A young lad finds friendship with a gang of skinheads in this tough and gritty movie from director Shane Meadows.
Marlon Brando triumphs in his first starring role in ten years as Carmine Sabatini a powerful New York importer. Matthew Broderick co-stars as Clark Kellogg a naive film student who accepts a job working for Sabatini. As if trapped in a comic nightmare Clark finds himself drawn deeper and deeper into an ingenious scam involving an endangered Komodo Dragon Sabatini's daughter and a group of very hungry eccentrics. But when the FBI asks Clark to snitch on his colorful employer he discovers a strange loyalty to this fatherly figure.
A high point of Hitchcock's pre-Hollywood career, 1935's The Thirty-Nine Steps is the first and best of three film versions of John Buchan's rather stiff novel. Robert Donat plays Richard Hannay, who becomes embroiled in a plot to steal military secrets. He finds himself on the run; falsely accused of murder, while also pursuing the dastardly web of spies alluded to in the title. With a plot whose twists and turns match the hilly Scottish terrain in which much of the film is set, The Thirty-Nine Steps combines a breezy suavity with a palpable psychological tension. Hitchcock was already a master at conveying such tension through his cinematic methods, rather than relying just on situation or dialogue. Sometimes his ways of bringing the best out of his actors brought the worst out in himself. If the scene in which Donat is handcuffed to co-star Madeline Carroll has a certain edge, for instance, that's perhaps because the director mischievously cuffed them together in a rehearsal, then left them attached for a whole afternoon, pretending to have lost the key. The movie also introduces Hitchcock's favoured plot device, the "McGuffin" (here, the military secret), the unexplained device or "non-point" on which the movie turns. --David Stubbs
Scooby and the gang face their most challenging mystery ever: a plot to unleash the ghost dog Cerberus upon the world. As they race to stop this dogpocalypse, the gang discovers that Scooby has an epic destiny greater than anyone imagined.
Tintin is the world's most famous boy reporter. With his faithful dog Snowy at his side the intrepid pair travel the globe to investigate exciting cases. Along the way they encounter a colourful cast of characters who have become familiar to generations of children and adults: Captain Haddock Thompson and Thomson Professor Calculus and Oliveira da Figueira among many others.
One of the greatest directors of the 1980s, John Landis (The Blues Brothers, Trading Places), expertly combines macabre horror with dark humour in the lycanthropic classic, An American Werewolf in London. American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital... An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis' film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Baker's truly ground-breaking, Oscar-winning special make-up effects. Now restored and presented with an abundance of extra features, this big beast of horror can be devoured as never before... Product Features 4K restoration by Arrow Films from the original camera negative 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed 1.0 mono and optional 5.1 DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by Beware the Moon filmmaker Paul Davis Audio commentary by actors David Naughton and Griffin Dunne Mark of The Beast: The Legacy of the Universal Werewolf, a feature-length documentary by filmmaker Daniel Griffith, featuring interviews with John Landis, David Naughton, Joe Dante and more An American Filmmaker in London, an interview with John Landis in which he reflects on British cinema and his time working in Britain I Think He's a Jew: The Werewolf's Secret, a video essay by filmmaker Jon Spira (Elstree 1976) about how Landis' film explores Jewish identity The Werewolf's Call, Corin Hardy, director of The Hallow and The Nun, chats with writer Simon Ward about their formative experiences with Landis' film Wares of the Wolf, a featurette in which SFX artist Dan Martin and Tim Lawes of Prop Store look at some of the original costumes and special effects artefacts from the film Beware the Moon, Paul Davis' acclaimed, feature-length exploration of Landis' film which boasts extensive cast and crew interviews An American Werewolf in Bob's Basement and Causing