Indiana Jones and the Raiders of the Lost Ark Its said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with 70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didnt disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horror not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--theres real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th centurys most infamous criminals (the Nazis). Now thats entertainment. --Sam Graham Indiana Jones and the Temple of Doom Its hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas 1980s adventure trilogy, to be just that. That doesnt mean its a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, its also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a mans chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that characters shortcomings. --Sam Graham Indiana Jones and the Last Crusade The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine Indiana Jones and the Kingdom of the Crystal Skull Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim
This is Blade Runner: The Final Cut Ridley Scott's definitive new version of his science-fiction masterpiece. Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st-century Los Angeles. He's a ""blade runner"" stalking geneticaly made criminal replicants. His assignment: kill them. Their crime: wanting to be human.
Directed by Anthony Asquith (The Yellow Rose Royce We Dive At Dawn) and adapted from the seminal play by Terence Rattigan (The Browning Version The Deep Blue Sea Separate Tables) The Winslow Boy is a classic tale of standing up to bureaucracy and one family''s testing fight for justice. Based on real life events The Winslow Boy follows the tribulations of an Edwardian naval cadet who is accused of robbery then expelled from his academy. On returning home his father becomes determined to clear his name and prove his innocence after what he considers an unfair internal enquiry. During his pursuit for justice the case eventually reaches The House Of Commons to cause public outcry and a political furore. A thoroughly British searing drama about the conquest for truth and the sacrifices that come with it The Winslow Boy still retains its ability to move audiences with its poignant and powerful story telling.
Visionary director J.J. Abrams brings to life the motion picture event of a generation. As Kylo Ren and the sinister First Order rise from the ashes of the Empire, Luke Skywalker is missing when the galaxy needs him most. It's up to Rey, a desert scavenger, and Finn, a defecting Stormtrooper, to join forces with Han Solo and Chewbacca in a desperate search for the one hope of restoring peace to the galaxy. Bonus Features: Secrets Of The Force Awakens: A Cinematic Journey The Story Awakens: The Table Read Crafting Creatures ¢ Building BB-8 Blueprint of a Battle: The Snow Fight ILM: The Visual Magic Of The Force John Williams: The Seventh Symphony Deleted Scenes Force For Change
Available for a limited time only! Three years after the events in Episode IV - A New Hope Imperial forces continue to pursue the rebels. After the rebellion's defeat on the ice planet Hoth Luke journeys to the planet Dagobah to train with Jedi Master Yoda who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the Dark Side Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin...
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plungle what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plungle what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st century Los Angeles. He's a blade runner stalking genetically made criminal replicants. His assignment: kill them. Their crime: wanting to be human. The story of Blade Runner is familiar to countless fans. But few have seen it like this. Because this is director Ridley Scott's own vision of his sci-fi classic. This new version omits Deckard's voiceover narration develops in slightly greater detail the romance between Deckard and Rachael (Sean Young) and removes the uplifting finale. The result is a heightened emotional impact: a great film made greater. Most intriguing of all is a newly included unicorn vision that suggests Deckard may be a replicant. Do Androids Dream of Electric Sheep? Is Deckard a replicant? As with all things in the future you must discover the answer to find yourself
Follow the epic tale of the unlikely rise of the Pride Lands' beloved king. An orphaned Mufasa is lost and alone until he meets Taka, heir to a royal bloodline. This launches an epic journey that tests the pair's bonds as they evade a deadly foe. Full length sing along version of the movie, Finding Milele: The Making of Mufasa: The Lion King Join visionary director Barry Jenkins and the cast of Mufasa: The Lion King on an epic journey to create a brand-new chapter in the story of The Lion King. Explore how the story was developed and the technology used to make Mufasa's world come to life., Songs of the Savanna Director Barry Jenkins and songwriter Lin-Manuel Miranda sit down to discuss the excitement and challenges of creating the music for Mufasa: The Lion King, Ostrich Eggs with Timon & Pumbaa Timon and Pumbaa reveal fun facts and some of the hidden references in the movie, Protect the Pride Learn how Disney and The Lion Recovery Fund are working to protect the pride and conserve lions in the wild, Outtakes Watch the cast having fun in the recording booth, Deleted Scenes, Song selections
1923, A Yellowstone Origin Story, introduces a new generation of the Dutton family as they explore the early twentieth century when pandemics, historic drought, the end of Prohibition and the Great Depression all plague the mountain west, and the Duttons who call it home.The series is executive produced by Taylor Sheridan, co-creator of Yellowstone, and stars Helen Mirren and Harrison Ford. This release features all 8 episodes of Season One plus over 2 hours of special features including an extended making-of featurette, a powerful exploration of Teonna Rainwater's harrowing journey, and an exclusive sit-down interview with video editor Chad Galster. Product FeaturesUnstoppable Change: The Adventure Of 1923 i Am The Land: Teonna Rainwater reflecting Humanity: The Art And Craft Of Editing 1923 inside The Series behind The Story For Every Episode
Indiana Jones and the Raiders of the Lost Ark It's said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with `70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn't disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horror not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there's real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century's most infamous criminals (the Nazis). Now that's entertainment. --Sam Graham Indiana Jones and the Temple of Doom It's hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas' 1980s adventure trilogy, to be just that. That doesn't mean it's a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it's also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man's chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character's shortcomings. --Sam Graham Indiana Jones and the Last Crusade The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine Indiana Jones and the Kingdom of the Crystal Skull Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim
Visionary director J.J. Abrams brings to life the motion picture event of a generation. As Kylo Ren and the sinister First Order rise from the ashes of the Empire, Luke Skywalker is missing when the galaxy needs him most. It's up to Rey, a desert scavenger, and Finn, a defecting Stormtrooper, to join forces with Han Solo and Chewbacca in a desperate search for the one hope of restoring peace to the galaxy.
