Damien is back in this remake of the chilling 1976 horror classic.
Dr Alex Hoffman, a computer scientist and genius who is ready with a new AI product launch that promises big returns, but whose roll-out plans go awry. What follows is a journey through the worst 24 hours of his life cutting across reality, memory and paranoid fantasy, forcing him to question everything he sees with his own eyes. Adapted by Paul Andrew Williams and Caroline Bartleet, and directed by David Caffrey (The Alienist), the fast-paced four-part limited series also has Leila Farzad (I Hate Suzie), Arsher Ali (The Ritual) and Grégory Montel (Call My Agent) in the cast.
Disney does Dickens in this animated version of Oliver Twist, in which a homeless New York City cat falls in with a bunch of mischievous dogs under the leadership of the appealing scoundrel Fagin. The roots of Disney's success with animation in the 1990s begins with this clever, energetic, atmospheric movie, which succeeds in capturing the grim world Dickens conjured. Lyricist Howard Ashman (The Little Mermaid) worked on the songs, the best of which is sung by Billy Joel, who provides the voice of (the Artful) Dodger. --Tom Keogh
By night, vampires rise from loamy graves in search of human prey. By day, vampire slayer Jack Crow (Woods) leads a contingent of Vatican mercenaries in a long-waged war against these enemies.
Walt Disney's 25th full-length animated classic The Black Cauldron is a spectacular fantasy adventure to leave your whole family spellbound. In the mystical land of Prydrain a young boy named Taran undertakes a heroic task. With a magic sword at his side Taran must prevent the evil Horned King from unleashing the supernatural powers of a mysterious black cauldron! Helped by the beautiful Princess Eilonwy a funny and furry creature named Gurgi and an adorable clairvoyant pig Taran
It's all about women.... and their men! From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill) her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only the cyni
One of the most honest and powerful war pictures (Life) of all time this thrilling dramatic thunderbolt (The Hollywood Reporter) soars right up into the bright blue yonder (Los Angeles Times). Blending thrilling action with personal drama brought to heroic heights (The New York Times) this Winner of two Academy Awards stars Gregory Peck in the best performance of his career (Look) a role which earned him a Best Actor Oscar Nomination. At the height of World War II the 918 Bomb Group suffers devastating losses and Brigadier General Frank Savage (Peck) is sent to take command. Because of his strong discipline his men resent him and although Savage remains impersonal under heavy attack and unrelenting fire fights he becomes personally involved in their well-being - a dangerous position for any leader - especially in the middle of a war!
So many women... Not enough man. Abner Peacock's (Knotts) beloved bird-watcher's magazine 'The Peacock' is in a financial crisis. Desperate to stay afloat Abner takes on new partners who have an agenda of their own: ito publish a sexy gentlemen's magazine. Before he can stop them the first issue sells over 40 million copies and Abner becomes the unwilling spokesperson for First Amendment rights. Swept up in the adulation the unwitting playboy quickly begins settling int
Sentenced to 23 years: he won't accept a day of it! This is the incredible true story of John McVicar - a man who took on the entire prison system and refused to surrender. Roger Daltrey gives a powerful performance as McVicar in a film that is shocking brutal and full of gritty violent realism. The film strongly depicts the brutal aspects of British prison life and follows McVicar into his eventual rehabilitation.
A U.S. Sheriff entrusted with a map of the legendary Valley of Gold is attacked by an unruly bandit gang and his own local townspeople. They are all fired by greed and gold lust but bound together by a fear of their common enemy - the Apache. Based on a novel by Will Henry with music by Quincy Jones.
