A virtuoso JAMES STEWART (Vertigo) plays a small-town Michigan lawyer who takes on a difficult case: that of a young Army lieutenant (The Killing of a Chinese Bookie's BEN GAZZARA) accused of murdering the local tavern owner who he believes raped his wife (Days of Wine and Roses' LEE REMICK). This gripping, envelope-pushing courtroom potboiler, the most popular film from Hollywood provocateur OTTO PREMINGER (Laura), was groundbreaking for the frankness of its discussion of sexmore than anything else, it is a striking depiction of the power of words. With its outstanding supporting cast including a young GEORGE C. SCOTT (Patton) as a fiery prosecuting attorney and legendary real-life attorney JOSEPH N. WELCH as the judgeand influential jazz score by DUKE ELLINGTON, Anatomy of a Murder is a Hollywood landmark; it was nominated for seven Oscars, including best picture. Special Edition Features New high-definition digital restoration, with uncompressed monaural soundtrack on the Blu-ray edition New alternate 5.1 soundtrack, presented in DTS-HD Master Audio on the Blu-ray edition New interview with Otto Preminger biographer Foster Hirsch Critic Gary Giddins explores Duke Ellington's score in a new interview A look at the relationship between graphic designer Saul Bass and Preminger with Bass biographer Pat Kirkham Newsreel footage from the set Excerpts from a 1967 episode of Firing Line, featuring Preminger in discussion with William F. Buckley Jr. Excerpts from the work Anatomy of Anatomy: The Making of a Movie Behind-the-scenes photographs by Life magazine's Gjon Mili Trailer, featuring on-set footage PLUS: A booklet featuring an essay by critic Nick Pinkerton and a 1959 Life magazine article on real-life lawyer Joseph N. Welch, who plays the judge in the film
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
A drama critic learns on his wedding day that his beloved maiden aunts are homicidal maniacs, and that insanity runs in his family.
Kevin Costner's 1990 epic won a bundle of Oscars for a moving, engrossing story of a white soldier (Costner) who singlehandedly mans a post in the 1870 Dakotas, and becomes a part of the Lakota Sioux community who live nearby. The film may not be a masterpiece, but it is far more than the sum of good intentions. The characters are strong, the development of relationships is both ambitious and careful, the love story between Costner and Mary McDonnell's character is captivating. Only the third-act portrait of white intruders as morons feels overbearing, but even that leads to a terribly moving conclusion. Costner's direction is assured, the balance of action and intimacy is perfect--what more could anyone want outside of an unqualified masterpiece? --Tom Keogh
Withnail And I portrays the last throes of an eccentric friendship during the final days of the sixties. Withnail and I are two young would-be actors who wake up one morning to find only ninety days left in the decade. Bound together by poverty and dreams of stardom they share a flat of indescribable squalor and live on a diet of booze pills and weed. The two friends decide to spend a soul-cleansing weekend in the country in a primitive cottage borrowed from Withnail's eccentric Uncle Monty. From the very start things go wrong and their dreams of an idyllic retreat rapidly degenerate into an hilarious nightmare.
Renowned author and Shakespeare scholar Leon Garfield adapts 12 plays, abridged and animated renditions of the classic texts that are fully faithful to the narrative and language of the Bard. The adaptations use a variety of animation techniques and features the vocal talents of Felicity Kendal, Alun Armstrong, Joss Ackland and Zoe Wanamaker, among others. The plays are: 'Macbeth'; 'Hamlet'; 'Romeo and Juliet'; 'Othello'; 'Twelfth Night'; 'As You Like It'; 'A Midsummer Night's Dream'; 'The Ta...
When Harry Met Sally: Will sex ruin a perfect relationship between a man and a woman? That's what Harry (Crystal) and Sally (Ryan) debate during their trip from Chicago to New York. And eleven years later they're sill no closer to finding the answer. Will these two best friends ever accept that they're meant for each other... or will they continue to deny the attraction that's existed since the first moment when Harry met Sally? French Kiss: Straight-laced Kate (Ryan)has her future all planned out: marry her fiance Charlie (Timothy Hutton) and live happily ever after. What she didn't count on was Juliette the beautiful French woman Charlie falls for on a business trip to Paris! Determined to win him back Kate jumps on a plane where she meets Luc (Kline) a petty thief whom she immediately dislikes. But when Luc sneaks a stolen necklace into Kate's purse she finds herself travelling through France with him on a trip full of surprises: the biggest one being that this con man is stealing her heart! A sexy savvy and very funny romantic romp 'French Kiss' is a passionate heartfelt reminder that life can always surprise you. Jack And Sarah: Jack (Richard E. Grant) has it all - a perfect marriage a successful career and a dream home. But his world crumbles when his wife dies giving birth to their daughter Sarah. Even though he is struggling to cope with his broken heart and a newborn baby Jack rejects the offers of help from his family (Judy Dench and David Swift) in a bid to prove his independence. Instead he builds a quirky family of his own when he takes on a down-and-out (Ian McKellen) to be his housekeeper and American waitress Amy (Samantha Mathis) to be his nanny. Once Amy moves in life becomes a series of mishaps and conflicts with touchingly funny moments as the mis-matched characters learn to live with each other. But when Jack's female boss begins to show more than a professional interest in him the tension mounts as Amy and Jack begin to realise their true feeling for each other....
