David Suchet stars as Agatha Christie's enigmatic eccentric and extremely intelligent detective Hercule Poirot. From England to the Mediterranean accompanied by his elegant and trustworthy sidekicks Captain Hastings Chief Inspector Japp and Miss Lemon Poirot pits his wits against a collection of first class deceptions. Includes all 70 episodes plus many extras.
The dark, brooding tone of Conan the Barbarian is replaced in this rousing sequel by a lighter, more humorous tone and one of the campiest casts ever assembled. In Conan the Destroyer, our massively muscular hero (Arnold Schwarzenegger) is assigned by a duplicitous queen (Sarah Douglas) to escort a virgin princess (Olivia d'Abo) on a treacherous trek to a crystal palace where they will retrieve a priceless gemstone. Basketball champ and self-described Lothario Wilt Chamberlain plays Bombaata, a warrior sent on a secret mission to kill Conan, and the androgynous Grace Jones plays Zula, a wild woman who becomes Conan's loyal ally. Some consider this sequel a disappointment but the film makes no apologies for its silliness, and that's the key to its success as gloriously pulpy entertainment. --Jeff Shannon
A View to a Kill, Roger Moore's last outing as James Bond, is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, A View to a Kill is largely interesting for Christopher Walken's quirky performance as a sort-of super-villain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh, Amazon.com On the DVD: For Roger Moore's final Bond outing the production crew faced the usual quota of difficulties and disasters, the "making-of" documentary reveals: from base jumpers off the Eiffel tower whose antics threatened to jeopardise fragile relations with the Parisian authorities, to Ridley Scott thoughtlessly burning down the 007 at Pinewood right before production was due to start. Patrick MacNee, who has a supporting role in the movie, hands over narrative duties on this one to Rosemary Ford. The commentary is one of those less-than-satisfying montages of comments from various members of cast and crew. Also included is Duran Duran's "A View to a Kill" video (sounding hopelessly dated now), the usual trailers and a brief deleted scene of comic relief inside a Parisian police station. The second documentary concerns the music of Bond--always a crucial ingredient--although it manages the neat diplomatic trick of interviewing both Monty Norman and John Barry without giving the least hint of any controversy about the famous James Bond theme. --Mark Walker
A dazzling, high-tech thriller that infuses Ray Bradbury's classic novel of the same name with a decidedly 21st Century sensibility, the HBO Films presentation of Fahrenheit 451 depicts an American future where the media is an opiate, internet bots control everyday routines, history is truncated or rewritten, and brigades of celebrity firemen engage in televised search-and-destroy missions to burn books and bring their shamed owners to justice. Within this paranoid world, a zealous fireman (Michael B. Jordan) who's being groomed to replace his longtime captain (Michael Shannon) begins to question long-held assumptions about the practice of torching books and other graffiti that leaders say caused widespread dissent and, as a result, a Second Civil War where millions perished. After meeting a young informant (Sofia Boutella) who's on probation for supporting those who value literature and history, the fireman makes a dangerous decision to assist a group of underground Eels who have a bold plan for preserving the contents of thousands of classic books, arts and culture if they can outwit the all-seeing forces intent on destroying them.
Straight To Hell:A team of inept hitmen (Sy Richardson Joe Strummer and Dick Rude) oversleep on the day of their big job and find their target has already fled town. Fearing reprisals from their boss (Jim Jarmusch) they pull a bank job and escape into the desert with Richardson's pregnant girlfriend (Courtney Love). When their car breaks down they seek shelter in a ghost town inhabited by the McMahons (The Pogues Biff Yeager) a murderous and incestuous clan of gun-crazy coffee addicts.Death And The Compass:In a totalitarian metropolis of the future Erik Lonnrot (Peter Boyle) a gifted detective investigates a series of strange murders and disappearances that seem to implicate the insane crime lord Red Scarlach. Enlisting the help of Alonso Zunz (Christopher Eccleston) a principled journalist Lonnrot believes that he has uncovered a labyrinthine occult conspiracy. However has the investigator's brilliance merely precipitated his own destruction?
Arnold Schwarzenegger returns as Conan, the unconquerable warrior king in this thrilling tale of swords vs sorcery. This time he joins forces with a wizard (Mako), a warrior (NBA star Wilt Chamberlain), a runaway (Olivia D'Abo) and a renegade (Grace Jones) to defeat the evil Queen Taramis (Sarah Douglas). When Queen Taramis promises to bring Conan's beloved Valeria back from the dead, our hero must first bring before her highness a jewel-encrusted horn and a beautiful young princess. What Conan doesn't know is that the wicked queen plans to use the horn to awaken the demon god Dagoth and sacrifice the princess to him. Faced with enemies both mortal and supernatural, Conan must summon his super-human strength to battle Taramis and even Dagoth himself!
