Starring Bob Monkhouse Alfred Marks Hattie Jacques and many key comedy supporting actors from the 1960s She’ll Have to Go is a stylish hugely enjoyable farce co-produced by BAFTA-nominated Hammer Films stalwart Jack Asher. Released in the US as Maid for Murder it is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. When Francis and Douglas Oberon learn that their late grandmother has bequeathed the family fortune to distant cousin Toni they immediately start plotting to get their hands on the money. They dream up a plot whereby they cannot fail to acquire a comfortable future; the lovely Toni must either be murdered or married... Bonus Features: Original Theatrical Trailer Image Gallery Original Pressbook PDF
Becker stars Ted Danson as Dr. John Becker a dedicated and talented physician with a gruff exterior. Unfortunately his interior isn't warm and fuzzy either. While he offend those around him who try to get close he's extremely dedicated to his medical practice in the Bronx where he always goes the extra mile to help those in need.
All hands on deck for Titanic seaside laughs with the saucy Carry On crew! When an accident-prone sailor damages a secret blueprint his only hope is to get another from London. But then the Admiral arrives and he's forced to pose as a scientist - a female scientist!
In 1971 when Carry On at Your Convenience hit the screen, the series had long since become part of the fabric of British popular entertainment. Never mind the situation, the characters were essentially the same, film after film. The jokes were all as old as the hills, but nobody cared, they were still funny. But it's just too easy to treat them as a job lot of postcard humour and music hall innuendo. This tale of revolt at a sanitary ware factory--Boggs and Son, what else?--certainly chimed in with the state of the nation in the early 1970s when strikes were called at the drop of a hat. Here, tea urns, demarcation and the company's decision to branch out into bidets all wreak havoc. Kenneth Williams as the company's besieged managing director, Sidney James and Joan Sims give their all as usual, but it's the lesser roles that really add some lustre. Hattie Jacques as Sid's budgerigar-obsessed, sluggish put-upon wife and Renee Houston as a superbly domineering battleaxe with a penchant for strip poker remind us that in the hands of fine actors, even the laziest of caricatures becomes a real human being. On the DVD: Presented in 4:3 format with a good clean print and standard mono soundtrack, Carry On at Your Convenience feels as comfortable as an old pair of shoes. But where's the context? The lack of extras leaves the viewer wanting biographies and some documentary sense of the film's position in the series. The scene index is often arbitrary and the budget packaging means that we don't even get a full cast list. --Piers Ford
It's non stop romps as the Carry On team deliver the goods in one of the rudest and funniest of the Carry On films. The cast are all on top form as a bunch of no-hoppers who join an agency in the search for a job. The anarchy mounts as they do a series of odd jobs including a chimps tea party trying to stay sober at a wine tasting and demolishing a house.
The mercurially talented comedian Tony Hancock returns to DVD with more from his epoch-making comedy series Hancock's Half Hour.
