Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
George Clooney stars in this post-WW2 thriller based on the novel by Joseph Kanon.
All films require a certain suspension of disbelief, Fight Club perhaps more than others; but if you're willing to let yourself get caught up in the anarchy, this film, based on the novel by Chuck Palahniuk, is a modern-day morality play warning of the decay of society. Edward Norton is the unnamed protagonist, a man going through life on cruise control, feeling nothing. To fill his hours, he begins attending support groups and 12-step meetings. True, he isn't actually afflicted with the problems, but he finds solace in the groups. This is destroyed, however, when he meets Marla (Helena Bonham Carter), also faking her way through groups. Spiralling back into insomnia, Norton finds his life is changed once again, by a chance encounter with Tyler Durden (Brad Pitt), whose forthright style and no-nonsense way of taking what he wants appeal to our narrator. Tyler and the protagonist find a new way to feel release: they fight. They fight each other, and then as others are attracted to their ways, they fight the men who come to join their newly formed Fight Club. Marla begins a destructive affair with Tyler, and things fly out of control, as Fight Club is transformed into a nationwide fascist group. The depiction of violence in Fight Club is unflinching, but director David Fincher's film is captivating and beautifully shot, with camerawork and effects that are almost as startling as the script. The movie is packed with provocative ideas and images--from the satirical look at the emptiness of modern consumerism to quasi-Nietzschean concepts of "beyond good and evil"--that will leave the viewer with much food for thought to take away. Pitt and Norton are an unbeatable duo, and the film has a great sense of humour too. Even if it leaves you with a sense of profound discomfort this is a movie that you'll have to see again and again, if for no other reason than to just to take it all in. --Jenny Brown, Amazon.com
Medical drama and romance are intertwined in this engaging feature from Austrian-born director Paul L. Stein. Mary Maguire and George Sanders head a first-rate cast in The Outsider, based on Dorothy Brandon's popular 1920s stage play and presented here in a brand-new High Definition transfer from the original film elements. Lalage Sturdee is a brilliant pianist. Virtually abandoned at birth by her father an eminent surgeon a mishap at the hands of an unqualified practitioner has left her disabled for life... or so she believes. Despite her father's objections she puts her faith in Anton Ragatzy, the ebullient and outspoken inventor of a machine which appears to give miraculous results. A machine which will either cure her completely or cripple her forever...
Recently widowed and bringing up two teenage children local general practitioner and forensic surgeon Dr. Paul Dangerfield is a morose and brooding man dedicated to his profession sometimes at the cost of his personal relationships. Episodes Comprise: 1.Down By The Riverside 2.Death In Custody 3.Dem Bones 4.Dr. Stevens' Stalker 5.The Dead Businessman 6.The Call Girl 7.The Body In The Quarry 8.SAS Death 9.The Unfaithful Husband 10.The Norfolk Holiday: Part 1 11.The Norfolk H
Festive feature in which a young orphan embarks on an adventure with the talking dog responsible for making Santa's 'naughty and nice' list. Max Moogle (Anthony Robinson) is something of an average 12-year-old boy, sweet-natured but with a mischievous side that sometimes leads him into trouble. When he meets Hercules (voice of Luigi Francis Shorty Rossi), a talking dog with an interesting occupation, Max resolves to mend his ways and make it onto Santa's present list. Hercules, however, wants...
Medical drama and romance are intertwined in this engaging feature from Austrian-born director Paul L. Stein. Mary Maguire and George Sanders head a first-rate cast in The Outsider, based on Dorothy Brandon's popular 1920s stage play and presented here in a brand-new transfer from the original film elements. Lalage Sturdee is a brilliant pianist. Virtually abandoned at birth by her father an eminent surgeon a mishap at the hands of an unqualified practitioner has left her disabled for life... or so she believes. Despite her father's objections she puts her faith in Anton Ragatzy, the ebullient and outspoken inventor of a machine which appears to give miraculous results. A machine which will either cure her completely or cripple her forever...
Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
Together with her three art student friends Molly a pretty and free-spirited artist embark upon a mission to find an empty house in London where they can live as squatters free from rent and free to party. Having found the ideal house they break in and quickly get comfortable claiming the place as their own. However its not long before they realise they are not alone and their ideal home turns to a house of terror. Who or what is the puppet master orchestrating their bloody destruction?
Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
Mr And Mrs Smith (Dir. Doug Liman 2005): Starring Brad Pitt and Angelina Jolie as the eponymous Mr. & Mrs. Smith in one of 2005's most entertaining and explosive blockbusters. After five (or six) years of vanilla-wedded bliss ordinary suburbanites John and Jane Smith (Pitt and Jolie) are stuck in a rut the size of the Grand Canyon - until the truth comes out! Unbeknownst to each other they are both lethal highly paid assassins working for rival organizations. When they discover they're each other's next target their secret lives collide in a spicy explosive mix of wicked comedy pent-up passion nonstop action and high-tech weaponry that gives an all-new meaning to ""Till death do us part!"" Fight Club (Dir. David Fincher 1999): First Rule: You do not talk about Fight Club. Second Rule: You do not talk about Fight Club. Third Rule: When someone says ""Stop"" or goes limp the fight is over. Fourth Rule: Only two guys to a fight. Fifth Rule: One fight at a time. Sixth Rule: No shirts no shoes. Seventh Rule: Fights go on as long as they have to. Eighth Rule: If this is your first night at Fight Club you have to fight... Jack (Edward Norton) is a chronic insomniac desperate to escape his excruciatingly boring life. That's when he meets Tyler Durden (Brad Pitt) a charismatic soap salesman with a twisted philosophy. Tyler believes self-improvement is for the weak; it's self-destruction that really makes life worth living. Before long Jack and Tyler are beating each other to a pulp in a bar parking lot a cathartic slugfest that delivers joys of physical violence. Jack and Tyler form a secret Fight Club that becomes wildly successful. But there's a shocking surprise waiting for Jack that will change everything... Pitt and Norton deliver knockout performances in this stunningly original darkly comic film from David Fincher based on the controversial book by Chuck Palahniuk.
First Rule: You do not talk about Fight Club. Second Rule: You do not talk about Fight Club. Third Rule: When someone says Stop or goes limp the fight is over. Fourth Rule: Only two guys to a fight. Fifth Rule: One fight at a time. Sixth Rule: No shirts no shoes. Seventh Rule: Fights go on as long as they have to. Eighth Rule: If this is your first night at Fight Club you have to fight... Jack (Edward Norton) is a chronic insomniac desperate to escape his excruciatingly boring life. That's when he meets Tyler Durden (Brad Pitt) a charismatic soap salesman with a twisted philosophy. Tyler believes self-improvement is for the weak; it's self-destruction that really makes life worth living. Before long Jack and Tyler are beating each other to a pulp in a bar parking lot a cathartic slugfest that delivers joys of physical violence. Jack and Tyler form a secret Fight Club that becomes wildly successful. But there's a shocking surprise waiting for Jack that will change everything... Pitt and Norton deliver knockout performances in this stunningly original darkly comic film from David Fincher based on the controversial book by Chuck Palahniuk.
All films require a certain suspension of disbelief, Fight Club perhaps more than others; but if you're willing to let yourself get caught up in the anarchy, this film, based on the novel by Chuck Palahniuk, is a modern-day morality play warning of the decay of society. Edward Norton is the unnamed protagonist, a man going through life on cruise control, feeling nothing. To fill his hours, he begins attending support groups and 12-step meetings. True, he isn't actually afflicted with the problems, but he finds solace in the groups. This is destroyed, however, when he meets Marla (Helena Bonham Carter), also faking her way through groups. Spiralling back into insomnia, Norton finds his life is changed once again, by a chance encounter with Tyler Durden (Brad Pitt), whose forthright style and no-nonsense way of taking what he wants appeal to our narrator. Tyler and the protagonist find a new way to feel release: they fight. They fight each other, and then as others are attracted to their ways, they fight the men who come to join their newly formed Fight Club. Marla begins a destructive affair with Tyler, and things fly out of control, as Fight Club is transformed into a nationwide fascist group. The depiction of violence in Fight Club is unflinching, but director David Fincher's film is captivating and beautifully shot, with camerawork and effects that are almost as startling as the script. The movie is packed with provocative ideas and images--from the satirical look at the emptiness of modern consumerism to quasi-Nietzschean concepts of "beyond good and evil"--that will leave the viewer with much food for thought to take away. Pitt and Norton are an unbeatable duo, and the film has a great sense of humour too. Even if it leaves you with a sense of profound discomfort this is a movie that you'll have to see again and again, if for no other reason than to just to take it all in. --Jenny Brown, Amazon.com
A mind-bending psychological horror echoing a stirring combination of Stephen King's The Shining and 1408, from the Executive Producer of The Texas Chainsaw Massacre.A couple and their toddler decide to stay in a hotel overnight when their journey home from a party becomes treacherous. They soon realise they have been trapped by an insidious presence, and are forced to confront each other and the dark secrets that lie between them.
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