The feature film The X-Files: I Want to Believe is a satisfying if unspectacular installment in the X-Files series, taking place an unspecified time after the show's nine-year television run. Former agent Dana Scully (Gillian Anderson) is now a doctor, while Fox Mulder (David Duchovny) is being hunted by his former agency and living in seclusion. He and Scully are summoned back by a case involving a missing agent and a former priest (Billy Connolly) who claims to be able to see clues to the agent's whereabouts psychically, though his initial search turns up only a severed limb. Don't expect the usual cast of characters; the FBI has completely turned over (except for the George W. Bush portrait), and the only reason Scully and Mulder are back is because agent Dakota Whitney (Amanda Peet) remembers his success on similar cases involving the inexplicable. Don't expect the same rogues' gallery either; unlike the previous X-Files feature film, which was inextricably linked to the series' convoluted mythology arc (and served as a bridge between the fifth and sixth seasons), I Want to Believe is a stand-alone piece that makes use of the series' roots in horror/sci-fi and moody Vancouver, B.C., locales. Also unlike the previous film, which was almost self-consciously shot for the big screen, this film is on a smaller scale, like a double-length episode of the series. But it's still a good reminder of the creepy vibe that hooked fans for years. And the relationship between Mulder and Scully? It seems to have resumed pretty much where it left off, at least when you take into account the long period of separation. But stick around for the end-credit sequence to take in all the possibilities for the future. --David Horiuchi, Amazon.com
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The X-Files Movie: When a terrorist bomb destroys a building in dallas Texas FBI Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) are drawn into a dangerous conspiracy surpassing anything they've ever encountered. With the dubious assistance of a paranoid doctor (Prior Academy Award winner Martin Landau) Mulder and Scully risk their careers and their lives to hunt down a deadly virus which may be extraterestrial in origin - and could destroy all life on earth. Their pursuit of truth pits them against the mysterious Syndicate powerful men who will stop at nothing to keep their secret safe leading the agents from a cave in Texas to the halls of the FBI and finally to a secret installation in Antarctica which holds the greatest secret of all. The X-Files: I Want To Believe: The supernatural thriller is a stand-alone story in the tradition of some of the show's most acclaimed and beloved episodes and takes the always-complicated relationship between Fox Mulder (Duchovny) and Dana Scully (Anderson) in unexpected directions. Mulder continues his unshakable quest for the truth and Scully the passionate ferociously intelligent physician remains inextricably tied to Mulder's pursuits.
The sixth series of The X-Files picks up after the events of the big-screen movie. So it is that "The Beginning" attempts to fit the film into the TV chronology before moving on to tackle plot points left dangling from series five's "The End" (note the guard asleep at the nuclear power plant console is named Homer!). Between story arc threads are several pleasing one-off excursions: time travel to a Bermuda Triangle boatload of Nazis ("Triangle"); further temporal escapades akin to Groundhog Day ("Monday"); a demonic baby case featuring genre stalwart Bruce Campbell ("Terms of Endearment"); and "The Dreamland, Parts 1 and 2", in which David Duchovny gets to play someone else via personality switching. Back in the conspiracy scheme of things, Mulder chases "S.R. 819", a Senate resolution tying conspiracies together; "Two Fathers" and "One Son" indicates that the abductee experiments are intended to cure the black oil disease; and the year finishes with "BioGenesis", in which a beach-buried UFO has Scully and the audience wondering if we are from Mars. --Paul Tonks
The pretentiously titled Existence is another two-part X-Files yarn glued together to make a feature-length episode. Here the story concerns the birth of Scully's perhaps-alien-tinged child and proves the old maxim that you should stop watching any series when the characters start having babies. By now, newbie Robert Patrick is settled into the role of Agent Doggett, Scully's new partner on the X-Files, but David Duchovny's contract negotiations have enabled Fox Mulder, no longer in the FBI, to come back and hang about the delivery, clashing and then bonding with his replacement. The action content comes from a mild-mannered alien abductee transformed into an unstoppable killing machine, ripping through everything as he tries to prevent the upcoming nativity for reasons that (as ever) don't quite become clear. Also in the support cast are semi-regular Nicholas Lea as lurking plot-explaining conspirator Alex Krycek, and the more welcome Annabeth Gish, whose interestingly spiritual Agent Monica Reyes is being worked up as a replacement for Scully when Gillian Anderson gets out of her contract. Weirdly, The X-Files is in pretty good shape for a show that's been running this long--the performances and the direction are still strong, and outside the "continuing story" shows individual episodes hold up well. But this dreary muddle of running about (plus the odd decapitation) and agonised rumination (blathery philosophical musings about the miracle of life and childbirth) does not represent the series' strengths, suggesting that the best thing that could happen would be to get shot of the long-time stars and their played-out characters to make room for a revitalised show starring Patrick and Gish. On the DVD: The full-screen print, with the extra detail of the DVD image and Dolby Digital, allow you to pick up a lot more than from the murky telecasts. "Alex Krycek Revealed" Parts 1 and 2, a couple of character profiles, turn out to be very snippet-like Fox TV promo pieces, with some interview footage and behind-the-scenes stuff amid the usual teaser clips.--Kim Newman
Limited Edition Steelbook Earth has been conquered by robots from a distant galaxy. survivors are confined to their houses and must wear electronic implants risking incineration by robot sentries if they venture outside.