a Disturbance: Piccadilly Revisited, two 2008 featurettes filmed by Paul Davis Making An American Werewolf in London, a short archival featurette on the film's production An Interview with John Landis, a lengthy archival interview with the director about the film Make-up Artist Rick Baker on An American Werewolf in London, the legendary make-up artist discusses his work on the film I Walked with a Werewolf, an archival interview with Rick Baker about Universal horror and its legacy of Wolfman films Casting of the Hand, archival footage from Rick Baker's workshop showing the casting of David Naughton's hand Outtakes Storyboards featurette Original trailer and teaser plus TV and radio spots Extensive image gallery featuring over 200 stills, posters and other ephemera Reversible sleeve featuring original poster art and artwork by Graham Humphreys
This CinemaScope treatment of Frank Loesser's hit Broadway musical Guys and Dolls is a deeply rewarding visual and musical experience. Frank Sinatra turns in one of his best screen performances running a close second to Marlon Brando and Jean Simmons, looking adorable and singing sweetly. In essence this is a piece of photographed theatre mounted on a handsome scale. The striking set designs and a brilliantly executed soundtrack are courtesy of two Broadway craftsmen Oliver Smith and conductor Jay Blackton. Photographer Harry Stradling brings a meticulous eye for detail when his camera stationed on the auditorium side of the frame, peers into Miss Adelaide's bathroom cupboard as she views the lines of medicine bottles in her celebrated "lament". Sinatra, in his vocal prime, sings a new number to Adelaide (Vivian Blaine)--arranged by Nelson Riddle--and Brando and Simmons strike chords in all their scenes from their opening duet "I'll Know" through to their evening out at a Havana bistro where she gets pie-eyed on a Bacardi milk-shake, tipsily wondering "If I were a Bell". Stubby Kaye also from the Broadway cast recreates the show-stopping "Sit Down You're Rockin' the Boat". Michael Kidd's choreography for "Luck Be a Lady" is razor-sharp and superbly captured in the CinemaScope format, though the formalised staging of the opening ought to have been rethought for this medium. The biggest pity is that Loesser amended some of his lyrics and replaced several tunes from his original score with inferior material. On the DVD: The DVD trailer hosted by Ed Sullivan makes much of the $1,000,000 cheque producer Samuel Goldwyn paid for the rights and the previews of the picture he obtained for his weekly television show. There's no denying that the remastered stereophonic soundtrack captures the Broadway sound to thrilling effect without it being overglamorised. The picture looks splendid too--never settle for the compromise version we've endured all these years on television! --Adrian Edwards
When Jedi apprentice Anakin Skywalker is assigned to protect Senator Padmé Amidala, he discovers his love for her and his own darker side. Obi-Wan Kenobi uncovers a secret clone army as the galaxy marches towards full-scale war.
Scorsese's classic tale based on the true life rise and fall of a small time gangster gets the two disc 'Special Edition' treatment with many new & exclusive DVD extras.
Una joven secretaria, tras cometer un robo, se marcha de la ciudad y conduce durante horas, parando para descansar en un pequeño motel de carretera regentado por un joven llamado Norman. Todo parece normal y tranquilo en el apartado motel y en la casa de al lado en la que viven Norman y su madre pero, mientras está en la ducha, la joven es asesinada salvajemente a cuchilladas. INCLUYE DOS VERSIONES DE PSICOSIS: PSICOSIS SIN CORTES: La versión extendida de la pelÃcula, tal y como se vio en los cines en 1960, es exactamente como la pensó Alfred Hitchcock y ahora está disponible con material adicional por primera vez. PSICOSIS: La versión más vista de la pelÃcula fue editada por el contenido y posteriormente utilizada para las emisiones de televisión, reestrenos en cines y entretenimiento en el hogar durante los últimos 60 años. Bonus: Cómo se hizo Psicosis A la sombra del maestro: el legado de Hitchcock Entrevistas con Hitchcock/Truffaut El estreno de Psicosis La escena de la ducha: storyboards by Saul Bass Audiocomentario con Stephen Rebello (Autor de Alfred Hitchcock y el rodaje de Psicosis) Y ¡mucho más!
