Have fun painting four gorgeous French subjects presented by Frank Clarke: Deauville/TrouvilleMont-St-MichelMonet's GardenChateau Balleroy
Frank Clarke is one of Ireland's most popular authors and TV presenters. He travels the world teaching his famous 'have some fun' method of painting. On this programme he uses four subjects to help you master and enjoy the wonderful world of acrylics. This programme includes Single Rose Daffodils at Ballin The Burren Co.Clare and Cheese and Apples.
Have fun painting four subjects presented by Frank Clarke: Ballinahinch RiverDerryclare LakeOn Golden PondConway River
Simply Paitning: Derrygimla Bog
Simply Painting: The Burren
Alfred Hitchcock himself called this 1934 British edition of his famous kidnapping story "the work of a talented amateur", while his 1956 Hollywood remake was the consummate act of a professional director. Be that as it may, this earlier movie still has its intense admirers who prefer it over the Jimmy Stewart--Doris Day version, and for some sound reasons. Tighter, wittier, more visually outrageous (back-screen projections of Swiss mountains, a whirly-facsimile of a fainting spell), the film even has a female protagonist (Edna Best in the mom part) unafraid to go after the bad guys herself with a gun. (Did Doris Day do that that? Uh-uh.) While the 1956 film has an intriguing undercurrent of unspoken tensions in nuclear family politics, the 1934 original has a crisp air of British optimism glummed up a bit when a married couple (Best and Leslie Banks) witness the murder of a spy and discover their daughter stolen away by the culprits. The chase leads to London and ultimately to the site of one of Hitch's most extraordinary pieces of suspense (though on this count, it must be said, the later version is superior). Take away distracting comparisons to the remake, and this Man Who Knew Too Much is a milestone in Hitchcock's early career. Peter Lorre makes his British debut as a scarred, scary villain. --Tom Keogh
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