D.C. 'Steve' Stephenson is visiting Indiana and mounting a campaign to increase the membership of the Ku Klux Klan. There he meets schoolteacher Madge Oberholtzer and tries to seduce her but having no luck he abducts her rapes and tortures her and eventually kills her. The trial that follows marks the end of the Klan's popularity as Stephenson implicates them in the murder. Based on a true story.
Celebrating her high school graduation young student Lynne Peterson is killed by drunk driver Tom Fiske a successful businessman. Her father vowing to see his daughter's killer punished must face a slow-moving legal system and a high-priced defense lawyer...
Apache Rifles: A young cavalry officer is assigned the job of bringing in a band of Apaches who have been terrorizing the countryside. Days Of Jessie James: Roy Rogers is sent to investigate a recent bank robbery believed to have been carried out by the 'James Gang'. Roy manages to join the posse and finds out that Jesse and the boys did not commit the crime. Now he must uncover who in fact did rob the bank... Riders Of The Whistling Pines: When an insect plague ravages the forest evil loggers plan on harvesting protected land. They murder a forest ranger so they can carry out the plan and they frame Gene Autry for the crime. Autry is cleared but the loggers' devious plan continues when they spray the forest to kill the insects yet wind up killing much of the wildlife too. Autry must step in and utilize his patented brand of cowboy justice.
A journey through the turbulent 16th century borderlands of England and Scotland in search of the Border Reivers in the company of George MacDonald Fraser and Eric Robson. The Border Reivers were medieval protection racketeers who for 400 years terrorized the Anglo Scottish frontier.
Hurricane Express: John Wayne stars as pilot Larry Baker who makes an unscheduled landing in a vain attempt to prevent a railway collision that kills his father and is fired for disobeying orders. Larry must find out the truth behind the wreck of the Hurricane Express! Rage At Dawn: A Special Agent is sent way out west to round up the norotious Reno gang. He stages a fake train robbery in order to attract the evil Reno brothers and their gang in this gritty and force
Stepping into the role of Leslie Charteris' "modern-day Robin Hood" Simon Templar (formerly played in films by smoothies like George Sanders), Roger Moore swiftly struck the right poses, adding a raised eyebrow to the character's established trademarks--a stick figure with halo, a whistled theme (co-composed by Charteris himself) and a quixotic commitment to adventure rather than decency. More clean-cut than the vigilante of the novels, Moore's Templar is a reformed thief (with an accent on reformed) whose adventures invariably involve a beautiful girl in trouble, an exotic locale established by stock shots and pantomime-level barroom sets with revolving fans on the ceiling, and "foreign" villains, played by familiar British character actors in false moustaches. The Saint ran from 1962 to 1969. Connoisseurs reckon the earlier, black and white shows are superior to the later colour seasons. From 1979 to 1980, there was a follow-up, The Return of the Saint, in which sufficiently ironic Ian Ogilvy donned Templar's polo neck, but the format seemed outmoded in comparison with The Sweeney and The Professionals. Volume One contains: "The Talented Husband" in which a playwright is found dead in suspicious circumstances, with guest star Shirley (Goldfinger) Eaton; and "The Latin Touch" which concerns a kidnapping in Rome, with Suzan Farmer and Warren (Alf Garnett) Mitchell. --Kim Newman
The pleasant and peaceful life of a nave country man (George O'Brien) is turned upside down when he falls for a cold-blooded yet seductive woman from the city (Margaret Livingston) who persuades him to drown his virtuous wife (Janet Gaynor) in order to be with her... F. W. Murnau - invited to America by William Fox the promise of complete artistic freedom and a blank cheque - made Sunrise on the cusp of two eras: it represents the silent film at the peak of its poetic sophistication and the sound film in its infancy. Fox told Murnau to take his time to make any film he wished and 'Sunrise' was completed without any studio interference - as though with a dying flourish in a medium which at that moment had achieved a startling richness of expression. It was the swan song of the era. Conceived by Murnau and written by Carl Mayer while they were both still in Germany Sunrise takes a simple situation - the marriage of a peasant couple (George O'Brien and Janet Gaynor) from a country hamlet invaded by a seductress from the city (Margaret Livingston) - and elevates it to the realm of fable stripped of melodrama yet brimming with poetic impulses. George O'Brien becomes almost gothically depressed by his affair and plots a Dreiser-like boat accident for Gaynor his sweet wife. This doom hovers and flits like moonlight over the rest of the film which lithely tries to dodge it. Murnau captivated the Americans with his legendary ""invisible"" tracking shots and together with double exposures expressive lighting and distorted sets the viewer is immersed in the fate of these simple characters. Sunrise won three Oscars at the very first Academy Awards ceremony honouring the 1927-1928 season. Janet Gaynor won for Best Actress; Charles Rosher and Karl Struss for Best Cinematography; and the film itself won a special Oscar for ""Unique and Artistic Picture"" the only time this award has ever been given. This is a restored edition of what Cahiers du Cinema described as ""the single greatest masterwork in the history of the cinema"".