New York marketing exec Marcus Graham (Eddie Murphy) is a wolf in chic clothing a ladies' man dedicated to life liberty and the happiness of pursuit. But he's about to find out that what goes around comes around in this smash-hit romantic comedy!
In this second Conan epic warrior is asked by the evil Queen Taramis to accompany a beautiful young princess to find a magic treasure. If he returns with the treasure and the virgin the Queen promises to bring Conan's beloved Valeria back from the dead. But little does he know that she plans to kill them both or that the return of the treasure will mean the extinction of mankind...
The dark, brooding tone of Conan the Barbarian is replaced in this rousing sequel by a lighter, more humorous tone and one of the campiest casts ever assembled. In Conan the Destroyer, our massively muscular hero (Arnold Schwarzenegger) is assigned by a duplicitous queen (Sarah Douglas) to escort a virgin princess (Olivia d'Abo) on a treacherous trek to a crystal palace where they will retrieve a priceless gemstone. Basketball champ and self-described Lothario Wilt Chamberlain plays Bombaata, a warrior sent on a secret mission to kill Conan, and the androgynous Grace Jones plays Zula, a wild woman who becomes Conan's loyal ally. Some consider this sequel a disappointment but the film makes no apologies for its silliness, and that's the key to its success as gloriously pulpy entertainment. --Jeff Shannon
Roger Moore lends humour, elegance and lethal charm to his final performance as James Bond in A View to a Kill. Bond confronts Max Zorin (Christopher Walken), who has devised a plan to corner the world’s microchip market, even if he has to kill millions to do it! But before Bond can stop the madman, he must confront Zorin’s beautiful and deadly companion, May Day (Grace Jones).
Agent 007 (Roger Moore, in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge, James Bond can't be stopped.
Agent 007 (Roger Moore in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge James Bond can't be stopped.
Agent 007 (Roger Moore in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge James Bond can't be stopped.
Grace Jones: Bloodlight and Bami takes the viewer on an intimate and electrifying journey that moves between four cinematic layers performance, family, artist and traveller to explore the fascinating world of this pop cultural phenomenon. Jones' bold aesthetic echoes throughout unique musical performances that include hit songs Slave to the Rhythm and Pull Up to the Bumper. Larger than life, wild, scary and androgynous, Grace Jones plays all these parts yet here we also discover her as lover, daughter, mother, sister and even grandmother, allowing us to explore the world inside the icon.
THE FIRST KISS COULD BE YOUR LAST! Two fraternity pledges head to a seedy part of town to find some entertainment for their college friends but are faced with bloodthirsty vampires! Keith (Chris Makepeace, Meatballs) and AJ (Robert Rusler, A Nightmare on Elm Street 2: Freddy's Revenge) want to make the right impression at college and so they devise a plan to get them into the best frathouse on campus. They head to the After Dark Club where they want to find a stripper for a party their friends won't forget, instead they find themselves among vampires led by Kinky Katrina (Grace Jones, A View to a Kill)! Almost certainly an influence on From Dusk til Dawn, Vamp is superbly designed by many of Grace Jones' own award-winning collaborators and features stunning effects by four-time Oscar winner Greg Cannom (The Lost Boys, Bram Stoker's Dracula). Delivering laughs and scares in equal measure, with the added bonus of vampy sex appeal, Vamp is a comedy horror romp with real bite! SPECIAL EDITION CONTENTS: High Definition digital transfer Original mono audio Subtitles for the deaf and hard of hearing One of those Nights: The Making of Vamp - a brand new documentary featuring interviews with director Richard Wenk, stars Robert Rusler, Dedee Pfeiffer, Gedde Watanabe Behind-the-scenes rehearsals Blooper Reel Image gallery Dracula Bites the Big Apple (1979) - Richard Wenk's celebrated short film Reversible sleeve featuring original and newly commissioned artwork by the Twins of Evil First pressing only: Booklet featuring new writing on the film by critic Cullen Gallagher
The dark, brooding tone of Conan the Barbarian is replaced in this rousing sequel by a lighter, more humorous tone and one of the campiest casts ever assembled. In Conan the Destroyer, our massively muscular hero (Arnold Schwarzenegger) is assigned by a duplicitous queen (Sarah Douglas) to escort a virgin princess (Olivia d'Abo) on a treacherous trek to a crystal palace where they will retrieve a priceless gemstone. Basketball champ and self-described Lothario Wilt Chamberlain plays Bombaata, a warrior sent on a secret mission to kill Conan, and the androgynous Grace Jones plays Zula, a wild woman who becomes Conan's loyal ally. Some consider this sequel a disappointment but the film makes no apologies for its silliness, and that's the key to its success as gloriously pulpy entertainment. --Jeff Shannon
Grace Jones: Bloodlight and Bami takes the viewer on an intimate and electrifying journey that moves between four cinematic layers performance, family, artist and traveller to explore the fascinating world of this pop cultural phenomenon. Jones' bold aesthetic echoes throughout unique musical performances that include hit songs Slave to the Rhythm and Pull Up to the Bumper. Larger than life, wild, scary and androgynous, Grace Jones plays all these parts yet here we also discover her as lover, daughter, mother, sister and even grandmother, allowing us to explore the world inside the icon.