Five friends spend one lost weekend in a mix of music, love and club culture.
The hotly anticipated follow up to the UK's most successful comedy film of all time, THE INBETWEENERS 2 sees our favourite foursome visit Australia.
This remake of the classic horror film follows a family that inherit a spectacular house, only to find themselves trapped within it, pursued by powerful and vengeful entities.
For anyone who's ever won. For anyone who's ever lost. And for anyone who's still in there trying.... When a secretary's idea is stolen by her boss she seizes the opportunity to steal it back. Her boss breaks her leg in a skiing accident and the daring secretary decides to take her office her apartment and even her wardrobe! it's make or break time...
The Beatles Anthology was initially broadcast as a TV miniseries to run alongside the series of three Anthology double-CD albums. This set of eight documentaries has the heft and scope of one of Ken Burns' expansive projects. Still, you may find yourself with more material--particularly about the Beatles' early lives as lads in Liverpool--than you'll want to watch. The documentary material is copious, including early performance films and tapes, at the point before they found their true voices. The actual Beatlemania years--beginning in 1963 and concluding in 1970--feature extensive performance films, as well as home movies and archival material. The best parts, of course, are the interviews with the Beatles themselves, who produced the entire thing. Along with reworking two previously unreleased John Lennon tracks as "new Beatles songs", the Anthology includes some unseen Lennon interview tapes so that his acerbic voice can be heard as well. This stands as a comprehensive document of that heady period, the second coming of rock & roll, as the Beatles took what Elvis had started and expanded upon it exponentially. This box set gives a solid sense of the historical context and the way these four musicians changed the world around them in the 1960s. --Marshall Fine
A never-before-seen and newly restored cut of Francis Ford Coppola's spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d'Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor TV Series, The West Wing), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award® nominee Laurence Fishburne (1993, Best Actor, What's Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. The audience will be able to see, hear and feel this film how I always hoped it could befrom the first bang' to the final whimper said the film-maker. All three versions of this film are available on this release including Apocalypse Now: The Final Cut, Apocalypse Now: Theatrical Cut, and Apocalypse Now Redux Extended Cut. Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Soundâ¢, a technology engineered to output audio below the limits of human hearing. Special Features: NEW - Introduction to Final Cut by Francis Ford CoppolaHearts of Darkness: A Filmmaker's Apocalypse NEW - Tribeca Film Festival Q&A with Francis Ford Coppola and Steven Soderbergh NEW - Super 8mm Behind-The-Scenes Footage NEW - Dutch Angle: Chas Gerretsen & Apocalypse Now NEW - Apocalypse Now: Remastering A Legend In Dolby Vision® and Dolby Atmos® NEW - Apocalypse Now: A Forty Year Journey NEW - Sensual Sound Technology from Meyer Sound Storyboard Collection (171 pages) John Milius script excerpt with Francis Coppola notes (still gallery) Photo Archive: Unit photography (30 pages) Mary Ellen Mark photography (12 pages) Marketing Archive: 1979 Teaser Trailer 1979 Theatrical Trailer 1979 Radio Spots (4 spots) 1979 Theatrical Program (16 pages) Lobby Card and Press Kit photos (78 pages) Poster Gallery Apocalypse Now Redux Trailer
If you can manage to suspend your disbelief for the duration, you won't be disappointed with Air Force One. Harrison Ford plays a US president who single-handedly employs his rigid anti-terrorism policy when a band of Russian thugs hatch a mid-flight takeover of Air Force One. Gary Oldman, who chews the scenery as the lead terrorist, will shoot a hostage at the slightest provocation. Glenn Close plays the sternly pragmatic vice president who negotiates with Oldman from her Washington seat of power. If you can believe that the aircraft's pressurized cabin can sustain hundreds of rounds of machine-gun fire, you'll buy anything in this entertaining potboiler, especially thanks to Ford's stalwart heroics and some nifty special effects. Director Wolfgang Petersen (Das Boot) keeps the action moving so fast you won't be sweating the details.--Jeff Shannon, Amazon.com
A romantic comedy where a bored, overworked lawyer, upon first sight of a beautiful instructor, signs up for ballroom dancing lessons.
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