Curb Your Enthusiasm is the brainchild of star-creator Larry David, who cocreated Seinfeld and was the basis for the easily rattled George Costanza. Like George, David has a tendency to speak too much, blow things out of proportion, and, most often, fail in the end (and often liking it that way). David's new show is also like its predecessor; it's about "nothing" except following the day-to-day ramblings of a sometime writer and comic (this time in LA). Eternal questions stemming from universal daily dilemmas are honed to perfect comedic absurdity. A notable exception is that the show is only scripted by plot; much of the action is improvised. The first season starts with a one-hour mockumentary following David's return to stand-up for the first time in years. The other 10 episodes follow a more traditional sit-com setup. David plays "himself" (as does his friend, Richard Lewis) although his manager and wife are played by comedians Jeff Garlin and Cheryl Hines. Although this first season is a comedic gem, one can't take more than an episode or two at a time--it's caustic, biting comedy. The episodes are often built like a house of cards, which the irritable David will surely collapse by the end. --Doug Thomas
MGM's bold idea to remake George Cukor's Oscar-winning upper-class romantic farce, The Philadelphia Story, into a star-studded technicolor musical with Cole Porter tunes somehow works splendidly and remains an underrated gem. Even the plot and character names--and some bits of dialogue--all remain the same as the original. Crooning Bing Crosby replaces Cary Grant as the wealthy ex-husband trying to win back his soon-to-be-remarried ex-wife, spoiled ice queen Tracy Lord (Grace Kelly, stunning and aloof in her last film role, originated in the earlier comedy by Katherine Hepburn). Unlike Grant, however, Crosby has jazz great Louis Armstrong, playing himself, in his corner for quixotic persuasion. Frank Sinatra (cocky in James Stewart's former role) and Celeste Holm add support as the nosy reporters covering, and subsequently complicating, the upcoming wedding. Sure, High Society lacks the original's witty satire, sarcasm and character complexity; but it's assuredly paced and wonderfully acted, and contains enough romantic chemistry to keep the plot engaging. And then there's the music. Unlike the grandiose production numbers of many 40s and 50s musicals, High Society's musical sequences are considerably low-key and intimate, focusing on Porter's lyrical content and the style in which it's delivered by the charismatic performers. Armstrong kicks the film off in telling style: he sings the title track, a calypso tune outlining the plot like a Greek chorus--not as an elaborately choreographed song-and-dance number, but instead stuffed claustrophobically in the back of a limousine with his jazz band. Other musical standouts include Sinatra and Crosby playfully tossing barbs during "Well, Did You Evah?"; Crosby and Armstrong teaming up for an energetic clash of styles in "Now You Has Jazz"; the two soaring, archetypal ballads by the leads--Crosby's "I Love You, Samantha" and Sinatra's superior "You're Sensational"; and, finally, the satirical Sinatra/Holm duet, "Who Wants to Be a Millionaire?", the closest High Society ever comes to social or class-commentary. --Dave McCoy, Amazon.com
As with the great John Ford (Young Mr. Lincoln) before him, it would be out of character for Steven Spielberg to construct a conventional, cradle-to-grave portrait of a historical figure. In drawing from Doris Kearns Goodwin's Team of Rivals, the director instead depicts a career-defining moment in the career of Abraham Lincoln (an uncharacteristically restrained Daniel Day-Lewis). With the Civil War raging, and the death toll rising, the president focuses his energies on passage of the 13th Amendment. Even those sympathetic to the cause question his timing, but Lincoln doesn't see the two issues as separate, and the situation turns personal when his son, Robert (Joseph Gordon-Levitt), chooses to enlist rather than to study law. While still mourning the loss of one son, Mary (Sally Field) can't bear to lose another. Playwright Tony Kushner, who adapted the screenplay, takes a page from the procedural handbook in tracing Lincoln's steps to win over enough representatives to abolish slavery, while simultaneously bringing a larger-than-life leader down to a more manageable size. In his stooped-shoulder slouch and Columbo-like speech, Day-Lewis succeeds so admirably that the more outspoken characters, like congressman Thaddeus Stevens (Tommy Lee Jones) and lobbyist W.N. Bilbo (James Spader), threaten to steal the spotlight whenever they enter the scene, but the levity of their performances provides respite from the complicated strategising and carnage-strewn battlefields. If Lincoln doesn't thrill like the Kushner-penned Munich, there's never a dull moment--though it would take a second viewing to catch all the political nuances. --Kathleen C. Fennessy
