One of the greatest directors of the 1980s, John Landis (The Blues Brothers, Trading Places), expertly combines macabre horror with dark humour in the lycanthropic classic, An American Werewolf in London. American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital... An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis' film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Baker's truly ground-breaking, Oscar-winning special make-up effects. Now restored and presented with an abundance of extra features, this big beast of horror can be devoured as never before... Product Features 4K restoration by Arrow Films from the original camera negative 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed 1.0 mono and optional 5.1 DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by Beware the Moon filmmaker Paul Davis Audio commentary by actors David Naughton and Griffin Dunne Mark of The Beast: The Legacy of the Universal Werewolf, a feature-length documentary by filmmaker Daniel Griffith, featuring interviews with John Landis, David Naughton, Joe Dante and more An American Filmmaker in London, an interview with John Landis in which he reflects on British cinema and his time working in Britain I Think He's a Jew: The Werewolf's Secret, a video essay by filmmaker Jon Spira (Elstree 1976) about how Landis' film explores Jewish identity The Werewolf's Call, Corin Hardy, director of The Hallow and The Nun, chats with writer Simon Ward about their formative experiences with Landis' film Wares of the Wolf, a featurette in which SFX artist Dan Martin and Tim Lawes of Prop Store look at some of the original costumes and special effects artefacts from the film Beware the Moon, Paul Davis' acclaimed, feature-length exploration of Landis' film which boasts extensive cast and crew interviews An American Werewolf in Bob's Basement and Causing a Disturbance: Piccadilly Revisited, two 2008 featurettes filmed by Paul Davis Making An American Werewolf in London, a short archival featurette on the film's production An Interview with John Landis, a lengthy archival interview with the director about the film Make-up Artist Rick Baker on An American Werewolf in London, the legendary make-up artist discusses his work on the film I Walked with a Werewolf, an archival interview with Rick Baker about Universal horror and its legacy of Wolfman films Casting of the Hand, archival footage from Rick Baker's workshop showing the casting of David Naughton's hand Outtakes Storyboards featurette Original trailer and teaser plus TV and radio spots Extensive image gallery featuring over 200 stills, posters and other ephemera Reversible sleeve featuring original poster art and artwork by Graham Humphreys
One of the most gripping horror films of all time is now available in a new 2 disc DVD Special Edition! When two American students touring the English countryside are attacked by a vicious wolf during a full moon their lives are suddenly transformed forever. Featuring ground-breaking Academy Award''-winning make-up by Rick Baker this cult favourite is directed by John Landis (National Lampoon's Animal House) and perfectly blends the macabre with a touch of humour. Digitally remastered and loaded with bonus features including an all-new feature-length retrospective documentary An American Werewolf in London Special Edition is a timeless story that has never looked better!
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett (Griffin Dunne) ventures downtown for a hookup with a mystery woman (Rosanna Arquette). So begins the wildest night of his life, as bizarre occurrences-involving underground-art punks, a distressed waitress, a crazed Mister Softee truck driver, and a bagel-and-cream-cheese paperweight-pile up with anxiety-inducing relentlessness and thwart his attempts to get home. With this Kafkaesque cult classic, Martin Scorsese-abetted by Michael Ballhaus's kinetic cinematography and scene-stealing supporting turns by Linda Fiorentino, Teri Garr, Catherine O'Hara, and John Heard-directed a darkly comic tale of mistaken identity, turning the desolate night world of 1980s SoHo into a bohemian wonderland of surreal menace.
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett (Griffin Dunne) ventures downtown for a hookup with a mystery woman (Rosanna Arquette). So begins the wildest night of his life, as bizarre occurrences-involving underground-art punks, a distressed waitress, a crazed Mister Softee truck driver, and a bagel-and-cream-cheese paperweight-pile up with anxiety-inducing relentlessness and thwart his attempts to get home. With this Kafkaesque cult classic, Martin Scorsese-abetted by Michael Ballhaus's kinetic cinematography and scene-stealing supporting turns by Linda Fiorentino, Teri Garr, Catherine O'Hara, and John Heard-directed a darkly comic tale of mistaken identity, turning the desolate night world of 1980s SoHo into a bohemian wonderland of surreal menace.
