Angela Baker (Pamela Springsteen) has become a counselor at Camp Rolling Hills - a summer camp for teenagers. Crazy Angela has plans to teach the badly-behaved campers a lesson or two in survival - by slicing, stabbing, drilling, barbecuing, chain-sawing and worse. This is the follow up to the original cult hit 'Sleepaway Camp'.
A former government operative comes out of retirement and uses his extensive training to rescue his estranged daughter from a slave trade operation.
A group of criminals use a boy's paper as a means of messages and information. This ploy is discovered by a group of East End boys who take exception to the crooks use of their favourite read! This film the first ""Ealing Comedy"" features a strong cast and a memorable climax with the criminals being chased by thousands of young boys through the London Docklands.
Sky Force is the most elite emergency fighting team in the sky. After hot-shot team member Ace breaks ranks on a dangerous mission and it results in tragedy, he leaves Sky Force for a dreary job in cargo hauling. But Ace can't forget his former life or his friends at Sky Force. When his cruel boss puts his cargo co-workers in danger, Ace takes action. Knowing that he can't be a hero on his own, Ace overcomes his fears and calls on Sky Force to help save the day!
When brash bad boy of basketball Jamal Jefferies (Miguel A Nunez Jr) is kicked off the squad for his inappropriate behaviour he is left homeless and penniless. Just like that Jamal's pro-basketball career is finished. Juwanna Bet? With sass hardcourt skills and the right shade of lipstick Jamal transforms himself into a superstar of the women's league instead as Juwanna Mann becoming a better man along the way! And he pulls it off. Well almost! Juwanna Mann is a cool fast paced comedy that will have you.
This prequel goes back to the farm from the first film to finally learn the story of John Rollins - the simple North Dakota farmer struggling to save his farm and hold his family together. When he places a mysterious scarecrow in his field his luck changes for the better... but it may be at the cost of his sanity.
Silver Bullet is a generic, by-the-numbers Stephen King film with a Stephen King screenplay adapted from an earlier novella. Back in the innocent days of 1976--the age of innocence gets later every year--the town of Tarker's Fall finds itself in the grip of mass hysteria when something starts tearing people apart. Only a crippled child Martie (Corey Haim) works out the truth, which is that the new pastor is a werewolf. Eventually he manages to convince his supercilious sister Janey and his unreliable drunk Uncle Red (Gary Busey) and there is the usual confrontation involving a silver bullet melted down from the children's religious jewellery; the title also refers to the boy's motorised wheelchair. The film neglects interesting possibilities--the lynch-mob mentality that takes over the town fizzles after the major vigilantes are killed, the pastor tries to justify the killings to himself--in favour of stock ultra-violent confrontations and extended metamorphoses; its major strength is a familiar King theme, the helplessness of being a child in a world full of people who will not listen to you. On the DVD: The DVD comes with a director's commentary by Daniel Attias and dubbed versions in German, French and Italian. The soundtrack has Dolby sound which brings out the stylised fairy-tale elements in the score and the widescreen picture is presented in 2.35:1 anamorphic ratio. The sometimes muddy-looking night-scenes are balanced by brisk pastoral daylight scenes that have their own innocence. --Roz Kaveney
Everyone`s favourite muck-encrusted plant-man is back in this tongue-in-cheek action-adventure starring Louis Jourdan and the gorgeous Heather Locklear. Sequel to the original cult classic Swamp Thing and based on the award-winning D.C. Comics series, this visually dynamic film plants our moss-infested superhero in a dangerous love affair.
One might reasonably expect Tomcats to be the Porky's of 2001: after all, it concerns a group of young, sexist morons and their fears and fantasies about young women. But Tomcats isn't quite as brain-dead as that, though it is phenomenally more neurotic. Jerry O'Connell plays one of two remaining bachelors within a group of wealthy pals who set aside a cash reward, years before, earmarked for the last among them to get married. O'Connell needs the money to pay off a gambling debt, but his problem is that the other bachelor is a horrendous pig (Jake Busey) unlikely ever to land a gal. A general mean-spiritedness flows through this wearying comedy, manifest in such ugly moments as watching someone's girlfriend run over by a golf cart and an excised, cancerous testicle kicked around hospital hallways. If you're looking for female flesh, however, forget it: Tomcats is far more driven to explore male nudity, while making equally naked today's masculine fears of impotence, mothers and lesbians. --Tom Keogh, Amazon.com
Cat and Sam arrive back in Glasgow with a colossal bump after a loved-up month in South America. Has Cat made her mind up once and for all about her first love, Frankie? Or is she still torn between the two women she loves? Meanwhile, it looks like Tess has finally got her first proper acting role, a hot new girlfriend and is sharing a pad with Frankie, what could possibly go wrong? Special Features: Behind the Scenes Heather's Tour of Glasgow Sadie, Lauren and Lexy
A happy young couple welcomes their first child shortly after getting married. Their joy quickly turns to fear when the girl starts acting strangely and unexplained phenomena start happening around the house.
Heather Sears and Patrick Troughton star in this gothic, British chiller! Sir Richard (John Turner) returns to his manor with a new bride - only to discover that a man matching his description has been slaying beautiful young women in the area; and his fi rst wife's ghost appears on the lawn and accuses Sir Richard of her murder.