1966s Cast a Giant Shadow is based on Ted Berkmans biography of Colonel "Mickey" Marcus, the American soldier who served as an adviser in the fight to establish the state of Israel in 1948. It stars Kirk Douglas as the likeable "stiffneck" and WWII veteran persuaded to take up the cause. Israel back then was depicted as a negligible military force under threat of extinction at the hands of its Arab neighbours, hamstrung by a UN embargo on arms supplies. It takes Douglas at his most square-jawed to see off the Egyptian military and defy a blockade to beat a path through to Jerusalem. This is not cinema verité but Hollywood. Marcus dilemma--to settle into peacetime in America or follow his more natural, combative instincts abroad--is symbolised by a love triangle, involving wife Angie Dickinson and Santa Berger as Magda, the soldier whom he falls for in Palestine. Although lavish and spectacular, especially in the war scenes--filmed in the actual Middle Eastern locations in which they occurred--Cast a Giant Shadow is not entirely authentic (for a start, theyre driving 1950s vehicles in the 40s). Moreover, in the light of later troubles in the region, not everyone will be heart warmed by this depiction of plucky little Israel coping against Arab foes who are barely depicted as human throughout the film, merely as tanks and gunfire. Still, its an impressive enough relic of epic 1960s cinema, with cameos from Yul Brynner, John Wayne as Marcus wartime general, and Frank Sinatra as a pilot scattering the enemy by dropping soda dispensers on them. On the DVD: Cast a Giant Shadows restoration here is visually immaculate. The mono sound, however, is often indistinct, with a good deal of sibilant hiss. Disappointingly, the only extra is the original trailer.--David Stubbs
Set within the Asian community in London My Beautiful Launderette is an unusual love story concerned with identity and entrepreneurial spirit during the Thatcher years. Omar (Gordon Warnecke) takes over the running of his wheeler-dealer uncle's launderette with the intention of turning it into a glittering place of commercial success. When he employs childhood friend and ex-National Front member Johnny (Daniel Day-Lewis) they become lovers as well as working partners. However complications soon ensue as the anger of Johnny's deserted gang begins to build and Omar is forced to face increasingly difficult family issues.
Overflowing with warmth and charm Greyfriars Bobby celebrates the powerful bond between man and a kind and loving animal. Based on Eleanor Atkinson's immortal children's book - Walt Disney presents the remarkable true story of one of Scotland's most beloved and celebrated heroes - a terrier named Bobby. The enduring friendship forged between a tenderhearted shepherd known simply as Old Jock and his devoted dog cannot be broken - even by the kindly old man's death. Set in bustling Victorian Edinburgh and the breathtaking Scottish countryside Greyfriars Bobby is a sensitive tale of uncommon loyalty and affection that is certain to delight and inspire one and all!
The tense spy thriller by Len Deighton that turned Michael Caine into a superstar. Cynical and rebellious ex-army sergeant Harry Palmer has been blackmailed into working for Britain's security service. Hot on the trail of a kidnapped scientist Palmer finds himself enmeshed in a sinister conspiracy involving horrifying brainwashing techniques murder and treachery that reaches up to the highest levels of the security service itself. Often hailed as Len Deighton's finest spy story
Acclaimed filmmaker Christopher Nolan directs an international cast in an original sci-fi actioner that travels around the globe and into the intimate and infinite world of dreams. Dom Cobb (Leonardo DiCaprio) is a skilled thief the absolute best in the dangerous art of extraction stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.
On a remote outpost of the Navajo Nation near Monument Valley in 1971, Lieutenant Joe Leaphorn of the Tribal Police is besieged by a series of seemingly unrelated crimes. The closer he digs to the truth, the more he exposes the wounds of his past. He is joined on this journey by his new deputy, Jim Chee, who has his own old scores to settle. Together the two men battle the forces of evil, each other, and their own personal demons on the path to salvation.
This ultra-rare musical film of 1966 tells the story of a rock and roll hopeful searching for his big break. Following the young singer as he goes from studio to studio with his girlfriend and attempts to convince radio and TV executives to play his song Just for You becomes a showcase for a host of Sixties musical talent including Freddie and The Dreamers The Applejacks Millie The Bachelors Peter and Gordon The Merseybeats and many more. Known in the US as Disk-O-Tek Holiday the film is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. SPECIAL FEATURES: [] Original Theatrical Trailer [] Image Gallery [] Promotional Material PDF
Diary of a Wimpy KidThe hilarious best-selling book come to life in this hit family comedy. Greg Heffley is headed for the most humiliating experience in any kid's life - middle school! There he'll fair hairy-freckled morons wedgie-loving bullies and cootie-ridden mouldy chees. Diary of a Wimpy Kid: Rodrick RulesHaving survive the 'Cheese Touch' Greg returns to school with his confidence intact and his eye on a pretty new girl named Holly. But at home Greg faces the worst fate ever: he's being forces to spend quality time with his older brother Rodrick! Diary of a Wimpy Kid: Dog DaysOh No - Greg's Dad is threatening to send him to military school if he doesn't shape up! Unfortunately Greg pretending to work as a swanky country club botching a father-son camping trip and staying one step ahead of the mischievous family dog won't help in this hilarious family film.
