Spine-chilling tale about a woman who is raped and attacked by an unknown spirit... Dazzling special effects powerful acting a taut tightly written script and imaginative direction all combine to make 'The Entity' a powerhouse supernatural film that will rivet you to your seat. Based on a true event which took place in California October 1976.
Bruce Willis first starring vehicle was 1987s Blind Date, a Blake Edwards comedy in which the actor plays a yuppie set up on a blind date with a beautiful blonde (Kim Basinger). Everything goes swimmingly until Willis does what he was warned not to do: give the lady alcohol, which causes her to get entirely out of control. The one-note joke basically turns the film into a succession of set pieces in which Willis has to keep up with Basinger, bail her out of trouble, or get out of the way of her hot-headed former boyfriend (John Larroquette). Willis is fine, Basinger is impressively unhinged, Larroquette is hilarious, and Phil Hartman has a nice role as the friend who set up Willis evening from hell. The slapstick shtick is classic Edwards, but the film is not Edwards at his most inspired. Consider Blind Date the work of a good filmmaker in a holding pattern.--Tom Keogh, Amazon.com
Winner of five Academy Awards including Best Picture, Actor, and Screenplay, Kramer vs. Kramer remains as powerfully moving today as it was when released in 1979, simply because its drama will remain relevant for couples of any generation. Adapted by director Robert Benton from the novel by Avery Corman, this is perhaps the finest, most evenly balanced film ever made about the failure of marriage and the tumultuous shift of parental roles. It begins when Joanna Kramer (Meryl Streep) bluntly informs her husband Ted (Dustin Hoffman) that she's leaving him, just as his advertising career is advancing and demanding most of his waking hours. Self-involvement is just one of the film's underlying themes, along with the search for identity that prompts Joanna to leave Ted with their first-grade son (Justin Henry), who now finds himself living with a workaholic parent he barely knows. Juggling his domestic challenge with professional deadlines, Ted is further pressured when his wife files for custody of their son. This legal battle forms the dramatic spine of the film, but its power is derived from Benton's flawlessly observant script and the superlative performances of his entire cast. Because Benton refuses to assign blame and deals fairly with both sides of a devastating dilemma, the film arrives at equal levels of pain, growth, and integrity under emotionally stressful circumstances. That gives virtually every scene the unmistakable ring of truth--a quality of dramatic honestly that makes Kramer vs. Kramer not merely a classic tearjerker, but one of the finest American dramas of its decade. --Jeff Shannon, Amazon.com
Ira Levin's scary novel about forced conformity in a small Connecticut town made the Stepford Wives a compelling 1975 thriller. Katharine Ross stars as a city woman who moves with her husband to Stepford and is startled by how perpetually happy many of the local women seem to be. Her search for an answer reveals a plot to replace troublesome real wives with more accommodating fake ones (not unlike the alien takeover in The Invasion of the Body Snatchers). The closer she gets to the truth, the more danger she faces--not to mention the likelihood that the men in town intend to replace her as well. Screenwriter William Goldman (Butch Cassidy and the Sundance Kid) and director Bryan Forbes (King Rat) made this a taut, tense semi-classic with a healthy dose of satiric wit. --Tom Keogh, Amazon.com
It might have started out as a small, rather arty divorce drama but Kramer vs Kramer was the biggest cinema hit of 1979. It confirmed Dustin Hoffman's status as a major star in a performance that combined his trademark twitchy intensity with deep sensitivity. And it provided Meryl Streep with a pivotal role in her rise to big-screen greatness. Both won Oscars, as did director Robert Benton and the film itself scooped the Best Picture award. Kramer vs Kramer has worn well into the 21st century. Although clearly of its time--by the late 1970s, microscopic relationship analysis had become the theme of commercial cinema--it stands on the strength of its central performances. Hoffman's Ted Kramer is a vision of the Graduate grown up: serious, focused and thrown by anything that threatens his upwardly mobile professional trajectory. The news that his wife, who he has failed to notice teetering on the edge of a breakdown, is leaving him and their son sends him into a tailspin. The film is as much about his resilience and fulfilment as it is the story of a divorce and custody battle. Justin Henry is extraordinary as Billy, the boy caught in the middle, and turns in a remarkably complex, thoughtful performance, which is light years from the archetypal all-American kid you might anticipate. And in just a handful of scenes, Streep is mesmerising as Joanna, the deserting wife and mother who you just can't bring yourself to hate. Yes, this is soap opera. But it belongs up there with all the finest cinematic human dramas. On the DVD: The widescreen presentation ensures a theatrically authentic experience, with some fantastic shots of New York city coming into their own. The mono sound is adequate for the relative intimacy of most of the dialogue. But the real bonus is the retrospective documentary in which director and writer Benton, producer Stanley Jaffe and the cast look back with touching satisfaction at a piece which clearly meant a great deal to them all. Hoffman's initial reluctance (he was going through a real-life divorce) to get involved, the process of working with a gifted child actor and Streep's desire to make Joanna understood are all recalled in fascinating detail. --Piers Ford
There's nothing like a wedding to break up a marriage. Ted Danson and Isabella Rossellini play cousins-by-marriage who pretend to be lovers in order to punish their philandering spouses. Instead the make believe lovers walk directly in Cupid's line of fire-with consequences that are both hilarious and heartwarming.
