious shoots in cinema history that few survived unscathed. Compiled from rare on set footage filmed by Coppola’s wife Eleanor and interviews with the cast, Hearts Of Darkness is the ultimate feature-length documentary, capturing the explosive events that lead to Apocalypse Now becoming an acknowledged classic.
Bruce Willis plays a Special-Ops commander who leads his team into the jungle of Nigeria to rescue a doctor (Monica Belluci) who will only go with them if they also agree to rescue 70 refugees.
Featuring illustrious individual casts and outstanding scripts from a writing team that includes Randall and Hopkirk star Kenneth Cope, renowned playwright Peter Terson, fan favourite comedy dramatist Donald Churchill and Coronation Street contributors Harry Kershaw and Tim Aspinall, this Granada anthology features seven dramas centred on the events unfolding in a typical village hall. Diverse storylines explore the lives and idiosyncrasies of locals and visitors alike, with buried tensions, secret loves and rivalry all rising to the surface in these gently humorous portraits of provincial English life. This second series sees the village hall hosting a beauty contest with a few surprises, the increasingly ambitious pie-making efforts of two love rivals, the controversial visit of a German brass band, and the final reunion of a wartime battalion. Performers include John Le Mesurier, Zo Wanamaker, Joan Hickson, Anton Rodgers, Kenneth Cranham, Jan Francis, and Dinah Sheridan.
Sherlock Holmes gets the Gothic treatment in Hammer's Hound of the Baskervilles, a typical mix of mystery and supernatural horror from the famous studio. Peter Cushing is perfectly cast as the great detective, the very embodiment of science and reason (which also made him a great Van Helsing in the Dracula series) in a case wound around a legacy of aristocratic cruelty and a devilish dog wandering the swampy moors. Christopher Lee is a less satisfying fit as the last of the Baskervilles, as he waffles between fear and apathetic disregard, but Andre Morell is a fine Dr Watson and a far cry from Nigel Bruce's sweet bumbler from the Hollywood incarnation of the 1940s. Director Terence Fisher was Hammer's top stylist and the film drips with the mood of the moors, mist hanging in the air, the dying vegetation itself threatening to come to life and trap the next unwary traveller. --Sean Axmaker
Jan Francis leads a lively cast in Beiderbecke writer Alan Plater's definitive adaptation of J.B. Priestley s celebrated novel. Charting the rollercoaster fortunes of a struggling concert party Francis co-stars alongside Bryan Pringle John Stratton and Moody and Pegg's Judy Cornwell with guest appearances by Roy Kinnear Denis Lawson and Nigel Hawthorne. Priestley's defining work and one which established him as a national figure The Good Companions has been a mainstay of English literature since its initial publication in 1929. Jess Oakroyd discontented with his home his work and his football team tears up his Insurance Card and disappears into the night. He intends to go to Nuneaton but instead finds himself on the ragged edges of show business. We share with him the trials and tribulations of the Good Companions as they tour seaside towns industrial cities and rural backwaters in their search for success and stardom.
No one is a better soldier than Pvt. Raymond Endore (John Saxon) at least in his own mind. Stationed in Korea as the conflict between the United States and the divided peninsula is coming to an end Endore sleeps while his platoon works to gear up for his nightly patrols of the area. These patrols used to bring vital information but now they have become a nightly ritual for Endore to slash the throats of suspected enemies tolerated by a Captain (Charles Aidman) who fears Endore's unstable nature. A Korean war orphan (Tommy Matsuda) befriends Endore as well as an idealistic soldier (Robert Redford) and these two soldiers must decide the fate of the child as the ceasefire is announced.... Madness in men during their tour of duty a subject also at the heart of Hell Is For Heroes and Attack! is the focus of this brutal 1961 war drama. Redford in his film debut offers a strong counterpart to the criminally underrated John Saxon (who would go on to a career of character work) who gives a stunning performance as a killer who only seems at peace after taking the life of another victim.
One is from a Northern industrial family one from a Southern plantation family. They're West Point graduates whose tried-and-true loyalty helps them survive the Mexican-American War. But their bond faces sterner tests. The issues dividing North and South can also set friend against friend. John Jakes' bestseller about the pre-Civil War decades thunders to the screen in a lavish six-part miniseries presented by award-winning executive producer David L. Wolper. In all 140 actors num
Alistair Sim's Scrooge is an all-time favourite Christmas family film and a genuine classic of British cinema. Scrooge is also the definitive big screen adaptation of Charles Dickens' 'A Christmas Carol' one of the world's best loved Christmas stories
An extraordinarily racy movie for its time, The Wicked Lady was and still is as notable for its acres of heaving bosom as for its radical challenge to female stereotypes. This bodice-ripper about a bored aristocratic woman who turns highwayman just for kicks became a huge box-office success in post-war Britain, but Margaret Lockwood's eloquent bust proved a bit too expressive for Hollywood, so the film was expensively reshot for a sanitised US release. (From 1945 right up to Janet Jackson at the 2004 Superbowl, American audiences apparently have an enduring problem with those prominent parts of the female anatomy). This is the definitive Gainsborough picture, a period romp crammed with cads, in which the camera gazes lasciviously down (it's all shot from a male eyelevel) at the low-cut ladies' dresses. But this time the female anti-heroine gives as good as she gets... and then some. Lockwood's Lady Barbara Skelton is quite gleefully amoral--more so even than Thackeray's arch-manipulator Becky Sharp from Vanity Fair--failing even to pay lip service to the moral standards of the 1940s, let alone those of the 17th century. It is she who wears the trousers (quite literally, in her highwayman guise) while the weak-chinned and weak-willed men around her crumble under the weight of their conventionality. Only James Mason's handsome dandy highwayman can keep up with her, but even he has to draw the line somewhere. Ultimately, social mores reassert their grip and Lady Barbara gets her comeuppance, but not before she's overturned every contemporary movie convention about femininity. "She was the wickedest woman ever seen on the screen", trumpets the original theatrical trailer on this otherwise bare-bones DVD release: it's still probably true even today. --Mark Walker
Aided by 'The Bear' and rubber masked celebrities obsessive fan Avid Merrion hosts all three series of Bo Selecta! from the squalour of his bedroom guiding us through an eclectic mix of celebrity stories interviews and gossip.
C. R. MacNamara (Cagney) a top-ranking executive stationed in West Berlin is charged with the care of his boss' visiting daughter. But when he learns that she's gone and married a fierce young communist - and that his boss will be arriving in town in 24 hours - Mac must transform the unwilling beatnik into a suitable son-in-law or risk losing his chance for advancement! Before you can say ""one two three "" his plans have spun out of control and into an international incident that c
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