The last desperate fight that changed the course of history. Five months after D-Day most American soldiers think the German army is broken. The Germans think otherwise. In an attempt to buy time to fill the skies with their invincible new jets they launch one fast furious offensive: the Battle of the Bulge. For this epic recreation of one of World War II's most crucial confrontations director Ken Annakin (The Longest Day) captures the explosive action of massive f
A well-to-do married English couple travel to Naples after inheriting a villa Alex (George Sanders) a workaholic businessman and Katherine (Ingrid Bergman) a more sensitive character. With a loveless relationship the couple are on the verge of a divorce and decide to spend the remainder of their trip separately. Katherine visits museums and historical sites while Alexander goes to Capri to relax with drinks. Their separation allows them to grow and revisit the past and ultimately begin to become intrigued again with one another a delayed anti-honeymoon. Poorly received on initial release the film feels eerily modern due to its timeless themes of the unwelcome intrusion of the past and the terrifying uncertainty of the future both reccurring in Rossellini's work. Ranked 39 in the Sight and Sound's 'Top 50 Greatest Films of all Time' the film has recently received the recognition it deserves with Martin Scorsese even making his own film My Voyage to Italy exploring Italian cinema in general and the film's impact on his work
Stephen King wasn't exactly in peak form when he wrote Firestarter, so this 1984 movie adaptation was at a disadvantage even before the cameras rolled. There were so many King movies being made at the time the weaknesses of this one became even more apparent. In her first film role after her memorable appearance in E.T., Drew Barrymore stars as a little girl whose parents acquired strange mental powers after participating in a secret government experiment. From this genetic background she has developed the mysterious ability to set anything on fire at will, especially when she's angry. That makes her very interesting to government officials seeking to exploit her skill as a secret weapon. Her father tries to protect her by using his powers of mind-control, while George C. Scott plays an Indian who believes the girl must be destroyed. There is a routine climax involving a lot of impressive pyrotechnics, but none of this is grounded in a dramatically solid foundation, and none of the characters are developed enough for us to care about them. Director Mark L. Lester, who the following year made Commando with Schwarzenegger, keeps the pace cracking along, but nevertheless the movie gradually turns into a laughable thriller with no suspense whatsoever. It's a movie only a pyromaniac could love. --Jeff ShannonOn the DVD: This is a largely no-frills presentation, albeit with a decent anamorphic print. The only extras are the original theatrical trailer and a nicely presented menu. A fold-out booklet has informative liner notes and a reproduction of the film poster.
Ryan Reynolds and Melissa George star in this remake of the classic supernatural chiller.
It's not unusual for Hollywood to remake European hits. What is unusual is the director of the original getting the chance to helm the new version with an American cast, which is what happened with this film based on an intensely creepy Dutch film of the same name (both directed by George Sluizer). Kiefer Sutherland and Sandra Bullock are on vacation when, while stopped at a crowded rest area, she disappears. He devotes the next several years to discovering what happened to her, ruining his life in the process. When he does get a clue, it leads him to Jeff Bridges, who plays a bizarre and highly organized individual whose motives are almost as strange as he is. Bridges is spooky, but Sluizer ultimately is undone by Hollywood's demand for a happy ending, which makes this film affecting but far less unsettling than the original. --Marshall Fine
Dutiful cavalry officer Nathan Brittles (John Wayne) is reluctant to retire in the face of an imminent Native American uprising. His last official task is to escort the commander's wife and her niece to the Sudrow's Wells stagecoach stop but it proves to be a journey fraught with danger. This film the second in John Ford's cavalry trilogy is a masterpiece of the cinema and is acclaimed as one of the greatest Westerns ever made.
Comedy icon Penelope Keith stars as Jean Price a newly elected Labour MP who finds her cherished principles severely tested in the unforgiving often murky world of Westminster. Also starring George Baker (Ruth Rendell Mysteries) as Tory adversary Sir Godfrey Eagan and Garfield Morgan (The Sweeney) as Labour whip Norman this cleverly scripted Thames comedy was directed by the BAFTA Award-winning John Howard Davies whose high-profile credits include The Good Life Fawlty Towers and Mr Bean. No Job for a Lady first aired between 1990 and 1992 and this first series is now made available on DVD for the first time.