They came for water. And for food. And as it turned out we were the food. but humanity bravely resisted - a struggle seen in the hit miniseries V and V: The Final Battle. Yet the war continues. The heroic conflict comes to a surprising outcome in V: The Series presented complete and uncut in this 3-disc 19 episode set. Once again Earth is the main battleground. But now the aliens whose human guise hides their true reptillian natures are wiser. They believe the secret to their survival on Earth lies in the DNA of the newly born half-human half-spaceling Starchild. They intend to capture her. But that's something the world's Resistance Fighters cannot allow.
Although it's been three years since we last saw Bridget (Renée Zellweger), only a few weeks have passed in her world. She is, as you'll remember, no longer a "singleton," having snagged stuffy but gallant Mark Darcy (Colin Firth) at the end of the 2001 film. Now she's fallen deeply in love and out of her neurotic mind with paranoia: Is Mark cheating on her with that slim, bright young thing from the law office? Will the reappearance of dashing cad Daniel Cleaver (Hugh Grant) further spell the end of her self-confidence when they're shoved off to Thailand together for a TV travel story? If such questions also seem pressing to you, this sequel will be fairly painless, but you shouldn't expect anything fresh. Director Beeban Kidron and her screenwriters--all four of them!--are content to sink matters into slapstick, with chunky Zellweger (who's unflatteringly photographed) the literal butt of all jokes. Though the star still has her charms, and some of Bridget's social gaffes are amusing, the film is mired in low comedy--a sequence in a Thai women's prison is more offensive than outrageous--with only Grant's rakish mischief to pull it out of the swamp. --Steve Wiecking
Robin Williams and Annabella Sciorra star in this visually stunning metaphysical tale of life after death. Neurologist Chris and artist Annie had the perfect life until they lost their children in an auto accident; they're just starting to recover when Chris meets an untimely death himself. He's met by a messenger named Albert (Cuba Gooding Jr.) and taken to his own personal afterlife--a freshly drawn world reminiscent of Annie's own artwork, still dripping and wet with paint. Meanwhile a depressed Annie takes her own life, compelling Chris to traverse heaven and hell to save Annie from an eternity of despair. The multitextured visuals seem to have been created from a lost fairy tale. Heaven recalls the landscape paintings of Thomas Cole and Renaissance architecture complete with floating cherubs, while hell is a massive shipwreck, an upside-down cathedral overgrown with thorns and a sea of groaning faces popping out of the ground (one of those faces is German director Werner Herzog). Williams is the perfect actor to play against the imaginative computer-generated imagery--he himself is a human special effect. But the lack of chemistry between Williams and Sciorra is painfully apparent, and the flashback plot structure flattens the story's impact despite its deeply felt examinations of the heart and the spirit. Still, there's no denying Eugenio Zanetti's triumphant production design and the Oscar-winning special effects, which create a fully formed universe that is at once beautiful, eerie, and a unique example of movie magic. --Shannon Gee
Regina Lambert (Audrey Hepburn) returns to Paris from a holiday in Switzerland to find that her husband Charles has been murdered and her house ransacked. She is later told by a CIA agent that her husband was involved in robbing $250 000 of gold from the U.S. government during World War II and the government wants it back. Later that day she is visited by Peter Joshua (Cary Grant) whom she had met briefly whilst on holiday. When her husband's ex-partners in crime who were double-crossed by Charles start harassing her about the missing money Peter offers to help find it. Thus begins an elaborate charade in which nothing is what it seems to be...
After defeating the Reverse Flash once and for all, the ninth season of THE FLASH picks up one week later following their epic battle, and Barry Allen (Grant Gustin) and Iris West-Allen (Candice Patton) are reconnecting and growing closer than ever before. But when a deadly group of Rogues descend on Central City led by a powerful new threat, The Flash and his team-Caitlin Snow (Danielle Panabaker), Meta-Empath Cecile Horton (Danielle Nicolet), the light-powered meta Allegra Garcia (Kayla Compton), brilliant tech-nerd Chester P. Runk (Brandon McKnight), and reformed cryogenics thief Mark Blaine (Jon Cor)-must once again defy impossible odds to save the day. But as The Rogues are defeated, a deadly new adversary rises to challenge Barry Allen's heroic legacy. And in their greatest battle yet, Barry and Team Flash will be pushed to their limits, in order to save Central City one last time.