With so many promises to fulfil and questions left unanswered, the ninth and final series of The X-Files was inevitably going to short-change some of its audience. Mulder is missing, Scully is in and out with various baby concerns, Reyes frequently seems like she's only along for the ride and Doggett seems so right in the role that some fans wondered if he should have appeared sooner. Other cult cameos flitted across the screen in an attempt to keep viewers transfixed. Lucy Lawless, Cary Elwes and Robert Patrick's real-life wife were interesting diversions, but when Burt Reynolds appeared to be none other than God himself, it was apparent that nothing at all was sacred in this last year. Standalone episodes (for example, on Satanic possession and a Brady Bunch psycho) proved to be amongst the least interesting of the show's efforts. No doubt because everyone was focussing on the all-important arc story episodes. Was there more than one alien faction? Were they all in collusion? Who had control of the black oil virus? Who had been in charge of the abductions? More importantly, would Mulder and Scully finally get in bed together? Scattered through the 19 episodes (the fewest of any season), were answers to some of these points. Then as much as possible that remained was packed into the two-hour finale. After 200 episodes, it's just possible that The X-Files overstayed its welcome; nonetheless it will always be remembered for being the most influential TV product of the 1990s. And since this is science-fiction, don't assume it's completely dead either. --Paul Tonks
The guest cast list for The X-Files: The Truth runs almost to the first commercial break, suggesting how many plot strands this season-and-series finale needs to make room for, with many old characters (including ghostly appearances for the dead ones) popping up. Mulder (David Duchovny), teasingly absent for the final season, is suddenly back, accused of murdering a super-soldier who isn't supposed to be able to die. He faces a military tribunal, defended by AD Skinner (Mitch Pileggi), as guest stars trot out testimony that fills the double-length episode with explanations recapping nine years of confusion as creator Chris Carter tries to spatchcock his impromptu conspiracy theories into a real plot. Last-season regulars Robert Patrick and Annabeth Gish are shunted aside as Scully (Gillian Anderson) and Mulder get to dodge a last-scene explosion and wind up in a pretty silly clinch-with-philosophy in the face of vaguely imminent apocalypse. Seriously, if the franchise is to continue on the big screen, how about ditching the embarrassing alien conspiracy mess and doing a monster story? On the DVD: The X-Files: The Truth comes to disc with a lovely widescreen transfer, a 13-minute "Reflections on the Truth" featurette that, though it hits the self-congratulation button a couple too many times, has a little more meat than the puff pieces included on previous releases, and a bonus episode ("William") that is unfortunately another of the maudlin ones, this time resolving the plotline about Scully's super-baby. --Kim Newman
The fifth season of The X-Files is the one in which the ongoing alien conspiracy arc really takes over, building towards box-office glory for the inevitable cinematic leap in The X-Files Movie (1998). The series opener "Redux" begins with Mulder having been framed for everything going. Scully finally sees a UFO ("The Red and the Black") before being presented with a potential daughter (the two-part "Christmas Carol" and "Emily"). By "The End", there's an enormous tangle of threads for the big-screen adaptation to unravel (or not, as it turned out). Cigarette Smoking Man is being hunted, playing every side against the middle, as well as chasing after information on Mulder's sister. Krycek is back, too, as is an old flame for Mulder in the shape of Agent Diana Fowley. If that wasn't enough to goad viewers into the cinema, there was the Lone Gunmen's 1989-set back story ("Unusual Suspects", with Richard Belzer playing his Homicide: Life on the Streets character), a musical number in the black and white