This superb Hitchcockian thriller shocked critics and audiences on its initial release. With superb performances from the cast (Dorothy McGuire in particular); a wonderfully eerie gothic mansion and a chilling atmosphere of fear and suspense, it is easy to see why the film stands as one of the classic tales of terror.
If you read the label on a box of chocolates you'll know exactly what you're gonna get. Life isn't like that in Forrest Gump, however, which is one of the reasons why this movie divided appreciative audiences from hard-hearted critics like few others before it. Audiences responded to the Frank Capra-style sentimentality of this warm-hearted tale of a good ol' American boy making his way in the world without ever losing his pure and simple innocence. Critics, however, were made uneasy by the apparently reactionary subtext to the parallel lives of Forrest and his girlfriend Jenny. Her fate, contrasted with his, suggests a triumph for plain ol' American values over dangerous freethinking hippies and liberals. Whether the movie is just unadulterated sentiment or right-wing propaganda, one thing at least was acknowledged by all: that Forrest Gump displays all the craftsmanship of one of Hollywood's most inventive directors and features a central performance from an actor renowned for his total commitment to every role. Thanks to Robert Zemeckis and Tom Hanks, even the most cynical critic will find it hard not to shed at least one tear by the end of this undeniably engrossing movie. The soundtrack is great, too. On the DVD: another good two-disc set gives fans of Gump and budding filmmakers alike plenty to enjoy. The anamorphic picture and Dolby Surround on Disc 1 do full justice to Zemeckis' vision, which is accompanied by two commentaries: one from the director, producer Steve Starkey and production designer Rick Carter, and another one from producer Wendy Finerman. Disc 2 has the usual making of documentary (30 mins), plus some neat featurettes on the production and sound design and the many special effects shots (including how they made Gary Sinise lose his legs). In addition there are some screen tests of Robin Wright and a very young Haley Joel (The Sixth Sense) Osment, plus trailers and a photo gallery. All in all this is a worthwhile package. --Mark Walker
In the typical Don Simpson-Jerry Bruckheimer mould(the partnership yielded Top Gun and Days of Thunder, among many other films), this 1995 drama is a combination of one-dimensional but enjoyable performances, lots of high-tech nonsense taking place onscreen, and mechanistic movie-making at its loudest and most seizure-inducing. Gene Hackman and Denzel Washington play nuclear submarine officers squaring off over the former's apparent intention to do some unauthorized damage to an enemy. Tony Scott (Top Gun) directed, bringing his lustre and pop commercial sense to go with all that Simpson-Bruckheimer eye candy. --Tom Keogh
Box set containing all 107 episodes of the BAFTA award-winning Thames TV comedy drama series starring Dennis Waterman and George Cole. The set also includes the 1985 feature-length special 'Minder On the Orient Express'. Series 1 episodes comprise: 'Gunfight at the OK Launderette', 'Bury My Half at Waltham Green', 'The Smaller They Are...', 'A Tethered Goat', 'The Bounty Hunter', 'Aces High - and Sometimes Very Low', 'The Bengal Tiger', 'Come in T-64, Your Time Is Ticking Away', 'Monday Night Fever', 'The Dessert Song' and 'You Gotta Have Friends'; Series 2 episodes are: 'National Pelmet', 'Whose Wife Is It Anyway?', 'You Lose Some, You Win Some', 'Don't Tell Them Willie Boy Was Here', 'Not a Bad Lad, Dad', 'The Beer Hunter', 'A Nice Little Wine', 'All Mod Cons', 'Diamonds Are a Girl's Worst Enemy', 'The Old School Tie', 'All About Scoring, Innit?', 'Caught in the Act, Fact' and 'A Lot of Bull and a Pat On the Back'; Series 3 episodes comprise: 'Dead Men Do Tell Tales', 'You Need Hands', 'Rembrandt Doesn't Live Here Anymore', 'Looking for Micky', 'Dreamhouse', 'Another