Repeated viewings can't dispel the shock of the final scene of Suspicion, Hitchcock's classic 1941 romantic mystery--a brief but disorientating confrontation that suddenly inverts the heroine's mounting conviction that she's married a murderer, forcing us to reconsider virtually every scene and line of dialogue that's preceded it. It's a masterful coup de grĂ¢ce for the director, who has built a puzzle around the corrosive power of suspicion, threaded with deft ambiguities that toy with dramatic conventions and character archetypes in nearly every frame. As embodied by Joan Fontaine, who nabbed an Oscar in this second outing with the director, Lina McLaidlaw is a buttoned-up, bookish heiress whose prim exterior conceals longings for a more engaged emotional life. Her solution materialises in the darkly handsome Johnnie Aysgarth, a gambler, womaniser and spendthrift who flirts, then pursues, and soon marries her. As Aysgarth, Cary Grant is both irresistible and sinister, capable of deceit and petty theft, as well as grander designs on his bride's impending fortune. Lina's passion for Johnnie is clouded by each new revelation about his apparent dishonesty, from clandestine gambling to real-estate development schemes; more troubling are clues implicating him in the death of his best friend, and the prospect that Johnnie may be slowly poisoning Lina herself. By the time we see him ascending a darkened staircase with a suspicious glass of milk, an image made all the more indelible through the spectral glow the director captures in the glass, the evidence seems damning indeed. In fact, even as Hitchcock stacks the deck against Johnnie, and takes full advantage of Grant's skill at conveying such menace, the director also dots his landscape with visual clues to Lina's own neurotic (and erotic) obsessions. The final scene forces us to re-evaluate her behaviour while leaving enough of a cloud over Johnnie to rob him, and us, of a complete exoneration. It's a wicked, unsettling payoff to a brilliantly executed thriller. --Sam Sutherland
A bumper box set of classic films featuring 'The Queen' Barbara Stanwyck! Double Indemnity (Dir. Billy Wilder 1944): Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of cou
With this third season, Frasier scored an impressive hat trick, winning its third successive Emmy for Outstanding Comedy Series. You don't need too much analysis to get to the bottom of this unprecedented success. The series was a primetime oasis of wit and sophistication, with welcome forays into farce that pricked Frasier's bubble of pomposity. His priceless reactions to the assaults on his dignity are worthy of Jack Benny. Frasier (Kelsey Grammer) can be infuriating, as in "The Focus Group," in which he is obsessed with knowing why a lone focus group participant (guest star Tony Shalhoub) doesn't like him. But he is also endearing in his delusional view of himself as, in the words of one mocking bystander, a "man of the people." Frasier meets his match in new station owner Kate Costas (Oscar-winner Mercedes Ruehl). Their combative relationship turns to lust over the course of the first 10 episodes. But the season's most pivotal story arc is the separation of Niles (David Hyde Pierce) and Maris. "Moon Dance," which marked Grammer's directorial debut, is a series benchmark, as a crestfallen Niles tangos with his unrequited love, Daphne (Jane Leeves), at a high society ball. Not that the Crane family still doesn't have issues to work out. Frasier cannot abide being beaten at chess by Martin (John Mahoney) in "Chess Pains." Frasier and Niles ill-advisedly go into joint practice in "Shrink Rap," and find themselves on the opposite sides of a sanity hearing in "Crane vs. Crane." Lilith is sorely missed, but in this season's blast-from-the-past episode, Shelley Long returns in "The Show Where Diane Comes Back." It is a joy to see Cheers resurrected, if only in Diane's self-absorbed new play, which Frasier agrees to back. And any episode with Frasier's amoral agent Bebe (Harriet Sansom Harris) is must-see television. Frasier's humor was character-based, rather than topical, giving it a longer shelf life. For those who lament the end of one of television's gold standard series, this box set will be excellent therapy. --Donald Liebenson
A mass murderer goes to the electric chair but something goes horribly wrong. The electrical energy transforms him into a monster able to enter and possess other's bodies at will. Now he is loose and seemingly unstoppable...
Welcome to Tromaville High School the most bizarre High School you'll ever attend and it is conveniently located a stone's throw from the local Nuclear Power Plant. Meet the students as they transform into horrifying mutations! Become a member of The Cretins - a psychotic punk gang who ride motorcycles through the classrooms trashing the school. If you're thinking of bunking off classes you had better beware - there is a gigantic gremlin-like creature growing in the hot water pipes and a gigantic slime drenched monster growing in the basement - just waiting for you!
Out-of-work actor Victor Bukowski (Douglas Henshall) is desperate to stop his ex-girlfriend Sylvia (Lena Headey) from marrying another man. Then miraculously he is given a second chance to go back and correct the mistakes which led to their relationship breaking down. But will turning back the clock really change anything at all?
Shocker allows Wes Craven to hang onto his title as the master of the horror genre--but only just. Centring once more on a charismatic lead character (Horace Pinker) Shocker continues Craven's penchant for combining fantasy and horror. Pinker (played with zeal by Mitch Pileggi of X-Files fame) is a serial killer--the "family slasher"--terrorising the inhabitants of the city of. Having murdered the foster family and girlfriend of all-American boy Jonathon Parker (Peter Berg), the latter finds he can foresee Pinker's actions in his dreams. The resulting supernatural developments (including ghosts, magic charms and possessed bodies) are more than a little muddled but underpinned by the continuous gruesome hack and slash action. A film with its brain most definitely disengaged, Shocker is still undemanding, wince-inducing fun. On the DVD: Not much to offer from this format. The splendidly dated 1980's American heavy metal soundtrack (including Kiss and Megadeth) comes through loud and clear and the sound effects are certainly horribly audible. Picture quality is fine but not spectacular. Extras are limited to scene selection, the trailer and a selection of storyboards and their cinematic equivalents. --Phil Udell
When a student at a Baptist High School becomes pregnant, she soon finds herself an outcast among her former friends in this wickedly subversive teen comedy.
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