Alfred Hitchcock takes on Sigmund Freud in this thriller in which psychologist Ingrid Bergman tries to solve a murder by unlocking the clues hidden in the mind of amnesiac suspect Gregory Peck. Among the highlights is a bizarre dream sequence seemingly designed by Salvador Dali--complete with huge eyeballs and pointy scissors. Although the film is in black and white, the original release contained one subliminal blood-red frame, appearing when a gun pointed directly at the camera goes off. Spellbound is one of Hitchcock's strangest and most atmospheric films, providing the director with plenty of opportunities to explore what he called "pure cinema"--i.e., the power of pure visual associations. Miklós Rózsa's haunting score (which features the creepy electronic instrument, the theremin) won an Oscar, and the movie was nominated for best picture, director, supporting actor (Michael Chekhov), cinematography and special visual effects. --Jim Emerson
Award-winning documentary following eight kids competing for the position of best speller in the National Spelling Bee competition in America.
Annie Hall (1977): Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan (1979): 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Everything You Always Wanted To Know About Sex (But Were Afraid To Ask) (1972): Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium Allen revels himself as a filmmaker of wit sophistication and comic insight rising to the occasion with several hysterical vignettes that probe sexuality's stickiest issues! Aphrodisiacs prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart but learns that the key to her chastity belt might be more useful... Sleeper (1973): When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap he discovers the future's not so bright: all women are frigid all men are impotent and the world is ruled by an evil dictator: a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator's snout before it can be cloned Miles falls for the beautiful - but untalented - poet Luna (Diane Keaton). But when Miles is captured and reprogrammed by the government to believe he's Miss America it's up to Luna to save Miles lead the rebels and cut off the nose just to spite its face. Love And Death (1975): Woody Allen reinvents himself again with the epic historical satire Love and Death. A wonderfully funny and eclectic distillation of the Russian literary soul the film represents a bridge between Allen's early slapstick farces and his darker autobiographical comedies. One of his most visual philosophical and elaborately conceived films 'Love And Death' demonstrates again that Allen is an authentic comic genius. Bananas (1971): When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend Nancy (Louise Lasser) he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels!
The war is over. Nobody won. Only the inhabitants of Australia and the men of the U.S. submarine Sawfish have escaped the nuclear destruction. Captain Dwight Towers (Gregory Peck) takes the Sawfish on a mission to see if an approaching radiation cloud has weakened but returns with grim news: the cloud is lethal. With the days and hours dwindling each person confronts the grim situation in his or her own way as the final chapter of human history is coming to a close...
The war-time memories of surviving World War II bomber squadrons were still crystal clear when this acclaimed drama was released in 1949--one of the first post-war films out of Hollywood to treat the war on emotionally complex terms. Framed by a post-war prologue and epilogue and told as a flashback appreciation of war-time valour and teamwork, the film stars Gregory Peck in one of his finest performances as a callous general who assumes command of a bomber squadron based in England. At first, the new commander has little rapport with the 918th Bomber Group, whose loyalties still belong with their previous commander. As they continue to fly dangerous mission over Germany, however, the group and their new leader develop mutual respect and admiration, until the once-alienated commander feels that his men are part of a family--men whose bravery transcends the rigours of rigid discipline and by-the-book leadership. The film's now-classic climax, in which the general waits patiently for his squad to return to base--painfully aware that they may not return at all--is one of the most subtle yet emotionally intense scenes of any World War II drama. With Peck in the lead and Dean Jagger doing Oscar-winning work in a crucial supporting role, this was one of veteran director Henry King's proudest achievements, and it still packs a strong dramatic punch. --Jeff Shannon, Amazon.com
