A former convict is living in seclusion on an island with his step-daughter. He invites a group of former friends to his island tempting them with hints of a hidden fortune. Unfortunately each of the former friends was responsible for him doing time in prison....
A real archaeological artefact from 1967, Good Times will be mostly of interest to anyone who wants to see a parade of fashions that Austin Powers would reject as too garish to be seen on the street in. The nothingy plot concerns then-married Sonny and Cher playing themselves as a one-note bickering sit-com couple, signing up with sinister film tycoon Mordicus (an impeccable George Sanders) to make a movie but not wanting to do the mouldy rags-to-riches hillbilly script on offer. Cher is supposed to be less interested than Sonny in making a movie--which might well have been the truth since she mostly lies around doodling outrageous fashion designs or contributing her strange sung-through-the-nose vocals as poor, goofy Sonny does all the hard work flogging life into skits that had been squeezed dry by the Monkees before being passed to him. The finale finds Sonny and Cher standing up for integrity and refusing to make a bad film even if it means they gets blacklisted all over town--a lesson it's a shame that they (especially Cher) didn't take to heart in their later careers. Astonishingly, this was the feature directorial debut of The Exorcist's William Friedkin, who fills the screen with colour, action and gaggery after the manner of the then-hip Batman TV show while focusing on screaming outfits that remain among the darnedest things you ever saw. Aside from a reprise of "I Got You, Babe", the score is a little light on the slim canon of S&C hits; the songs included are "It's the Little Things", "Good Times", "Trust Me", "Don't Talk to Strangers", "I'm Gonna Love You" and "Just a Name". The DVD extras include a few sketchy bios and a jump-to-a-song feature. --Kim Newman
Made in commemoration and celebration of the Jubilee of King George V this is the story of the first twenty-five years of his reign told through the many travels of a penny that was minted in the year of his accession: 1910. Through a series of individual stories Royal Cavalcade covers a period of striking change in every area of life – from the suffragette movement to the trenches of World War One the effects of the Depression to single events such as the first ever Royal Command Performance featuring Anna Pavlova and George Robey. Combining newsreel footage and dramatised re-enactments and boasting some of the era's most popular stage and screen stars this little-seen documentary feature is presented here in a brand-new transfer from the original film elements in it as-exhibited theatrical aspect ratio. Special Features: Image Gallery Promotional Material PDF's
Be afraid. Be very afraid... The Fly (1958) A brilliant scientist becomes obsessed with perfecting a device that can transmit matter from one location to another. Successful in his initial tests he experiments with a human guinea pig - himself. But an ordinary housefly makes the journey with him and when they emerge both creatures have been extraordinarily changed. This is the chilling story of a man fighting to retain his humanity and a desperate woman's attempt to
In the first Prime Suspect, Helen Mirren's ballsy woman Detective Chief Inspector Jane Tennyson battled the boys club and their sexist barbs to prove herself in a chauvinist department. In Prime Suspect 2, she's assigned to head a racially charged murder investigation in a largely African/Caribbean neighbourhood. It's politics as usual in the image-conscious organization, so the superintendent adds to the team black Detective Robert Oswalde (Colin Salma), a sharp but hot-headed investigator who has just broken off an affair with Tennyson. Now Tennyson grapples with her own conflicted feelings while fighting political and public-relations battles both in the media and within the police system itself in the midst of investigating the labyrinthine case. Between the scant clues left to sift, a prime suspect on the verge of death himself and divisions in her own team that result in a devastating death, Tennyson soon begins to suspect she's been hung out to dry by the department. Screenwriter Allan Cubitt dives into the murky waters of volatile racial and social relations to create an even more complex and compelling mystery in Tennyson's second appearance and Mirren rises to the challenge to explore the contradictions of an uncompromising cop in a compromising position. --Sean Axmaker
Featuring all the episodes of series 10. Episodes comprise: 1. A Fridge Too Far 2. Another Case of Van Blank 3. All Things Brighton Beautiful 4. One Flew Over the Parents' Nest 5. The Immaculate Contraption 6. All Quiet on the West End Front 7. The Great Depression of 1994 8. On the Autofront 9. Bring Me the Head of Arthur Daley 10. The Long Good Thursday
Alfred Hitchcock himself called this 1934 British edition of his famous kidnapping story "the work of a talented amateur", while his 1956 Hollywood remake was the consummate act of a professional director. Be that as it may, this earlier movie still has its intense admirers who prefer it over the Jimmy Stewart--Doris Day version, and for some sound reasons. Tighter, wittier, more visually outrageous (back-screen projections of Swiss mountains, a whirly-facsimile of a fainting spell), the film even has a female protagonist (Edna Best in the mom part) unafraid to go after the bad guys herself with a gun. (Did Doris Day do that that? Uh-uh.) While the 1956 film has an intriguing undercurrent of unspoken tensions in nuclear family politics, the 1934 original has a crisp air of British optimism glummed up a bit when a married couple (Best and Leslie Banks) witness the murder of a spy and discover their daughter stolen away by the culprits. The chase leads to London and ultimately to the site of one of Hitch's most extraordinary pieces of suspense (though on this count, it must be said, the later version is superior). Take away distracting comparisons to the remake, and this Man Who Knew Too Much is a milestone in Hitchcock's early career. Peter Lorre makes his British debut as a scarred, scary villain. --Tom Keogh