A dazzling, high-tech thriller that infuses Ray Bradbury's classic novel of the same name with a decidedly 21st Century sensibility, the HBO Films presentation of Fahrenheit 451 depicts an American future where the media is an opiate, internet bots control everyday routines, history is truncated or rewritten, and brigades of celebrity firemen engage in televised search-and-destroy missions to burn books and bring their shamed owners to justice. Within this paranoid world, a zealous fireman (Michael B. Jordan) who's being groomed to replace his longtime captain (Michael Shannon) begins to question long-held assumptions about the practice of torching books and other graffiti that leaders say caused widespread dissent and, as a result, a Second Civil War where millions perished. After meeting a young informant (Sofia Boutella) who's on probation for supporting those who value literature and history, the fireman makes a dangerous decision to assist a group of underground Eels who have a bold plan for preserving the contents of thousands of classic books, arts and culture if they can outwit the all-seeing forces intent on destroying them.
A View to a Kill, Roger Moore's last outing as James Bond, is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, A View to a Kill is largely interesting for Christopher Walken's quirky performance as a sort-of super-villain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh, Amazon.com On the DVD: For Roger Moore's final Bond outing the production crew faced the usual quota of difficulties and disasters, the "making-of" documentary reveals: from base jumpers off the Eiffel tower whose antics threatened to jeopardise fragile relations with the Parisian authorities, to Ridley Scott thoughtlessly burning down the 007 at Pinewood right before production was due to start. Patrick MacNee, who has a supporting role in the movie, hands over narrative duties on this one to Rosemary Ford. The commentary is one of those less-than-satisfying montages of comments from various members of cast and crew. Also included is Duran Duran's "A View to a Kill" video (sounding hopelessly dated now), the usual trailers and a brief deleted scene of comic relief inside a Parisian police station. The second documentary concerns the music of Bond--always a crucial ingredient--although it manages the neat diplomatic trick of interviewing both Monty Norman and John Barry without giving the least hint of any controversy about the famous James Bond theme. --Mark Walker
The Lady is a Vamp! Flesh hungry freaks exotic vampire dancers and black comedy combine in one of the great cult video store hits of the 1980s… VAMP At school getting into the right fraternity can be a matter of life or death. Keith and AJ need to hire a stripper to entertain the brothers or their college days are over. In a shady after hours joint they find an adult entertainer like no other when they step into the world of sharp-fanged Katrina. Have these two freshmen bitten off more than they can chew? Stuck on the wrong side of town on a dark night and surrounded by a plague of alien blood suckers… The answer is definitely yes! With a cast including the gorgeous Dedee Pfeiffer and the frighteningly beautiful Grace Jones this oddball combination of blood laughs and vampire hotness is a must have for all lovers of the undead. Bonus Features: High Definition Blu-ray (1080p) and Standard Definition DVD presentation of the feature and extras [1 Blu-ray 2 DVDs] Optional English subtitles for the deaf and hard of hearing Original uncompressed mono PCM audio Audio commentary with star Robert Rusler moderated by Calum Waddell Introduction by Robert Rusler Vamp it Up – An interview with star Dedee Pfeiffer Vamp Stripped Bare – An interview with director Richard Wenk Back to the 80s – Producing a campy cult classic Scrapbook of scares – Richard Wenk looks over his collection of Vamp memorabilia Behind the Scenes rehearsals Blooper Reel Dracula Bites the Big Apple (1979) – A short film by Richard Wenk Original Trailer Easter Egg Reversible sleeve featuring original and newly commissioned artwork by Tom ‘The Dude Designs’ Hodge Booklet featuring writing on the film by author and critic Jay Slater
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