Despite an irritating, tacked-on voice-over narration that somebody must have thought necessary to make sense of the story (it isn't), Last of the Dogmen is actually a very moving and magical film. Tom Berenger plays a Montana bounty hunter who helps an anthropologist (Barbara Hershey) search for the descendants of a Cheyenne tribe who disappeared in the 1870s. What the two find in a remote mountain stretch is an entire community of Cheyenne who have kept themselves cut off from the modern world. A Dances with Wolves parallel emerges as the white outsiders gradually fit in, but Last of the Dogmen stands up just fine without comparison to any other films. As in Kevin Costner's Oscar-winning movie, however, there are ways in which this film captures a similar sense of yearning, mystery and loss--not least being David Arnold's fine John Barry-esque score. --Tom Keogh
The intense thriller The Assignment is a work of fiction with a factual basis. Aidan Quinn stars as Annibal Ramirez, an American naval officer with a striking resemblance to real-life international terrorist Carlos "the Jackal" Sanchez, the scourge of innocent people all over the world in the 1970s and 80s. Mistaken for Sanchez by the Israeli Mossad, Ramirez is arrested but subsequently recruited by the Mossad and the CIA to pose as Sanchez and set him up as a traitor to his underwriters. Ramirez leaves his family, receives training in all aspects of Sanchez's life, and is pulled into the netherworld of terrorism and espionage. Director Christian Duguay (Screamers) wisely emphasises character growth over obligatory action, drawing compelling portraits of an American intelligence official (Donald Sutherland) preoccupied with Sanchez; his Israeli counterpart (Ben Kingsley) and Ramirez himself, a man whose identity has merged with a monster's. --Tom Keogh
The epic journey of four generations of Americans who carved a country with their bare hands. With courage sinew and conflict: that's how the West was won. With three directors five interlocked stories some of the most legendary action scenes in movie history and a constellation of acting talent: that's how How The West Was Won was filmed.Henry Fonda Gregory Peck Debbie Reynolds James Stewart and John Wayne are among the big names in this big-event saga following a dauntless family's move West through generations - underscored by the spectacles of a heart-pounding raging river ride a thunderous buffalo stampede and a bracing runaway train shootout. The winner of three Academy Awards How The West Was Won was also a box-office winner.
Experience one of the most significant milestones in film history like never before with To Kill A Mockingbird. Screen legend Gregory Peck stars as courageous Southern lawyer Atticus Finch-the Academy Award®-winning performance hailed by the American Film Institute as the Greatest Movie Hero of All Time. Based on Harper Lee's Pulitzer Prize winning novel about innocence, strength and conviction and nominated for 8 Academy Awards®, this beloved classic includes hours of unforgettable bonus features. Watch it and remember why it's a sin to kill a mockingbird. Now for the first time in 4K Ultra High Definition, with brand new documentary To Kill A Mockingbird: All Points of View: Delve deep into the impact and legacy of To Kill a Mockingbird in this new documentary as film historians, scholars, and Gregory Peck's grandson, Christopher Peck, reflect on the messages of hope, courage and integrity that are still relevant 60 years after the film was released. Product Features To Kill A Mockingbird: All Points of View Fearful Symmetry A Conversation with Gregory Peck Feature Commentary with Director Robert Mulligan and Producer Alan Pakula And More!
Another masked avenger is reincarnated as a big budget movie. Idle playboy Lamont Cranston (Alec Baldwin), schooled in Tibetan mysticism, fights crime in late '30s New York while wearing a natty hat and false beak. He finds time to romance telepathic sweetie Margo Lane (Penelope Miller), whose crusty old scientist Dad (Ian McKellen) has just invented an atom bomb which is in danger of falling into the hands of Shiwan Khan (John Lone), conquest-happy last descendent of Genghis Khan.Director Russell Mulcahy turns out the regulation death traps (a locked chamber filling with water, a bomb timer which ticks away during the climax) and the Shadow breezes through via nifty "invisible" effects. It evokes the conventions and charms of 1930s' pulp fiction in rather more nostalgic mode than Quentin Tarantino's Pulp Fiction, and adds little of its own attitude, although a sly camp sensibility (notably in the extremely chi-chi Tim Curry and John Lone as the villains) goes for snickering at the expense of tension. A pleasant, eye-pleasing movie but, after the super-heroic likes of Batman, The Crow and The Mask, the merely mysterious Shadow seems somewhat grandfatherly and remote. --Kim Newman
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