Classic Literature: Thomas Hardy
When Comedy Was King
Episodes 6-10 of Farscape's fourth series continue the themes set at the start of the year while concentrating on one-off adventures. John Crichton is still upset that Aeryn Sun has not confided in him about her pregnancy; Aeryn is still trying to cope with the loss of his dead copy; Chiana is trying in her lascivious way to get them back together; Scorpius and Sikozu are gradually becoming integrated into the life of the crew, and John and the others are trying to learn to trust their former arch-enemy. In "'Natural Election"', the process of choosing which of the crew shall be captain becomes more urgent when the living ship Moya is attacked by a space-dwelling plant that hangs around wormholes; "John Quixote" has Crichton and Chiana trapped in a surreal gameworld full of old friends and enemies; in "I Shrink, Therefore I Am", Crichton has to rescue his friends from bounty-hunters who have shrunk them and hidden them in their heavily-armoured bodies. Aeryn finds herself compelled to homicidal violence in "'A Prefect Murder"' and time goes wonky on her; Crichton has to get into drag and Scorpius has to vomit a lot to save their crewmates from getting caught in the cross-fire of "Coup by Clam". These are enjoyable albeit routine episodes of the most imaginative space opera ever to hit the TV screen, though they only hint at the wonders that were to come later in this final series. On the DVD: Farscape 4.2 has a wealth of special features that include two deleted scenes--one of them a touching discussion of their love lives between Aeryn and Chiana--and a text guide to swearing in the Farscape universe. There is a documentary about the special effects and a prolonged interview with Claudia Black in which she talks about how the show stretched her as an actress. It is presented in widescreen with a visual aspect ratio of 4:3 and has Dolby Digital sound. --Roz Kaveney
The People's Passion is a BBC/NVC Arts co-production, originally shown on BBC in short instalments, but presented here as a single 50-minute programme. This is a musical version of the story of Holy Week, the narrator sung by the leading American opera star Jessye Norman, commenting on the action played-out by a very familiar British television cast. The use of modern dress and readily identifiable faces such as Robert Hardy (Pilate), Patricia Hodge (Procula), Ron Moody (The Donkey Minder) and Kevin Whatley (Judas) is an excellent device to stress the contemporary relevance of the story. Though if this is the aim, it is a brave move to refuse to "dumb down" musically, Donald Fraser's score being more in the English classical tradition of Vaughan-Williams' Pilgrim's Progress, than a populist Jesus Christ, Superstar musical. Rather old-fashioned, too, is the portrayal of Jesus, who does not speak but is danced in Spirit by Jonathan Cope, and given voice by the boys of St Paul's Cathedral Choir. With Thomas Allen also appearing as The Centurion--in rather more dignified style than John Wayne in The Greatest Story Ever Told--this is a direct, uncluttered and highly effective version of The Passion.On the DVD: The picture is presented at approximately 1.7:1 ratio, but lacking anamorphic enhancement for widescreen televisions. The sound, disappointingly for a 1999 production, is PCM stereo. The booklet offers biographies of only Jessye Norman and Jonathan Cope, but does not include the libretto, which can be printed out via a DVD-ROM. The programme can be viewed with or without English subtitles. --Gary S. Dalkin
Laurel and Hardy star in this period operetta. In the early 18th century FraDiavolo (The Devil's Brother) and his notorious gang of thieves terrorize northern Italy. Wanderers Laurel and Hardy; herein known as Stanlioand Ollio are held up by a band of Diavolo'smen and lose their hard-earned savings. As a result of this robbery apart from the madcap series of comedy adventures our duo determine that they too will lead a life of crime and proceed to laughingly bungle a series of robbery attempts with Ollioposing as Diavolo. They make the mistake of holding up the real Diavolo (admirably played by Dennis King). He in turn threatens their lives but spares them and makes them his personal servants. Diavolois enamoured with the charms of Lady Rocberg(played by the lovely titillating Thelma Todd) and the 500 000 francs she has hidden in her petticoat. Featuring James Finlayson as support in the rollicking jolly frolic. A rarely seen screen gem this film was one of Stan and Ollie's own favourites and shows the great duo at the top of their trade.
Boxset contains: 'True Grit' 'The Man Who Shot Liberty Valance' 'El Dorado' & 'The Sons Of Katie Elder'.
The latest entry in the Harry Potter saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang, and has his first big fight with best bud Ron. Meanwhile, Ron's underlying romantic tension with Hermione comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold. But don't worry, there's plenty of wizardry and action in Goblet of Fire. When the deadly Tri-Wizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad Eye Moody and Miranda Richardson as Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation.--Ellen A. Kim, Amazon.com
Made in 1952 the kings of comedy are given a live retrospect of their lives in the popular TV programme 'This Is Your Life'.
