This "To Ma'am with Love" is much more an escapist popcorn movie than the inner-city document its marketing suggested. Michelle Pfeiffer plays real-life former Marine Louanne Johnson, a high school English teacher who meets resistance from kids and administration alike at a tough urban school in Northern California. Pfeiffer is good and her character's overall development even survives various post-production story cuts. (A romance with Andy Garcia's character was completely eliminated before release; Garcia is nowhere in sight.) The actors who play Johnson's students are also fine and the whole film becomes the latest in a long tradition of sentimental movies about teachers who change the lives of kids. --Tom Keogh
The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, West Side Story stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighbourhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colourful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score. --Tom Keogh
In Arthur Penn's adaptation of Thomas Berger's novel Little Big Man, Dustin Hoffman stars as Jack Crabb, the only white survivor of the Battle of Little Big Horn. Giving a bravura performance, Hoffman plays Jack from teen years into old age in this picaresque fable of the Old West. Jack's story is a fantastic one: captured by Indians as a boy, reared as an Indian, shuttling back and forth between the white and Indian worlds. In the process, he befriends everyone from Wild Bill Hickock to George Armstrong Custer and is a gunslinger, a snake-oil salesman and an Army scout. This is a solid blend of comedy and tragedy, making a strong statement about America's treatment of Native Americans without sermonising. A terrific cast includes Faye Dunaway, Martin Balsam and Richard Mulligan, but this show is all Hoffman's. --Marshall Fine
Glasses are smashing fingers are snapping and everyone's dancing to the sultry music of the bouzoukies! It's just another glorious moment in the carefree world of Illia (Melina Mercouri) Greece's most radiant lady of the night. Sensuous Illia adores her life and every man in her seaport paradise adores her. But when Homer (Jules Dassin) a stuffy American intellectual sails into town and tries to reform her Illia shows him that she's one free spirit who's happy with her wild
West Side Story marked a small revolution in the history of the Hollywood musical when it was released in 1961. Enriched by Leonard Bernsteins marvellously brassy, challenging score--as redolent of the place as anything Gershwin ever wrote--the location shooting and aerial views of the Manhattan grid made New York a gritty backdrop to this modern interpretation of Romeo and Juliet. The film rightly became an instant classic which won ten Oscars and brought some of the greatest numbers in the era of the modern musical to a global audience. Everything gels, from Jerome Robbins superlative choreography (he retains a directors credit with Robert Wise, although anxious studio bosses removed him from the film when costs started to mount), to Ernest Lehmans taught screenplay, some of Sondheims most accessible early lyrics, and passionate, raw performances from the gang members and the lovers. For many of the cast, including Richard Beymer as Tony and Natalie Wood as Maria, the film represents a creative climax which wouldnt be surpassed during the remainder of their distinguished careers. Rita Moreno is an outstanding Anita, even with her songs disappointingly dubbed, and George Chakiris sinewy, arrogant Bernardo is magnetic. The whole thing still thrums with a youthful, dramatic energy that even a modern equivalent like Moulin Rouge cant match. On the DVD: West Side Story thoroughly merits the attention to detail in this handsome Collectors Edition. The anamorphic (16:9) widescreen format reproduces the original cinema presentation, brilliantly serving the city panoramas and balletic fight scenes, as well as the softness of the love duets, while a newly processed Dolby Digital 5.1 audio track brings Bernsteins score up as if the notes were still drying on the page. Extras abound. A "Remembering" documentary features significant contributions from director Robert Wise, Richard Beymer, Russ Tamblyn and Rita Moreno. Die-hard fans will lap up the various galleries, comparisons, the original intermission music and even a complete copy of Ernest Lehmans screenplay. --Piers Ford
Limp Bizkit Korn and the Insane Clown Posse take you behind the scenes to reveal what really happens backstage - Scorching hot sex romps with gorgeous groupies insane parties more nudity and stars losing control. Uncensored mayhen on one XXX DVD.
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