MGM's bold idea to remake George Cukor's Oscar-winning upper-class romantic farce, The Philadelphia Story, into a star-studded technicolor musical with Cole Porter tunes somehow works splendidly and remains an underrated gem. Even the plot and character names--and some bits of dialogue--all remain the same as the original. Crooning Bing Crosby replaces Cary Grant as the wealthy ex-husband trying to win back his soon-to-be-remarried ex-wife, spoiled ice queen Tracy Lord (Grace Kelly, stunning and aloof in her last film role, originated in the earlier comedy by Katherine Hepburn). Unlike Grant, however, Crosby has jazz great Louis Armstrong, playing himself, in his corner for quixotic persuasion. Frank Sinatra (cocky in James Stewart's former role) and Celeste Holm add support as the nosy reporters covering, and subsequently complicating, the upcoming wedding. Sure, High Society lacks the original's witty satire, sarcasm and character complexity; but it's assuredly paced and wonderfully acted, and contains enough romantic chemistry to keep the plot engaging. And then there's the music. Unlike the grandiose production numbers of many 40s and 50s musicals, High Society's musical sequences are considerably low-key and intimate, focusing on Porter's lyrical content and the style in which it's delivered by the charismatic performers. Armstrong kicks the film off in telling style: he sings the title track, a calypso tune outlining the plot like a Greek chorus--not as an elaborately choreographed song-and-dance number, but instead stuffed claustrophobically in the back of a limousine with his jazz band. Other musical standouts include Sinatra and Crosby playfully tossing barbs during "Well, Did You Evah?"; Crosby and Armstrong teaming up for an energetic clash of styles in "Now You Has Jazz"; the two soaring, archetypal ballads by the leads--Crosby's "I Love You, Samantha" and Sinatra's superior "You're Sensational"; and, finally, the satirical Sinatra/Holm duet, "Who Wants to Be a Millionaire?", the closest High Society ever comes to social or class-commentary. --Dave McCoy, Amazon.com
101 Films presents Rabid (1977), an enduringly tense and gruesome horror that marked a landmark in David Cronenberg s early career. Title 009 on 101 Films Black Label, this double Blu-ray is stacked with extras, including Part 1 of a new feature length documentary on Canadian horror film. When Rose suffers terrible injuries in a motorcycle crash, she is taken to a nearby clinic run by Dr Keloid for experimental skin-graft surgery. At first, the revolutionary procedure proves successful, but it soon leaves Rose with a strange orifice protruding from her armpit and an insatiable thirst for human blood. Hell-bent on satisfying her bloodlust, Rose leaves a trail of insane and uncontrollably aggressive victims, as the unknown virus engulfs North America in an orgy of frenetic violence. Starring: Marilyn Chambers, Howard Ryshpan, Frank Moore and Patricia Gage (American Psycho). Rabid is written and directed by David Cronenberg (Videodrome) and produced by John Dunning, Ivan Reitman and Don Carmody. Brand New Extras The Quiet Revolution: State, Society and the Canadian Horror Film Part One: Gimme Shelter: Cinepix and the Birth of the Canadian Horror Film, a brand new feature-length documentary exploring the social contexts behind Canadian horror cinema from filmmaker and author Xavier Mendik Audio commentary with filmmakers Jen & Sylvia Soska Additional Extras Audio commentary with writer-director David Cronenberg Audio commentary with William Beard, author of The Artist as Monster: The Cinema of David Cronenberg Audio interview with Jill C. Nelson, author of Golden Goddesses: 25 Legendary Women Of Classic Erotic Cinema, 1968-1985 and Marilyn Chambers' Personal Appearances Manager Ken Leicht Young And Rabid An interview with actress Susan Roman Archive interview with David Cronenberg The Directors: David Cronenberg a 1999 documentary on the filmmaker Radio spots Trailer