Hollywood's biggest stars come together for a great cause! Produced during World War Two as a morale boosting effort for the troops Follow The Boys features all of Universal's biggest stars of the day. It tells the story of young Tony who is seeking fame and fortune in Hollywood and the beautiful actress Vera who meet and fall in love.
Startling and powerful, Control Room is a documentary about the Arab television network Al-Jazeera's coverage of the U.S.-led Iraqi war, and conflicts that arose in managed perceptions of truth between that news media outlet and the American military. Egyptian-American filmmaker Jehane Noujaim (Startup.com) catches the frantic action at Al-Jazeera headquarters as President Bush stipulates his 48-hour, get-out-of-town warning to Saddam Hussein and sons, soon followed by the network's shocking footage of Iraqi civilians terrorized and killed by invading U.S. troops. Al-Jazeera's determination to show images and report details outside the Pentagon's carefully controlled information flow draws the wrath of American officials, who accuse it of being an al-Qaida propagandist. (The killing of an Al-Jazeera reporter in what appears to be a deliberately targeted air strike is horrifying.) Most fascinating is the way Control Room allows well-meaning, Western-educated, pro-democratic Arabs an opportunity to express views on Iraq as they see it--in an international context, and in a way most Americans never hear about. --Tom Keogh
Sherlock Holmes and Doctor Watson are called to the American capital to investigate the mysterious disappearance of a top secret microfilm which was concealed in a box of matches carried by a murdered secret agent...
In 1928 Sunrise won Oscars for Janet Gaynor as Best Actress and cinematography as a "Unique and Artistic Picture". In 1967 it was declared "the single greatest masterwork in the history of cinema" by key French new wave magazine Cahiers du Cinema. Released with a synchronised score and effects soundtrack but no dialogue, it is a cinematic landmark from the transition period between silent cinema and the talkies. Beginning as a prototype film noir in which a farmer (George O' Brien) plans the murder of his wife (Gaynor) with his vacationing lover from the city (Margaret Livingstone), the film develops from tense thriller into a story of reawakened love and redemption. Anticipating Orson Welles's artistic freedom on Citizen Kane (1941), German expressionist director FW Murnau was given carte blanche following the huge American success of The Last Laugh (1924). The result was this poetic fable making inventive use of every technical device then available, including in-camera multiple exposures and superimpositions, long elegant tracking shots, forced perspectives, complex miniatures and synchronised sound, as well as the largest single-street-scene set ever built. The result is a film that influenced everything from Hitchcock suspense to Titanic (1997) and Eyes Wide Shut (1999). Murnau summons powerful performances from his principal players--Gaynor would later headline A Star Is Born (1937) and O'Brien would take important roles in several classic John Ford westerns--while the transcendent finale evokes and reworks the ending of the director's earlier classic, Nosferatu (1922). Though now inevitably dated Sunrise remains essential for anyone seriously interested in the development of cinematic art. On the DVD:Sunrise is presented on an immaculately produced two-disc special edition. Though restored to full length and presented in the original 1.2:1 ratio with the complete music and effects soundtrack, the film has been taken from a print made in 1936, the original camera negative having been destroyed in a fire. As a result this is the best possible modern presentation of Sunrise, though the print, while perfectly acceptable, is very grainy, lined and flickery by contemporary standards. The mono sound has been superbly restored and is remarkably effective for its vintage; an alternative stereo musical track recorded for recent reissue sounds excellent. The film also boasts a commentary by John Bailey: apart from talking a little too much about how beautiful the lighting is, Bailey offers seriously in-depth knowledge about the film and about Murnau that really puts everything into historical context and explains the constant technical ingenuity. The second disc presents the useful A Song of Two Humans, a 12-minute visual essay by film historian R Dixon Smith, and almost 10 minutes of outtakes with optional commentary by John Bailey, as well as a trailer, stills gallery and notes explaining the nature of the restoration. There is also an excellent 40-minute documentary Murnau's 4 Devils: Traces of a Lost Film, telling the story of the director's lost follow up to Sunrise. Microsoft Word and PDF files available via DVD-ROM present various incarnations of the screenplays for both Sunrise and 4 Devils. --Gary S. Dalkin
This unique Homecoming gathering offers the very best of three musical worlds country bluegrass and gospel music. From seasoned hall-of-famers and pioneers to young up-and-comers this musical melting pot celebrates the common thread of faith that runs through these three distinct musical genres through a mix of gospel classics and new favourites featuring performances by: the Gaither Vocal Band Cherryholmes Dailey & Vincent The Booth Brothers Marty Stuart The Grascals Ernie Haase & Signature Sound Rhonda Vincent Larry Sparks Ben Speer George Jones The Isaacs Ralph Stanley Gordon Mote Doyle Lawson & Quicksilver Jimmy Fortune and Vince Gill. Tracklist: 1. Jesus And John Wayne 2. Will He Wait A Little Longer 3. Place On Calvary 4. There's A Rainbow At The End Of Every Storm 5. Did You Forget God Today 6. Climbing Up The Mountain 7. I Heard My Saviour Calling Me 8. Love Was In The Room 9. Jesus Walks Ahead Of Me 10. Time Has Made A Change 11. Just A Little Talk With Jesus 12. Barbie Bandaids 13. I Am The Man Thomas 14. Mercy Walked In 15. Help Me Lord 16. I Believe 17. Just A Closer Walk With Thee 18. By The Mark 19. The Unseen Hand 20. Tell Me One More Time About Jesus