Blind Date: It's embarrassment laughs and disaster when workaholic Walter Davis is set up on a blind date for an important business function. Surprisingly the evening starts off well. His date Nadia is gorgeous and very popular but all hell breaks loose when she has one drink too many and reduces the evening (and Walter's career) to a shambles. Bad turns to worse when Nadia's psychotically jealous ex-boyfriend catches them together and Walter finds himself dragged on a hilarious adventure that could cost him his money his sanity and even his life! The Love Letter: In a sleepy New England town a letter has arrived that is sure to wake things up. It's a love letter - ardent sensual... and unsigned. As the letter falls into different hands residents of the small town start to eye one another with renewed interest - wondering who it's for and who it's from. Determined to find the letter's author Helen MacFarquhar (Kate Capshaw) begins a quest that will open her life to a new chapter involving two decidedly different men: George (Tom Selleck) an old friend from her past and Johnny (Tom Everett Scott) a young man very much in her present. Unexpectedly one mysterious love note has the power to unlock some startling secrets leaving a trail of wonderful surprises as it turns the entire town upside down. Fools Rush In: Sparks fly and cultures collide in this romantic comedy about a casual night of passion that turns into the love of a lifetime! Matthew Perry stars as Alex Whitman a New Yorker sent to Las Vegas to oversee a construction project. There he meets Isabel Fuentes (Salma Hayek) and some serious chemistry brings them together for one night. But Alex doesn't see Isabel again until three months later when he learns that she is pregnant. On a whim and a prayer he proposes. However there's more to marriage than a Vegas chapel and an Elvis impersonator as Alex and Isabel soon learn...
The Omen He was born at 6am on the 6th day of the 6th month. The coming of Armageddon the site of the final confrontation between the forces of good and evil as foretold in the Book of Revelations will begin with the birth of the son of Satan - in human form. Unable to tell his wife Katherine the tragic news of their still-born son American diplomat Robert Thorn accepts a new-born orphan as his son. Details of the child's birth remain a secret but as the boy Damien grows older it becomes apparent that he is no ordinary child. As mysterious deaths and strange warnings occur Robert Thorn slowly becomes aware of the hideous evil behind the child's innocent face and the significance of the numbers 666 which bring about the most terrifying of revelations. The Entity Something is after Carla Moran. It wants her soul. It wants her body. There's no stopping it. There's nowhere she can run. Yet The Entity won't kill Carla because it has far more terrifying other things in store for her... The Blair Witch Project Now prepare for a motion picture experience unlike anything you've ever seen heard or feared before. The Blair Witch Project follows a trio of filmmakers on what should have been a simple walk in the woods but quickly becomes an excursion into heart-stopping terror. As the three become inexplicably lost morale deteriorates hunger sets in accusations fly. By night unseen evil stirs beyond their campfire's light. By day chilling ritualistic figures are discovered nearby. As the end of their journey approaches they realise that what they are filming now is not a legend but their own descent into unimaginable horror.
An inspiring commercial artist Alison Gertz was young white and upwardly mobile from a strong upper middle class family. She was heterosexual not promiscuous had never used intravenous drugs and had never had a blood transfusion. Yet her life and the lives of her family and friends are changed radically by her diagnosis as having AIDS at the age of 22. One moment of passion changed Alison Gertz's life forever.
John Flynn has directed some good, tough, pacy thrillers and Best Seller, along with the 1973 The Outfit, can claim to be the best of them. It kicks off with not one but two slam-bang action sequences and then, having grabbed our attention, pitches us straight into its twisty plot premise. Brian Dennehy, reliably watchable as ever, plays an ageing cop-turned-novelist who has hit a writer's block since his wife died. James Woods at his most suavely sinister is a hitman with dirt to dish on the head of a big corporation. Woods proposes a Faustian pact. He provides Dennehy with the full crooked story on the mobster-turned-corporate boss and the cop writes it up. Dennehy gets a best seller; Woods gets his revenge and comes out looking like a hero. The dialogue, courtesy of screenwriter and horror-movie director Larry Cohen (It's Alive; Q--The Winged Serpent), is satisfyingly hard-boiled and slips in plenty of subversive sideswipes at rampant capitalism. ("It's the American Way, Dennis," says Woods, detailing how he helped his boss rise via robbery and murder. "I'm a businessman, an executive.") This certainly isn't the only movie to get mileage out of the symbiotic relationship between cop and crook (see Michael Mann's Heat), but it works several neat variations on the theme, with Dennehy and Woods both at the top of their respective forms. If the film never quite lives up to its potential--the required final confrontation between the two principals doesn't materialise and Victoria Tennant is thrown away as Dennehy's love-interest--it remains a way better than average thriller with its roots deep in the best B-movie traditions. On the DVD: Best Seller on disc has no extras apart from the theatrical trailer. The transfer is good and clean, and preserves the original's full-width framing. --Philip Kemp
Big Eden is a tiny town tucked away in the timberland of Northwestern Montana where cowboys lounge on the porch of the general store to pass the time away. It's also the childhood home of Henry Hart (Arye Gross) a successful but lonely New York artist who returns after years away to care for his ailing grandfather. Back home Henry confronts his unrequited passion for his high school best friend and his feelings about being gay in a small town. But as we quickly learn Big Eden residents defy the stereotype of ""small town small minds."" As Henry works through his emotions the townspeople quietly conspire to help him along until Henry realizes new possibilities for both friendship and romance. ""Big Eden"" is a uniquely American fable about home and family. It hits upon the universal longing and hope we each have for finding a place where we are loved and the unconditional desire to see those that we love find happiness.