Bride, Another Groom', 'The Birdman of Wormwood Scrubs', 'The Son Also Rises', 'Why Pay Tax?', 'Broken Arrow', 'Poetic Justice, Innit?', 'Back in Good Old England' and 'In'; Series 4 episodes are: 'Minder's Christmas Bonus', 'Rocky Eight and a Half', 'Senior Citizen Caine', 'High Drains Pilferer', 'Sorry Pal, Wrong Number', 'The Car Lot Baggers', 'If Money Be the Food of Love, Play On', 'A Star Is Gorn', 'Willesden Suite', 'Windows', 'Get Daley!' and 'A Well Fashioned Fit-Up'; Series 5 episodes comprise: 'Goodbye Sailor', 'What Makes Shamy Run?', 'A Number of Old Wives' Tales', 'The Second Time Around', 'Second-Hand Rose', 'Ride to Scratchwood', 'Hypnotising Rita', 'The Balance of Power' and 'Around the Corner'; Series 6 episodes are: 'Give Us This Day Arthur Daley's Bread', 'Life in the Fast Food Lane', 'The Return of the Invincible Man', 'Arthur Is Dead, Long Live Arthur', 'From Fulham With Love', 'Waiting for Goddard' and 'Minder On the Orient Express'; Series 7 episodes comprise: 'It's a Sorry Lorry Morrie', 'Days of Fine and Closures', 'Fatal Impression', 'The Last Video Show', 'Fiddler On the Hoof' and 'The Wrong Goodbye'; Series 8 episodes are: 'The Loneliness of the Long Distance Entrepreneur', 'A Bouquet of Barbed Wire', 'Whatever Happened to Her Indoors?', 'Three Coins Make a Mountain', 'Guess Who's Coming to Dinner?', 'The Last Temptation of Daley', 'A Bird in the Hand', 'Him Indoors', 'The Greatest Show in Willesden', 'Too Many Crooks', 'The Odds Couple' and 'The Coach That Came in from the Cold'; Series 9 episodes comprise: 'I'll Never Forget Whats 'Ername', 'No Way to Treat a Daley', 'Uneasy Rider', 'Looking for Mr Goodtime', 'Opportunity Knocks and Bruises', 'Gone With the Winchester', 'How to Succeed in Business Without Really Retiring', 'The Roof of All Evil', 'Last Orders at the Winchester', 'Cars and Pints and Pains', 'The Great Trilby', 'A Taste of Money' and 'For a Few Dollars More'; Series 10 episodes are: 'A Fridge Too Far', 'Another Case of Van Blank', 'All Things Brighton Beautiful', 'One Flew Over the Parents' Nest', 'The Immaculate Contraption', 'All Quiet On the West End Front', 'The Great Depression of 1994', 'On the Autofront', 'Bring Me the Head of Arthur Daley' and 'The Long Good Thursday'.
Regina Lambert (Audrey Hepburn) returns to Paris from a holiday in Switzerland to find that her husband Charles has been murdered and her house ransacked. She is later told by a CIA agent that her husband was involved in robbing $250 000 of gold from the U.S. government during World War II and the government wants it back. Later that day she is visited by Peter Joshua (Cary Grant) whom she had met briefly whilst on holiday. When her husband's ex-partners in crime who were double-crossed by Charles start harassing her about the missing money Peter offers to help find it. Thus begins an elaborate charade in which nothing is what it seems to be...
Series 6: It is now 1962, and the Nonnatus House team are as committed to caring for the people of Poplar as always. However, the social revolution in the outside world is mirrored by change and challenge much closer to home. As they strive to help mothers and families cope with the demands of childbearing, disability, disease and social prejudice, our beloved medics must make choices - and fight battles - of their own. Series six will see them laugh together, cry together, and pull together, supporting each other as never before. Also includes 2016 Christmas Special: The Christmas Special will see Call The Midwife transported to the Eastern Cape of South Africa. Nonnatus House receives an SOS from a tiny mission hospital. Understaffed, underfunded, and with a poor water supply, struggling Hope Clinic is faced with closure. Can our much-loved medics and midwives make a difference to the people whose lives depend upon its work? Far from home and everything familiar, the team are both shaken and exhilarated by the challenges they face - and by the time the mission trip is over, some lives are permanently changed.
