The legendary production of Wagner's Der Ring de Nibelungen directed by Harry Kupfer at Bayreuth Festival Opera with designs by Hans Schavernoch and conducted by Daniel Barenboim is considered one of the greatest productions of this titanic work ever staged. For their innovative staging Kupfer and his team turned away from the work's time of origin and located The Ring at a crossroads of history a meeting-place of past present and future which sets the scene for the story's struggles of power and love. The world-class cast for is led by Siegfried Jerusalem as Siegfried Anne Evans as Brunnhilde John Tomlinson as the Wanderer and Graham Clark as Loge.
Parenthood is not what Jamie (Robert Lindsay) and Julie Diadoni (Julie Walters) expected and son Jake is born at a time of domestic tension. Jamie - a handsome failed musician - loses his job and Julie becomes the full time breadwinner while Jamie takes on the role of house husband. Jake grows up loving his father but resenting his often absent mother. A new pregnancy is the final straw. Bewildered and lost Jake is threatened by the new arrival he fantasises about the life he shoul
In the mid-70s, at the suggestion of John Lennon, the celebrated journalist and film director Tony Palmer decided to document the 'Story of Popular Music' and set about interviewing and filming all the major players in the industry at that time, past and present. Even in the mid-70s this was seen as a monumental task, but despite the scale of the undertaking, Tony Palmer made a series of films that set the standard to which all subsequent biographers and documentary makers aspired to.
An ex-Navy commando (Mark Dacascos – Double Dragon) is framed for a bungled mission to save hostages from terrorists in which he survived being shot 7 times by an assassin (Tony Todd - Candyman). Years later he is hired to protect a weapons distributor and his wife only to have the same assassin kill them; this sets him on a mission with the assigned FBI agent (Carrie Anne Moss – The Matrix) to bring the killers and conspirators to justice.
It's only when you're life is truely on edge that you appreciate how precious and important everyday every moment is. After finding she has a life-threatening illness Susan Allen decides to spend what time is left to the fullest with her young daughter Carson. Tortured between her own terrible plight and what will happen to Carson she then crosses paths with an irresistable stranger. Although reluctantto get too involved as any future together seems impossible she soon finds out
William Shawcross' (Martin Clunes) search for love is hampered by his work: not many women want to date an undertaker. He decides to take matters into his own hands and regsiters with a dating agency. Things start to look up when he is captivated by dark haried beauty Mary (Julie Graham) on one of the agency videos. Mary's an attractive divorced mother of two; and working as a midwife she only meets men who are expectant fathers and married doctors. Once the two get together there
Will Hay - Convict 99
The legendary production of Wagner's Der Ring des Nibelungen directed by Harry Kupfer at Bayreuth Festival Opera with designs by Hans Schavernoch and conducted by Daniel Barenboim is considered one of the greatest productions of this titanic work ever staged. For their innovative staging Kupfer and his team have turned away from the work's time of origin and located The Ring at a crossroads of history a meeting place of past present and future which sets the scene for the story
In one of the most acclaimed British horror films of recent years orphaned 19 year old call girl Blue is sent to meet a new punter in Brighton unaware of the horrifying impact it will have on her life. Blue begins to fall for the charms of her client Bill and also becomes intrigued by the grand Regency house he is renovating; a once infamous Victorian brothel. Together they uncover a secret room that harbours a shocking history of events relating to Blue's murky family past. A terrible supernatural force is about to be unleashed awakening demons past and present in this terrifying gothic nightmare.
John Travolta plays Cabe a cool outsider with a shadowy past who becomes the music teacher at a harsh Texas school for wayward boys in this rockin' romance set during the 1950's. James Walters and Heather Graham ignite the screen as Jesse Tucker the rebellious new kid and Sara Benedict with whom he strikes up a love-hate relationship. Hired by her father Eugene who runs the school to prepare the boys for a Fourth of July concert Cabe introduces them to the newborn joy of rock 'n' roll.
A family are falsley accused of child abuse and find themselves guilty until proven innocent while their lives fall apart around them.
