A confident hybrid of M*A*S*H, Treasure of the Sierra Madre, and Dr. Strangelove, Three Kings is one of the most seriously funny war movies ever made. Improving the premise of Kelly's Heroes with scathing intelligence, it explores the odd connection between war and consumerism in the age of Humvees and cellular phones. Writer-director David O. Russell's third film (after Spanking the Monkey and Flirting with Disaster) is a no-holds-barred portrait of personal conscience in the volatile arena of politics, played out by one of the most gifted filmmakers to emerge in the 1990s. George Clooney, Mark Wahlberg, Ice Cube and Spike Jonze (director of Being John Malkovich) play a quartet of US soldiers who, disillusioned by Operation Desert Storm, decide to steal $23 million in gold hijacked from Kuwait by Saddam Hussein's army. Getting the bullion out of an Iraqi stronghold is easy; keeping it is a potentially lethal proposition. By the end of their mercenary mission, the Americans can no longer ignore war-time atrocities, and conscience demands their aid to Kuwaiti rebels abandoned by President George Bush's fickle war-time policy. This is serious stuff indeed, but Russell infuses Three Kings with a keen sense of the absurd, and the entire film is an exercise in breathtaking visual ingenuity. Despite a conventional ending that's mildly disappointing for such a brashly original film, Three Kings conveys the brutal madness of war while making you laugh out loud at the insanity. --Jeff Shannon
In 1990, Death Warrant was one of several back-to-back action movies that suddenly made Jean Claude Van Damme's name a rival to Stallone's and Schwarzenegger's. Its distinction from the likes of Cyborg or Double Impact is in its firm grounding in reality. In fact, Los Angeles County Jail couldn't seem more harshly real. That's where Detective Burke finds himself going undercover to investigate a string of mysterious (and politically embarrassing) deaths. Of course, the prison environment is ideally suited to Van Damme's strengths, where he elicits sympathy as the innocent abroad during one fight sequence after another. Lots of colourful secondary characters are along for the ride, such as the enigmatic Priest, tough-as-nails peanut-shucking Sergeant DeGraf and Burke's arch nemesis, the Candyman (Patrick Kilpatrick). There's an admirable attempt at portraying the action with some panache. Light and shadow is used to good effect and every kickbox move is punctuated by a double cut. Although the script dispenses with the essential Van Damme elements in the opening seconds (he lost a partner / he's from Canada / he can kickbox), this is definitely an above-average Van Damme flick. On the DVD: The bare-bones transfer offers an occasionally grainy picture in 1.85:1 ratio and a three-channel surround soundtrack. The only extra off the static menu is the original theatrical trailer. --Paul Tonks
A woman who finds herself on her honeymoon in Lisbon during an international football competition, must decide whether her new husband manipulated her and the situation, just to be there for the England game... or not....
A star-studded stage adaptation of Arthur Miller's classic play about hope failure family and ambition.
A right-wing terrorist army Strike Force go on a murderous rampage in the quest to get their bloodthirsty hands on a defence contractor's awesome NK-2 assault weapon. A hardened Vietnam vet is hired to pursue the fanatical killers and does so with vengeance after two loyal friends are callously slain by the Strike Force's ruthless members. Now it's revenge! Roger Rudd is Jason Shepherd who discovers even in time of peace he has to prepare for war...
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