Following the mysterious disappearance of their father, two estranged brothers reunite to liquidate his business, a video store which specializes in horror films. As they dig through the stock, they unearth an old VCR board game that that acts as an inter-dimensional hub to a nightmare world that holds a connection to their father's disappearance and deadly consequences for anyone who plays it.
Eureka Entertainment to release Three Monster Tales Of Sci-Fi Terror (Man-Made Monster, The Monolith Monsters, and Monster on the Campus) on Blu-ray for the first time in the UK as a part of the Eureka Classics range. Available from 11 April 2022, the first print-run of 2000 copies will feature a Limited-Edition O-card Slipcase & Collector's Booklet. A trio of chilling sci-fi tales from the vaults of Universal Pictures, starring a number of genre legends including Lionel Atwill (Son of Frankenstein), Lon Chaney, Jr. (The Wolf Man), and Grant Williams (The Incredible Shrinking Man). A mad scientist transforms a carnival performer (Lon Chaney, Jr.) into a murderous monster in Man-Made Monster (dir. George Waggner, 1941). In The Monolith Monsters (dir. John Sherwood, 1957), a giant meteor crashes to Earth and the fragments begin to spread turning everyone they come into contact with to stone! And finally, fear stalks the seemingly tranquil halls of Dunsfield University in Monster on the Campus (dir. Jack Arnold, 1958) when a palaeontology professor becomes infected with irradiated blood and begins to devolve into a primitive beast. Features Limited Edition O-Card Slipcase 1080p presentations on Blu-ray Disc One Man-Made Monster and The Monolith Monsters Disc Two Monster on the Campus (available in both 1.33:1 and 1.85:1 aspect ratios) Man-Made Monster Brand new audio commentary with author Stephen Jones and author / critic Kim Newman The Monolith Monsters Brand new audio commentary with Kevin Lyons and Jonathan Rigby Monster on the Campus Brand new audio commentary with author Stephen Jones and author / critic Kim Newman PLUS: A Limited-Edition collector's booklet featuring new writing on the films included in this set by film scholar Craig Ian Mann *All extras subject to change A trio of fun science-fiction thrillers from the Universal vaults make their UK Blu-ray debut in this two-disc set that's sure to please fans of vintage creature features Featuring ground-breaking special effects that set the standard for all sci-fi terror to come Stars Lionel Atwill (Son of Frankenstein), Lon Chaney, Jr. (The Wolf Man), Grant Williams (The Incredible Shrinking Man) The first print-run of 2000 copies will feature a Limited-Edition O-card Slipcase & Collector's Booklet.
When it was released in 1994 Four Weddings and a Funeral quickly became a huge international success, pulling in the kind of audiences most British films only dream of. It's proof that sometimes the simplest ideas are the best: in terms of plot, the title pretty much says it all. Revolving around, well, four weddings and a funeral (though not in that order), the film follows Hugh Grant's confirmed bachelor Charles as he falls for visiting American Carrie (Andy McDowell), whom he keeps bumping into at the various functions. But with this most basic of premises, screenwriter Richard Curtis has crafted a moving and thoughtful comedy about the perils of singledom and that ever-elusive search for true love. In the wrong hands, it could have been a horribly schmaltzy affair, but Curtis' script--crammed with great one-liners and beautifully judged characterisations--keeps things sharp and snappy, harking back to the sparkling Hollywood romantic comedies of the 30s and 40s. The supporting cast, including Kristin Scott Thomas, Simon Callow and Rowan Atkinson (who starred in the Curtis-scripted television show Blackadder) is first rate, at times almost too good: John Hannah's rendition of WH Auden's poem "Funeral Blues" over the coffin of his lover is so moving you think the film will struggle to re-establish its ineffably buoyant mood. But it does, thanks in no small part to Hugh Grant as the bumbling Charles (whose star-making performance compensates for a less-than-dazzling Andie MacDowell). Though it's hardly the fault of Curtis and his team, the success of the Four Weddings did have its downside, triggering a rash of far inferior British romantic comedies. In fact, we had to wait until 1999's Notting Hill for another UK film to match its winning charm--scripted, yet again, by Curtis and starring Grant. --Edward Lawrenson
