Only Oscar-winning writer-director Alexander Payne (Sideways) would think to cast the famously handsome George Clooney as a dishevelled dad in his outstanding adaptation of Kaui Hart Hemmings's tragicomic novel. Clooney dials down the glamour to play Matt King, a Hawaii real-estate attorney with a propensity for unflattering shirts and ill-fitting trousers. When Matt's wife, Elizabeth, ends up in a coma after a water-skiing accident, Matt must learn to balance the parenting of his resentful daughters, Scottie (Amara Miller) and Alexandra (Shailene Woodley, The Secret Life of the American Teenager), with the sale of a pristine plot of Kauai land that stands to make the King cousins, including scruffy Hugh (Beau Bridges), a fortune. As Elizabeth's condition worsens, Matt contacts friends and relatives, like her fiercely protective father (Robert Forster), so that they'll have the chance to say goodbye. In the process, he finds out she was having an affair with realtor Brian Speer (Matthew Lillard, effectively cast against type), so he and the girls, including Alex's hilariously mellow friend, Sid (Nick Krause), go on an island-hopping trip, ostensibly to add Brian to the mix, but Matt really wants to find out what his wife saw in the guy. His journey from naiveté to knowledge brings out Clooney's soulful side, creating a believably flawed, deeply sympathetic figure. If Payne leans too heavily on the slack-key soundtrack, his love for his characters, including Judy Greer as Matt's female counterpart, results in his most emotionally satisfying movie to date. --Kathleen C. Fennessy
The DescendantsOnly Oscar-winning writer-director Alexander Payne (Sideways) would think to cast the famously handsome George Clooney as a dishevelled dad in his outstanding adaptation of Kaui Hart Hemmings's tragicomic novel. Clooney dials down the glamour to play Matt King, a Hawaii real-estate attorney with a propensity for unflattering shirts and ill-fitting trousers. When Matt's wife, Elizabeth, ends up in a coma after a water-skiing accident, Matt must learn to balance the parenting of his resentful daughters, Scottie (Amara Miller) and Alexandra (Shailene Woodley, The Secret Life of the American Teenager), with the sale of a pristine plot of Kauai land that stands to make the King cousins, including scruffy Hugh (Beau Bridges), a fortune. As Elizabeth's condition worsens, Matt contacts friends and relatives, like her fiercely protective father (Robert Forster), so that they'll have the chance to say goodbye. In the process, he finds out she was having an affair with realtor Brian Speer (Matthew Lillard, effectively cast against type), so he and the girls, including Alex's hilariously mellow friend, Sid (Nick Krause), go on an island-hopping trip, ostensibly to add Brian to the mix, but Matt really wants to find out what his wife saw in the guy. His journey from naiveté to knowledge brings out Clooney's soulful side, creating a believably flawed, deeply sympathetic figure. If Payne leans too heavily on the slack-key soundtrack, his love for his characters, including Judy Greer as Matt's female counterpart, results in his most emotionally satisfying movie to date. --Kathleen C. Fennessy SidewaysWith Sideways, Paul Giamatti (American Splendor, Storytelling) has become an unlikely but engaging romantic lead. Struggling novelist and wine connoisseur Miles (Giamatti) takes his best friend Jack (Thomas Haden Church, Wings) on a wine-tasting tour of California vineyards for a kind of extended bachelor party. Almost immediately, Jack's insatiable need to sow some wild oats before his marriage leads them in into double-dates with a rambunctious wine pourer (Sandra Oh, Under the Tuscan Sun) and a recently divorced waitress (Virginia Madsen, The Hot Spot)--and Miles discovers a little hope that he hasn't let himself feel in a long time. Sideways is a modest but finely tuned film; with gentle compassion, it explores the failures, struggles, and lowered expectations of mid-life. Giamatti makes regret and self-loathing sympathetic, almost sweet. From the director of Election and About Schmidt. --Bret Fetzer
The Blue Max is a raging war time thriller featuring spectacular aerial combat sequences. It is the story of Bruno Stachel a cold ambitious German combat pilot in World War I. As brave as he is ruthless he excels in combat wins the highest medals The Blue Max and becomes a national hero. The Blue Max is among the best aviation films with outstanding photography spectacular dogfights and a dramatic score.
Times are hard in 1846 London and one must make do. So Nellie Lovett adds something extra to the meat pies she peddles on Fleet Street. The secret ingredient: freshly murdered victims of her partner in crime barber Sweeney Todd. Composer/lyricist Stephen Sondheim refashions a macabre tale into a musical masterwork in this dazzling performance of the 1979 Broadway hit originally staged by Harold Prince. In her Tony-winning role (one of eight the show earned including Best Musical) Angela Lansbury plays Nellie. George Hearn turns his stage role of twisted Sweeney into an Emmy-winning triumph. The score coils around itself in ever-tightening spirals. The lines ripple with black humor and madness. Enter Sweeney's tonsorial parlor. Attend the tale.
