The girl's first live concert at the Royal Albert Hall is in just five day's time. With trusty bus driver Dennis (Meatloaf) at the wheel they hurtle from guest appearances to parties photoshoots and even dance camp! But when evil tabloid editor Kevin McMaxford steps up his campaign against them their best friend goes into labour and their manager collapses in hysterics the girls must draw on all their Girl Power to make it to the show on time...
Brand new restoration of David Lynch's iconic surrealist mystery-drama. Celebrating its 20th anniversary, MULHOLLAND DRIVE is considered by many as one of the greatest films of the 21st century. Los Angeles, city of angels. Amnesiac and wounded, a mysterious femme fatale wanders on the sinuous road of Mulholland Drive. She finds shelter at Betty's house (Naomi Watts),an aspiring actress just arrived from her hometown and in search of stardom in Hollywood. Initially intrigued by the stranger who calls herself Rita (Laura Elena Harring), Betty discovers that her handbag is full of dollar bundles. The two women get to know each other better and decide to investigate in order to discover Rita's true identity... This slick, sinister, psycho-sexual thriller comes from the darkest recesses of Hollywood, a Los Angeles of strange dreams, unrequited love and a jealous burning rage. Special Features: Back to Mulholland Drive On the Road to Mulholland Drive Interview with Laura Harring Interview with Mary Sweeney Interview with Angelo Badalamenti Introduction by Thierry Jousse In the Blue Box
Anatomy of a Murder, Otto Preminger's 1959 film of the novel by Robert Traver (a pen name for a Michigan Supreme Court Justice), was controversial in its day for making frank on-screen use of then-unheard words such as "panties", "rape" and "spermatogenesis"--and it remains a trenchant, bitter, tough, witty dissection of the American legal system. With its striking Saul Bass title design and jazzy Duke Ellington score, Anatomy of a Murder takes a sophisticated approach unusual for a Hollywood film of its vintage. Most radically, it refuses to show the murder or any of the private scenes recounted in court, leaving it up to us to decide along with the jury whether the grumpy and unconcerned Lieutenant Frederick Manion (Ben Gazzara) was or was not subject to an "irresistible impulse" tantamount to insanity when he shot dead Barney Quill, the bear-like bar owner alleged to have raped Manion's teasing trailer-trash wife Laura (Lee Remick in unfeasibly tight trousers). James Stewart plays Paul "Polly" Biegler a former District Attorney keen to get back into court to clash with the political dullard who replaced him in office. Biegler is supported by the skills of his snide secretary (Eve Arden) and boozy-but-brilliant research partner (Arthur O'Connell). For the prosecution, the befuddled local DA hauls in Dancer (George C Scott), a prissy legal eagle from the local big city whose sharp-suited, sly elegance makes an interesting clash with Biegler's "aw-shucks" jimmy-stewartian conniving. This is simply the best trial movie ever made, with a real understanding of the way lawyers have to be not only great actors but stars, assuming personalities that exaggerate their inner selves and weighing every outburst and objection for the effect it has on the poor saps in the jury box. On the DVD: The print is letterboxed to 1.85:1, but it's a bit of a cheat since that seems to involve trimming the top and bottom of the image (losing the steps under and the clouds above the Columbia lady in the opening titles), though the film isn't seriously hurt by a tighter look at the action. Also included are: an Ellington-scored photo montage, soundtracks in English, French, German, Italian and Spanish with subtitles in ten languages, filmographies for director and principal cast, original advertising (highlighting Saul Bass' poster designs, a trailer and more trailers for more Columbia Jimmy Stewart or courtroom films. --Kim Newman
Regina Lambert (Audrey Hepburn) returns to Paris from a holiday in Switzerland to find that her husband Charles has been murdered and her house ransacked. She is later told by a CIA agent that her husband was involved in robbing $250 000 of gold from the U.S. government during World War II and the government wants it back. Later that day she is visited by Peter Joshua (Cary Grant) whom she had met briefly whilst on holiday. When her husband's ex-partners in crime who were double-crossed by Charles start harassing her about the missing money Peter offers to help find it. Thus begins an elaborate charade in which nothing is what it seems to be...