In The Square Peg Norman Wisdom plays one of a pair of council workmen who, while repairing the road outside an army base, come to illustrate the oxymoronic nature of the phrase "military intelligence". Finding themselves drafted, the workmen are sent to repair the roads ahead of the Allied advance through war-torn Europe by the sergeant they previously embarrassed. Norman finds himself behind the German lines, joins up with French Resistance, gets captured then sets out to rescue British prisoners from a German military HQ by impersonating General Schreiber. Of course Wisdom plays Schreiber too. The Square Peg is the film that introduced Norman Wisdom's famous catch-phrase, "Mr. Grimsdale!". Also here Hattie Jacques gets to sing a remarkable duet with Wisdom, and a pre-Goldfinger Honor Blackman provides the love interest. Following his rising star was just what Norman Wisdom's audience had been doing all through the 1950s and, by 1959, and after six films with director John Paddy Carstairs, it was time for a change. Hence Robert Asher made his directorial debut with Follow a Star. The plot is a comedy version of A Star is Born (1954), with Norman yet again playing a dreaming shop worker, this time aspiring to singing stardom. Vernon Carew (played by Wisdom regular Jerry Desmonde) is the fading singer who schemes to use Wisdom's talent to sustain his own rapidly failing career, while the girl is overlooked starlette June Laverick. Norman is surrounded by a particularly strong supporting cast, with Hattie Jacques returning from The Square Peg (1958), Richard Wattis, John Le Mesurier, Fenella Fielding, Ron Moody and, uncredited, future Bond villain Charles Grey. --Gary S Dalkin
By the early 1970s Oldham-born Eric Sykes had become one of TV's best-loved comedy performers. Following the phenomenal success of the Sykes series he spread his wings in a number of one-off shows and films. This set comprises three shows made for Thames between 1971 and 1982. Filled with Eric's warm observational humour and exploiting his keen eye for the absurd the shows reunite him with several comedy collaborators including fellow Plank star Tommy Cooper and long-term working partner friend and Sykes co-star Hattie Jacques; Diana Coupland (Bless This House) Glaswegian actor/comedian Chic Murray and Dandy Nichols ('Till Death Us So Part) are among the other guest stars with musical interludes from classical guitarist John Williams. Titles Comprise: Sykes - With The Lid Off: Eric dares to take the lid off the many and varied forms of theatrical entertainment with the help of Hattie Jacques Dilys Watling Leslie Noyes Philip Gilbert and dancers The Ladybirds. The Likes Of Sykes: Eric has a Walter Mitty-style dream that he will produce a star-studded spectacular on Broadway - but will his dreams die before his starry eyes? Diana Coupland and John Williams are Eric's special guests. The Eric Sykes 1990 Show: Eric makes a prediction: by 1990 celebrities will have to pay for their own TV shows. Starring in his vision of the future are Tommy Cooper Chic Murray Dandy Nichols Leslie Mitchell and classical guitarist John Williams.
Set in the ancient English city of York, Eternal Law is about angels living amongst us, helping and guiding humans when they are at their most desperate. The series starts with one grumpy, seen-it-all-a-million times angel called Zak arriving to start a fresh tour of duty with his new colleague, the constantly amazed neophyte, Tom, who has never before spent time with humans. They live in a ramshackle house stuffed with books and paintings, where they are looked after by the beautiful, mysterious Mrs Sheringham.We discover that in his previous tour of duty Zak did a terrible, completely forbidden thing - he fell in love with a human woman, Hannah. To his horror he realises that Hannah has been put in York to tempt him, to test him. Although he loves her with every fibre of his body he knows he can never be with her. It is a cruel, bruised, aching romance.There are angels in all walks of life but our angels are lawyers. Which means that - every episode - they have to deal with humans at their lowest and most exposed. It could be a man standing trial for murder; a bitter custody battle; a fight to save an Old People's home; a frightened young squaddie accused of cowardice. Our angels strive their best to fight for their clients, to win their cases, to put them back on the straight and narrow. They don't always win but they always fight to the last.Eternal Law is emotional, funny, fresh. Each episode ends with Zak and Tom high up on York Minster, wings out, sharing a bottle of wine and talking about this week's case. They find human beings complicated, contradictory, vain, baffling, greedy, passionate, illogical... and utterly, compellingly wonderful.
Two hilarious short films from British funny man Erik Sykes: 'Rhubarb Rhubarb' concerns a mad game of golf and in 'Mr H Is Late' a coffin is late for a funeral...