Frankenstein homage "Post Modern Prometheus", and scripts co-written by Stephen King ("Chinga"), William Gibson ("Kill Switch"), and even Darren McGavin (who had inspired the show as Kolchak: The Night Stalker) in "Travellers". On the DVD: The X-Files, Season 5 extras include Chris Carter's commentary over "Post Modern Prometheus", which reveals the decision making behind shooting in black and white as well as the problems it caused. A second commentary is from writer/coproducer John Shiban on "Pine Bluff Variant", where he openly admits the influence of The Spy Who Came in from the Cold. Across the six discs (only 20 episodes because of the movie of course) you get credits for every episode, their TV promo spots, deleted and international versions of several scenes (some with commentary from Carter), and a couple of TV featurettes. The best of these is "The Truth About Season 5", talking to an excited Dean Haglund (Langly) amongst other crew members.--Paul Tonks
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
Two lovers spiral into violence for the sake of their own self-preservation in this dark and disturbing thriller.
This release consists of two episodes--"This is Not Happening" and "Deadalive"--of the eighth series of The X-Files spliced together into a feature-length story. With David Duchovny contracted only to do a certain percentage of shows this year, Robert Patrick was brought in as Agent John Doggett, partnering Gillian Anderson's Agent Scully while Duchovny's Mulder is off being tortured by alien-abductors in what looks like an industrial dentist's chair. This story comes about two-thirds of the way through the arc and sets up Duchovny's return to the show--though he literally has to die and come back to get back on the case. It's an unfortunate paradox that most X-Files stand-alone releases concentrate on the dreary alien-abduction/conspiracy episodes which carry the greater storyline of the show, giving the misleading impression that the series is a drearily solemn, badly plotted, straight-faced but stupid sci-fi soap opera. Always skipped over are the far more interesting, entertaining and impressive stand-alone supernatural mysteries or strange comic exercises. Though Duchovny is mostly lying in a hospital bed with oatmeal all over his face, Anderson--whose character is pregnant this series, another dull sub-plot--still gives an amazingly committed performance and gets terrific support from Patrick, whose character has shaken up a lot of what was settled or stale about the show, and the always-underrated Mitch Pileggi as Assistant Director Skinner. The story features several wild-eyed UFO guru types (including Roy Thinnes, once star of The Invaders) and returned abductees transformed into un-killable alien zombies. It's as well made as ever, with ominous shadows and the odd smart line, but you need to have been paying very close attention for seven years to understand what's going on. With Duchovny a potential escapee and Anderson perhaps in line to follow, this episode brings on the excellent Annabeth Gish as Agent Monica Reyes, a specialist in bizarre rituals, who is being effectively set up to partner Patrick in a post-Mulder-and-Scully X-Files that might well keep the franchise going on forever Star Trek-fashion. --Kim Newman
Now you can own the entire adventures of The X-Files in this bumper DVD box set. every episode from all 9 seasons of this multi-award award-winning show are available for the first time in this exclusive Collector's Edition. Don't miss the opportunity to see how the phenomenon all began back in 1993 and how it came to a close 9 years later!
Sometimes you need to lose it all before you find out what matters most. Handsome attorney (Vince Vaughn) is caught in the middle of a romantic triangle forced to choose between his estranged wife (Monica Potter) and his sexy young girlfriend (Joey Lauren Adams). A Cool Dry Place is a passionate tale of a man torn between the love of his life...and the woman of his dreams.
Two lovers spiral into violence for the sake of their own self-preservation in this dark and disturbing thriller.