An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) as if every penny made it to the screen. In true Buck Rogers style, Ben Browder plays leading man John Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up.Box Set 4 includes four episodes, another gallery of conceptual art, and video profiles of everyone's favourite Hynerian Dominar, Rygel, as well as a profile of Moya the living Leviathan transport ship and her pilot. The episodes are: "Durka Returns", in which the crew meet the beautiful Chiana for the first time, as well as Rygel's old tormentor, Captain Durka; "A Human Reaction", where Crichton finally gets back to Earth but with unfortunate results for the rest of Moya's crew; "Through the Looking Glass" in which the crew and Moya are thrown into a dimensional schism inhabited by a strange creature; and "A Bug's Life", in which an intelligent virus is released on the ship after an encounter with Peacekeepers. --Mark Walker
Stan Laurel in 'The Home Wrecker' Discharged from the 372nd infantry on account of a bean shortage Smithy (Laurel) seeks employment as a labourer. Given a note to take to the Foreman who upon reading it asks ""Do you know anything about building?"" ""No "" Smithy replies to which the foreman says ""Just the man we're looking for"". So starts a wonderful little comedy. Oliver Hardy in 'The Four Wheeled Terror' Hardy plays ""Dangerous Dan McGraw"" who along with his henchmen try to pr
Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise, but taking a visual and conceptual leap beyond those shows. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, courtesy of Jim Henson's Creature Shop, the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script, which is peppered with post-modern pop culture references and film in-jokes, never takes itself too seriously. It may be expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. Ben Browder plays leading man John Crichton as a latter-day Buck Rogers but with an entirely believable sense of bewilderment, not to mention loss; the rest of the living ship Moya's crew also has plenty of difficult issues to deal with, allowing Farscape's writers licence to develop their characters in often unexpected ways. The result is episodic TV sci-fi that continually pushes at the accepted boundaries of the format. Box Set 5: these four episodes lead up to the climax of the show's first season. "Nerve" and "The Hidden Memory" make for a bold two-parter in which Crichton is reunited with his Peacekeeper Tech girlfriend, Gilina, and emotions are strained as he infiltrates a Peacekeeper base to find a cure for Aeryn's wound. But the story's most important function is to introduce the dreaded Scorpius, who uses his Aurora chair torture device to extract what he mistakenly believes is vital knowledge from Crichton. Scorpius, it soon becomes clear, is just not going to go away. In "Bone to be Wild" the crew is still on the run from the vengeful Scorpius and take refuge on a strange vegetation-covered asteroid where there's a deadly role-reversal of the beauty and the beast story taking place. Finally in "Family Ties" the season ends on a tense cliffhanger as Rygel plots with Scorpius, Crais intervenes unexpectedly, Moya's child turns out to be something of a handful, and Crichton and D'Argo must take a desperate gamble. Also on the disc is an interview with costume designer Terry Ryan and a profile of the Australian Creature Shop. --Mark Walker
Road To Rio (Dir. Norman Z. McLeod 1947): To avoid being charged with arson after burning down a circus Hot Lips Barton (Bob Hope) and Scat Sweeney (Bing Crosby) stow away on an ocean bound ship. Aboard the vessel the duo fall for Lucia Maria de Andrade (Dorothy Lamour) who is under the spell of her evil aunt (Gale Sondergaard) who has arranged a marriage for the young beauty. This film was in good hands since many of Hope's best collaborators worked on the picture. Direct
Lassie has to try and make her way home in time for Christmas in this charming family movie.
It's easy to forget that, though fronting the British war effort through most of World War Two, Winston Churchill had spent the previous decade isolated in Parliament and in an internal opposition to the Conservative party. Winston Churchill: The Wilderness Years dramatises this period, in which the growing menace of Nazism in Germany was met with indifference, even fear by governments of the day who were more concerned with their survival than in serving those who had elected them. Churchill is perceptively played by Robert Hardy who confirms the image without falling into caricature. Visionary and obstinate by turns, he galvanises his supporters and enrages his enemies with a passion borne of conviction. A seasoned British cast includes Peter Barkworth as the amiable but ineffectual Stanley Baldwin, Eric Porter as the truly "out of time" Neville Chamberlain, Edward Woodward as the scheming Samuel Hoare, and Nigel Havers as the tragically flawed Randolph Churchill. Martin Gilbert has done a persuasive job transforming his novel into a TV script, the scenes in the House of Commons having a gritty reality that makes compulsive viewing. On the DVD: It's a pity that the Southern Pictures production first screened in 1981 has emerged so dimly in this incarnation. Has the master tape eroded so badly, or was it simply not available? However, it's worth putting up with the technical defects to enjoy this historically informed and grippingly dramatic serial. --Richard Whitehouse
From the breathtaking remains of 12th century Fountains Abbey in Yorkshire to the dramatic splendor of St. Michael's Mount in Cornwall this tour takes you through Britain's most famous homes castles and ruins - all restored to their original design by the National Trust. Visit Tatton Park a stunning 19th century mansion in Cheshire with a spectacular Japanese garden. Browse through a unique collection of 16th century paintings at the Dorset estate of Corfe Castle and Kingston Lacy
