Inspired by a true story. Young Amy (Anna Paquin) is reunited with her father (Jeff Daniels) after a nine-year separation. One day Amy discovers a nest of orphaned goose eggs and decides to take them home and nurture them until they hatch. When the newly hatched goslings adopt her as their Mother Goose Amy and her father become airborne adventurers battling against bad weather and a host of other pitfalls in their efforts to teach the geese to fly...
An HBO limited series focused on family and community, Mare of Easttown stars Kate Winslet as Mare Sheehan, a respected small-town Pennsylvania detective investigating a brutal local murder while also balancing her own personal life, which is rapidly falling apart around her.Considered a local hero for a game-clinching jump shot on her high school basketball team, Mare is the sole detective on her police force, which spends most of its time handling drug-related offenses. Behind the scenes, Mare is dealing with the unaddressed loss of her son, running a busy household filled with her mother, teenage daughter, and grandson, and an ex-husband who lives a stone's throw away with his new fiance.As pressure mounts to solve a missing person's case growing increasingly cold, the murder of a teen girl finds Mare obsessed with bringing the killer to justice in a town where everyone is a potential suspect.
A powerful new three-part drama serial by Peter Bowker traces the lives of three British soldiers from the invasion of Basra in March 2003 to the present. Occupation is inspired by factual research and reveals how the lives of three British men are shaped and transformed by their experiences in Iraq. The drama is set in Basra and explores the personal journeys of three friends from the same regiment and how they are inspired to return to Basra for different reasons - one for financial gain one for love and the third because of his belief in the mission to rebuild the country. Bowker's drama explores how their different dreams come to define not just their lives but the war and the occupation itself. The drama is set against the backdrop of growing sectarian conflict in Iraq awash with billions of dollars from the US creating a boom time for private military companies.
An HBO limited series focused on family and community, Mare of Easttown stars Kate Winslet as Mare Sheehan, a respected small-town Pennsylvania detective investigating a brutal local murder while also balancing her own personal life, which is rapidly falling apart around her. Considered a local hero for a game-clinching jump shot on her high school basketball team, Mare is the sole detective on her police force, which spends most of its time handling drug-related offenses. Behind the scenes, Mare is dealing with the unaddressed loss of her son, running a busy household filled with her mother, teenage daughter, and grandson, and an ex-husband who lives a stone's throw away with his new fiance. As pressure mounts to solve a missing person's case growing increasingly cold, the murder of a teen girl finds Mare obsessed with bringing the killer to justice in a town where everyone is a potential suspect.
Drugstore Cowboy was the breakaway change of pace and success for a number of those involved in its making. Principally, Gus Van Sant became a director of immediate notability winning multiple international Festival awards and acclaim. It also allowed Matt Dillon to stretch his acting abilities well outside of the teen rebel pigeonhole he'd become associated with in the 1980s and provided far meatier roles for Kelly Lynch and Heather Graham. Adapted from James Fogle's novel, the broad strokes of the plot are simple enough; a junkie foursome led by Dillon's headstrong Bob, move around the Pacific Northwest in the early 70s scoring pharmaceutical drugs in a series of robberies. The finer details, created with the sense of family developing between the principals, and how they are not portrayed as either victims or "bad" criminals. Van Sant occasionally slips into the surreal depicting Bob's drug-addled thinking like a James Bond title sequence, along with a questionable in-joke cameo with Williams S Burroughs, dish out advice and temptation to Bob. In one simple way, it's little more than a road movie. Yet on another level there's a cautionary tale of the life of a junkie that has relevance well beyond the film's timeframe. On the DVD: A stereo track and a grainy print in 1.85:1 usually does a movie little favours, but here they add to the overall gritty atmosphere surprisingly well. The only extra is unfortunately the original trailer. --Paul Tonks
The hit Broadway musical from the 1940s gets a lavish if not always exciting workout in this 1955 film version directed by old lion Fred Zinnemann (High Noon). Gordon MacRae brings his sterling voice to the role of cowboy Curly and Shirley Jones plays Laurie, the object of his affection. The Rodgers and Hammerstein score includes "The Surrey with the Fringe on Top", "Oh, What a Beautiful Mornin'" and "People Will Say We're in Love", and Agnes DeMille provides the buoyant choreography. Among the supporting cast, Gloria Grahame is memorable as Ado Annie, the "girl who cain't say no", and Rod Steiger overdoes it as the villainous Jud. --Tom Keogh
Rodgers and Hammerstein's charming and vigorous tale of romance and adventure set in the Wild West. Songs include 'People Will Say We're In Love' 'Oh What A Beautiful Morning' and the title song 'Oklahoma!'