Only Oscar-winning writer-director Alexander Payne (Sideways) would think to cast the famously handsome George Clooney as a dishevelled dad in his outstanding adaptation of Kaui Hart Hemmings's tragicomic novel. Clooney dials down the glamour to play Matt King, a Hawaii real-estate attorney with a propensity for unflattering shirts and ill-fitting trousers. When Matt's wife, Elizabeth, ends up in a coma after a water-skiing accident, Matt must learn to balance the parenting of his resentful daughters, Scottie (Amara Miller) and Alexandra (Shailene Woodley, The Secret Life of the American Teenager), with the sale of a pristine plot of Kauai land that stands to make the King cousins, including scruffy Hugh (Beau Bridges), a fortune. As Elizabeth's condition worsens, Matt contacts friends and relatives, like her fiercely protective father (Robert Forster), so that they'll have the chance to say goodbye. In the process, he finds out she was having an affair with realtor Brian Speer (Matthew Lillard, effectively cast against type), so he and the girls, including Alex's hilariously mellow friend, Sid (Nick Krause), go on an island-hopping trip, ostensibly to add Brian to the mix, but Matt really wants to find out what his wife saw in the guy. His journey from naiveté to knowledge brings out Clooney's soulful side, creating a believably flawed, deeply sympathetic figure. If Payne leans too heavily on the slack-key soundtrack, his love for his characters, including Judy Greer as Matt's female counterpart, results in his most emotionally satisfying movie to date. --Kathleen C. Fennessy
Meet Maindrian Pace insurance investigator by day unstoppable car thief by night. When a South American drug lord employs Pace to steal 48 cars for him all but one a 1973 Ford Mustang have been successfully stolen. As Pace prepares to finish the job little does he know his boss has tipped off the police. There's only one way out: start driving and don't stop!
A young girl is murdered and an Inspector calls on a prosperous Yorkshire household investigating the sad circumstances behind her death. Each one of the family has a secret - and each one is partly responsible for the girl's fate. The determined Inspector must prove their collective guilt and the shattering denouncement reveals why. An adaptation of J.B. Priestley's classic play.
Three archaeologists searching for the 4 000-year-old tomb of Princess Ananka among the ruins in Egypt are warned of grave consequences if they violate her tomb. Madness strikes one and as the others return to England with a mummy a series of murders take place as the mummy seeks a deadly revengre on those who desecrated the secret tomb...
Jim Wilson (Reed) is a police lieutenant in a corrupt resort town. Revolted by the brutality of modern police work he decides to leave and take up duties in his quiet home town. But on his final day a violent drama explodes. A deadly confrontation breaks out between Frank (McHattie) the abandoned lover of singer Janie (George) and her new boyfriend Lyne (Osborne). The police are called and Frank shoots a young officer. Within minutes a full siege is underway in full view of the tou
Only Oscar-winning writer-director Alexander Payne (Sideways) would think to cast the famously handsome George Clooney as a dishevelled dad in his outstanding adaptation of Kaui Hart Hemmings's tragicomic novel. Clooney dials down the glamour to play Matt King, a Hawaii real-estate attorney with a propensity for unflattering shirts and ill-fitting trousers. When Matt's wife, Elizabeth, ends up in a coma after a water-skiing accident, Matt must learn to balance the parenting of his resentful daughters, Scottie (Amara Miller) and Alexandra (Shailene Woodley, The Secret Life of the American Teenager), with the sale of a pristine plot of Kauai land that stands to make the King cousins, including scruffy Hugh (Beau Bridges), a fortune. As Elizabeth's condition worsens, Matt contacts friends and relatives, like her fiercely protective father (Robert Forster), so that they'll have the chance to say goodbye. In the process, he finds out she was having an affair with realtor Brian Speer (Matthew Lillard, effectively cast against type), so he and the girls, including Alex's hilariously mellow friend, Sid (Nick Krause), go on an island-hopping trip, ostensibly to add Brian to the mix, but Matt really wants to find out what his wife saw in the guy. His journey from naiveté to knowledge brings out Clooney's soulful side, creating a believably flawed, deeply sympathetic figure. If Payne leans too heavily on the slack-key soundtrack, his love for his characters, including Judy Greer as Matt's female counterpart, results in his most emotionally satisfying movie to date. --Kathleen C. Fennessy
Ignoring a strange warning a young party travelling to the Carpathian Mountains are abandoned by their coachman. Their luck changes however when another mysterious coach appears and delivers them to the hospitality of Count Dracula...
