"Actor: Gary Tibbs"

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  • The Beggar's OperaThe Beggar's Opera | DVD | (23/05/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

    Created specially for television this Beggar's Opera captures the quality and satiric edge of the Hogarth engravings which influenced Gay's original version. The characters of this highly spirited comedy of London low-life thrived on thieving lechery and deceit: Peachum the receiver of stolen goods shops his clients when it suits him; Lockit the prison governor has corrupt links with Peachum; Macheath the highwayman has married Polly Peachum but is promised to Lucy Lockit; Jenn

  • Breaking Glass [1980]Breaking Glass | DVD | (22/10/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

    An old, old story as told circa 1980, Breaking Glass, written and directed by Brian Gibson, follows the path of Stardust not to mention A Star is Born and most other films about showbusiness, by following the rise of a talented young hopeful who learns that success comes with strings. Kate Crowley (Hazel O'Connor) begins as a bleached New Wave ranter, fly-posting on the tube and yelling songs about dehumanisation over fascist chants in rowdy pubs, but ends up a stoned glam zombie dressed as a robot, packaging her anger for the benefit of corporate music biz baddies and retreating to a sanatorium. The plot may be familiar, but the film still works, thanks to persuasive central performances from O'Connor, who wrote her own songs and shows real acting muscle that sadly didn't lead to anything like a film career, and Phil Daniels as her hustling manager/boyfriend/conscience. The fine supporting cast includes Jon Finch and Jonathan Pryce as a Bond villain-style record producer and a deaf junkie sax player, with glimpses of later perennials such as Jim Broadbent and Richard Griffiths. Made and set at the start of the 1980s, it catches its times exactly: a "Rock Against 1984" outdoor gig that turns into a riot, a routine police harrassment of a band rehearsal, a power cut that transforms a concert into a before-its-time "unplugged" session. Credits trivia: the executive producer was Dodi al Fayed. On the DVD: A nice letterboxed transfer looks a bit soft and grainy--but that's the way it's supposed to be. The only extras are cribbed-from-the-IMDB filmographies, a trailer with a wonderfully unconvincing narration and an image gallery (posters, ads and stills). --Kim Newman

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