Political double-talk dirty tricks hidden microphones spy satellites bugging the Oval Office and a nuclear bomb for sale are all ingredients in this swift funny and frightening look at the possibilities in today's political arenas. Globe-trotting ace TV news reporter Partick Hale (Connery) is on the trail of a terrorist offering the sale of a nuclear bomb to a Mid-East oil country. Hale juggles Arab sheiks and international intelligence agents to get at the story. Meanwhile
The continuing misadventures of Duncan Waring (Robin Nedwell) Dick Stuart-Clark (Geoffrey Davies) and Paul Collier (George Layton) see them move further up the promotion ladder but no change in their fondness for slacking off and trying to chat up girls nor in their ability to drive Professor Loftus (Ernest Clark) round the bend. But there's more trouble for the boys in the form of brown-noser Lawrence Bingham (Richard O'Sullivan) who trots about after Loftus in the hope of crawlin
When Mikhail Khodorkovsky, Russia's richest oligarch, begins to support the political opposition and challenges Russia's all powerful president Vladimir Putin, he sets in motion a series of events that are still being felt today and most likely for years to come. Enraged, Putin instructs his secret service police to arrest Khodorkovsky in a dramatic raid on his private jet in October 2003 and then banishes him on trumped up charges of tax evasion to a Siberian gulag. Featuring an exclusive interview with Khodorkovsky behind bars (the only one of its kind), and with contributions from major political insiders and journalists, Khodorkovsky traces the metamorphosis of Russia's richest man into its most famous political prisoner. Unveiling the corrosive relationships which have corrupted politics and business in post Soviet Russia, director Cyril Tuschi asks the million Ruble question - why did Khodorkovsky leave friends and family behind for life in a Siberian gulag?
Nine years before his WWII cult classic Inglorious Bastards, Enzo Castellari virtually invented the 'Macaroni Combat' genre with this over-the-top saga of valour, vengeance and machine-gun mayhem. Hollywood legend Van Johnson The Caine Mutiny and Frederick Stafford (Hitchcock's Topaz) star as military officers pursuing a merciless team of Nazi saboteurs through war-ravaged London, featuring Castellari's jaw-dropping recreations of The Siege Of Dunkirk, The Battle Of Bri...
Hellraiser: Inferno (Dir. Scott Derrickson 2000): A shady L.A. detective (Sheffer) finds himself lost in a darkly nightmarish world of evil when he solves the mysterious puzzle box that releases the diabolical demon Pinhead! As those around him begin to meet tragic fates he sets out to conquer the horrifying Pinhead and escape eternal hell! Hellraiser: Bloodline (Dir. Kevin Yagher 1996): Spanning three generations this horrifying story chronicles the struggle of one
The Long Good Friday (Dir. John MacKenzie 1981): In the savage and deadly world of the gangland king the man at the top is ruler only for as long as he controls everything in his territory. For that man the rewards can be infinite but so are the dangers. Harold Shand is enjoying the height of his powers and he is on the verge of something that would make his current 'arrangements' small fry. But stronger forces than even he can control have moved in and taken over. Climaxing in one long and bloody day of terror an Easter Good Friday he is to see his empire begin to crack and crumble. Mona Lisa (Dir. Neil Jordan 1981): Love is a weakness to be exploited and betrayed. Starring Bob Hoskins Michael Caine and Cathy Tyson 'Mona Lisa' is a classic drama written and directed by Neil Jordan about a driver (Hoskins) who falls for his employer - high-class prostitute Simone (Tyson). The DVD includes interviews and a commentary with Bob Hoskins and Neil Jordan the original theatrical trailer subtitles for the hearing impaired and much more!
It's 1940 and the rich and glamorous are seeking refuge from the war in the gambling capitol of Monte Carlo. There cabaret singer Katrina uses her charms to obtain war secrets which she passes onto British Intelligence.
The first ever feature length Minder escapade. Terry and Arthur race through Europe on the Orient Express and become enmeshed in a tale of gangland revenge murder and mayhem. Terry has been given tickets for the Orient Express by a mysterious young woman but Arthur needs Terry for protection and Terry needs Arthur like a hole in the head. By devious means Arthur boards the train only to find Chisholm is aboard working with Interpol. A free-wheeling tale of comedy action
George Sampson: Access All Areas
Jimmy it the confident sexy gang leader and best friend of Quentin a young writer who betrays his background and his friends. Julie is the girlfriend of Quentin but has designs on Jimmy. Samir is still healing after the loss of his first love Rick and falls for the sexually confused Quentin. When Samir is spurned he starts to let go of his past and forms a close relationship with Julie and Jimmy - a bond so close that it will change his life forever. ""The performances are stron
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