Based on Honore de Balzac's best selling novel this 1971 BBC adaptation of Cousin Bette stars Margaret Tyzack (Victoria & Albert) and Helen Mirren (Calendar Girls) alongside a stellar cast. Cousin Bette is set against a back drop of decadent Parisian society. The poor cousin of Baroness Adeline Hulot Lisbeth Fischer (Cousin Bette) nurses deep-seated jealousy and resentment against the Hulot family. She eventually takes her revenge on the ones that betrayed her and she will not re
Ken Loach does for the railways in The Navigators what he did for the construction industry in Riff-Raff (1990). As ever, his sympathies lie firmly with the ordinary working blokes, not above of bit of banter and skiving, but essentially trying to do a decent job and stay loyal to their mates in the face of managerial double-talk and corporate devotion to the bottom line. It's 1995, and the Tories have just carried out their disastrous, pea-brained scheme to break up the railways. We follow the fortunes of a gang of track workers in South Yorkshire as they find themselves confronted with all the fallout of privatisation--redundancies, cost-cutting, corner-cutting and the wholesale junking of any concern with safety or quality of work. Accidental deaths, one hapless time-server explains, "have got to be kept to an acceptable level". Two scenes encapsulate the tragic-comic tone of the film. At one point the disbelieving workers are ordered by managers to smash up a load of new equipment; it's surplus to requirements, but can't possibly be sold to "the competition", their former British Rail workmates at the depot down the line. Later, called to a derailment, the track workers pass a whole series of hard-hat wearing managers, each paying no attention to what needs doing but muttering fiercely into a mobile phone trying to pass the buck for the accident to another company. Loach cast the film using local actors and comics, and there's a strong sense of authenticity in the flat accents and dry Yorkshire humour. But ultimately this is a lament for the destruction, not only of what was once a great rail network, but of the pride and camaraderie of those who worked on it. The film's ending is fittingly bleak. --Philip Kemp
Based on the novel by cult author Barry Gifford. Perdita is a character that also pops up in Gifford's most famous novel The Wild Life of Sailor and Lula ; later filmed as Wild At Heart by David Lynch. This is the uncut version recently passed by the BBFC available on DVD for the first time. An explosive cocktail of humour love sex and action. Perdita Durango (Rosie Perez) is an unscrupulous woman who loves taking people for a ride and living life to the limit. Romeo Dolorosa (Javier Bedem) her demonic lover is dark sensual and highly daring. One fine day the destinies of Perdita and Romeo become one and no one or nothing can put a stop to it. Determined to become the most powerful outlaws in the country Perdita and Romeo are hired by the Mafia to transport an illegal cargo of human ingredients form Mexico to Las Vegas. Together the wanton spitfire and her psychic drug-dealer set the Tex-Mex border alight with their torrid passions bizarre kidnapping crimes and black magic rituals.
With a tour in Afghanistan behind him war-torn Chris Jensen (introducing Jack Brockett) struggles to assimilate back to life in California. Drifting and living out of his car he soon discovers that few are willing to deal with the remnants of a damaged career military man. Chris is self medicating; desperate to silence the echos from the front lines. When an opportunity finally presents itself he makes the hard decision to employ his most coveted talents honed in special ops. A job is a job and Chris knows civilian life can be just as cut-throat as time in active duty. But just how close does he have to get to Andrew Warner (Sean Paul Lockhart) to secure the kill?
A assigned to a remote outpost in the 1860s West Lt. John Dunbar fears the nearby Sioux Indians and expects to fight them. Instead he befriends them and becomes the man in the middle of a brushfire of tension: the conflict between U.S. expansion and Native Americans. Kevin Costner plays Dunbar and makes one of Hollywood's most impressive directorial debuts with this winner of seven Academy Awards including Best Picture and Best Director. Battles rage fates collide bison thunder across the prairie - the adventure is epic heroic and stunning.
The coming together of the influential Python team is regarded as a milestone for modern absurdist comedy, though each of the six members had been doing similar sketch work prior to this first 1969 series, of whose highlights this video consists. The most revolutionary aspect of Python was its eschewal of punch lines, preferring as they did bizarre, surreal links and quantum leaps into the imagination of animator Terry Gilliam. Inevitably, Python has dated. Sketches such as "The Upper Class Twit of the Year" and the "Wink-wink, nudge nudge" man are worn down by familiarity. There's some clunky stereotyping and "Oo, ducky"-style gay references. That said, much of this still stands up. "Hells Grannies" and the race to find the world's funniest joke are fine, the Eric Idle-driven documentary spoofs are witty while the Batley Townswomen's Guild's re-enactment of Pearl Harbour is intelligently ridiculous. John Cleese, however, stands literally and metaphorically head and shoulders above the rest. His and Chapman's sketches, involving a mountaineering expedition leader with double vision and an arts TV interviewer who can't get past the etiquette of how to refer to his guest ("Eddie baby...") are pursued to their absurd non-conclusions with the remorseless logic of a top-drawer barrister. --David Stubbs
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