To Catch a Thief is not one of Alfred Hitchcock's greatest, but it's arguably his most stylish thriller, loved as much for the elegantly erotic banter between Grace Kelly and Cary Grant as for the suspense that ensues when retired burglar Grant attempts to net the copycat diamond thief. The action, much of it shot on location, hugs the coast of the French Riviera; John Michael Hayes' screenplay crackles with doubles entendres; and Edith Head's dresses define the aloof poise of one of cinema's more enigmatic icons. If anything is missing, it's the undertow of black humour which snags the unsuspecting viewer in so many of Hitchcock's greater films. Here, the edge is supplied by the splendid Jessie Royce Landis as Kelly's vulgar, worldly mother; her special way with a fried egg is one of those cinematic moments which linger in the mind with almost pornographic disgust. History, of course, delivered its own ironic blow years later when the then Princess Grace of Monaco died in an accident on the very road where Kelly and Grant shot their exhilarating car chase. Portents aside, she remains Hitchcock's most alluring and sophisticated heroine. On the DVD: To Catch a Thief is presented in 1.85:1 anamorphic widescreen, which distils the distinctive qualities of the VistaVision cinematography, and with a mono Dolby Digital 5.1 soundtrack. Interesting extras include several mini-documentaries in which Hitchcock's daughter and granddaughter, among others, reminisce about the great director, censor problems over the risqué dialogue, the talents of costume designer Edith Head, and the peculiar difficulties of shooting in VistaVision. An original theatrical trailer is another bonus. --Piers Ford
When Mae West went to Hollywood in the early 1930s, she was already a major star. Having sensationalised Broadway, it was time for the movies to receive the same. Her fame allowed her control, picking her co-stars (including a young Cary Grant), receiving screenwriter credits, and baiting censors and audiences alike as the pre-Code era gave way to a more sanitised period in American filmmaking. This six-disc collection brings together all ten of West's classic Hollywood features, from her supporting turn in 1932's Night After Night to 1943's musical extravaganza, The Heat's On. Special Features 4K restoration of I'm No Angel 2021 restorations of Belle of the Nineties, Go West Young Man and Every Day's a Holiday from 4K scans 2018 restorations of Goin' to Town and My Little Chickadee from 4K scans 2017 restoration of She Done Him Wrong from a 4K scan High Definition remasters of Night After Night, Klondike Annie and The Heat's On Original mono soundtracks Audio commentary on She Done Him Wrong by critic and film historian Pamela Hutchinson (2021) Audio commentary on I'm No Angel by critic and writer Farran Smith Nehme (2021) Audio commentary on Klondike Annie by academic and curator Eloise Ross (2021) Audio commentary on Go West Young Man by writer and film historian Nora Fiore (2021) Mae West at UCLA (1971): archival audio recording of the great performer in conversation at the University of California, Los Angeles Introduction to My Little Chickadee by Harriet Fields, granddaughter of W C Fields (2021) Lucy Bolton on Mae West (2021): the writer and academic discusses the irrepressible stardom of West Christina Newland on Mae West (2021): the writer and critic looks at West's glamour and attitudes to sex Two Super 8 versions of I'm No Angel: a pair of original cut-down home-cinema presentations, each consisting of unique scenes Super 8 version of The Heat's On Original theatrical trailers New and improved subtitles for the deaf and hard-of-hearing Limited edition exclusive 120-page book with a new essay by Iris Veysey, archival articles, a critical archive, and film credits World and UK premieres on Blu-ray Limited edition of 6,000 numbered units MORE TO BE ANNOUNCED! All extras subject to change