House Of MirthDirector Terence Davies' sumptuous adaptation of the Edith Wharton classic novel 'The House of Mirth' is a tragic love story set against a background of wealth and social hypocrisy in the turn of the century New York. The Madness Of King GeorgeIn 'The Madness of King George' George III (Nigel Hawthorne) begins to behave in an odd manner thirty years into his rule over England shouting obscenities at people spouting garbled rubbish and attacking his wife's young Mistress of the Robes Lady Pembroke (Amanda Donohoe). The Prince of Wales (Rupert Graves) is determined to see that his father is declared unfit to rule so he can become Regent and denies him access to those close to him. The Prime Minister is forced to intervene and sends his own doctor to help the King instead of the Prince's doctors and the King eventually begins to regain his sanity. Land GirlsIt's 1941. World War II continues to rage across Europe. The young men of England have been called to the front to fight. So back at home a new regiment is formed an army of England's young women who are dispatched across the countryside to pick up the slack known as 'The Land Girls'.
The X Files The Sequel
Featuring a few tasty morsels from X-Files: Season 1! Ideal for people who want to give the unknown their first try. You won't be disappointed by the sci-fi thrills of The X-Files. And don't forget; the truth is out there...
Princess Mononoke has already made history as the top-grossing domestic feature ever released in Japan, where its combination of mythic themes, mystical forces, and ravishing visuals tapped deeply into cultural identity and contemporary, ecological anxieties. For international animation and anime fans, this epic, animated 1997 fantasy, represents an auspicious next step for its revered creator, Hayao Miyazaki (My Neighbor Totoro, Kiki's Delivery Service), an acknowledged anime pioneer, whose painterly style, vivid character design, and stylised approach to storytelling take ambitious, evolutionary steps here. Set in medieval Japan, Miyazaki's original story envisions a struggle between nature and man. The march of technology, embodied in the dark iron forges of the ambitious Tatara clan, threatens the natural forces explicit in the benevolent Great God of the Forest and the wide-eyed, spectral spirits he protects. When Ashitaka, a young warrior from a remote, and endangered, village clan, kills a ravenous, boar-like monster, he discovers the beast is in fact an infectious "demon god", transformed by human anger. Ashitaka's quest to solve the beast's fatal curse brings him into the midst of human political intrigues as well as the more crucial battle between man and nature. Miyazaki's convoluted fable is clearly not the stuff of kiddie matinees, nor is the often graphic violence depicted during the battles that ensue. If some younger viewers (or less attentive older ones) will wish for a diagram to sort out the players, Miyazaki's atmospheric world and its lush visual design are reasons enough to watch. For the English-language version, Miramax assembled an impressive vocal cast including Gillian Anderson, Billy Crudup (as Ashitaka), Claire Danes (as San), Minnie Driver (as Lady Eboshi), Billy Bob Thornton, and Jada Pinkett Smith. They bring added nuance to a very different kind of magic kingdom. -- Sam Sutherland, Amazon.com On the DVD: with an impressive widescreen aspect of 2.35:1 and a pleasant 5.1 Dolby digital sound, you cannot fault the transfer of this animation in any way. However, the special features leave a lot to be desired on what is a classic piece of modern anime. The "Behind the Scenes" feature holds no information on the making of Princess Mononoke in its original form--with no input from animator Hayao Miyazaki--and the trailer is taken from the American release of the movie (even though it calls itself an "original" theatrical trailer), complete with the annoyingly hyped-up voiceover that comes with US film trailers. The redeeming feature of this DVD is the ability to watch the anime in its original language with subtitles, a much more passionate and beautiful form--so much of the feeling and lyricism of the movie is lost with the transfer to English language and misplaced casting. After watching the original Japanese version of Princess Mononoke and reading the book you begin to wonder why the West has become such a solitary child of Disney. --Nikki Disney
Acclaimed writer Andrew Davies turns his talents to one of Charles Dicken's most brilliant novels - arguably the greatest ever depiction of Victorian London from its glittering heights to its very lowest depths - adapting it into a series of half-hour episodes. At the court of Chancery the interminable suit of Jarndyce and Jarndyce becomes the centre of a web of relationships at all levels - from aristocrat Sir Leicester Dedlock to Little Jo the lowly crossing sweeper - and a metaphor for the decay and corruption at the heart of English society. A skillfully crafted thriller; an epic feast of characters and storylines; and a passionate indictment of the legal system Bleak House is as searingly relevant today as it was in the mid-19th Century.
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