The arrival of the exotic Marcilla (Ingrid Pitt) causes a stir in the Austrian province of Styria. Women seek Marcilla's friendship and men are entranced by her beauty. When she stays at the home of General Spielsdorf (Peter Cushing) and his niece Laura (Pippa Steele) the only clue to Laura's subsequent death is an unusual wound on one of her breasts. Now calling herself Carmilla the enigmatic stranger moves in with a nearby English family. Like Laura the naïve Emma Morton (Madeline Smith) soon falls ill. As her life hangs by a thread the terrible truth about Carmilla is finally revealed... Special Features: New Blood: Hammer Enters the 70s Audio Commentary with Marcus Hearn and Jonathan Rigby Stills Gallery Original Trailer Restoration Comparisons
Larry Rayder(Peter Fonda) is an aspiring NASCAR driver, Deke Sommers (Adam Roarke) his mechanic. As they feel they collectively are the best, the only thing that is holding them back is money to build the best vehicle possible. As such, they decide to rob a supermarket's office of the money in it's safe to pursue their dream. On the most part, their robbery is successful, although their plan breaks down in it's end phase, which doesn't allow them as much getaway time as they wanted. Another problem they face is an unexpected third person in their getaway, Larry's one night stand Mary Coombs (Susan George), who doesn't like the fact that Larry ran off on her, although she eventually says that she doesn't want any of the money. With a police scanner and two-way radio in their souped up Chevy Impala, they try to outrun the police, who have an identification of their vehicle, and a general description of the three. The police pursuit is led by the tenacious Sheriff Everett Franklin (Vic Morrow), who knows he and his team can catch them, but also knows that the three may be able to get out of the state to freedom through a grove of walnut trees, which Larry, Deke and Mary may or may not know. At every literal and figurative turn, Larry needs to show his superiority as a driver, while trying to ditch Mary, who is a little more resourceful in staying with them than he anticipates. If you're an aspiring writer/director or just a fan of the cinema,then you have to watch 'Dirty Mary, Crazy Larry'. The film isn't just another car chase movie of the 70's. It's the car chase movie that borrows heavily (or steals?) elements from films like, 'Bonnie and Clyde', 'Bullitt' and 'Vanishing Point' then mixes them up in such an original way that, 'Dirty Mary, Crazy Larry' becomes the 70's car chase movie, that eventually influenced more popular films of the same genre like, 'Smokey and the Bandit', 'The Blues Brothers' and Quentin Tarantino's 2007 'Death Proof'. One of the enjoyable experiences of watching this film, is to identify the many different stunts and characters that 'Smokey and the Bandit' and 'Death Proof' borrowed or stole from 'Dirty Mary, Crazy Larry'. There must be at least three stunts in 'Dirty Mary, Crazy Larry' that Quentin Terantino watched and said, 'I like that!' and wrote it into the 'Death Proof' screenplay. Other obvious cinema influences are the ego-maniacal sheriff played by Vic Morrow who's obsessed with catching both dirty Mary and crazy Larry. A very funny variation of this character is later played by Jackie Gleason as Buford T. Justice in 'Smokey and the Bandit'.