Fallen women? Does it mean they've hurt their knees? After a decade of soul-saving in Africa Charles Fortescue is asked to minister to the ladies of the night in 1906 London. So Fortescue feeds them shelters them and not infrequently provides them a bed: his!A naive man of the cloth becomes a man of the sheets in this playfully naughty yet always tasteful comedy that stars Monty Python's Michael Palin (who also wrote the script) as Fortescue and features a colourful array of cockeyed characters: a blissful airhead (Phoebe Nicholls) a lusty mission sponsor (Maggie Smith) a bewildered butler (Michael Hordern) an earthy bishop (Denholm Elliott) a cantankerous John Bull (Trevor Howard) and more. Jolly good fun!
As the third in what became a series of eight, Prince of Darkness was distinguished among the Hammer Dracula movies for several reasons. It was the third and last directed by Terence Fisher and his familiarity with the mythos and studio practices meant the rushed production still came out looking spectacular in places. Moving into the tail end of the 1960s, Hammer looked for ways of cost cutting: the film's dramatic finale on a frozen river takes place on a two-for-one set being used simultaneously for another shoot. This was also the series entry that included a substitute for the Renfield character missing from the first movie. Thorley Walters as Ludwig is a colourful cameo and that's also all that can be said of Christopher Lee. Despite top billing, the mute monster occupies but a fraction of the overall on-screen time. The real frights come from gaunt butler Klove who scares the life (literally) out of hapless travellers Alan, Charles, Helen and Diana. Surely their fate would ensure no-one else took the mountain pass to Carlsbad? But only two years later, audiences discovered Dracula Has Risen from the Grave. On the DVD: apart from scene access there's nothing making use of the DVD format here. The 2.55:1 presentation is certainly welcome, and the mono audio somehow feels appropriate. --Paul Tonks
Alastair Sim stars as the eccentric and irreverent Inspector Cockrill of the Kent County Police alongside Trevor Howard and Rosamund John in this truly classic and suspenseful murder mystery from the acclaimed film-making partnership of Frank Launder and Sidney Gilliat. August 1944. German flying bombs are raining down on London. Directly under their flight path is a small cottage hospital. Inside the tension is almost unbearable for the dedicated team of surgeons and nurses - and not just because of the 'doodlebugs' and near misses. Their close-knit community is torn apart by jealousy emotional turmoil the horrors of war.and terrible secrets. When the local postman is brought in delirious but trying to impart an urgent message - the murders begin. Inspector Cockrill is called in to investigate a truly baffling case where everyone has secrets - but no-one appears to have a motive. Alastair Sim is at his very best in this thrilling whodunit that will keep you guessing until the very last chilling moments of the film.
A psychological thriller from the writer of the original Twilight Zone. In a showdown of man vs. machine Dr Rex Martin (Bill Pullman) plunges into a chaotic nightmare trying to save his mind from a megalomaniacal corporation!
John Russell (Scott) a composer and music professor loses his wife and daughter in a tragic accident. Seeking solace he moves into an old mansion unoccupied for twelve years. But a child-like presence seems to be sharing the house and trying to share its secrets with him. Through research into the house's past and a seance held within Russell discovers the horrific secret of the house's past a secret that the presence will no longer allow to be kept...
Adapted by the original source novel Keith Waterhouse this is the television series from 1973 shown on ITV. Starring Jeff Rawle as the overimaginative Billy Liar who dreams of a big-city life as a comedy writer. Featuring all the episodes from series 1
M.R. James is one of the greatest writers of stories of the supernatural and 'Oh Whistle and I'll Come to You My Lad' is one of his darkest works - a tale of solitude and terror and the dangers of intellectual pride. Made in 1968 for BBC Television's Omnibus programme Jonathan Miller's adaptation succeeds in capturing the chill of terror at the heart of the story. The bleak Norfolk landscape is superbly photographed by Dick Bush to instil a sense of isolation and unease from th
This zany sequel stars George Clooney in one of his earlier roles and is brought to you by the team that gave us 'Attack of the Killer Tomatoes'. It is 20 years on from the Great Tomato Wars and red skins are still banned. But Professor Gangrene has made a fiendish discovery - how to turn tomatoes into perfect replicas of men and women. These tomatoes are really stewed and dangerous! Just when you thought it was safe to go back into the greenhouse the vegetable of doom returns!
Featuring 10 films starring the 'Singing Cowboy'! Includes: 1. Heldorado (1946) 2. In Old Cheyenne (1941) 3. King Of The Cowboys (1943) 4. Sheriff Of Tombstone (1941) 5. Bad Man Of Deadwood (1941) 6. Rough Riders Round Up (1939) 7. Young Bill Hickok (1940) 8. My Pal Trigger (1946) 9. Old Caliente (1939) 10. Lone Ranger
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