A twenty-three-year-old mother of two discovers she has only two months left to live and sets out to live them right.
One of Britain's greatest dramatists the award-winning playwright Jack Rosenthal created some of the most critically-acclaimed and popular single plays of the last forty years. Instantly recognisable by their warmth and humour Rosenthal's scripts were always popular with the viewing public and were invariably big ratings winners. Alongside single plays he also honed his craft on a diverse range of television shows - from Coronation Street (for which he was one of the key writ
No matter how bad things get it's impossible not to love someone who's made you toast. Once you've bitten through that crusty surface to the soft dough underneath and tasted the warm salty butter - you're lost forever. Based on the heart-wrenching bittersweet story of British cook and writer Nigel Slater's childhood adapted from his best selling memoir Toast is a delicious love letter to the tastes and smells that a young boy associates with his journey into adulthood. Starring Helena Bonham Carter (The King's Speech Sweeney Todd) alongside Ken Stott (Rebus Messiah) Victoria Hamilton (Pride and Prejudice) and Freddie Highmore (Charlie and the Chocolate Factory Spiderwick Chronicles) Toast is the ultimate nostalgia trip through everything edible in 1960s Britain.
The Naked Gun (Dir. David Zucker 1988): Those screw-loose Airplane! creators have done it again! Leslie Nielsen stars as Police Squad's own granite-jawed rock-brained cop Frank Drebin who bumbles across a mind-control scheme to assassinate Queen Elizabeth. Priscilla Presley O.J. Simpson a stuffed beaver two baseball teams and an odd assortment of others join the wacko goings-on and blow the laugh-o-meter to smithereens. The Naked Gun 2 1/2 - The Smell O
Rio Grande was the last and least memorable of John Ford's famous cavalry trilogy (following Fort Apache and She Wore a Yellow Ribbon), but it none the less maintains an interesting continuity about the gentlemanly rules of military conduct. Here the focus is on the family. While creating a heated controversy over his handling of the Apache war, John Wayne must also contend with disgruntled wife Maureen O'Hara and estranged son Claude Jarman Jr, a new recruit trying to earn his father's love and respect. Ford suggests that there are two conflicting codes of honour in every cavalry officer's life, the personal as well as the professional, and that it takes an act of heroism to maintain both. It's fascinating to observe Wayne's progression throughout the trilogy, as his personal stakes intensify. This is the first of five onscreen appearances between the Duke and O'Hara, each filled with a competitive spirit and stormy sexuality. --Bill Desowitz, Amazon.com
The Naked Gun series must be the only successful big-screen franchise to have been a spin-off from a spectacularly unsuccessful TV series. Although Police Squad went on to become a cult favourite, at the time the American TV network was so unimpressed they only showed four of the six episodes before cancelling it. But Leslie Nielsen's bumbling Lt Frank Drebin just wouldn't go away. Supported in masterly deadpan style by George Kennedy and Priscilla Presley, Nielsen cemented his reputation as a gifted comic actor with The Naked Gun decades after he had first become known as a minor Hollywood leading man (in 1955's Forbidden Planet for example). The first movie appeared in 1988 and spawned two sequels that replayed exactly the same routines: in The Naked Gun series sight gags (some of which are worthy of the Marx Brothers, some not) combine with excruciating puns and lots of toilet humour to follow the same hit formula as the creators' earlier slapstick masterpiece, Airplane. By the third film the formula may have become more than a little overworked, and few including the filmmakers cared much about the increasingly creaky scenarios, but Nielsen's easygoing idiotic charm goes a long way towards saving the day. There are still a lot of laughs to be found in all three Naked Gun movies, even if some of them are the unintentional result of seeing OJ Simpson before notoriety overtook his budding film career. On the DVDs: All three features are anamorphically enhanced 1.78:1 widescreen ratios, with Dolby Digital 5.1 sound. Each disc also has a jovial ensemble commentary featuring co-creator David Zucker with other producers and writers, which is only intermittently informative but is at least intermittently funny, too. --Mark Walker
Director William Wyler's suspense classic marks the only time cinema giants Humphrey Bogart and Fredric March worked together. And the result is everything you'd expect: taut terrifying and terrific. Bogart plays an escaped con who has nothing to lose. March is a suburban Everyman who has everything to lose - his family is held hostage by Bogart. As The Desperate Hours tick by the two men square off in a battle of wills and cunning that tightens into an unforgettable fear-drench
A 1980 Royal Opera House production of Donizetti's opera. Conducted by Richard Bonynge and directed by John Copley.
A classic which has been remade twice in 1954 with Judy Garland and in 1976 starring Barbara Streisand this the 1937 version is regarded by many to be the premier version of the tragic tale of a movie star declining in popularity who marries a shy girl and helps her become a star. Her fame eclipses his and tragic consequences follow. The stunning ending is based on the real life tragedy of silent film star Wallace Reid who died of a morphine overdose aged 31 in 1923.
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