C.S.I. is an acclaimed edgy fast-paced drama series about a passionate team of forensic investigators (among them William Petersen and Marg Helgenberger) who work the graveyard shift at the Las Vegas Criminalistics Bureau. Their job - to find the missing pieces at the scene that will help to solve the crime and vindicate those who often cannot speak for themselves - the victims. Between the hidden clues and the buried motives lies the trail to the truth because peopl
The UV copy is only available in the UK and Ireland. From the producer of Whiplash and The Purge, Jason Blum, comes a chilling, psychological thriller-horror that marks the feature directorial debut of acclaimed actor and writer Joel Edgerton (The Great Gatsby, Zero Dark Thirty, Warrior). Simon (Jason Bateman; Horrible Bosses, Arrested Development) and Robyn (Rebecca Hall; Transcendence, Iron Man 3) are a young married couple whose life is going just as planned until a chance encounter with an acquaintance from Simon's high school sends their world into a harrowing tailspin. Simon doesn't recognize Gordo (Joel Edgerton) at first, but after a series of uninvited encounters and mysterious gifts prove troubling, a horrifying secret from the past is uncovered after more than 20 years. As Robyn learns the unsettling truth about what happened between Simon and Gordo, she starts to question: how well do we really know the people closest to us, and are past bygones ever really bygones?
Classic John Ford directed Americana based on the stories of Irvin Cobb. A small town judge in the old south stirs up the place with stinging humour and common sense observations as he tackles prejudices and civil injustices in this warm affectionate and funny look at a slice of American life.
Exclusively available at Amazon.co.uk, this box set contains the complete second series of CSI: Crime Scene Investigation. The second series consolidates the show's well-deserved popular appeal, while beginning to explore (gently at first) beneath the slickly professional surface of the investigators themselves. Gradually we learn more about what makes Grissom and his astonishingly gifted forensics team tick, beyond merely that they are workaholics who seem to require no sleep at all. The show's trademark reveals of vital evidence--be it on the autopsy slab or under the microscope--add a fresh spin to what is, at heart, a good old-fashioned whodunit series. And just when CSI starts to seem a little too pat, just when the trail of clues seems too neat, the show always seems able to throw a surprise or two at us: perhaps there has been no crime after all; perhaps the evidence concerns a completely different crime altogether; or perhaps, as in one brave episode concerning brothers implicated in multiple murders, the evidence simply isn't good enough to convict the right man, even when Grissom knows which one really is guilty. Thanks to its focus on more single-case episodes, the latter episodes provide an even more highly concentrated dose of forensic puzzle-solving. With the whole team working together on one puzzle crime (or series of crime puzzles), the group dynamic is elaborated and the audience drawn deeper into each investigation. "Identity Crisis" sees the return of Grissom's nemesis, serial killer Paul Millander; in "The Finger", Catherine is caught up in an elaborate kidnap plot; in "Burden of Proof", a stray body in a "body farm" leads to a difficult case of child abuse; while "Chasing the Bus" brings the team together to unravel the mystery of a bus crash in the desert. "Stalker" is possibly the show's most terrifying episode to date, with a woman found murdered behind the safely locked doors of her apartment. The season concludes with "Cross Jurisdictions", a rather unsubtle way of introducing the spin-off show CSI: Miami and, finally, "The Hunger Artist", a somewhat strained attempt to comment on our society's obsession with glamour and self-image. --Mark Walker
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
Thrown together to join George Cowley's new C15 organisation....Hard men no patience nor time for subtleties. Charged with combating terrorists criminals and corruption wherever they find it. Capable of using any means necessary. The only people they can trust are themselves... Hunter/Hunted: There's trouble for Doyle when the hi-tech sniper rifle he's testing is stolen. Charged with recovering it he's soon to learn that the thief has him in his sights! First Night: When an Israeli minister goes missing in London it falls to CI5 to find him. How can they do this when the only clue is a blurred photograph? The Rack: An incident at CI5 has the authorities believing Doyle has killed a suspect. The department's always had enemies and this is their perfect excuse to have it shut down... Man Without A Past: A bomb in a restaurant kills bystanders and severely injures Bodie's girlfriend. Who was responsible? Bodie and Doyle investigate to find out who was really the target and why...
Here's the edge-of-your-seat thriller that delivers unrelenting suspense and nonstop action! Donald Sutherland leads a team of top-level government agents who make a chilling discovery: extraterrestrial beings have landed and are quickly taking control of the residents of a small midwestern town - manipulating their bodies and minds like puppets! Faced with an escalating crisis as the creatures multiply the team must somehow eliminate the seemingly unstoppable aliens!
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
When Criminologist Lisa Moore decides to return to her hometown of Milford to join the local police force she finds that even 15 years away have not healed the painful scars of her best friend's brutal murder.Teamed with her ex-boyfriend and new boss Joe O'Connor Lisa is horrified to discover that the man responsible for the murder Jake Mitchell is soon to be released. And when townspeople with a special connection start dying mysteriously all fingers point to Mitchell.
This story is true... a nightmarish decision had to be made. A handful of men had to take the lives of thousands of Japanese civilians with a single bomb to end World War 2 or send a million American soldiers to almost certain death on foreign soil. The decision was made... The Atomic bomb was dropped and Hiroshima became part of world history. This powerful thought provoking presentation features the physicist who discovers the method of splitting the Atom and Brian Dennehy as the hard driving abrasive general who spearheads the making of the bomb. A gripping tale which features an all star cast it chronicles the monumental effort and diverse personalities suspicion rivalries and moral conflicts surrounding the development of the weapon that changed history of the world.
