Two brothers get caught up in Ireland's bid for independence in 1920.
You could only see his eyes behind the layers of makeup in The Elephant Man but those expressive orbs earned John Hurt a well-deserved Oscar nomination for his moving portrayal of John Merrick, the grotesquely deformed Victorian man. Inarticulate and abused, Merrick is the virtual slave of a carnival barker (Freddie Jones) until dedicated London doctor Frederick Treves (Anthony Hopkins in a powerfully understated performance) rescues him and offers him an existence with dignity. Anne Bancroft co-stars as the actress whose visit to Merrick makes him a social curiosity, with John Gielgud and Wendy Hiller as dubious hospital staffers won over by Merrick. David Lynch earned his only Oscar nominations as director and co-writer of this sombre drama, which he shot in a rich black-and-white palette, a sometimes stark, sometimes dreamy visual style that at times recalls the offbeat expressionism of his first film, Eraserhead. It remains a perfect marriage between traditional Hollywood historical drama and Lynch's unique cinematic eye, a compassionate human tale delivered in a gothic vein. The film earned eight Oscar nominations in all and though it left the Oscar ceremony empty-handed, its dramatic power and handsome yet haunting imagery remain just as strong today. --Sean Axmaker, Amazon.com On the DVD: Being black and white, it's easier to judge the digital transfer in terms of shade and thankfully this print looks just fine. There's a little confusion over the sound, however, which is advertised as Stereo on the box but says Mono on the Audio Menu. It certainly seems to be a basic Dolby stereo but it's a shame Lynch hasn't given it the personal touch since he's obsessed with mixing his films' sound himself. From the nicely thought-out animated menus there's a gallery of 20 photos and a misguiding, dramatic theatrical trailer. The only other extra is a 64-page book of which only 10 pages relate directly to the film (the rest re-tell Lynch's career and the real Elephant Man's life). --Paul Tonks
Stephen King wasn't exactly in peak form when he wrote Firestarter, so this 1984 movie adaptation was at a disadvantage even before the cameras rolled. There were so many King movies being made at the time the weaknesses of this one became even more apparent. In her first film role after her memorable appearance in E.T., Drew Barrymore stars as a little girl whose parents acquired strange mental powers after participating in a secret government experiment. From this genetic background she has developed the mysterious ability to set anything on fire at will, especially when she's angry. That makes her very interesting to government officials seeking to exploit her skill as a secret weapon. Her father tries to protect her by using his powers of mind-control, while George C. Scott plays an Indian who believes the girl must be destroyed. There is a routine climax involving a lot of impressive pyrotechnics, but none of this is grounded in a dramatically solid foundation, and none of the characters are developed enough for us to care about them. Director Mark L. Lester, who the following year made Commando with Schwarzenegger, keeps the pace cracking along, but nevertheless the movie gradually turns into a laughable thriller with no suspense whatsoever. It's a movie only a pyromaniac could love. --Jeff ShannonOn the DVD: This is a largely no-frills presentation, albeit with a decent anamorphic print. The only extras are the original theatrical trailer and a nicely presented menu. A fold-out booklet has informative liner notes and a reproduction of the film poster.
Queenie's Castle: The Complete Series
Another Sunday And Sweet FA
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