Well over half way through its third season and Farscape has plenty more surprises in store. This box set concludes the cliffhanger of "Infinite Possibilities" with the extraordinarily brave "Icarus Abides", in which the battle between Crichton and his Scorpius clone is resolved, but with fatal consequences. Then, in a dizzying change of pace, we return to Moya and the "other" Crichton for "Revenging Angel", part of which is a madcap Farscape take on the Road Runner cartoons, with a furious D'Argo standing in for Wiley Coyote. Matters turn sombre again as Aeryn communes with the spirits of the dead in "The Choice", but the reappearance of her mum, the vengeful Xhalax Sun, creates problems for Rygel and Stark. Across these four episodes the action seesaws between the crews of Moya and Talyn until a reluctant and painful reunion takes place in "Fractures", setting the scene for the final quartet of episodes of this enthralling season. Anyone who has not followed Farscape extremely closely from the very first episode of season one should go right back and begin at the beginning. On the DVD: four uncut episodes are accompanied by the now-familiar gallery of extras. There are "Info Pods" on D'Argo and Pilot, some deleted scenes, "Farscape Facts", Sci-Fi channel promos and a picture gallery. --Mark Walker
In its fourth series Farscape is as much dramatic and romantic fun as it's ever been and it's even more stylish than ever before. A pity, then, that this series is also the show's last, following its abrupt cancellation by the Sci-Fi Channel. If at times the tone seems a little lighter here than in its gloriously doom-laden predecessor, that is because its story arc is the first half of what was intended to cover two series and some of the material is clearly here for the long run. It is, for example, probably no coincidence that the priests' chant in "What Was Lost" has been part of the show's signature tune from the beginning. There are five episodes here. In "Crichton Kicks", Crichton has been a castaway for months on a senile Leviathan which is waiting its time to die. He has worked out wormhole technology, trained an orchestra of DRDs to sing the 1812 Overture, and is generally content, until his worldly resignation is shattered by the arrival of the beautiful, bossy and untrustworthy Sikozu, a bunch of aggressive butchers and a somewhat battered Chiana and Rygel. "What Was Lost Part 1: Sacrifice" takes them to an archaeological dig where they join Jool, D'Argo and the mysterious, annoying old woman Noranti and start to uncover lost secrets that change everything. In "What Was Lost Part 2: Resurrection" Crichton, drugged into bed by the seductive evil Peacekeeper Grayza, regains his self-respect by helping save yet another world. "Lava's a Many-Splendored Thing" is a puzzle episode: how to rescue an amber-encased Rygel from the bottom of a pool of lava without getting crisped or shot by renegades and how to use D'Argo's ship to rescue him when it is keyed to his DNA. Finally, "Promises" takes everyone back to Moya to find a dying Aeryn Sun and a Scorpius she has promised to protect--the issue here is how to outwit both a Peacekeeper torpedo and an extortionist with a big ship and a taste for hiding behind holograms. On the DVD: Farscape 4.1 has a very useful guide to the show's back-story as well as an interview with Anthony Simcoe ( D'Argo) and various character profiles and galleries. The deleted and extended scenes are unusually interesting--there is an exchange between Scorpius, Braca and Grayza which turns out later in the season to have been especially important. The DVD is presented in 4:3 visual aspect ratio and has Dolby Digital 5:1 sound. --Roz Kaveney
Jack And The Beanstalk: The legendary comedic duo Abbott and Costello provide fairy tale fun for kids (of ALL ages!). The wacky pair pretty much stick to the outline of the original childrens fairytale but add their own signature comic flourishes and slapstick details. Utopia: Stan and Ollie inherit a yacht along with a small island. They set sail accompanied by a stateless refugee and a stowaway. A violent storm causes our heroes to crash on their island. Together
By now it's clear that the third season of Farscape is the show's most exciting but also the most convoluted to date. The story so far: the crew has been divided across Moya and her troublesome offspring, Talyn; Crichton is literally divided into two; and Scorpius is sometimes real (but with a Crichton clone in his head) and sometimes the neural clone "Harvey" inside Crichton's head. Confused? Better follow events closely as multiple plot strands diverge and intertwine, characters from previous seasons pop up when you least expect them, and weird stuff generally keeps on happening. The four episodes in this box set take the various story threads still further apart. "Incubator" has the real Scorpius showing his Crichton neural clone the tragic truth about his upbringing. Scarrans, it seems, are the real enemy after all. In "Meltdown", Talyn is captured by a Siren Sun and Stark becomes even more unhinged, while Chrichton and Aeryn just can't keep their hands off each other. "Scratch 'n' Sniff" provides some welcome comic relief with an episode shot like a kinky David Fincher pop video and co-starring Ben Browder's real-life wife as the incredibly annoying Raxil. Finally, the gripping and action-packed "Infinite Possibilities, Part 1: Daedalus Dreams" returns us to the season's primary story-arc: the search for wormhole technology and its potentially dire consequences. The cliffhanger ending will have you yelling at the TV for more. On the DVD: only four episodes instead of the usual five, it's true, but every one is a corker. There are a handful of extras, including more "Info Pods", some deleted scenes and fact files to round out the set. --Mark Walker
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