BLUR: TO THE ENDA new feature-length documentary depicting the extraordinary and emotional return of blur, captured during the year in which they made a surprise return with their first record in 8 years, the critically acclaimed #1 album The Ballad of Darren'.blur: To The End follows the unique relationship of four friends - and band mates of three decades - Damon Albarn, Graham Coxon, Alex James and Dave Rowntree as they come together to record new songs ahead of their sold-out, first ever shows at London's Wembley Stadium in 2023. Featuring performances of their most iconic, much-loved songs, footage of the band in the studio and life on the road, this film is an intimate moment in time with this most enduring of English bands, who have been at the heart of British cultural life and influence for over three decades.BLUR: LIVE AT WEMBLEY STADIUMblur: Live At Wembley Stadium, a cinematic two-hour concert film immortalising their historic 2023 show which saw blur perform their iconic and much-loved songs for 150,000 fans in a transcendent, once-in-a-generation performance that delivered a sweep of ecstatic 5 star reviews.Special FeatureDeleted Scene
The joined-at-the-hip team of director Richard Donner and star Mel Gibson (all the Lethal Weapon movies and Conspiracy Theory) had obvious fun resurrecting the Wild Western comedy television series about a roguish rambler-gambler. In Maverick, Gibson assumes the role of cardsharp Bret Maverick, equally quick with a pair of aces and a pair of guns. Good sport James Garner (who played Maverick on TV) takes another role, as a lawman who travels alongside the hero to a big-money poker game on a riverboat. The real peach in this fruit salad of satire and broad jokes, however, is Jodie Foster, who plays a crafty Southern belle quite adept at poker herself. Sexy, funny, and (from the onscreen evidence) a great kisser, Foster has never been more of a delight. Written by William Goldman (Butch Cassidy and the Sundance Kid). --Tom Keogh
Teenage prodigy Victor Frankenstein tells his father of his ambition to go to university in Vienna. The Baron objects, so Victor coldly sabotages his shooting rifle. The gun explodes in the Baron's face, killing him. Victor uses his inheritance to decamp to Vienna. Six years pass, and Victor leaves after getting the Dean's daughter pregnant; returning home with fellow student Wilhelm, he rescues his friend Elizabeth and her father, an eminent professor, from two highwaymen. He kills one, and covertly beheads him. Hidden away from housekeeper and bedwarmer' Alys, he and Wilhelm set about researches into the revival of dead tissue. The grisly career of the notorious Victor Frankenstein has begun This bold experiment in horror comedy was directed by Jimmy Sangster in 1970, and is one of the most unusual of all the Hammer horrors. Ralph Bates stars as the young Victor Frankenstein and Dave Prowse (later to embody Darth Vader in Star Wars) plays his monster. EXTRAS: NEW FEATURETTE - Gallows Humour: Inside The Horror of Frankenstein ORIGINAL TRAILER
Packed with more than 750 dazzling visual effects, this US$70 million adventure does more (and less) than give the 1965-68 TV series a state-of-the-art face-lift. Aimed at an audience that wasn't born when the series originally aired, the sci-fi extravaganza doesn't even require familiarity, despite cameo appearances by several of the TV show's original cast members. Instead it's a high-tech hybrid of the original premise with enough sensory overload to qualify as a spectacular big-screen video game, supported by a time-travel premise that's adequately clever but hardly original. Lost in Space is certainly never boring, and visually it's an occasionally awesome demonstration of special effects technology. But in its attempt to be all things to all demographics, the movie's more of a marketing ploy than a satisfying adventure, thankfully dispensing with the TV show's cheesy camp but otherwise squandering a promising cast in favour of eye-candy and ephemeral storytelling. --Jeff Shannon
