Widely recognised as Bergman's most extraordinary and influential film Persona is a rich and poetic study of womanhood and identity featuring two of the Swedish master's greatest leading ladies Liv Ullmann and Bibi Andersson. Elizabeth (Liv Ullmann) is a famous actress who is suddenly taken ill and left without speech. While convalescing on the coast she is cared for by Nurse Alma (Bibi Andersson) and silenced by the effect of her possibly psychosomatic illness finds that her nurse does the talking for both of them. Gradually the two women's identities begin to merge and their personalities become one. Almost impossible to describe in words this landmark film is a visual tour-de-force which remains as innovative and startling today as it was in 1966. This version is fully uncut and features newly created uncensored subtitles.
On a remote island far removed from a raging civil war Jan and Eva retreat to their apolitical fortress: a small vegetable farm. But their serene existence is shattered when soldiers violently invade their home. Now caught in the crosshairs of a brutal and inhuman conflict Jan and Eva become survivors with only one concern - to endure.
Ingmar Bergman's classic drama celebrates its 50th anniversary with this cinematic re-issue.
Ingmar Bergman's classic drama celebrates its 50th anniversary with this cinematic re-issue.
Between 1961 and 1963, Ingmar Bergman embarked on three films thematically concerned with man's relationship to God and the futility of spiritual belief. Together, The Faith Trilogy proved a turning point for the director, securing his collaboration with cinematographer Sven Nykvist and exhibiting his mastery for direction. Through a Glass Darkly (1961): A schizophrenic girl has visions, believing that God's presence is ever closer. However as her descent into madness deepens, ...
Wild Strawberries (1957): The film that catapulted Ingmar Bergman to the forefront of world cinema is the director's richest most humane movie. Traveling to receive an honorary degree professor Isak Borg (masterfully played by the veteran Swedish director Victor Sjostrom) is forced to face his past come to terms with his faults and accept his approaching death. Through flashbacks and fantasies dreams and nightmares Wild Strawberries captures a startling voyage of self-dis
Ingmar Bergman's early masterpiece, a wrenching battle of the sexes, in a new 2K restoration Ingmar Bergman (The Seventh Seal) presents the battle of the sexes as a ramshackle, grotesque carnival of humiliation in Sawdust and Tinsel, one of the master's most vivid early works and his first of many collaborations with the great cinematographer Sven Nykvist (Persona). The story of the charged relationship between a turnofthetwentieth century circus owner (A Lesson in Love's à ke Grönberg) and his younger mistress (Harriet Andersson), a horseback rider in the traveling show, the film features dreamlike detours and twisted psychosexual power plays, making for a piercingly brilliant depiction of physical and spiritual degradation. SPECIAL EDITION FEATURES: New 2K digital restoration, with uncompressed monaural soundtrack Audio commentary by Ingmar Bergman scholar Peter Cowie Introduction by Bergman from 2003 PLUS: An essay by critic John Simon
Desperately they fought the desires the passions that dragged them down deeper and deeper into... 'The Naked Night' On a gray morning a circus caravan arrives in the town where Albert the ringmaster's family lives. He hasn't seen them for three years and has taken a mistress the young and buxom Anne. Albert calls on his wife; Anne jealous and wanting out visits a theatrical troupe and lets an actor Frans seduce her in exchange for a necklace he says is valuable. Anne finds out it's worthless at about the same time Albert's wife declines to let him live with the family. Albert and Anne are stuck with the circus and each other; there's a show tonight Frans will be there smirking and sardonic the bear is mangy the clown is as sour as they come and suicide offers an exit.
Opening with a starkly symbolic dream sequence, Wild Strawberries follows Professor Isak Borg as he journeys by car in the company of his daughter-in-law to collect an award from his former university. The trip occasions a series of reminiscences and reveries, as the ageing Borg revisits the scenes of his youth and reflects on an unhappy marriage. Bergman pays tribute to his forebears by casting great silent filmmaker Victor Sjöstrom as Borg, but strikes out for a new form of intellectual cinema characterised by probing into the nature of existence. Presented in High Definition Fully illustrated booklet featuring an essay by Geoff Andrew, original review and full film credits
The Bergman Faith Trilogy (3 Discs)
'Waiting Women' is an episodic work composed of three segments thr third of which represents Bergman's first foray into comedy later honed in the erotic farce 'A Lesson In Love'. Three women (all sisters-in-law) talk about their marital problems while waiting for their husbands at a summer cottage. The first story concerns Rakel (Anita Bjrk) and an adulterous episode that changed her marriage forever. In the next intensely visual segment featuring only limited dialogue Marta (M
Bergman brings a refreshing wit to this dark domestic comedy tale of a married couple who desperately need each other. David (Gunnar Bjrnstrand) is a gynaecologist who is involved with a young patient. His wife Marianne (Eva Dahlbeck) learns of this transgression and begins an affair with his best friend. They attempt a trial separation however an ecounter upon a train bound for Copenhagen reminds them of the good times and connection they have with each other. Mirroring the
The devil has a stye in his eye caused by the purity of a vicar's daughter. To get rid of it he sends Don Juan up from hell to seduce the 20 year old Britt-Marie and to rob her of her virginity and her belief in love. She however can resist him and things get even turned around when Don Juan falls in love with her. The fact that he feels love for the first time now makes him even less attractive to her and Don Juan returns to hell.
As the Black Death continues to wipe out the population of Europe Knight Antonius Block (Max Von Sydow) returns from the crusades. Disillusioned and worn he encounters Death and makes a bargain - his fate will be determined by a game of chess. Taking a troupe of travelling players and a deaf girl under his protection the knight plays the game with Death who as the pieces fall exacts his toll. All the while the villages and towns about them fall into ruin and religion takes a stranglehold. This beautifully restored edition is presented here with previously unseen on-set footage shot during the film's production in late 1956 and is complimented by Bergman's powerful and evocative short film Karin's Face.
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