An inspired casting gimmick, a wonderful mood, a grown-up love story--all this in The Fabulous Baker Boys, but the only thing anybody ever talks about is Michelle Pfeiffer on top of a piano. Granted, it's a showstopper: clad in a slinky dress, Pfeiffer rolls around on the Steinway while she purrs out a languid version of "Makin' Whoopee". Adding to the seductive vibe is the fact that she's not singing to the audience, but to the sullen piano player (Jeff Bridges) whose fancy she has captured. Bridges and his real-life brother, Beau, play two lounge entertainers whose act has grown stale; they're not above doing "Feelings" for the tourist crowd. They've hired songbird Pfeiffer (who does her own sexy singing) to spice up the routine, a strategy that pays off in spades. The three actors are terrific, with the fabulous Bridges boys playing neatly off their own sibling rhythms. Writer-director Steve Kloves captures the feel of second-rate Seattle clubs, and Dave Grusin's jazzy score keeps propelling the film forward. The story itself might have come from a 1940s romance, yet Kloves and his actors keep it unusually modern and thoughtful. And then there's Michelle Pfeiffer rolling around on top of a piano.... --Robert Horton
Tamara Jenkins' semi-autobiographical story follows a lower-middle-class teenager (Lyonne) and her neurotic family in 1976 Tinseltown...
Phone Booth A single phone call can change a man's life...or possibly end it. Stu Shepard is a self-centered New York City publicist who suddenly finds himself on the deadly end of a high-powered rifle scope. Now it's a real-time race against the clock as Stu must outwit a psychotic sniper in a frantic scramble from phone booth to freedom. The Siege When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make its bloody mark on the streets of New York it's up to FBI special agent Anthony Hub Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Speed Hold on tight for a rush of pulse-pounding thrills breathtaking stunts and unexpected romance in a film you'll want to see again and again. Keanu Reeves stars as Jack Traven an LAPD Swat team specialist who is sent to defuse a bomb that a revenge-driven extortionist (Dennis Hopper) has planted on a bus. But until he does Jack and passenger Sandra Bullock must keep the bus speeding through the streets of Los Angeles at more than 50 miles an hour - or the bomb will explode!
Set in the year 2063 Fireball XL5 charts the interplanetary adventures of a spacecraft and its crew handsome blonde pilot Steve Zodiac and the glamorous blonde space doctor Venus a maths genius and a robot! Fireball XL5 was part of a World Space Fleet based at Space City an island in the Pacific Ocean run by Commander Zero and Lieutenant Ninety. Its mission to patrol sector 25 of the universe beyond the solar system. The biggest craft of its kind the 300 metre long XL5 had a detatchable nose cone called Fireball Junior used for landings while the mothership was in orbit. Colonel Steve Zodiac the dynamic pilot of Fireball XL5 is ably assisted by Professor Matthew 'Matt' Mattic XL5's bespectacled naviagtor and scientific officier Venus the crew's medical expert and Steve's romantic interest Zoonie a strange looking creature called a Lazoon who is Venus' pet Robert the Robot the transparent mechanical companion and co-pilot to Steve Commander Zero the head of Space City.
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours.Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Each disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
Despite rave reviews as one of the most stylish and intelligent detective pictures in a number of years, this 1995 adaptation of Walter Mosley's novel never found a mass audience. Too bad, because Carl Franklin's film is nearly perfect in every way, from its rich, shadowy look to its depiction of life in post-World War II black America (LA-style) to the acting of Denzel Washington, Don Cheadle and others. Washington plays Easy Rawlins, an aircraft factory worker who is laid off only to find his true calling: as a private eye, albeit an unlicensed one. Hired to find a missing woman, he becomes entangled in a complex but satisfying case involving sex, corruption, racism and, of course, money. Devil In A Blue Dress is top-notch from top to bottom--and Cheadle is dangerously funny as Easy's best friend, a killer named Mouse. --Marshall Fine, Amazon.com
Now firmly established as one of the top-rated television dramas, by its third year CSI: Crime Scene Investigation is a show positively glowing with confidence. Even when individual cases seem either too contrived or too easily resolved, the indefatigable night shift at the Las Vegas PD crime lab always look the part, solving conundrums and discovering microscopic damning evidence while, apparently, never shedding their own loose hair or skin cells all over the supposedly quarantined crime scenes. In reality, Catherine Willows' flowing blonde locks would contaminate any evidence she collected, but in the world of CSI only the bad guys leave body parts behind--the CSIs themselves are so good they're positively pristine. The 23 episodes of season 3 on this five-disc set present more deliciously bizarre situations for the problem-solving sleuths: cannibalism, snuff movies, dwarfs, death while drag racing, bodies falling from the sky, and various dismemberments all tax the team's acumen. These are all double or multiple-case episodes, though in a characteristic trick of the writing sometimes apparently unrelated murders turn out to be connected (or vice versa, as in "Blood Lust," in which a road-accident victim is not what he seems, and the death of the driver at the hands of an angry mob is made all the more tragic). The mix of genuine forensic science with the glossiest Jerry Bruckheimer production values, plus the virtues of a good ensemble cast headed by William Peterson's modern-day Sherlock Holmes, remains as compelling as ever. --Mark Walker
A group of teenagers go camping for the weekend and fall victim to a serial killer known only as 'The Shaman'.
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