A doomed Macaulay Culkin becomes the object of affection for a little girl (Anna Chlumsky), estranged from her widowed father (Dan Aykroyd). This somewhat daring premise has various emotional buffers to keep young viewers from going into shock from Culkin's demise, but My Girl is also not shut off from real feelings. And while the story remains safely predictable, at the end of the day it is still a bittersweet experience. Culkin's performance is okay in that somewhat mannered way of his post-Home Alone career, but Anna Chlumsky is unusually sophisticated in her understanding of her character and situation. Aykroyd and Jamie Lee Curtis are perfectly stable as the kids' single parents. This is directed by Howard Zieff (Private Benjamin). --Tom Keogh
A hit in Europe but a flop in the US--where it was trimmed, rescored, and given a new ending--Luc Besson's The Big Blue has endured as a minor cult classic for its gorgeous photography (both on land and underwater) and dreamy ambiance. Jean-Marc Barr is a sweet and sensitive but passive presence as Jacques, a diver with a unique connection to the sea. He has the astounding ability to slow his heartbeat and his circulation on deep dives, "a phenomenon that's only been observed in whales and dolphins until now," remarks one scientist. Kooky New York insurance adjuster Joanna (Rosanna Arquette at her most delightfully flustered and endearingly sexy best) melts after falling into his innocent baby blues, and she follows him to Italy, where he's continuing a lifelong competition with boyhood rival Enzo (Jean Reno in a performance both comic and touching). Besson's first English-language production looks more European than Hollywood, and it suffers from a tin ear for the language. At times it feels more like an IMAX undersea documentary than a drama about free divers, but the lush and lovely images create a fairy tale dimension to Jacques's story, a veritable Little Merman. More dolphin than man, he's so torn between earthly love and aquatic paradise that even his dreams call him to the sea (in a sequence more eloquent than any speech). Besson has expanded the film by 50 minutes for his director's cut, which adds little story but slows the contemplative pace until it practically floats in time, and has restored Eric Serra's synthesizer-heavy score, a slice of 1980s pop that at times borders on disco kitsch. Most importantly, he has restored his original ending, which echoes the fairy tale he tells Joanna earlier in the film and leaves the story floating in the inky blackness of ambiguity. --Sean Axmaker, Amazon.com
A funny thing happened on the way to the bus station Four years unjustly jailed haven't dampened the spirits or determination of Nikki Finn (Madonna). The spunky parolee sets out to clear her name - and sets the Big Apple spinning in deliriously funny ways. The music/movie superstar displays kicky comic flair and sings four terrific soundtrack tunes (Causing a Commotion The Look of Love Can't Stop and the title song). Griffin Dunne co-stars as an uptight soon-to-wed attorne
One of the greatest directors of the 1980s, John Landis (The Blues Brothers, Trading Places), expertly combines macabre horror with dark humour in the lycanthropic classic, An American Werewolf in London. American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital... An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis' film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Bakers' ground-breaking, Oscar-winning special makeup effects. Now restored in 4K, and presented with an abundance of extra features, this big beast of horror can be devoured as never before... Contents: New 2018 4K restoration from the original camera negative supervised by John Landis High Definition Blu-ray (1080p) presentation Original uncompressed 1.0 mono and optional 5.1 DTS-HD Master Audio Optional subtitles for the deaf and hard of hearing New audio commentary by Beware the Moon filmmaker Paul Davis Audio commentary by actors David Naughton and Griffin Dunne Mark of The Beast: The Legacy of the Universal Werewolf, newly produced, feature-length documentary by filmmaker Daniel Griffith, featuring interviews with John Landis, David Naughton, Joe Dante and more An American Filmmaker in London, a newly filmed interview with John Landis in which he reflects on British cinema and his his time working in Britain I Think He's a Jew: The Werewolf's Secret, new video essay by filmmaker Jon Spira (Elstree 1976) about how Landis' film explores Jewish identity The Werewolf's Call, Corin Hardy, director of The Nun, chats with writer Simon Ward about their formative experiences with Landis' film. Wares of the Wolf, new featurette in which SFX artist Dan Martin and Tim Lawes of The Prop Store look at some of the original costumes and special effects artefacts from the film Beware the Moon, Paul Davis' acclaimed, feature-length exploration of Landis' film which boasts extensive cast and crew interviews Making An American Werewolf in London, a short archival featurette on the film's production An Interview with John Landis, a lengthy archival interview with the director about the film Makeup Artist Rick Baker on An American Werewolf in London, the legendary make-up artist discusses his work on the film I Walked with a Werewolf, an archival interview with the make-up artist about Universal horror and its legacy of Wolfman films Casting of the Hand, archival footage from Rick Baker's workshop as they cast David Naughton's hand Outtakes Original trailers, teasers and radio spots Extensive image gallery featuring over 200 stills, posters and other ephemera Reversible sleeve featuring original poster art and artwork by Graham Humphreys