In 1943 the Germans opened Stalag Luft III a maximum-security prisoner-of-war camp designed to hold even the craftiest escape artists. In doing so however the Nazis unwittingly assembled the finest escape team in military history - brilliantly portrayed here by Steve McQueen James Garner Charles Bronson and James Coburn - who worked on what became the largest prison breakout ever attempted. One of the most ingenious and suspenseful adventure films of all time The Great Escape is a masterful collaboration between director John Sturges (The Magnificent Seven) screenwriters James Clavell (Shogun) and W.R. Burnett (Little Caesar) and composer Elmer Bernstein. Based on a true story The Great Escape is epic entertainment that captivates thrills and stirs (Variety).
Disney's next animated feature takes the classic story of 'Treasure Island' and gives it a twenty first century science fiction makeover with alien worlds and other galactic wonders.
The West Indies cricket team in the 1970s and 80s rightly continues to be regarded as one of the finest of all time. Names such as Viv Richards, Clive Lloyd, Malcolm Marshall and Gordon Greenidge played the kind of cricket that remains talked about to this day. But what the film Fire In Babylon does is dig a little deeper, examining the ramifications of what that team achieved off the pitch as well as on it. Fire In Babylon examines the oppression and prejudice that the West Indies team was batting against, and how it came to gradually overcome them. It looks, too, at just what can be achieved by sporting success, with many of the key names of the time all contributing. Running to a little shy of 90 minutes, Fire In Babylon blends match footage when it can, and breezes through its running time. Perhaps it doesnt quite fully match its ambitions, but it does provide a thoughtful, engaging documentary, one whose appeal should extend far beyond followers of cricket. Its an uplifting piece of work, and one that really deserves to be seen. --Jon Foster
When the war began she was only a little girl. When it ended she was the voice of a generation... A compassionate and sensitive televisual portrait of the Holocaust's greatest diarist.
'Fun And Fancy Free' Walt Disney's 9th full-length animated masterpiece is a delightful gem that sparkles with charm and is rich in history-making Disney moments. It was the last animated feature starring Walt Disney as the voice of Mickey Mouse and the only film featuring all four of Walt Disney's most famous characters -- Mickey Mouse Donald Duck Goofy and Jiminy Cricket. Following Disney's classic tradition of great storytelling unforgettable characters music and adventur
Twelve people have walked on the moon, but only one man Philippe Petit (Joseph Gordon-Levitt) has ever walked in the immense void between the World Trade Centre towers. Guided by his real-life mentor, Papa Rudy (Ben Kingsley), and aided by an unlikely band of international recruits, Petit and his gang overcome long odds, betrayals, dissension and countless close calls to conceive and execute their mad plan. Academy Award®-winning director Robert Zemeckis uses advanced technology in the service of an emotional, character-driven story. THE WALK is a love letter to Paris and New York City in the 1970s, but most of all, to the Towers of the World Trade Centre. Click Images to Enlarge
Under ROMAN POLANSKI's chilling direction, a classic thriller is born. Rosemary (MIA FARROW) and Guy Woodhouse (JOHN CASSAVETES) are newlyweds, but Rosemary has no idea that her wedded bliss is about to come to a horrific end. Her husband's ambition as a struggling actor is about to plunge her into an abyss of terror like she has never known. In exchange for a taste of fame, Guy makes a deal with the devil that puts his wife and soul in jeopardy. When Rosemary becomes pregnant, her husband b...
A box-office hit when released in 1994, this sprawling, frequently overwrought familial melodrama may get sillier as its plot progresses, but it's the kind of lusty, character-based epic that Hollywood should attempt more often. It's also an unabashedly flattering star vehicle for Brad Pitt as Tristan--the rebellious middle son of a fiercely independent Montana rancher and military veteran (Anthony Hopkins)--who is routinely at odds with his more responsible older brother, Alfred (Aidan Quinn), and younger brother, Samuel (Henry Thomas). From the battlefields of World War I to his adventures as an oceangoing sailor, Tristan's life is full of personal torment, especially when he returns to Montana and finds himself competing with Alfred over Samuel's beautiful widow (Julia Ormond), whose passion for Tristan disrupts the already turbulent Ludlow clan. Under the wide-open canopy of Big Sky country, this operatic tale unfolds with all the bloodlust, tragedy, and scenery-chewing performances you'd expect to find in a hokey bestselling novel (in fact, it's based on the acclaimed novella by Jim Harrison), but it's a potent mix that's highly entertaining. Not surprisingly, John Toll won an Academy Award for his breathtaking outdoor cinematography. --Jeff Shannon
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