It was an event that every fan had waited a decade for: the first Star Trek movie. But after its cinema release in 1979 Star Trek: The Motion Picture was quickly dubbed "The Slow-Motion Picture". In the opinion of general audiences, fans and critics alike, the snail-like pace of the film was a crippling flaw. It bothered one person even more, though: but Robert Wise finally got to scratch that itch when preparing this Director's Edition. In an unprecedented display of confidence from a movie studio, Wise has been allowed to re-edit the film and commission new visual effects sequences that were planned but unrealised for the original release. The result is frankly mind-boggling. Finally we are now able to see how Vulcan was supposed to amaze and alienate us, how integral the B-crew's role was to the mission, and just how spectacular the V'ger ship was imagined to be. Is the pace problem addressed? Undoubtedly it is. Scenes are trimmed and a new "busier" effects soundtrack helps considerably. Does it look better? Definitely. The shades of beige and puce have never seemed more crisply defined. Does it sound better? Jerry Goldsmith's music score (arguably one of the best ever written) is as majestically represented as the Enterprise herself. On the DVD: Star Trek: The Motion Picture two-disc set has oodles of extra features, including a complete library of all scenes deleted from both the original and new versions. The picture quality varies throughout, but it's worth putting up with for the (Wise-ly) excised material such as the unfinished effects work. An audio commentary from Wise, special effects director John Dykstra, composer Jerry Goldsmith and Commander Decker himself (Stephen Collins) provides an appraisal for movie aficionados more than Trek fans: the latter will be far more interested in a text commentary from Trek author and scholar Mike Okuda, who points out endless amounts of in-trivia. Better even than all these are three new documentaries that chronicle the film's history from then to now. Each is brightly put together (they don't drag), informative without being overly technical, and exude a pride without bragging. --Paul Tonks
Irma La Douce reunited The Apartment team of Jack Lemmon and Shirley MacLaine with director Billy Wilder in an adaptation of the stage musical of the same name which had been a hit in Paris, London and New York. The screen transfer by Wilder and his colleague--writer IAL Diamond--however, omits the show's songs, relegating them to a background score refashioned by Andre Previn with some additional themes of his own. Background here is a complimentary term, for whatever qualms one might entertain as to this move, the two sets of themes are skilfully woven together by Previn and emerge as a witty and lyrical aural delight in their own right which is given due prominence on the soundtrack. Wilder is no rush to tell prostitute Irma's story: her affair with Lemmon being the pivot of the tale as he takes on the disguise of an English Lord. Lemmon and MacLaine beautifully play their mutual attraction under Wilder's deft direction with the slapstick never allowed to get out of hand. Many will recognise Wilder's touch in his handling of the scene where Lemmon as a policeman is carted off in a van full of voracious prostitutes from the bunks-in-the-train sequence in Some Like It Hot. The handsome production, designed by Alexander Tranner--with the occasional view of the Seine thrown in for good measure--and the Panavision photography by Joseph La Shelle are further assets. On the DVD: The DVD contains a longer than usual theatrical trailer, half shot as a cartoon with characters closely resembling those Pink Panther figures who emerged at the same time from the Mirisch Brothers, a pair prominent in sustaining the unique success of United Artists, whose name was deleted, in favour of the MGM logo, in the early 1960s. It's too bad that the music on this DVD transfer sometimes strikes a coarse note particularly over the extended opening credits. --Adrian Edwards
Space. The final frontier. These are the voyages of the Starship Enterprise. Its' five year mission: to explore strange new worlds to seek out new life and new civilisations to boldly go where no man has gone before! Episodes Comprise: 1. The Man Trap 2. Charlie X 3. Where No Man Has Gone Before 4. The Naked Time 5. The Enemy Within 6. Mudd's Women 7. What Are Little Girls Made Of? 8. Miri 9. Dagger Of The Mind 10. The Corbomite Maneuver 11. The Menagerie (Part 1) 12. The Me
Star Trek V left us nowhere to go but up, and with the return of Wrath of Khan director Nicholas Meyer, this sixth instalment restored the movie series to its classic blend of space opera, intelligent plotting and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk and crew. The subsequent investigation, which sees Spock taking on the mantle of Sherlock Holmes, uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds, Star Trek VI takes on a sharp-edged tone, with Kirk and Spock confronting their opposing views of diplomacy and testing their bonds of loyalty when a Vulcan officer is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Enterprise crew, this film took the veteran cast out in respectably high style, with the torch being passed to the crew of Star Trek: The Next Generation in the following movie, Star Trek: Generations. --Jeff Shannon, Amazon.com
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