American Werewolf In London: One of the most gripping horror films of all time is now available in a new 2 disc DVD Special Edition! When two American students touring the English countryside are attacked by a vicious wolf during a full moon, their lives are suddenly transformed forever. Featuring ground-breaking Academy Award-winning make-up by Rick Baker, this cult favourite is directed by John Landis (National Lampoon's Animal House) and perfectly blends the macabre with a touch of humour. Mary Shelley's Frankenstein: It is the late 18th Century. After the death of his beloved mother, young Victor Frankenstein leaves his father and Elizabeth, the adopted sister he passionately loves, to attend university. Here he becomes obsessed with the teachings of Professor Walman who believes that living creatures can actually be created from dead matter. One electrifying night, Frankenstein's efforts are rewarded as his Creature struggles to life. Alone, despised and driven by a rage of emotional agony, it sets off to find its maker. And so begins the nightmare that will engulf Victor Frankenstein... Dracula: Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta, who is reincarnated as the beautiful Mina (Winona Ryder)... The Thing: Horror-meister John Carpenter teams Kurt Russell's outstanding performance with incredible visuals to build this chilling version of the classic The Thing. In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Soon unfrozen, the shape-shifting alien wreaks havoc, creates terror and becomes one of them...
Dolly Parton (9 to 5 Steel Magnolias) and James Woods (The Hard Way) star in this lighthearted romantic comedy about a country girl who accidentally becomes Chicago's hottest talk radio celebrity. With her homespun wit and down-home advice Shirlee Kenyon wins listeners' hearts... and the heart of investigative reporter Jack Russell. But when Jack discovers the hidden secret to her success it jeopardises both her newfound celebrity status and their future together. Filled with roman
One of the greatest directors of the 1980s, John Landis (The Blues Brothers, Trading Places), expertly combines macabre horror with dark humour in the lycanthropic classic, An American Werewolf in London. American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital... An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis' film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Bakers' ground-breaking, Oscar-winning special makeup effects. Now restored in 4K, and presented with an abundance of extra features, this big beast of horror can be devoured as never before... Limited Edition Contents: New 2018 4K restoration from the original camera negative supervised by John Landis High Definition Blu-ray (1080p) presentation Original uncompressed 1.0 mono and optional 5.1 DTS-HD Master Audio Optional subtitles for the deaf and hard of hearing New audio commentary by Beware the Moon filmmaker Paul Davis Audio commentary by actors David Naughton and Griffin Dunne Mark of The Beast: The Legacy of the Universal Werewolf, newly produced, feature-length documentary by filmmaker Daniel Griffith, featuring interviews with John Landis, David Naughton, Joe Dante and more An American Filmmaker in London, a newly filmed interview with John Landis in which he reflects on British cinema and his his time working in Britain I Think He's a Jew: The Werewolf's Secret, new video essay by filmmaker Jon Spira (Elstree 1976) about how Landis' film explores Jewish identity The Werewolf's Call, Corin Hardy, director of The Nun, chats with writer Simon Ward about their formative experiences with Landis' film. Wares of the Wolf, new featurette in which SFX artist Dan Martin and Tim Lawes of The Prop Store look at some of the original costumes and special effects artefacts from the film Beware the Moon, Paul Davis' acclaimed, feature-length exploration of Landis' film which boasts extensive cast and crew interviews Making An American Werewolf in London, a short archival featurette on the film's production An Interview with John Landis, a lengthy archival interview with the director about the film Makeup Artist Rick Baker on An American Werewolf in London, the legendary make-up artist discusses his work on the film I Walked with a Werewolf, an archival interview with the make-up artist about Universal horror and its legacy of Wolfman films Casting of the Hand, archival footage from Rick Baker's workshop as they cast David Naughton's hand Outtakes Original trailers, teasers and radio spots Extensive image gallery featuring over 200 stills, posters and other ephemera Reversible sleeve featuring original poster art and artwork by Graham Humphreys Double-sided fold-out poster Six double-sided, postcard-sized lobby card reproductions Limited 60-page booklet featuring new writing by Travis Crawford and Simon Ward, archival articles and original reviews