Set in a Chicago County General Hospital, the multi-Emmy winning ER is very much in the tradition established by the earlier Hill Street Blues. Like that series, ER also features a range of strong characters whose personal lives often reflect the turmoil of their working environment. It also similarly features a deft, fast-moving mix of comedy, intrigue and tragedy. It could also be seen as a precursor to The West Wing, in that we regard with some awe the ability of these characters to keep on top of the mounting chaos in their day-to-day lives and the myriad problems thrown at them. In ER, this chaos may mean crack addicts, violent patients tumbling through plate glass screens, vindictive colleagues or a chief of staff who insists that fellow surgeons operate on his sick dog. --David Stubbs
Fritz Lang's Expressionistic masterwork continues to exert its influence today, from Chaplin's Modern Times (1936) to Dr Strangelove (1963), and into the late 1990s with Dark City (1998). In the stratified society of the future (Y2K no less), the son of a capitalist discovers the atrocious conditions of the factory slaves, falling in love with the charismatic Maria in the bargain, who preaches nonviolence to the workers. But even the benevolent leadership of Maria is a challenge to the privileged class, so they have the mad-scientist Rotwang concoct a robot double to take her place and incite the workers to riot. The story is melodrama, but it's the powerful imagery that is so memorable. One of the most arresting images has legions of cowed workers filing listlessly into the great maw of the all-consuming machine-god Moloch. Unfortunately, the print used for this DVD is unfocused, scratchy, and five minutes short, altogether unworthy of a visionary masterpiece. It may be too much to hope for the complete film to be restored (only two hours of the original three-hour film are extant), but a clean transfer from a fine-grain negative ought to be possible. And why, when there are other possible future Metropolises to be had, should we downtrodden masses accept this junk? --Jim Gay
Roger Corman directs this gangster thriller, using docu-drama styles to depict the notorious gangland killings in 1929. Al Capone (Jason Robards) is consolidating his grip on Chicago's underworld, with only the Moran gang standing in his way. After Capone wipes them out in the St Valentine's Day shootings, the film goes on to explore how the murders affected the lives of those involved.
Humphrey Bogart (The Harder They Fall) and John Derek (The Family Secret) star in Knock on Any Door, a hard-hitting amalgam of film noir, social commentary, and courtroom drama. Nick Romano (Derek) is a young criminal whose motto is 'live fast, die young, and leave a good-looking corpse'. But, when Nick faces the death penalty for killing a police officer, hotshot lawyer Andrew Morton (Bogart) defends him, arguing that the killer is merely a product of his environment. Based on the controversial novel by Willard Motley and directed by the great Nicholas Ray (In a Lonely Place), Knock on Any Door is an often-shocking indictment of the poverty that blights America's slums. Product Features High Definition remaster Original mono audio Audio commentary with writer and film historian Pamela Hutchinson (2022) Nobody Knows How Anybody Feels (2022, 20 mins): appreciation by critic and film programmer Geoff Andrew Tuesday in November (1945, 17 mins): documentary short about the democratic process in America, made as part of the Office of War's The American Scene series and boasting Nicholas Ray as assistant director Theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
From the director of Get Carter and the writer of Jurassic Park comes a chilling techno-thriller. George Segal is The Terminal Man. Harry Benson (Segal) is a brilliant computer scientist who suffers from seizures that induce blackouts and violent behaviour. Undergoing experimental surgery, electrodes are implanted in his brain to detect oncoming seizures and stop them with an electrical impulse. But the pleasure centre of his brain becomes addicted to the stimulus, triggering seizures at shorter and shorter intervals. If they become continuous the blackouts will be permanent, and Benson a homicidal killer. Much admired by Terrence Malick and Stanley Kubrick, Mike Hodges' film of Michael Crichton's novel is an unnerving slow-burn masterpiece long overdue for re-evaluation. LIMITED EDITION CONTENTS ¢ High Definition (1080p) Blu-ray presentations of both the theatrical and director's cuts of the film ¢ Original lossless mono audio ¢ Optional English subtitles for the deaf and hard of hearing ¢ Brand new audio commentary by film historians Howard S. Berger and Steven Mitchell ¢ A (Misunderstood) Modernist Masterpiece, a new visual essay by film scholar Josh Nelson ¢ Who Am I If Not Myself, a new visual essay by Howard S. Berger ¢ The Skin We Live In, a visual essay by film critic and historian Howard S. Berger on the conjunction of author Michael Crichton, Mike Hodges and cinematographer Richard H. Kline ¢ Mike Hodges on The Terminal Man, an archive interview ¢ Theatrical trailer ¢ Image gallery ¢ Reversible sleeve featuring original and newly commissioned artwork by Sister Hyde ¢ Illustrated collector's booklet containing new writing by author and critic Guy Adams, plus select archival material
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