A modish creation teased into life by Warren Beatty, Shampoo was an offbeat Hollywood hit back in 1975. Made after Watergate, it reflects on the hedonism of late-60s Los Angeles with a sad, somewhat cynical eye. Basically a bedroom farce, fuelled by some famously raunchy dialogue, its comedy is nevertheless underlain with melancholy. Screenwriter Robert Towne was inspired by Wycherly's Restoration comedy The Country Wife, wherein a wily fellow convinces friends of his impotence even while he is merrily seducing their wives. Hence, Towne invented handsome Beverly Hills hairdresser George Roundy (Beatty), who ought to be gay, but emphatically isn't. Shampoo begins on US Election Day, 1968, as Nixon is trouncing McGovern at the polls, and George Roundy is trying to sort his life out. An earnest advocate of sensual pleasure, he beds most of his female clients, from the fretful Jill (Goldie Hawn) to the wealthy Felicia (Lee Grant). Yet George is himself unfulfilled, and imagines that owning his own salon will satisfy him. He asks Felicia's husband Lester (Jack Warden) to back him, but first Lester coerces George into squiring his mistress Jackie (Julie Christie) to a Nixon victory party. Inevitably, Jackie is another of George's girls and, having seduced Felicia's vivacious daughter (Carrie Fisher) earlier that day, George has much to conceal from Lester and Felicia as the evening's festivities unravel. Shampoo shows the 60s turning sour. The characters are rich hippies, superficially liberated but deeply unhappy, and blandly indifferent to the dawning of the Nixon era. The excellent Lee Grant won an Oscar, but Shampoo is Beatty's film. He produced it, had a substantive hand in Towne's script, and deputised the nominal director, Hal Ashby. The film mildly exploits legends of Beatty's real-life sexual prowess, but mainly it embodies his commitment to making thoughtful movies for grown-ups. Richard Kelly
You can expect the unexpected when they play...""Charade!"" A young American in Paris (Audrey Hepburn) flees a trio of crooks who are trying to recover the fortune her late husband stole from them. The only person she can trust is a suave stranger (Cary Grant). A deliciously dark comedic thriller Stanley Donen's Charade dazzles with style and macabre wit to spare. Henry Mancini and Johnny Mercer were Oscar nominated for Best Original Song but lost out to Jimmy Van Heusen and Sammy Cahn's ""Call Me Irresponsible"" from the movie 'Papa's Delicate Condition'.
Audrey Hepburn plays a Parisienne whose husband is murdered and who finds she is being followed by four men seeking the fortune her late spouse had hidden away. Cary Grant is the stranger who comes to her aid but his real motives aren't entirely clear--could he even be the killer? The 1963 film is directed by Stanley Donen but it has been called "Hitchcockian" for good reason: the possible duplicities between lovers, the unspoken agendas between a man and woman sharing secrets. Charade is nowhere as significant as a Hitchcock film but suspense-wise it holds its own; and Donen's glossy production lends itself to the welcome experience of stargazing. One wants Cary Grant to be Cary Grant and Audrey Hepburn to be no one but Audrey Hepburn in a Hollywood product such as this, and they certainly don't let us down.--Tom Keogh
'The Edge Of The Of The World' tells the moving story of a remote island and its inhabitants whose traditions and way of life are threatened by a rapidly industrialising world. To settle an argument over whether the islanders should give up their livelihood and move to the mainland two childhood friends follow an ancient tradition and climb the islands highest cliff face. The outcome shatters the islands peace.
When They Cry S1 Collection Blu-ray It's not paranoia if they really are trying to kill you! Moving to the picturesque town of Hinamizawa is going to be a big adjustment for Keiichi. For all its beauty, it's also tiny so small that there's only one school, one where most of the students have known each other all their lives. Fortunately, he soon meets four girls Rena, Mion, Satoko, and Rika, who're willing to let the new guy in town join their afterschool club. And for a while, things seem wonderful. Until Keiichi starts discovering strange things, like the project manager for a controversial dam project being found dismembered five years ago. As he digs deeper, there are whispers and rumours of other murders and disappearances, stories of a town curse, and mysterious rituals. And then people he knows start to die. What secrets have the people of Hinamizawa kept hidden from the rest of the world? And could his new friends somehow be involved? The shocking answers will be revealed WHEN THEY CRY!