With an ingenious script, engaging characters, nerve-shredding suspense, genuinely frightening set-pieces and laugh-out-loud funny bits An American Werewolf in London is a prime candidate for the finest horror-comedy ever made. Americans David (David Naughton) and Jack (Griffin Dunne) are backpacking in northern England when Jack is killed by a wild beast and David is bitten. Back in London David finds himself falling in love with a nurse, Alex (played with winning charm by Jenny Agutter), and turning into a werewolf. Adding to his problems, an increasingly decomposed Jack keeps coming back from the dead, and he is not a happy corpse. The Oscar winning make-up and transformation scenes still look good and rather than send itself up Werewolf plays its horror seriously, the laughs coming naturally from the surreal situation. Naughton is engagingly confused and disbelieving, desperately coping with the ever more nightmarish world, while Landis delivers one absolutely stunning dream sequence, an unbearably tense hunt on the London Underground and a breathtaking finale. Gory, erotic, shocking and romantic, this unforgettable horror classic has it all. Tom Holland's Fright Night (1985) remixed the formula with vampires, as did Landis himself in Innocent Blood (1992). A disappointing sequel, An American Werewolf in Paris, followed in 1997. --Gary S Dalkin
Goodfellas: The Special Edition: Robert De Niro received wide recognition for his performance as veteran criminal Jimmy ""The Gent"" Conway. And as the volatile Tommy DeVito Joe Pesci walked off with the Best Supporting Actor Oscar Academy Award nominee Lorraine Bracco Ray Liotta and Paul Sorvino also turned in electrifying performances. You have to see it to believe it... After Hours: This splendidly nerve-wracking blackly comic nightmare is among Martin Scorsese's m
Set in the 1930's this gangster spoof tells the comic tale of Johnny Kelly (Michael Keaton) who is forced into a life of crime in order to pay for his ailing mother's medical treatment. Attempting to keep his straight life and his life of crime separate Johnny takes the name Dangerously and is soon a powerful mobster flush with women and riches. The Dangerously name is about to be slandered though by the Kelly family when Johnny's brother (Griffin Dunne) becomes the district attor
With this third season, Frasier scored an impressive hat trick, winning its third successive Emmy for Outstanding Comedy Series. You don't need too much analysis to get to the bottom of this unprecedented success. The series was a primetime oasis of wit and sophistication, with welcome forays into farce that pricked Frasier's bubble of pomposity. His priceless reactions to the assaults on his dignity are worthy of Jack Benny. Frasier (Kelsey Grammer) can be infuriating, as in "The Focus Group," in which he is obsessed with knowing why a lone focus group participant (guest star Tony Shalhoub) doesn't like him. But he is also endearing in his delusional view of himself as, in the words of one mocking bystander, a "man of the people." Frasier meets his match in new station owner Kate Costas (Oscar-winner Mercedes Ruehl). Their combative relationship turns to lust over the course of the first 10 episodes. But the season's most pivotal story arc is the separation of Niles (David Hyde Pierce) and Maris. "Moon Dance," which marked Grammer's directorial debut, is a series benchmark, as a crestfallen Niles tangos with his unrequited love, Daphne (Jane Leeves), at a high society ball. Not that the Crane family still doesn't have issues to work out. Frasier cannot abide being beaten at chess by Martin (John Mahoney) in "Chess Pains." Frasier and Niles ill-advisedly go into joint practice in "Shrink Rap," and find themselves on the opposite sides of a sanity hearing in "Crane vs. Crane." Lilith is sorely missed, but in this season's blast-from-the-past episode, Shelley Long returns in "The Show Where Diane Comes Back." It is a joy to see Cheers resurrected, if only in Diane's self-absorbed new play, which Frasier agrees to back. And any episode with Frasier's amoral agent Bebe (Harriet Sansom Harris) is must-see television. Frasier's humor was character-based, rather than topical, giving it a longer shelf life. For those who lament the end of one of television's gold standard series, this box set will be excellent therapy. --Donald Liebenson
Carla and Marco are poets whose art is fuelled by their emotional extremes. When they go off their meds, they end up in the same psychiatric hospital. As the chemistry between them stirs up their emotions, it intensifies their mania. Despite doctors' and parents' attempts to separate them, they pursue their beautiful but destructive romance which swings them from fantastical highs to depressive lows, until they have to choose between sanity and love.
In the latest comedy from the Farrelly brothers, two conjoined twins find their brotherly bond tested when one of them decides to head to Hollywood to become a movie star.
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