STANLEY KUBRICK's painfully funny take on Cold War anxiety is without a doubt one of the fiercest satires of human folly ever to come out of Hollywood. The matchless shape-shifter PETER SELLERS (The Pink Panther) plays three wildly different roles: Air Force Captain Lionel Mandrake, timidly trying to stop a nuclear attack on the USSR ordered by an unbalanced general (The Killing's STERLING HAYDEN); the ineffectual and perpetually dumbfounded President Merkin Muffley, who must deliver the very bad news to the Soviet premier; and the titular Strangelove himself, a wheelchairbound presidential adviser with a Nazi past. Finding improbable hilarity in nearly every unimaginable scenario, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb is a genuinely subversive masterpiece that officially announced Kubrick as an unparalleled stylist and pitch-black ironist. Bonus Features: Restored 4K digital transfer, with uncompressed monaural soundtrack Alternate 5.1 surround soundtrack New interviews with Stanley Kubrick scholars Mick Broderick and Rodney Hill; archivist Richard Daniels; cinematographer and camera innovator Joe Dunton; camera operator Kelvin Pike; and David George, son of Peter George, on whose novel Red Alert the film is based Excerpts from a 1965 audio interview with Kubrick, conducted by Jeremy Bernstein Four short documentaries from 2000, about the making of the film, the sociopolitical climate of the period, the work of actor Peter Sellers, and the artistry of Kubrick Interviews from 1963 with Sellers and actor George C. Scott Excerpt from a 1980 interview with Sellers from NBC's Today show Trailer PLUS: An essay by scholar David Bromwich and a 1962 article by screenwriter Terry Southern on the making of the film Click Images to Enlarge
Herein lies 7 of the funniest Mel Brooks comedies ever committed to film. The Twelve Chairs: Russian bureaucrat Ron Moody learns that his mother is dying and has hidden the family fortune in one of twelve dining chairs left in their ancestral home. He rushes home only to find the chairs have gone to the Ministry of Housing to be relocated! Young Frankenstein: Mel Brooks' monstrously crazy tribute to Mary Shelley's classic pokes hilarious fun at just about every Fra
"Raging Bull" is arguably the finest work from the Scorsese and De Niro partnership. De Niro gives an amazing portrayal of a man whose animal side lurks just beneath the surface, ever ready to erupt.
Soar away on a magic carpet ride of non-stop laughs and thrills in one of the most spectacular adventures of all time! In the heart of an enchanted city, a commoner named Aladdin and his mischievous monkey Abu battle to save the free-spirited Princess Jasmine from the schemes of the evil sorcerer Jafar. Aladdin's whole life changes with one rub of a magic lamp as a fun-loving, shape shifting Genie appears and grants him three wishes, setting him on an incredible journey of discovery. Bonus Content: Sing-Along With The Movie Deleted Scenes Filmmakers' Audio Commentary A Whole New World Music Video Performed By Regina Belle & Peabo Bryson A Whole New World Music Video Performed By Nick Lachey & Jessica Simpson Proud Of Your Boy Music Video Performed By Clay Aiken Deleted Songs A Diamond In The Rough: The Making Of Aladdin / Intro: An Evening With The Creators Of Aladdin & The Producers A Diamond In The Rough: The Making Of Aladdin / From Arabian Nights To The Silver Screen A Diamond In The Rough: The Making Of Aladdin / Reflections On Black Friday A Diamond In The Rough: The Making Of Aladdin / Keane's Team: Redesigning The Lead Character A Diamond In The Rough: The Making Of Aladdin / Rough Stuff #1: Progression Reel A Diamond In The Rough: The Making Of Aladdin / Rough Stuff #2: An Animator Checks His Work A Diamond In The Rough: The Making Of Aladdin / Green Room / Take 1 A Diamond In The Rough: The Making Of Aladdin / The Music A Diamond In The Rough: The Making Of Aladdin / A Whole New World : The Recording Sessions A Diamond In The Rough: The Making Of Aladdin / Rough Stuff #3: Work In Progress: Prince Ali A Diamond In The Rough: The Making Of Aladdin /Green Room / Take 2 A Diamond In The Rough: The Making Of Aladdin / The Animators A Diamond In The Rough: The Making Of Aladdin / Pencil + Computer: Creating The Magic Carpet A Diamond In The Rough: The Making Of Aladdin / Master Of The Line: The Art Of Al Hirschfeld A Diamond In The Rough: The Making Of Aladdin / Designing Jasmine A Diamond In The Rough: The Making Of Aladdin / Designing Jafar A Diamond In The Rough: The Making Of Aladdin / Unsung Heroes Of The Clean-Up Department A Diamond In The Rough: The Making Of Aladdin / Jafar Goes To The Birds A Diamond In The Rough: The Making Of Aladdin / Rough Stuff #4: When Live Action Meets Animation A Diamond In The Rough: The Making Of Aladdin / Green Room / Take #3 A Diamond In The Rough: The Making Of Aladdin / The Voice Talent A Diamond In The Rough: The Making Of Aladdin / Gilbert Gottfried: Up Close And Aggravated A Diamond In The Rough: The Making Of Aladdin / Behind The Microphone A Diamond In The Rough: The Making Of Aladdin / Extended Cast Member Interviews: Scott Weinger A Diamond In The Rough: The Making Of Aladdin / Extended Cast Member Interviews: Linda Larkin A Diamond In The Rough: The Making Of Aladdin / Extended Cast Member Interviews: Douglas Seale A Diamond In The Rough: The Making Of Aladdin / Extended Cast Member Interviews: Jonathan Freeman A Diamond In The Rough: The Making Of Aladdin / Green Room / Take 4 A Diamond In The Rough: The Making Of Aladdin / Made You Look!
Scooby-Doo and the gang head to Hawaii for a big surfing contest that is disrupted by the grumblings of a nearby volcano and the disappearance of a surfing hottie. Scooby-Doo and the gang romp around the jungle snorkel paraglide and surf their buns off as they battle the mysterious appearance of the Wiki-Tiki trying to solve the mystery before the volcano erupts!
Mankind finds a mysterious, obviously artificial, artifact buried on the moon and, with the intelligent computer HAL, sets off on a quest.
1966s Cast a Giant Shadow is based on Ted Berkmans biography of Colonel "Mickey" Marcus, the American soldier who served as an adviser in the fight to establish the state of Israel in 1948. It stars Kirk Douglas as the likeable "stiffneck" and WWII veteran persuaded to take up the cause. Israel back then was depicted as a negligible military force under threat of extinction at the hands of its Arab neighbours, hamstrung by a UN embargo on arms supplies. It takes Douglas at his most square-jawed to see off the Egyptian military and defy a blockade to beat a path through to Jerusalem. This is not cinema verité but Hollywood. Marcus dilemma--to settle into peacetime in America or follow his more natural, combative instincts abroad--is symbolised by a love triangle, involving wife Angie Dickinson and Santa Berger as Magda, the soldier whom he falls for in Palestine. Although lavish and spectacular, especially in the war scenes--filmed in the actual Middle Eastern locations in which they occurred--Cast a Giant Shadow is not entirely authentic (for a start, theyre driving 1950s vehicles in the 40s). Moreover, in the light of later troubles in the region, not everyone will be heart warmed by this depiction of plucky little Israel coping against Arab foes who are barely depicted as human throughout the film, merely as tanks and gunfire. Still, its an impressive enough relic of epic 1960s cinema, with cameos from Yul Brynner, John Wayne as Marcus wartime general, and Frank Sinatra as a pilot scattering the enemy by dropping soda dispensers on them. On the DVD: Cast a Giant Shadows restoration here is visually immaculate. The mono sound, however, is often indistinct, with a good deal of sibilant hiss. Disappointingly, the only extra is the original trailer.--David Stubbs
Dean Corso is highly skilled at his work, a position which requires dexterity, cultural expertise, nerves of steel...and few scruples.
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