In October 1991 the fishing community of Gloucester Massachusetts experienced the full wrath of Mother Nature when a freak meteorological event produced the fiercest storm in modern history. Director Wolfgang Petersen has fashioned this heroic true story (as chronicled in Sebastian Junger's bestseller) into a star-laden blockbuster employing computer power to whip up the terrifying titular storm. George Clooney plays Billy Tyne captain of the Andrea Gail who has been plagued by bad luck at sea and is on a poor run of catches. Frustrated by the huge hauls of the Hannah Boden captained by Linda Greenlaw (Mary Ann Mastrantonio) Tyne decides to head back out to sea for the Flemish Cap a remote area renowned for its rich fishing prospects. He is joined by a number of his regular crew including Billy Shatford (Mark Wahlberg) Dale Murphy (John C Reilly) David Sullivan (William Fichtner) Alfred Pierre (Allen Payne) and Michael Moran (John Hawkes). Sure enough Tyne's luck changes for the better at the Flemish Cap and the Andrea Gail catches a full haul. Buoyed by the money that awaits them back home the crew sets off back to Gloucester but disturbing weather patterns hamper their progress and they soon find themselves battling against 100ft waves and 120mph winds that threaten to tear the boat apart. Includes the Novel and the HBO 20 minute documentary 'Creating the Storm' highlighting the groundbreaking special effects and story behind the movie.
Two drug dealers are infected with a vampiric virus by female angels united to declare war on humanity and reclaim Earth which they believe is rightly their own. In an interesting twist it is the realm of the underworld which must come to the rescue in the form of demons who are perfectly satisfied to have the three worlds co-exist as they are...
The Iron Horse was John Ford's 50th film and remains his most celebrated of the silent era. Its theme of enterprise and achievement its open-air locations and setting in a vigorous and pioneering past proved just the subject to stimulate the young director's talent. The sheer scale of the film surpassed all other Westerns of the silent era and established Ford as one of the leading directors in the industry. The film combines a conventional tale of double-dealing vengeance and romance with a poetic sense of history and an epic theme - uniting a nation by building a transcontinental railroad and a great man's dream realised by the courage skill and labour of ordinary folk. This restored version features a new score composed and conducted by John Lanchbery performed by the City of Prague Philharmonic.
Crescent City Herald owner Randolph Meredith is a strong advocate of Idaho joining the United States. Fellow citizen and owner of the local stagecoach line Dan Hammond is not however and has Randolph killed in an attempt to quell the pro-union movement. Randolph's sister Barbara takes over at the Herald and also dons a black costume and mask to become 'The Black Whip'. With the help of government agent Vic Gordon The Black Whip thwarts all attempts by Hammond and his henchmen to exe
Crescent City Herald owner Randolph Meredith is a strong advocate of Idaho joining the United States. Fellow citizen and owner of the local stagecoach line Dan Hammond is not however and has Randolph killed in an attempt to quell the pro-union movement. Randolph's sister Barbara takes over at the Herald and also dons a black costume and mask to become 'The Black Whip'. With the help of government agent Vic Gordon The Black Whip thwarts all attempts by Hammond and his henchmen to exe
Think you can trust the media? There were two wars in Iraq - a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker Emmy-award winning TV journalist author and media critic Danny Schechter turns the cameras on the role of the media. His new film WMD is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people while selling the war to influence international public opinion. Schechter compares and contrasts coverage on a global basis including exclusive material and insider interviews. WMD is a serious film that exposes the media role - the biggest scandal of our time
The first film of its kind to chronicle the reasons behind Iraq's descent into guerilla war warlord rule criminality and anarchy No End In Sight is a jaw-dropping insider's tale of wholesale incompetence recklessness and venality. Based on over 200 hours of footage the film provides a candid retelling of the events following the fall of Baghdad in 2003 by high ranking officials such as former Deputy Secretary of State Richard Armitage Ambassador Barbara Bodine Lawrence Wilkerson former Chief of Staff to Colin Powell and General Jay Garner as well as Iraqi civilians American soldiers and prominent analysts. No End In Sight examines the manner in which the principal errors of U.S. policy - the use of insufficient troop levels allowing the looting of Baghdad the purging of professionals from the Iraqi government and the disbanding of the Iraqi military - largely created the insurgency and chaos that engulf Iraq today. How did a group of men with little or no military experience knowledge of the Arab world or personal experience in Iraq come to make such flagrantly debilitating decisions? No End In Sight dissects the people issues and facts behind the Bush Administration's decisions and their consequences on the ground to provide a powerful look into how arrogance and ignorance turned a military victory into a seemingly endless and deepening nightmare of a war.
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