Screwball sparks fly when CARY GRANT (Charade) and KATHARINE HEPBURN (The Philadelphia Story) let loose in one of the fastest and funniest films ever madea high-wire act of invention that took American screen comedy to new heights of absurdity. Hoping to procure a million-dollar endowment from a wealthy society matron for his museum, a hapless palaeontologist (Grant) finds himself entangled with a dizzy heiress (Hepburn) as the manic misadventures pile upa missing dinosaur bone, a leopard on the loose, and plenty of gender bending mayhem among them. Bringing Up Baby's sophisticated dialogue, spontaneous performances, and giddy innuendo come together in a whirlwind of comic chaos captured with lightning-in-a-bottle brio by director HOWARD HAWKS (Red River). Special Features: New, restored 4K digital transfer, with uncompressed monaural soundtrack Audio commentary from 2005 featuring filmmaker Peter Bogdanovich New video essay on actor Cary Grant by author Scott Eyman New interview about cinematographer Russell Metty with cinematographer John Bailey New interview with film scholar Craig Barron on special-effects pioneer Linwood Dunn New selected-scene commentary about costume designer Howard Greer with costume historian Shelly Foote Howard Hawks: A Hell of a Good Life, a 1977 documentary by Hans-Christoph Blumenberg featuring the director's last filmed interview Audio interview from 1969 with Grant Audio excerpts from a 1972 conversation between Hawks and Bogdanovich Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by critic Sheila O'Malley
From the undisputed master of the suspense-thriller Alfred Hitchcock's (Rear Window The Birds) To Catch A thief is a stylish and witty thriller starring Cary Grant (North by Northwest) and Grace Kelly(Rear Window). The on-screen chemistry between the two protagonists enhances Hitchcock's subtle and ambiguous story of a retired jewel thief forced to uncover the identity of a copycat thief before he is framed for the crimes himself. Grant's charm and sophistication as the retired cat-burglar set opposite the sensuous character of Kelly's socialite ensure that the atmosphere of the film is sexually charged leaving the audience with no doubt that the relationship could unravel at any point...
Nowadays, the word "event" is thrown around all too often when describing television programmes, but back in 1983 the debut of V: The Mini Series was a television event in the truest sense. The appearance of gigantic flying saucers over the world's largest cities heralds the arrival of aliens from a distant galaxy who look human and act benevolently. Of course, things aren't exactly what they seem, and when some suspicious humans start to question the visitors' intentions they uncover a vast alien conspiracy, along with some unusual culinary habits. Soon, the visitors have enslaved the Earth under their fascist rule, and small groups of human rebels are forced underground to fight for the freedom of their entire species. But with the future of the planet still in question the epic story comes to an abrupt end, forcing the viewer to wait for the resolution in V: The Final Battle and the on-going series. That's not to say that the original V isn't worth the price of admission: in over three hours, it manages to capture the spirit of the great classic science fiction of the 1950s and 60s. The feeling of paranoia and insecurity that runs throughout the whole thing makes it feel, at times, like an expanded episode of The Twilight Zone, only shinier (hey, it was the 1980s). The special effects were impressive for their day, inspiring similarly themed films in the 90s (the gigantic flying saucers were seen again in Independence Day, and the storage area of the mothership turns up in The X Files Movie and The Matrix). What does irritate, however, is the utter lack of subtlety in the allegorical storyline. In fact, it could only have been made more obvious by demanding that the entire cast wear "This is how it was in 1930s' Germany" t-shirts. But if V occasionally doesn't live up to its own high standards, it's still a remarkably high-quality slice of epic television drama. On the DVD: The picture is an impressive widescreen 1.85:1 ratio and the soundtrack is adequate Dolby stereo. The DVD boasts a feature-length commentary by writer and director Kenneth Johnson, as well as a 25-minute "Behind the Scenes" documentary. --Robert Burrow
The first collection of Episodes from SEASON 2 of Miraculous: Tales of Ladybug and Cat Noir At school, a new student named Kagami catches Adrien's attention, which Marinette is quick to notice. However, Marinette herself meets Luka, who may well sow confusion in her heart... She also meets the Guardian of the Miraculous, Master Fu, and learns about the existence of other Miraculous. Thanks to them, she will be able to occasionally enlist the help of other superheroes of her choice for particularly difficult missions. Finally, she finds out that Hawk Moth has a dreadful plan that he has been working on for a very long time and that he is determined to implement to defeat Cat Noir and her! How will Marinette and Adrien deal with all these new emotions? And will Ladybug and Cat Noir manage to stop Hawk Moth from going through with his evil plan?
What a trip! An entertainingly psychedelic adaptation of Jacqueline Susann's splendidly trashy novel telling the story of three remarkable women whose lives are affected by show-business celebrity. Revered composer John Williams (Star Wars) won his very first Oscar - and nomination - for Best Music.
An inspiring commercial artist Alison Gertz was young white and upwardly mobile from a strong upper middle class family. She was heterosexual not promiscuous had never used intravenous drugs and had never had a blood transfusion. Yet her life and the lives of her family and friends are changed radically by her diagnosis as having AIDS at the age of 22. One moment of passion changed Alison Gertz's life forever.
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