The Technicolor expressionism of Douglas Sirk (All That Heaven Allows) reached a fever pitch with this operatic tragedy, which finds the director pushing his florid visuals and his critiques of American culture to their subversive extremes. Alcoholism, nymphomania, impotence, and deadly jealousythese are just some of the toxins coursing through a massively wealthy, degenerate Texan oil family. When a sensible secretary (The Big Sleep's Lauren Bacall) has the misfortune of marrying the clan's neurotic scion (To Be or Not to Be's Robert Stack), it drives a wedge between him and his lifelong best friend (Magnificent Obsession's Rock Hudson) that unleashes a maelstrom of psychosexual angst and fury. Featuring an unforgettably debauched, Oscar-winning supporting performance by Dorothy Malone (Man of a Thousand Faces) and some of Sirk's most eye-popping mise-en-scène, Written on the Wind is as perverse a family portrait as has ever been splashed across the screen Special Edition Features New 2K digital restoration, with uncompressed monaural soundtrack Acting for Douglas Sirk, a 2008 documentary featuring archival interviews with Sirk; actors Rock Hudson, Robert Stack, and Dorothy Malone; and producer Albert Zugsmith New interview with film scholar Patricia White about the film and melodrama Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by filmmaker and critic Blair McClendon
Celebrate 70 years of TO CATCH A THIEF, restored and remastered in stunning 4K Ultra HD, with this limited edition SteelBook®. This essential Alfred Hitchcock hybrid of romance and thrills features Cary Grant as John Robie, a reformed jewel thief once known as The Cat. When he is suspected of new gem thefts in the luxury hotels of the French Riviera, Robie sees a plot to clear himself after meeting pampered heiress Frances (Grace Kelly). Romantic sparks fly as the suspense builds in this essential VistaVision classic, which nabbed an Oscar® for Best Cinematography, Colour (1955).Special Features:Commentary by Dr. Drew Casper, Hitchcock Film HistorianFilmmaker Focus: Leonard Maltin on To Catch a ThiefA Night with the HitchcocksUnacceptable Under the Code: Censorship in HollywoodWriting and Casting To Catch A Thief The Making of To Catch A ThiefBehind the Gates: Cary Grant and Grace KellyAlfred Hitchcock and To Catch A Thief: An AppreciationEdith Head: The Paramount YearsOriginal Theatrical Trailer
Once upon a time screenwriter Keith Michaels (Hugh Grant) was on top of the world - a Golden Globe Award and a hit movie to his name a beautiful wife and son and a seemingly inexhaustible supply of sexy British wit and charm. But that was fifteen years ago: now he's divorced approaching fifty hasn't written a hit film in years and is going broke. Luckily his agent has a gig for him - albeit far away from Hollywood. A university in upstate New York is looking for a writer-in-residence to teach a course on screenwriting and with an empty wallet as his motivation Keith can't say no. In bucolic Binghamton he quickly discovers that his celebrity status hasn't faded and he finds himself in a compromising position with a star-struck pupil Karen (Bella Heathcote) who is enrolled in his class and his other students seem naïve and simple. Hoping to give minimal attention to his duties and focus on writing a new script Keith inadvertently gets off on the wrong foot with a ranking faculty member (Allison Janney) a humourless Jane Austen scholar; though he does quickly befriend two eccentric faculty colleagues who promise to show him the ropes (Chris Elliott J.K. Simmons). Keith's attitude begins to turn when he meets Holly (Marisa Tomei) a single mom working two jobs to earn her bachelor's degree. Though Holly has a new boyfriend - and Keith isn't very savvy about covering up his romance with Karen - the two find themselves connected by their mutual need for a second chance. When one of his pupils comes up with a screenplay that Keith knows will sell he sees an opportunity to get out of teaching and go back to living the good life. But he's also discovered that teaching has given him that second chance at becoming a better man - and finds himself equally tempted to stay and see where his new talents take him.
Standing out in the crowded field of screen adaptations of the classic Dickens novel A Christmas Carol is hard to do, but this version pulls it off. When a transparent Jacob Marley walks through Ebenezer Scrooge's apartment door, you know you're seeing something both timeless and contemporary. Other strategically placed special effects--a funnel cloud that transports Scrooge and the ghost of Christmas present, the hollow spectre of Christmas future--keep you riveted without slipping into anachronism. But, as good as the technology is, the performances are what really power this 93-minute television interpretation. Patrick Stewart brings a depth to Scrooge that allows the character to go beyond the cartoonish qualities that have made him a Christmas mainstay. That doesn't mean he's any less heartless with his hapless employee Bob Cratchit (Richard E. Grant) or any less dismissive of his well-meaning nephew. A frail-looking Joel Grey makes an excellent ghost of Christmas past, and a superb cast ably fill the remaining roles. Director David Jones, shooting on location in England and at Ealing Studios, has achieved a balance of science and sentiment that will help this version hold up for many years to come. --Kimberly Heinrichs
Please wait. Loading...
This site uses cookies.
More details in our privacy policy