Ira Levin's scary novel about forced conformity in a small Connecticut town made the Stepford Wives a compelling 1975 thriller. Katharine Ross stars as a city woman who moves with her husband to Stepford and is startled by how perpetually happy many of the local women seem to be. Her search for an answer reveals a plot to replace troublesome real wives with more accommodating fake ones (not unlike the alien takeover in The Invasion of the Body Snatchers). The closer she gets to the truth, the more danger she faces--not to mention the likelihood that the men in town intend to replace her as well. Screenwriter William Goldman (Butch Cassidy and the Sundance Kid) and director Bryan Forbes (King Rat) made this a taut, tense semi-classic with a healthy dose of satiric wit. --Tom Keogh, Amazon.com
Devoted to his work but emotionally unfulfilled Bernie achieves his romantic dream when he meets and eventually marries beautiful divorcee Liz. Their new life together with her young daughter Jane is blissfully happy until Liz is fatally stricken with cancer soon after the birth of their son. Heartbroken Bernie and eight-year old Jane struggle to come to terms with their tragic loss. Suddenly out of the blue arrives Jane's natural father an ex-convict. He demands money in exchange for giving up custody of Jane and eventually kidnaps her and flees to Mexico. Angry and desperate Bernie tracks him down and brings the traumatised girl home where they must both try and rediscover the 'Fine Things' in life.
In 'Rage Of Angels' Jaclyn Smith plays determined young lawyer Jennifer Parker who fights against the odds to triumph as a top trial attorney in New York's tough world of power glamour and crime. Based on the best-selling novel by Sidney Sheldon this compelling drama switches from New York Acapulco and Paris as Jennifer finds herself in a highly-charged love triangle romantically pursued by two powerful men on opposite sides of the law. With the passion and tension in her life reaching boiling point Jennifer faces a terrifying confrontation that could destroy them all. As she moves from the law of the land to the law of the jungle the only case Jennifer can't seem to win is the trial for her heart.
Danielle Steel is one of the best-selling authors of all-time and now you can enjoy this box set featuring three movie adaptations of some of her best known novels. Daddy (Dir. Michael Miller 1991): Patrick Duffy and Linda Carter star in this highly emotional story of love loss and rediscovered happiness. Oliver is a top advertising executive who seems to have it all - a beautiful wife three great children and a lovely home. But one fateful day his wife announces she i
Having made the heartrending decision to break away from her one true love and father of her child ambitious and married politician Adam Warner Jennifer (Jaclyn Smith) sets about rebuilding her career and finding happiness again. Dangerous ghosts from her past come back to haunt her though in the shape of ruthless mobster James Moretti. His brother Michael had been obsessed with Jennifer and had died because of it. Now the vengeful James is out to blackmail both Jennifer and Adam over their illicit love - and ultimately wants Jennifer dead. But hell hath no fury like the 'Rage of Angels'... based on the Sidney Sheldon novel.
Ira Levin's scary novel about forced conformity in a small Connecticut town made for this compelling 1975 thriller. Katharine Ross stars as a city woman who moves with her husband to Stepford and is startled by how perpetually happy many of the local women seem to be. Her search for an answer reveals a plot to replace troublesome real wives with more accommodating fake ones (not unlike the alien takeover in The Invasion of the Body Snatchers). The closer she gets to the truth, the more danger she faces--not to mention the likelihood that the men in town intend to replace her as well. Screenwriter William Goldman (Butch Cassidy and the Sundance Kid) and director Bryan Forbes (King Rat) made this a taut, tense semi-classic with a healthy dose of satiric wit. The DVD release presents the film in its original widescreen dimensions. --Tom Keogh, Amazon.com
An inspiring commercial artist Alison Gertz was young white and upwardly mobile from a strong upper middle class family. She was heterosexual not promiscuous had never used intravenous drugs and had never had a blood transfusion. Yet her life and the lives of her family and friends are changed radically by her diagnosis as having AIDS at the age of 22.
At 32 000 feet a Korean 747 passenger jet is blown open by a Soviet missile. The mangled aircraft manages to stay airborne for a few minutes but then plummets into the frigid Japanese sea with no survivors. Officials try to keep the story out of the press but soon the entire world knows. Nan Moore the mother of a passenger from the aircraft begins to search out the answers to her son's meaningless death and she finds that her own government may even be responsible. Nan Moore will stop at nothing not even the law to face the frightening questions and to find the vital answers that are raised through her determination.
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