Carry On Doctor (1967): Frankie Howerd is the guest star in this classic 'Carry On..' He plays Francis Bigger a charlatan faith healer who ends up in hospital and what a hospital it is! Dr. Kilmore (Jim Dale) seems more interested in the staff nurses and Dr. Tinkle (Kenneth Williams) dismisses all ill health as a weakness. The Matron (Hattie Jaques) can cure any medical problem with a frosty glance and the nurses are always raising the blood pressure of the patients in the male ward.... much to their delight of course. Carry On Matron (1972): Carry On Matron is one of the most loved of all Carry On films - largely because of Hattie Jacques' marvellous performance in the title role. If your funny bone is in need of tickling this is the prescription you need! Carry On Matron finds the team in top form in Finisham Maternity Hospital. Sid James leads a team of less than professional crooks intent on stealing a huge hoard of birth control pills. Carry On Again Doctor (1969): If you are seriously ill and need to go to hospital just make sure it isn't the Long Hampton Hospital as this is where the Carry On team have taken up malpractice. If it's laughter you're after join eminent surgeon Frederick Carver orderly Screwer and Doctors Stoppidge and Nookey for a prescription of smutty smiles. It's the perfect tonic you should take as regularly as your funny bone allows. Where there's a pill there's a way! That's Carry On (1977): Celebrating twenty years of classic Carry On films two of the film's best loved stars Kenneth Williams and Barbara Windsor return to Pinewood Film Studios to unwrap some rib-tickling moments to the series. From the original military mayhem of 'Carry On Sergeant' through to the really ancient archaeological gags of 'Carry On Behind' our saucy hosts get their titters out for this laugh-a-second gallop through the most successful series of British comedy films ever made. With a cast of thousands including legendary Sid James Charles Hawtry Joan Sims Peter Butterworth Bernard Breeslaw and Hattie Jacques everyone is in it..... right in it! Carry On Loving (1970): Number 19 in this famous series. Sid James and Hattie Jacques run The Wedding Bliss computer dating agency and guess what? Chaos follows! Carry On Emmannuelle (1978): The Carry On team are back with this their 30th film and the laughs are filthier and funnier than ever before! Emmanuelle Pervert (Suzanne Danielle) Is the fascinating delectable young wife of Emile (Kenneth Williams) the French ambassador for Great Britain. With his sexual prowess damaged in a freak parachuting accident Emmanuelle happily proves her charms are irresistable to all members of the opposite sex. Even the servants are not immune: With the chauffeur Leyland (Kenneth Connor) the butler Lyons (Jack Douglas) and the elderly bootboy Richmond (Peter Butterworth) falling helplessly under her spell...
A tribute to the legendary comic who is an hilarious example of British humour at its best. This DVD compilation contains some classic footage from Eric's hugely successful sit-com 'Sykes'. With the help of regulars like Hattie Jacques Sykes kept the nation amused for over two decades.
When Carry On Teacher was released in 1959, the series was still in its infancy but all the familiar constituent parts were already in place. Innuendo, naturally, reigns supreme and on the brink of the permissive 1960s it's surprising what Peter Rodgers and the gang were able to get away with. "Are you satisfied with your equipment, Miss Allcock?", child psychologist Leslie Phillips asks gym mistress Joan Sims. Naturally, it isn't five minutes before Miss Allcock's shorts have split, leading to a series of pants gags. And we're off. For Carry On fans, Teacher contains many of the funniest lines and certainly some of the best performances from the whole series. Kenneth Williams is still acting rather than giving his mannerisms a good work out. Hattie Jacques is establishing her gorgon-with-a-soft-centre-for-the-right-man persona and Charles Hawtrey's birdlike twitching makes him ideal as the precious music teacher. A youthful Carol White and Richard O'Sullivan are among the scheming pupils. But you don't have to be a diehard Carry On fan to appreciate the boisterous, sub-St Trinians comedy. And thanks to Ted Ray's poignant acting as the headmaster, there's a real moment of Mr Chips-style bathos at the very end. On the DVD: Carry On Teacher doesn't gain much from being presented in widescreen. Much of its appeal lies in its familiarity. All we ask for is a clear print--and in black and white this is diamond sharp--and decent sound quality. The whole thing fits like a comfortable old shoe. But apart from the scene index there are no extras on the disc. Given the cult status of the Carry On films, and the wealth of documentary material which has been made about them and their stars, you'd think something extra could have been offered with the DVD releases to make them a more worthwhile alternative to the video. --Piers Ford
The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The Academy Awards saw it the same way, giving Forster the film's only nomination. The film is more "rum" than "punch" and will certainly disappoint those who are looking for Tarantino's trademark style. This movie is a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend--a loose term with Ordell--Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Fed Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40-ish flight-attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. The end result is rarely in doubt, and what is left is two hours of Tarantino's expert dialogue as he moves his characters around town. Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas
A Choice Of Coward (2 Discs)
Man of the world turned man of the cloth - Cadfael (Derek Jacobi) is a rare hero. He is a man who has chosen to live as a monk - yet he's no saint. Once a solider who fought in the Crusades he has lived - and loved. Even his devotion to the church is not enough to suppress his curiosity to quell his love of mystery. This release features all the storylines from Series One to Four based on the novels by Ellis Peters.
