After a violent shipwreck, onetime billionaire Oliver Queen (series star STEPHEN AMELL) was missing and presumed dead for five years before being discovered alive on a remote island in the North China Sea. He returned home to Star City, bent on righting the wrongs done by his family and fighting injustice. As the Green Arrow, Oliver successfully saved his city with the help of his team including former soldier John Diggle (series star DAVID RAMSEY), computer-science expert Felicity Smoak (EMILY BETT RICKARDS), former protégé Roy Harper (COLTON HAYNES), street-savvy Rene Ramirez (series star RICK GONZALEZ), metahuman Dinah Drake (series star JULIANA HARKAVY), brilliant inventor Curtis Holt (ECHO KELLUM) and Earth-2 Laurel Lance (series star KATIE CASSIDY). Following the untimely arrival of godlike being The Monitor (series regular LaMONICA GARRETT), Oliver Queen left his home, his family, and his team behind to take on his most challenging battle yet, knowing the cost may be his life. But this time it's not just his city he's seeking to protect it's the entire multiverse: everything that ever was or ever will be. In ARROW's eighth and final season, Oliver's quest will send him on a journey where he is forced to look back at his years as the Green Arrow and confront the reality of the ultimate question: what is the true cost of being a hero?
The English National Opera has always had an attractively light touch in Handel; this classic production, designed by Nicholas Hytner (director of The Madness of King George and The Crucible), manages to preserve both the work's occasional passion and its undercutting of that passion into urbane absurdity. Anne Murray's Xerxes is a tyrant in love, who learns the hard way that he can neither play with, nor command, his subjects' affections; her forthright declamatory singing, not least in the famous "Larghetto", conveys both the petulance and the final grandeur of a man undergoing a sentimental education. Valerie Masterson and Christopher Hudson, as the principal pair of lovers, combine perfect singing with an attractive romantic ardour; Hudson in particular makes clear just how heroic a counter-tenor can sound, listened to without preconceptions. In the soubrette role of Atalanta, Lesley Garrett is a cute trouble-maker. Sir Charles Mackerras' conducting gives each of the genre arias of which the work consists both an appropriate intensity of emotion and an overall charm. The English libretto is by Hytner. The recording is decent PCM stereo and the picture, originally produced for TV broadcast, is in 4:3 ratio. --Roz Kaveney
A group of teenagers learn that the local population has been overtaken by flesh eating zombies after an army experiment goes badly wrong. The high school kids decide to fight back against a growing horde of reanimated corpses in what becomes an action packed punch you in the throat non stop ride through the city forests and schools.
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