Based on Anna Quindlen's bestselling novel, this is a mother-daughter and father-daughter story, two for the price of one. But director Carl Franklin also tries to inject a police-mystery angle that it neither needs nor will support. Renee Zellweger plays a young writer on the rise, who has finally got her break for a New York magazine. While home for a birthday party for her nearly famous writer father (William Hurt), she learns that her mother (Meryl Streep) has been diagnosed with cancer. Then her father does the unthinkable: he all but commands her to put her career on hold to take care of her mother and nurse her through her illness. Dad, a popular college professor who has never received the literary acclaim he always believed he deserved, essentially checks out--and daughter must play parent to her mother. Strong performances by Streep and Zellweger give this parent-child relationship the heart--and the anger--of the real thing, while Hurt seems slightly disembodied as the self-involved father whose needs have dominated both women. Still, the detective-story aspect (the film is told in flashback, as the cops try to discover whether someone slipped Mom a fatal dose of morphine) is a construct that could have been done without. --Marshall Fine
Stephen Graham stars as Joseph, a moral yet troubled man who's lost everything he ever held dear. Joseph finds himself compelled to travel to Ireland to confront the demons that continue to haunt him from a childhood spent in the care system, a journey that will have savage and brutal consequences. His path soon crosses with that of Dinah, played by Niamh Algar. She's fiery and more than able to stand up for herself, but like Joseph she's also deeply guarded, holding close a secret she's hiding from all those around her. Joseph and Dinah's lives spiral intensely in and out of control as they both try to ground themselves, torn between morality and self-indulgence, defined by drug-induced self destruction, traumatised by their own harrowing histories, and yet enlightened by their dual faith in companionship. Survival instincts kick in as they pave their way to an unnerving and tormented future. Neither of them thought their lives would ever tangle into a delicate love story.
Based on Peter Turner's memoir, FILM STARS DON'T DIE IN LIVERPOOL follows the playful but passionate relationship between Turner (Bell) and the eccentric Academy Award®-winning actress Gloria Grahame (Bening). Liverpool, 1978: What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.
Young Amy (Anna Paquin) is reunited with her father (Jeff Daniels) after a nine-year separation. One day Amy discovers a nest of orphaned goose eggs and decides to take them home and nurture them until they hatch. When the newly hatched goslings adopt her as their Mother Goose Amy and her father become airborne adventurers battling against bad weather and a host of other pitfalls in their efforts to teach the geese to fly...
Blur: No Distance Left To Run (2Discs)
An explosive cocktail of humour love sex and action. Perdita Durango (Rosie Perez) is an unscrupulous woman who loves taking people for a ride and living life to the limit. Romeo Dolorosa (Javier Bedem) her demonic lover is dark sensual and highly daring. One fine day the destinies of Perdita and Romeo become one and no one or nothing can put a stop to it. Determined to become the most powerful outlaws in the country Perdita and Romeo are hired by the Mafia to transport an illegal cargo of human ingredients form Mexico to Las Vegas. Together the wanton spitfire and her psychic drug-dealer set the Tex-Mex border alight with their torrid passions bizarre kidnapping crimes and black magic rituals. An exciting different road movie spiked with quirky action mordant humour and twisted terror from Alex de la Iglesia the acclaimed director of Accion Mutante and Day of the Beast.
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