The 18th century, with its frills and bawds, was ideal territory for the Carry On movies: Carry On Dick is one of the few of the series where one notices the quality of the art direction in intervals between terrible old Talbot Rothwell jokes and the creaking of standard farce moments. Captain Fancy (Kenneth Williams) is sent to the remote village of Upper Denture to arrest Big Dick Turpin (Sid James) and makes the mistake of confiding in the local Rector, the Reverend Flasher (who is Big Dick's secret alter-ego). Dick has troubles of his own: his liaison with his housemaid and henchperson Harriet (Barbara Windsor) is perpetually interrupted by his amorous housekeeper Hattie Jacques). Meanwhile, Joan Sims struts around the plot as the proprietor of a touring show of scantily clad young women. This is not one of the best of the series--a certain mean-spiritedness creeps in to the humour as does the self-conscious awareness that 1974 was a date a little late for some of the more sexist jokes--but any film with Kenneth Williams discussing satin coats with his tailor has something going for it. On the DVD: Sadly, the DVD has no frills: it is presented in mono and 4:3 screen ratio.--Roz Kaveney
Arthur Lucan and Kitty McShane star in this unique collection of Old Mother Riley films! Featuring: 1. MP 2. In Paris 3. New Venture 4. Jungle Treasure 5. Meets The Vampire 6. Headmistress
The first of the Carry On movies, 1958's Sergeant is rather different from its successors, much more a film of its time (the latter days of National Service) and rather less a bawdy picture postcard. Sergeant Grimshaw (William Hartnell long before Doctor Who) is about to retire and hopes that he can get his last platoon into shape as Champion Platoon of its intake. Unfortunately, the new recruits include the clumsy Golightly (Charles Hawtrey), the barrack-room lawyer Bailey (Kenneth Williams) and the hypochondriac Horace Strong (Kenneth Connor). Love interest is provided by Bob Monkhouse and Shirley Eaton--newlyweds separated by the call-up and reunited by her taking a job in the canteen--and by the pursuit of Horace by Dora Bryan's Nora. The film relies heavily on a mixture of slapstick and paradoxical revelations of character complexity--the obnoxious Bailey nonetheless takes the trouble to coach the incorrigibly dense Herbert (Norman Rossington); the series' later obsession with low comedy only really emerges in the scenes between Horace and the medic Captain Clark (Hattie Jacques). The platoon's eventual coming together as other than total incompetents is predictable, but likable.On the DVD: The DVD has no frills whatever except for a widescreen picture and chapter selections; it has been cleaned up however so that we get a remarkably crisp mono picture and mono sound, which brings out the quality of the military-band score by Bruce Montgomery, who was also the writer Edmund Crispin. --Roz Kaveney
The seventh entry in the Carry On series and the first not to feature Kenneth Williams. Charlie (Sid James) owner of the Speedee Cabs company finds he has some serious competition when his wife Peggy (Hattie Jacques) sets up a rival firm consisting only of glamorous female drivers. Cabbies driven to distraction include Charles Hawtrey Kenneth Connor and Jim Dale (in his first Carry On appearance).
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